Don Carlos (white back tray card)

~ Veröffentlichung von Verdi; Plácido Domingo, Montserrat Caballé, Ruggero Raimondi, Shirley Verrett, Sherrill Milnes, Giovanni Foiani, Simon Estes, Ambrosian Opera Chorus, Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (alle Versionen dieser Veröffentlichung ansehen, 8 vorhanden)

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Nr.TitelKünstlerBewertungLänge
1Don Carlo: Atto II, scena 2. ”Oh!, Carlo! oh! Carlo!“
assistierende(r) Produzent(in):
Gwyn Morris (record producer)
Produzent(in):
Christopher Bishop (conductor/producer)
Soprangesang [Elisabetta]:
Montserrat Caballé (soprano)
Tenor-Gesang [Don Carlo]:
Plácido Domingo (tenor)
Orchester:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Carlo Maria Giulini (conductor)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recording of:
Don Carlo: Atto I, scena 2. N°9 “Oh, Carlo oh Carlo” (Elisabetta, Carlo)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Teil von:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi2:14
2Don Carlo: Atto II, scena 2. ”Il Re! Perché sola è la Regina?”
assistierende(r) Produzent(in):
Gwyn Morris (record producer)
Produzent(in):
Christopher Bishop (conductor/producer)
Bass-Gesang [Filippo]:
Ruggero Raimondi (bass-baritone)
Chorgesang:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
Mezzosoprangesang [Tebaldo]:
Delia Wallis (mezzo-soprano)
Orchester:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Carlo Maria Giulini (conductor)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recording of:
Don Carlo: Atto I, scena 2. N°10 “Il Re!… Perché sola è la Regina?” (Tebaldo, Filippo, Coro)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Camille du Locle und Joseph Méry
Teil von:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi1:27
3Don Carlo: Atto II, scena 2. ”Non pianger, mia compagna”
assistierende(r) Produzent(in):
Gwyn Morris (record producer)
Produzent(in):
Christopher Bishop (conductor/producer)
Baritongesang [Rodrigo]:
Sherrill Milnes (baritone)
Bass-Gesang [Filippo]:
Ruggero Raimondi (bass-baritone)
Chorgesang:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
Soprangesang [Elisabetta]:
Montserrat Caballé (soprano)
Orchester:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Carlo Maria Giulini (conductor)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recording of:
Don Carlo: Atto I, scena 2. N°11 “Non pianger, mia compagna” (Elisabetta, Rodrigo, Coro, Filippo)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Camille du Locle und Joseph Méry
Teil von:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi4:24
4Don Carlo: Atto II, scena 2. ”Restate! Al mio regal cospetto”
assistierende(r) Produzent(in):
Gwyn Morris (record producer)
Produzent(in):
Christopher Bishop (conductor/producer)
Baritongesang [Rodrigo]:
Sherrill Milnes (baritone)
Bass-Gesang [Filippo]:
Ruggero Raimondi (bass-baritone)
Orchester:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Carlo Maria Giulini (conductor)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recording of:
Don Carlo: Atto I, scena 2. N°12. “Restate! Presso alla mia persona” (Filippo, Rodrigo)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Camille du Locle und Joseph Méry
Teil von:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi2:28
5Don Carlo: Atto II, scena 2. ”O Signor, di Fiandra arrivo”
assistierende(r) Produzent(in):
Gwyn Morris (record producer)
Produzent(in):
Christopher Bishop (conductor/producer)
Baritongesang [Rodrigo]:
Sherrill Milnes (baritone)
Bass-Gesang [Filippo]:
Ruggero Raimondi (bass-baritone)
Orchester:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Carlo Maria Giulini (conductor)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recording of:
Don Carlo: Atto I, scena 2. N°13 “O signor, di Fiandra arrivo” (Filippo, Rodrigo)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Camille du Locle und Joseph Méry
Teil von:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi3:29
6Don Carlo: Atto II, scena 2. ”Quest'è la pace che voi date al mondo?”
assistierende(r) Produzent(in):
Gwyn Morris (record producer)
Produzent(in):
Christopher Bishop (conductor/producer)
Baritongesang [Rodrigo]:
Sherrill Milnes (baritone)
Bass-Gesang [Filippo]:
Ruggero Raimondi (bass-baritone)
Orchester:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Carlo Maria Giulini (conductor)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recording of:
Don Carlo: Atto I, scena 2. N°13 “Quest’è la pace che voi date al mondo?” (Filippo, Rodrigo)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Camille du Locle und Joseph Méry
Teil von:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi3:21
7Don Carlo: Atto II, scena 2. ”Osò lo sguardo tuo penetrar il mio soglio”
assistierende(r) Produzent(in):
Gwyn Morris (record producer)
Produzent(in):
Christopher Bishop (conductor/producer)
Baritongesang [Rodrigo]:
Sherrill Milnes (baritone)
Bass-Gesang [Filippo]:
Ruggero Raimondi (bass-baritone)
Orchester:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Carlo Maria Giulini (conductor)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recording of:
Don Carlo: Atto I, scena 2. N°13 “Osò lo sguardo tuo penetrar il mio soglio” (Filippo, Rodrigo)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Camille du Locle und Joseph Méry
Teil von:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi3:46
8Don Carlo: Atto III. Preludio
assistierende(r) Produzent(in):
Gwyn Morris (record producer)
Produzent(in):
Christopher Bishop (conductor/producer)
Orchester:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Carlo Maria Giulini (conductor)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recording of:
Don Carlo: Atto II. Preludio
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Camille du Locle und Joseph Méry
Teil von:
Don Carlo: Atto II (III)
Giuseppe Verdi3:02
9Don Carlo: Atto III, scena 1. ”A mezza notte, ai giardin della Regina”
assistierende(r) Produzent(in):
Gwyn Morris (record producer)
Produzent(in):
Christopher Bishop (conductor/producer)
Mezzosoprangesang [Eboli]:
Shirley Verrett (mezzo-soprano)
Tenor-Gesang [Don Carlo]:
Plácido Domingo (tenor)
Orchester:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Carlo Maria Giulini (conductor)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
Kompilation von:
Don Carlo: Atto III, Scena I, No. 8. Scena, duetto e terzetto: "A mezzanotte, ai giardin della Regina" (Carlo, Eboli) von Plácido Domingo (tenor), Shirley Verrett (mezzo-soprano), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor), Don Carlo: Atto III, Scena I, No. 8. Scena, duetto e terzetto: "Ciel! Non è la Regina!" (Carlo, Eboli) von Plácido Domingo (tenor), Shirley Verrett (mezzo-soprano), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor), Don Carlo: Atto III, Scena I, No. 8. Scena, duetto e terzetto: "Che disse mai?" (Rodrigo, Eboli) von Sherrill Milnes (baritone), Shirley Verrett (mezzo-soprano), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor) und Don Carlo: Atto III, Scena I, No. 8. Scena, duetto e terzetto: "Al mio furor, sfuggite invano" (Eboli, Rodrigo, Carlo) von Plácido Domingo (tenor), Sherrill Milnes (baritone), Shirley Verrett (mezzo-soprano), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor)
recording of:
Don Carlo: Atto II, scena 1. N°1 “A mezzanotte, ai giardin della Regina” … “Sei tu, sei tu, bell'adorata” (Carlo, Eboli)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Camille du Locle und Joseph Méry
Teil von:
Don Carlo: Atto II (III)
Teil von:
Don Carlo: Atto II (III)
Giuseppe Verdi8:21
10Don Carlo: Atto III, scena 1. ”Ed io, che trabava al suo aspetto!”
assistierende(r) Produzent(in):
Gwyn Morris (record producer)
Produzent(in):
Christopher Bishop (conductor/producer)
Baritongesang [Rodrigo]:
Sherrill Milnes (baritone)
Mezzosoprangesang [Eboli]:
Shirley Verrett (mezzo-soprano)
Tenor-Gesang [Don Carlo]:
Plácido Domingo (tenor)
Orchester:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Carlo Maria Giulini (conductor)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
Kompilation von:
Don Carlo: Atto III, Scena I, No. 8. Scena, duetto e terzetto: "Ed io, che tremava al suo aspetto!" (Eboli, Rodrigo, Carlo) von Plácido Domingo (tenor), Sherrill Milnes (baritone), Shirley Verrett (mezzo-soprano), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor), Don Carlo: Atto III, Scena I, No. 8. Scena, duetto e terzetto: "Trema per te, falso figliuolo" (Eboli, Rodrigo, Carlo) von Plácido Domingo (tenor), Sherrill Milnes (baritone), Shirley Verrett (mezzo-soprano), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor) und Don Carlo: Atto III, Scena I, No. 8. Scena, duetto e terzetto: "Carlo! se mai su te fogli importanti serbi" (Rodrigo, Carlo) von Plácido Domingo (tenor), Sherrill Milnes (baritone), Shirley Verrett (mezzo-soprano), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor)
recording of:
Don Carlo: Atto II, scena 1. N°3 “Ed io, che tremava al suo aspetto!” … “Trema per te, falso figliuolo” (Eboli, Rodrigo, Carlo)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Camille du Locle und Joseph Méry
Teil von:
Don Carlo: Atto II (III)
Giuseppe Verdi5:06
11Don Carlo: Atto III, scena 2. ”Spuntato ecco il dì d'esultanza”
assistierende(r) Produzent(in):
Gwyn Morris (record producer)
Produzent(in):
Christopher Bishop (conductor/producer)
Chorgesang:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (von 1970-08-18 bis 1970-08-31)
Orchester:
Orchestra of the Royal Opera House, Covent Garden (von 1970-08-18 bis 1970-08-31)
conductor:
Carlo Maria Giulini (conductor) (von 1970-08-18 bis 1970-08-31)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (von 1970-08-18 bis 1970-08-31)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
aufgenommen bei:
Walthamstow Assembly Hall in London (Greater London), England, Vereinigtes Königreich (von 1970-08-18 bis 1970-08-31)
recording of:
Don Carlo: Atto II, scena 2. N°5 “Spuntato ecco il dì d’esultanza” (coro) (Autodafé scene) (von 1970-08-18 bis 1970-08-31)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (in 1867)
Librettist:
Camille du Locle und Joseph Méry
Teil von:
Don Carlo: Atto II (III)
Giuseppe Verdi4:31
12Don Carlo: Atto III, scena 2. ”Schiusa or sia la porta del tempio!”
assistierende(r) Produzent(in):
Gwyn Morris (record producer)
Produzent(in):
Christopher Bishop (conductor/producer)
Baritongesang [un araldo reale]:
John Noble (baritone)
Chorgesang:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
Orchester:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Carlo Maria Giulini (conductor)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recording of:
Don Carlo: Atto II, scena 2. N°6 “Schiusa or sia la porta del tempio!” (L'araldo, Coro)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Camille du Locle und Joseph Méry
Teil von:
Don Carlo: Atto II (III)
Giuseppe Verdi3:39
13Don Carlo: Atto III, scena 2. ”Il corteggio reale”
assistierende(r) Produzent(in):
Gwyn Morris (record producer)
Produzent(in):
Christopher Bishop (conductor/producer)
Chorgesang:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
Orchester:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Carlo Maria Giulini (conductor)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recording of:
Don Carlo: Atto II, scena 2. N°6 Il corteggio reale (Orchestra, Coro)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Teil von:
Don Carlo: Atto II (III)
Giuseppe Verdi2:15
14Don Carlo: Atto III, scena 2. ”Nel posar sul mio capo la corona”
assistierende(r) Produzent(in):
Gwyn Morris (record producer)
Produzent(in):
Christopher Bishop (conductor/producer)
Baritongesang [Rodrigo]:
Sherrill Milnes (baritone)
Bass-Gesang [Filippo]:
Ruggero Raimondi (bass-baritone)
Chorgesang:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
Soprangesang [Elisabetta]:
Montserrat Caballé (soprano)
Tenor-Gesang [Don Carlo]:
Plácido Domingo (tenor)
Orchester:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Carlo Maria Giulini (conductor)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
Kompilation von:
Don Carlo: Atto III, Scena II, No. 9. Gran finale: "Nel posar sul mio capo la corona" (Filippo, Coro, Elisabetta, Rodrigo, Carlo, Deputati) von John McCarthy (British choral conductor, scholar, composer and arranger), Montserrat Caballé (soprano), Plácido Domingo (tenor), Sherrill Milnes (baritone), Ruggero Raimondi (bass-baritone), Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor) und Don Carlo: Atto III, Scena II, No. 9. Gran finale: "A Dio voi foste infidi, infidi al vostro Re" (Filippo, Coro, Elisabetta, Tebaldo, Carlo, Rodrigo, Deputati) von John McCarthy (British choral conductor, scholar, composer and arranger), Montserrat Caballé (soprano), Plácido Domingo (tenor), Sherrill Milnes (baritone), Ruggero Raimondi (bass-baritone), Delia Wallis (mezzo-soprano), Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor)
recording of:
Don Carlo: Atto II, scena 2. N°7 “Nel posar sul mio capo la corona” – “Qui Carlo! O ciel” (Filippo, Coro, Elisabetta, Rodrigo, Carlo, Deputati)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Camille du Locle und Joseph Méry
Teil von:
Don Carlo: Atto II (III)
Giuseppe Verdi6:26
15Don Carlo: Atto III, scena 2. ”Sire! egli è tempo ch'io viva!”
assistierende(r) Produzent(in):
Gwyn Morris (record producer)
Produzent(in):
Christopher Bishop (conductor/producer)
Baritongesang [Rodrigo]:
Sherrill Milnes (baritone)
Bass-Gesang [Filippo]:
Ruggero Raimondi (bass-baritone)
Chorgesang:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
Mezzosoprangesang [Tebaldo]:
Delia Wallis (mezzo-soprano)
Soprangesang [Elisabetta]:
Montserrat Caballé (soprano)
Tenor-Gesang [Don Carlo]:
Plácido Domingo (tenor)
Orchester:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Carlo Maria Giulini (conductor)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recording of:
Don Carlo: Atto II, scena 2. N°8 “Sire! Egli è tempo ch'io viva!” (Carlo, Filippo, Elisabetta, Rodrigo, Tebaldo, Coro)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Camille du Locle und Joseph Méry
Teil von:
Don Carlo: Atto II (III)
Giuseppe Verdi2:12
16Don Carlo: Atto III, scena 2. ”O ciel! Tu! Rodrigo”
assistierende(r) Produzent(in):
Gwyn Morris (record producer)
Produzent(in):
Christopher Bishop (conductor/producer)
Bass-Gesang [Filippo]:
Ruggero Raimondi (bass-baritone)
Chorgesang:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
Mezzosoprangesang [Eboli]:
Shirley Verrett (mezzo-soprano)
Soprangesang [Elisabetta]:
Montserrat Caballé (soprano)
Soprangesang [una voce dal cielo]:
Maria-Rosa del Campo
Tenor-Gesang [Don Carlo]:
Plácido Domingo (tenor)
Orchester:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Carlo Maria Giulini (conductor)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recording of:
Don Carlo: Atto II, scena 2. N°9 “O ciel! Tu! Rodrigo!” (Carlo, Coro, Eboli, Elisabetta, Filippo, Una voce dal cielo, Deputati)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Camille du Locle und Joseph Méry
Teil von:
Don Carlo: Atto II (III)
Giuseppe Verdi3:00
17Don Carlo: Atto IV, scena 1. ”Ella giammai m'amò!”
assistierende(r) Produzent(in):
Gwyn Morris (record producer)
Produzent(in):
Christopher Bishop (conductor/producer)
Bass-Gesang [Filippo]:
Ruggero Raimondi (bass-baritone)
Orchester:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Carlo Maria Giulini (conductor)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
Kompilation von:
Don Carlo: Atto IV, Scena I, No. 10. Introduzione e scena: Introduzione von Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor), Don Carlo: Atto IV, Scena I, No. 10. Introduzione e scena: "Ella giammai m'amò!" (Filippo) von Ruggero Raimondi (bass-baritone), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor) und Don Carlo: Atto IV, Scena I, No. 10. Introduzione e scena: "Dormirò sol nel manto mio regal" (Filippo) von Ruggero Raimondi (bass-baritone), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor)
teilweise recording of:
Don Carlo: Atto III, scena 1. N°10 “Ella giammai m’amò” … “Dormiro sol” (Filippo)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Camille du Locle und Joseph Méry
Teil von:
Don Carlo: Atto III (IV)
Giuseppe Verdi10:30
3▶CD