The Very Best of Loretta and Conway

~ Release by Loretta Lynn & Conway Twitty (see all versions of this release, 3 available)

Tracklist

112" Vinyl
#TitleRatingLength
A1Louisiana Woman, Mississippi Man4.252:32
A2From Seven Till Ten
recording of:
From Seven Till Ten
writer:
Max D. Barnes (American singer/songwriter) and Troy Seals (Troy Harold Seals, American singer, songwriter, and guitarist)
52:40
A3Pickin’ Wild Mountain Berries
cover recording of:
Pickin’ Wild Mountain Berries
writer:
Bob McRee (Producer and songwriter), Cliff Thomas (Sun records artist) and Ed Thomas (US pianist and songwriter)
52:36
A4As Soon as I Hang Up the Phone
producer:
Owen Bradley (on 1973-03-07)
acoustic guitar:
Ray Edenton (on 1973-03-07)
double bass [bass]:
Bob Moore (U.S. bassist and bandleader) (on 1973-03-07)
drums (drum set) [drums]:
Tommy Markham (country music songwriter) (on 1973-03-07)
electric bass guitar [6-string electric bass guitar]:
Harold Bradley (on 1973-03-07)
electric guitar:
Thomas Grady Martin (country/rockabilly guitarist) (on 1973-03-07)
piano:
Hargus Robbins (on 1973-03-07)
steel guitar:
John Hughey (on 1973-03-07)
vocals:
Loretta Lynn (on 1973-03-07), The Nashville Sounds (on 1973-03-07) and Conway Twitty (on 1973-03-07)
recorded at:
Bradley’s Barn in Mt. Juliet, Tennessee, United States (on 1973-03-07)
recording of:
As Soon as I Hang Up the Phone
lyricist and composer:
Conway Twitty
42:42
A5You’re the Reason Our Kids Are Ugly
producer:
Owen Bradley
recorded at:
Bradley’s Barn in Mt. Juliet, Tennessee, United States (on 1978-03-14)
part of:
Rolling Stone: The 200 Greatest Country Songs of All Time (number: 198)
cover recording of:
You’re the Reason Our Kids Are Ugly (on 1978-03-14)
writer:
Lola Jean Dillon and L.E. White (bluegrass fiddler and songwriter)
42:34
A6It’s Only Make-Believe
performer:
Loretta Lynn
recording of:
It’s Only Make Believe (in 1970)
writer:
Jack Nance (in 1958) and Conway Twitty (in 1958)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Tree Publishing Co., Inc. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
52:38
A7I’ve Already Loved You in My Mind
recording of:
I’ve Already Loved You in My Mind
lyricist and composer:
Conway Twitty
52:50
B1After the Fire Is Gone
producer:
Owen Bradley
acoustic guitar:
Ray Edenton (on 1970-11-09)
double bass [bass]:
Bob Moore (U.S. bassist and bandleader) (on 1970-11-09)
drums (drum set) [drums]:
Tommy Markham (country music songwriter) (on 1970-11-09)
electric bass guitar [6-string electric bass guitar]:
Harold Bradley (on 1970-11-09)
electric guitar:
Herman Wade (on 1970-11-09)
piano:
Hargus Robbins (on 1970-11-09)
steel guitar:
John Hughey (on 1970-11-09)
background vocals:
Hoyt Hawkins (on 1970-11-09), Neal Matthews (on 1970-11-09), Mildred Kirkham (on 1970-11-09), Gordon Stoker (US pianist, tenor vocalist and music publisher) (on 1970-11-09) and Ray Walker (US bass singer, Jordanaires member) (on 1970-11-09)
vocals:
Loretta Lynn (on 1970-11-09) and Conway Twitty (on 1970-11-09)
recorded at:
Bradley’s Barn in Mt. Juliet, Tennessee, United States (on 1970-11-09)
part of:
Grammy Award: Best Country Performance by a Duo or Group nominees (number: 1972 winner)
recording of:
After the Fire Is Gone (on 1970-11-09)
lyricist and composer:
L.E. White (bluegrass fiddler and songwriter)
2:39
B2I Can’t Love You Enough
recording of:
I Can’t Love You Enough
writer:
Max D. Barnes (American singer/songwriter) and Troy Seals (Troy Harold Seals, American singer, songwriter, and guitarist)
52:53
B3Feelins’
performer:
Loretta Lynn
part of:
Grammy Award: Best Country Performance by a Duo or Group nominees (number: 1976)
recording of:
Feelins’
writer:
Don Goodman, Will Jennings and Troy Seals (Troy Harold Seals, American singer, songwriter, and guitarist)
52:57
B4Spiders and Snakes
cover recording of:
Spiders and Snakes
writer:
David Bellamy (Bellamy Brothers) and Jim Stafford
52:56
B5The Letter
producer:
Owen Bradley
acoustic guitar:
Ray Edenton (on 1976-04-15)
double bass [bass]:
Bob Moore (U.S. bassist and bandleader) (on 1976-04-15)
drums (drum set) [drums]:
Tommy Markham (country music songwriter) (on 1976-04-15)
electric bass guitar [6-string electric bass guitar]:
Harold Bradley (on 1976-04-15)
electric guitar:
Thomas Grady Martin (country/rockabilly guitarist) (on 1976-04-15)
piano:
Hargus Robbins (on 1976-04-15)
steel guitar:
John Hughey (on 1976-04-15)
vocals:
The Jordanaires (southern gospel group) (on 1976-04-15), Loretta Lynn (on 1976-04-15) and Conway Twitty (on 1976-04-15)
recorded at:
Bradley’s Barn in Mt. Juliet, Tennessee, United States (on 1976-04-15)
part of:
Grammy Award: Best Country Performance by a Duo or Group nominees (number: 1977)
recording of:
The Letter
writer:
Charles Haney and Conway Twitty
52:50
B6Lead Me On
producer:
Owen Bradley (on 1970-11-11)
acoustic guitar:
Ray Edenton (on 1970-11-11)
double bass [bass]:
Bob Moore (U.S. bassist and bandleader) (on 1970-11-11)
drums (drum set) [drums]:
Tommy Markham (country music songwriter) (on 1970-11-11)
electric bass guitar [6-string electric bass guitar]:
Harold Bradley (on 1970-11-11)
electric guitar:
Herman Wade (on 1970-11-11)
piano:
Jerry Smith (Nashville keyboardist, songwriter, publisher & producer) (on 1970-11-11)
steel guitar:
John Hughey (on 1970-11-11)
vocals:
The Jordanaires (southern gospel group) (on 1970-11-11), Loretta Lynn (on 1970-11-11) and Conway Twitty (on 1970-11-11)
recorded at:
Bradley’s Barn in Mt. Juliet, Tennessee, United States (on 1970-11-11)
part of:
Grammy Award: Best Country Performance by a Duo or Group nominees (number: 1973)
cover recording of:
Lead Me On
lyricist and composer:
Leon Copeland
52:26
B7God Bless America Again
cover recording of:
Bless America Again
writer:
Bobby Bare and Boyce Hawkins
3:15