Songs - 2

~ Release by Debussy; Lorna Anderson, Lisa Milne, Malcolm Martineau (see all versions of this release, 2 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Fêtes galantes I: En sourdine
recording engineer:
Julian Millard (engineer) (from 2011-05-04 until 2011-05-05)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
piano:
Malcolm Martineau (pianist) (from 2011-05-04 until 2011-05-05)
soprano vocals:
Lorna Anderson (soprano) (from 2011-05-04 until 2011-05-05)
recorded at:
All Saints’ Church (East Finchley, London) in East Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom
recording of:
Fêtes galantes (1er recueil), L. 80, CD 86 : I. En sourdine “Calmes dans le demi-jour” (for voice and piano) (from 2011-05-04 until 2011-05-05)
lyricist:
Paul Verlaine (French poet)
composer:
Claude Debussy (French composer) (from 1891 until 1892)
version of:
En sourdine, L. 28, CD 42 “Calmes dans le demi-jour” (for voice and piano, 1st version)
part of:
Fêtes galantes (1er recueil), L. 80, CD 86 (for voice and piano)
Claude Debussy3:11
2Fêtes galantes I: Fantoches
recording engineer:
Julian Millard (engineer) (from 2011-05-04 until 2011-05-05)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
piano:
Malcolm Martineau (pianist) (from 2011-05-04 until 2011-05-05)
soprano vocals:
Lorna Anderson (soprano) (from 2011-05-04 until 2011-05-05)
recorded at:
All Saints’ Church (East Finchley, London) in East Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom
recording of:
Fêtes galantes (1er recueil), L. 80, CD 86 : II. Fantoches “Scaramouche et Pulcinella” (for voice and piano) (from 2011-05-04 until 2011-05-05)
lyricist:
Paul Verlaine (French poet)
composer:
Claude Debussy (French composer) (from 1891 until 1892)
version of:
Fantoches, L. 21, CD 26 “Scaramouche et Pulcinella” (première version, for voice and piano)
part of:
Fêtes galantes (1er recueil), L. 80, CD 86 (for voice and piano)
Claude Debussy1:23
3Fêtes galantes I: Clair de lune
recording engineer:
Julian Millard (engineer) (from 2011-05-04 until 2011-05-05)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
piano:
Malcolm Martineau (pianist) (from 2011-05-04 until 2011-05-05)
soprano vocals:
Lorna Anderson (soprano) (from 2011-05-04 until 2011-05-05)
recorded at:
All Saints’ Church (East Finchley, London) in East Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom
recording of:
Fêtes galantes (1er recueil), L. 80, CD 86 : III. Clair de lune “Votre âme est un paysage choisi” (for voice and piano) (from 2011-05-04 until 2011-05-05)
lyricist:
Paul Verlaine (French poet)
composer:
Claude Debussy (French composer) (from 1891 until 1892)
version of:
Clair de lune, L. 32, CD 45 “Votre âme est un paysage choisi” (for voice and piano, 1st version)
part of:
Fêtes galantes (1er recueil), L. 80, CD 86 (for voice and piano)
Claude Debussy3:20
4Proses lyriques: De rêve
recording engineer:
Julian Millard (engineer) (on 2011-07-14)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
piano:
Malcolm Martineau (pianist) (on 2011-07-14)
soprano vocals:
Lisa Milne (soprano) (on 2011-07-14)
recorded at:
All Saints’ Church (East Finchley, London) in East Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (on 2011-07-14)
recording of:
Proses lyriques, L. 84, CD 90 : I. De rêve « La nuit a des douceurs de femme » (for voice and piano) (on 2011-07-14)
lyricist:
Claude Debussy (French composer)
composer:
Claude Debussy (French composer) (from 1892 until 1893-07)
dedicated to:
Narcisse Lebeau
part of:
Proses lyriques, L. 84, CD 90 (for voice and piano)
Claude Debussy6:10
5Proses lyriques: De grève
recording engineer:
Julian Millard (engineer) (on 2011-07-14)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
piano:
Malcolm Martineau (pianist) (on 2011-07-14)
soprano vocals:
Lisa Milne (soprano) (on 2011-07-14)
recorded at:
All Saints’ Church (East Finchley, London) in East Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (on 2011-07-14)
recording of:
Proses lyriques, L. 84, CD 90 : II. De grève « Sur la mer les crépuscules tombent » (for voice and piano) (on 2011-07-14)
lyricist:
Claude Debussy (French composer)
composer:
Claude Debussy (French composer) (from 1892 until 1893-07)
dedicated to:
Raymond Bonheur (composer, 1861-1939)
part of:
Proses lyriques, L. 84, CD 90 (for voice and piano)
Claude Debussy3:31
6Proses lyriques: De fleurs
recording engineer:
Julian Millard (engineer) (on 2011-07-14)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
piano:
Malcolm Martineau (pianist) (on 2011-07-14)
soprano vocals:
Lisa Milne (soprano) (on 2011-07-14)
recorded at:
All Saints’ Church (East Finchley, London) in East Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (on 2011-07-14)
recording of:
Proses lyriques, L. 84, CD 90 : III. De fleurs « Dans l’ennui si désolément vert » (for voice and piano) (on 2011-07-14)
lyricist:
Claude Debussy (French composer)
composer:
Claude Debussy (French composer) (from 1892 until 1893-07)
dedicated to:
Jeanne Chausson
premiered at:
[concert] (1894-02-17)
part of:
Proses lyriques, L. 84, CD 90 (for voice and piano)
Claude Debussy5:36
7Proses lyriques: De soir
recording engineer:
Julian Millard (engineer) (on 2011-07-14)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
piano:
Malcolm Martineau (pianist) (on 2011-07-14)
soprano vocals:
Lisa Milne (soprano) (on 2011-07-14)
recorded at:
All Saints’ Church (East Finchley, London) in East Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (on 2011-07-14)
recording of:
Proses lyriques, L. 84, CD 90 : IV. De soir « Dimanche sur les villes » (for voice and piano) (on 2011-07-14)
lyricist:
Claude Debussy (French composer)
composer:
Claude Debussy (French composer) (from 1892 until 1893-07)
dedicated to:
Henry Lerolle
premiered at:
[concert] (1894-02-17)
part of:
Proses lyriques, L. 84, CD 90 (for voice and piano)
Claude Debussy4:15
8Chansons de Bilitis: La flûte de Pan
recording engineer:
Julian Millard (engineer) (from 2011-05-04 until 2011-05-05)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
piano:
Malcolm Martineau (pianist) (from 2011-05-04 until 2011-05-05)
soprano vocals:
Lorna Anderson (soprano) (from 2011-05-04 until 2011-05-05)
recorded at:
All Saints’ Church (East Finchley, London) in East Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom
recording of:
Chansons de Bilitis, L. 90, CD 97: No. 1. La Flûte de Pan «Pour le jour des Hyacinthies» (from 2011-05-04 until 2011-05-05)
lyricist:
Pierre Louÿs
composer:
Claude Debussy (French composer) (from 1897-06 until 1898-08)
part of:
Chansons de Bilitis, L. 90, CD 97 (for voice and piano)
Claude Debussy2:48
9Chansons de Bilitis: La chevelure
recording engineer:
Julian Millard (engineer) (from 2011-05-04 until 2011-05-05)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
piano:
Malcolm Martineau (pianist) (from 2011-05-04 until 2011-05-05)
soprano vocals:
Lorna Anderson (soprano) (from 2011-05-04 until 2011-05-05)
recorded at:
All Saints’ Church (East Finchley, London) in East Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom
recording of:
Chansons de Bilitis, L. 90, CD 97: No. 2. La Chevelure «Il m’a dit «Cette nuit d’ai rêvé»» (from 2011-05-04 until 2011-05-05)
lyricist:
Pierre Louÿs
composer:
Claude Debussy (French composer) (from 1897-06 until 1898-08)
part of:
Chansons de Bilitis, L. 90, CD 97 (for voice and piano)
Claude Debussy3:25
10Chansons de Bilitis: Le tombeau des naïades
recording engineer:
Julian Millard (engineer) (from 2011-05-04 until 2011-05-05)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
piano:
Malcolm Martineau (pianist) (from 2011-05-04 until 2011-05-05)
soprano vocals:
Lorna Anderson (soprano) (from 2011-05-04 until 2011-05-05)
recorded at:
All Saints’ Church (East Finchley, London) in East Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom
recording of:
Chansons de Bilitis, L. 90, CD 97: No. 3. Le Tombeau des naïades: «Le long du bois couvert de givre» (from 2011-05-04 until 2011-05-05)
lyricist:
Pierre Louÿs
composer:
Claude Debussy (French composer) (from 1897-06 until 1898-08)
part of:
Chansons de Bilitis, L. 90, CD 97 (for voice and piano)
Claude Debussy2:46
11Ariettes oubliées: C’est l’extase
recording engineer:
Julian Millard (engineer) (on 2011-07-14)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
piano:
Malcolm Martineau (pianist) (on 2011-07-14)
soprano vocals:
Lisa Milne (soprano) (on 2011-07-14)
recorded at:
All Saints’ Church (East Finchley, London) in East Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (on 2011-07-14)
recording of:
Ariettes oubliées, L. 60, CD 63a : I. Le Vent dans la plaine suspend son haleine “C’est l’extase langoureuse” (for voice and piano) (on 2011-07-14)
additional lyricist:
Charles-Simon Favart
lyricist:
Paul Verlaine (French poet)
composer:
Claude Debussy (French composer) (in 1887-03)
part of:
Ariettes oubliées, L. 60, CD 63a (for voice and piano)
Claude Debussy2:55
12Ariettes oubliées: Il pleure dans mon cœur
recording engineer:
Julian Millard (engineer) (on 2011-07-14)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
piano:
Malcolm Martineau (pianist) (on 2011-07-14)
soprano vocals:
Lisa Milne (soprano) (on 2011-07-14)
recorded at:
All Saints’ Church (East Finchley, London) in East Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (on 2011-07-14)
recording of:
Ariettes oubliées, L. 60, CD 63a : II. Il pleut doucement sur la ville “Il pleure dans mon cœur comme il pleure sur la ville” (for voice and piano) (on 2011-07-14)
additional lyricist:
Arthur Rimbaud (French poet of the19th century)
lyricist:
Paul Verlaine (French poet)
composer:
Claude Debussy (French composer) (in 1887-03)
is based on:
Il pleure dans mon cœur (Paul Verlaine's poem)
part of:
Ariettes oubliées, L. 60, CD 63a (for voice and piano)
Claude Debussy2:29
13Ariettes oubliées: L’ombre des arbres
recording engineer:
Julian Millard (engineer) (on 2011-07-14)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
piano:
Malcolm Martineau (pianist) (on 2011-07-14)
soprano vocals:
Lisa Milne (soprano) (on 2011-07-14)
recorded at:
All Saints’ Church (East Finchley, London) in East Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (on 2011-07-14)
recording of:
Ariettes oubliées, L. 60, CD 63a : III. Le Rossignol qui, du haut d’une branche “L’Ombre des arbres dans la rivière embrumée” (for voice and piano) (on 2011-07-14)
lyricist:
Paul Verlaine (French poet)
composer:
Claude Debussy (French composer) (from 1885-01-06 until 1885-01-10)
part of:
Ariettes oubliées, L. 60, CD 63a (for voice and piano)
Claude Debussy2:35
14Ariettes oubliées: Chevaux de bois
recording engineer:
Julian Millard (engineer) (on 2011-07-14)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
piano:
Malcolm Martineau (pianist) (on 2011-07-14)
soprano vocals:
Lisa Milne (soprano) (on 2011-07-14)
recorded at:
All Saints’ Church (East Finchley, London) in East Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (on 2011-07-14)
recording of:
Ariettes oubliées, L. 60, CD 63a : IV. Paysages belges. Chevaux de bois “Tournez, tournez, bons chevaux de bois” (for voice and piano) (on 2011-07-14)
lyricist:
Paul Verlaine (French poet)
composer:
Claude Debussy (French composer) (from 1885-01-06 until 1885-01-10)
part of:
Ariettes oubliées, L. 60, CD 63a (for voice and piano)
Claude Debussy3:22
15Ariettes oubliées: Green
recording engineer:
Julian Millard (engineer) (on 2011-07-14)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
piano:
Malcolm Martineau (pianist) (on 2011-07-14)
soprano vocals:
Lisa Milne (soprano) (on 2011-07-14)
recorded at:
All Saints’ Church (East Finchley, London) in East Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (on 2011-07-14)
recording of:
Ariettes oubliées, L. 60, CD 63a : V. Aquarelles, 1. Green “Voici des fruits, des fleurs, des feuilles” (for voice and piano) (on 2011-07-14)
lyricist:
Paul Verlaine (French poet)
composer:
Claude Debussy (French composer) (in 1886-01)
is based on:
Green (Paul Verlaine's poem)
part of:
Ariettes oubliées, L. 60, CD 63a (for voice and piano)
Claude Debussy2:21
16Ariettes oubliées: Spleen
recording engineer:
Julian Millard (engineer) (on 2011-07-14)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
piano:
Malcolm Martineau (pianist) (on 2011-07-14)
soprano vocals:
Lisa Milne (soprano) (on 2011-07-14)
recorded at:
All Saints’ Church (East Finchley, London) in East Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (on 2011-07-14)
recording of:
Ariettes oubliées, L. 60, CD 63a : VI. Aquarelles, 2. Spleen “Les Roses étaient toutes rouges” (for voice and piano) (on 2011-07-14)
lyricist:
Paul Verlaine (French poet)
composer:
Claude Debussy (French composer) (in 1886-01)
part of:
Ariettes oubliées, L. 60, CD 63a (for voice and piano)
Claude Debussy2:32
17Trois Chansons de France: Rondel I: Le temps a laissié son manteau
recording engineer:
Julian Millard (engineer) (from 2011-05-04 until 2011-05-05)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
piano:
Malcolm Martineau (pianist) (from 2011-05-04 until 2011-05-05)
soprano vocals:
Lorna Anderson (soprano) (from 2011-05-04 until 2011-05-05)
recorded at:
All Saints’ Church (East Finchley, London) in East Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom
recording of:
Trois Chansons de France, L. 102, CD 115 : I. Rondel: Le temps a laissé son manteau (for voice and piano) (from 2011-05-04 until 2011-05-05)
lyricist:
Charles duc d’Orléans
composer:
Claude Debussy (French composer) (in 1904)
premiered at:
[concert] (1905-05-15)
is based on:
Le temps a laissé son manteau (CHarles d'Orléans' poem)
part of:
Trois Chansons de France, L. 102, CD 115 (for voice and piano)
Claude Debussy1:13
18Trois Chansons de France: La grotte
recording engineer:
Julian Millard (engineer) (from 2011-05-04 until 2011-05-05)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
piano:
Malcolm Martineau (pianist) (from 2011-05-04 until 2011-05-05)
soprano vocals:
Lorna Anderson (soprano) (from 2011-05-04 until 2011-05-05)
recorded at:
All Saints’ Church (East Finchley, London) in East Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom
recording of:
Trois Chansons de France, L. 102, CD 115 : II. La Grotte: Auprès de cette grotte sombre (for voice and piano) (from 2011-05-04 until 2011-05-05)
lyricist:
Tristan l'Hermite (French poet and dramatist)
composer:
Claude Debussy (French composer) (in 1904)
premiered at:
[concert] (1905-05-15)
part of:
Trois Chansons de France, L. 102, CD 115 (for voice and piano)
Claude Debussy2:39
19Trois Chansons de France: Rondel II: Pour ce que Plaisance est morte
recording engineer:
Julian Millard (engineer) (from 2011-05-04 until 2011-05-05)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
piano:
Malcolm Martineau (pianist) (from 2011-05-04 until 2011-05-05)
soprano vocals:
Lorna Anderson (soprano) (from 2011-05-04 until 2011-05-05)
recorded at:
All Saints’ Church (East Finchley, London) in East Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom
recording of:
Trois Chansons de France, L. 102, CD 115 : III. Rondel: Pour ce que Plaisance est morte (for voice and piano) (from 2011-05-04 until 2011-05-05)
lyricist:
Charles duc d’Orléans
composer:
Claude Debussy (French composer) (in 1904)
part of:
Trois Chansons de France, L. 102, CD 115 (for voice and piano)
Claude Debussy2:08
20Trois Poèmes de Mallarmé: Soupir
recording engineer:
Julian Millard (engineer) (from 2011-05-04 until 2011-05-05)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
piano:
Malcolm Martineau (pianist) (from 2011-05-04 until 2011-05-05)
soprano vocals:
Lorna Anderson (soprano) (from 2011-05-04 until 2011-05-05)
recorded at:
All Saints’ Church (East Finchley, London) in East Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom
recording of:
Trois poèmes de Stéphane Mallarmé, L. 127, CD 135: I. Soupir "Mon âme vers ton front où rêve, ô calme sœur" (from 2011-05-04 until 2011-05-05)
lyricist:
Stéphane Mallarmé (in 1899)
composer:
Claude Debussy (French composer) (in 1913)
part of:
Trois poèmes de Stéphane Mallarmé, L. 127, CD 135
Claude Debussy2:58
21Trois Poèmes de Mallarmé: Placet futile
recording engineer:
Julian Millard (engineer) (from 2011-05-04 until 2011-05-05)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
piano:
Malcolm Martineau (pianist) (from 2011-05-04 until 2011-05-05)
soprano vocals:
Lorna Anderson (soprano) (from 2011-05-04 until 2011-05-05)
recorded at:
All Saints’ Church (East Finchley, London) in East Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom
recording of:
Trois poèmes de Stéphane Mallarmé, L. 127, CD 135: II. Placet futile "Princesse! À jalouser le destin d'une Hébé" (from 2011-05-04 until 2011-05-05)
lyricist:
Stéphane Mallarmé (in 1899)
composer:
Claude Debussy (French composer) (in 1913)
part of:
Trois poèmes de Stéphane Mallarmé, L. 127, CD 135
Claude Debussy2:14
22Trois Poèmes de Mallarmé: Éventail
recording engineer:
Julian Millard (engineer) (from 2011-05-04 until 2011-05-05)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
piano:
Malcolm Martineau (pianist) (from 2011-05-04 until 2011-05-05)
soprano vocals:
Lorna Anderson (soprano) (from 2011-05-04 until 2011-05-05)
recorded at:
All Saints’ Church (East Finchley, London) in East Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom
recording of:
Trois poèmes de Stéphane Mallarmé, L. 127, CD 135: III. Éventail "Ô rêveuse pour que je plonge" (from 2011-05-04 until 2011-05-05)
lyricist:
Stéphane Mallarmé (in 1899)
composer:
Claude Debussy (French composer) (in 1913)
part of:
Trois poèmes de Stéphane Mallarmé, L. 127, CD 135
Claude Debussy2:38

Credits

Release

photography:Clive Barda (photographer)
Russell Duncan (photographer)
liner notes:Roger Nichols (Classical liner note writer)
liner notes translator:Marie-Stella Pâris (liner notes)
Viola Scheffel (Übersetzung)
miscellaneous support:Nicole Tibbels (task: language coach)
Michel Vallat (language coach) (task: language coach)
executive producer:Simon Perry (Hyperion classical music producer)
booklet editor:Tim Parry (liner notes editor for classical music, mainly on the label Hyperion)
purchase for download:https://music.apple.com/us/album/debussy-songs-vol-2/570072115 [info]
https://www.hyperion-records.co.uk/dc.asp?dc=D_CDA67883 [info]