Kino Klassiker

~ Release by John Williams & The Boston Pops Orchestra (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1Star Wars - Main theme
producer:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (in 1980-06)
conductor:
John Williams (American score composer and conductor) (in 1980-06)
phonographic copyright (℗) by:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (in 1980)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1980-06)
recording of:
Main Title (Star Wars) (in 1980-06)
composer:
John Williams (American score composer and conductor) (ended)
publisher:
Bantha Music, Fox Fanfare Music Inc., Utapau Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
part of:
Star Wars Holiday Special (television soundtrack)
part of:
Star Wars, Episode I: The Phantom Menace (film soundtrack)
part of:
Star Wars, Episode II: Attack of the Clones (2002 film score)
part of:
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
part of:
Star Wars, Episode IX: The Rise of Skywalker (2019 film score)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
part of:
Star Wars, Episode VII: The Force Awakens (2015 film score)
part of:
Star Wars, Episode VIII: The Last Jedi (2017 film score)
part of:
Star Wars: Shadows of the Empire
5:40
2Star Wars - Princess Leia
recorded in:
Boston, Massachusetts, United States (in 1980-06)
producer:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (in 1980-06)
conductor:
John Williams (American score composer and conductor) (in 1980-06)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1980-06)
recording of:
Princess Leia's Theme (Star Wars, Episode IV: A New Hope) (in 1980-06)
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
4:06
3Twilight Zone - Theme and Variations
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1983-06)
conductor:
John Williams (American score composer and conductor) (in 1983-06)
arranger:
Stu Phillips (US TV/film composer, conductor & producer)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1983)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1983-06)
recording of:
Main Theme (The Twilight Zone) (in 1983-06)
composer:
Marius Constant (Romanian-born French composer and conductor)
publisher:
Aspenfair Music Inc.
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
3:41
4Star Trek - Main Theme
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1983-06)
conductor:
John Williams (American score composer and conductor) (in 1983-06)
arranger:
Alexander Courage
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1983)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1983-06)
recording of:
Where No Man Has Gone Before (original Star Trek title theme) (in 1983-06)
orchestrator:
Mike Townend
additional lyricist:
Gene Roddenberry (television writer and producer)
composer:
Alexander Courage and Gene Roddenberry (television writer and producer)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
part of:
Empath Finale (contains "Theme From Star Trek (TV Series)" by Alexander Courage & Gene Roddenberry and "Mr. Spock" by Gerald Fried)
3:40
5The Empire Strikes Back - Yoda's Theme
producer:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (in 1980-06)
conductor:
John Williams (American score composer and conductor) (in 1980-06)
phonographic copyright (℗) by:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (in 1980)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1980-06)
recording of:
Yoda's Theme (Star Wars, Episode V: The Empire Strikes Back) (in 1980-06)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
3:22
6The Empire Strikes Back - Imperial March
producer:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (in 1980-06)
conductor:
John Williams (American score composer and conductor) (in 1980-06)
phonographic copyright (℗) by:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (in 1980)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1980-06)
recording of:
The Imperial March (Star Wars, Episode V: The Empire Strikes Back, Darth Vader’s Theme) (in 1980-06)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer and conductor)
publisher:
Fox Fanfare Music Inc.
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
3:08
7New York, New York - Main Theme
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1982)
conductor:
John Williams (American score composer and conductor) (in 1982)
arranger:
Billy Byers
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1982)
recording of:
Theme From “New York, New York” (usually just titled “New York, New York”) (in 1982)
dedicated to:
New York, New York, United States
lyricist:
Fred Ebb (lyricist)
composer:
John Kander (composer)
publisher:
シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.) (ended), EMI Unart Catalog Inc., EMI United Partnership Ltd., Unart Music Corporation, United Artists, フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and 香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch)
part of:
New York, New York (1977 musical film soundtrack)
3:21
8Gone with the Wind - Tara's Theme
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1982)
conductor:
John Williams (American score composer and conductor) (in 1982)
arranger:
Angela Morley
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1982)
recording of:
Tara’s Theme (Gone With the Wind, main theme) (in 1982)
composer:
Max Steiner
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner Olive Music LLC
part of:
Gone With the Wind (soundtrack from the 1939 film)
4:42
9The Wizard of Oz - Over the Rainbow
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1982)
conductor:
John Williams (American score composer and conductor) (in 1982)
arranger:
Alexander Courage
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1982)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1982)
instrumental cover recording of:
Over the Rainbow (The Wizard of Oz) (in 1982)
lyricist:
Yip Harburg (in 1938)
composer:
Harold Arlen (in 1938)
premiered by:
Judy Garland (in 1939)
publisher:
EMI Feist Catalog Inc., EMI Music (do not use as release label! this is a music publisher), EMI Partnership Ltd., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Leo Feist Music, Robbins Music Corp. Ltd., United Partnership Ltd. and Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The 12th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1939 winner)
part of:
The Wizard of Oz (1942 Arlen/Harburg musical)
part of:
The Wizard of Oz (1939 film soundtrack)
3:12
10An American in Paris - Singin' in the Rain
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1982)
conductor:
John Williams (American score composer and conductor) (in 1982)
arranger:
Alexander Courage and Conrad Salinger
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1982)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1982)
instrumental recording of:
Singin’ in the Rain (in 1982)
lyricist:
Arthur Freed
composer:
Nacio Herb Brown (US songwriter)
publisher:
Robbins Music (publishing company owned by EMI Music Publishing Ltd.), Robbins Music Corp. Ltd., Robbins Music Corporation and シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
sub-publisher:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch)
part of:
Singin’ in the Rain (stage musical)
part of:
Singin’ in the Rain (soundtrack of the 1952 film)
part of:
The Hollywood Revue (1929 MGM musical film)
recording of:
Main Title (Singin’ in the Rain)
lyricist:
Arthur Freed
composer:
Nacio Herb Brown (US songwriter)
part of:
Singin’ in the Rain (soundtrack of the 1952 film)
3:39
11Moonlight Serenade
engineer:
Stanley Goodall (engineer) and John Newton (editor, engineer mixer)
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1984-05)
conductor:
John Williams (American score composer and conductor) (in 1984-05)
arranger:
Richard Hayman
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1984-05)
cover recording of:
Moonlight Serenade (original instrumental version) (in 1984-05)
composer and arranger:
Glenn Miller (jazz band leader)
publisher:
Big 3 Music Ltd., EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd. and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
recording of:
Moonlight Serenade (original instrumental version)
composer and arranger:
Glenn Miller (jazz band leader)
publisher:
Big 3 Music Ltd., EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd. and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
3:50
12In the Mood
engineer:
Stanley Goodall (engineer) and John Newton (editor, engineer mixer)
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1984-05)
conductor:
John Williams (American score composer and conductor) (in 1984-05)
arranger:
Glenn Osser
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1984-05)
recording of:
In the Mood (in 1984-05)
lyricist:
Andy Razaf
composer:
Wingy Manone
publisher:
Shapiro Bernstein and Co. Limited and Shapiro, Bernstein & Co., Inc.
sub-publisher:
シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
is based on:
Tar Paper Stomp
part of:
The Real Book (compilation of jazz standards, volume I)
recording of:
I’m in the Mood
writer:
Bernard Besman (producer, label owner and songwriter) and John Lee Hooker (US blues singer, songwriter & guitarist)
publisher:
La Cienega Music and Warner Chappell Music Ltd. (no slash; used 1988–1996)
3:29
13Summer of '42
recording engineer:
John Newton (editor, engineer mixer)
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1987-06)
conductor:
John Williams (American score composer and conductor) (in 1987-06)
arranger:
Eric Knight (Alternative Rock)
balance engineer:
Onno Scholtze (sound engineer)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1987-06)
recording of:
The Summer Knows (Summer of ’42; instrumental version) (in 1987-06)
composer:
Michel Legrand
publisher:
Warner Bros. Music (publisher; do NOT use as release label), Warner Olive Music LLC and Warner/Chappell North America
3:53
14Jaws - Theme
recording engineer:
Shawn Murphy (producer/engineer) and Simon Rhodes (senior recording engineer at Abbey Road Studios)
producer:
Shawn Murphy (producer/engineer)
orchestra:
Boston Pops Orchestra and London Symphony Orchestra (on 1996-07-01)
conductor:
John Williams (American score composer and conductor) (on 1996-07-01)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1996-07-01) and St John’s Wood Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1996-07-01 until 1996-07-02)
recording of:
Main Theme (Jaws) (on 1996-07-01)
composer:
John Williams (American score composer and conductor)
included in:
Trail Mix‐Up
part of:
Jaws (1975 film score)
recording of:
Theme (Jaws) (on 1996-07-01)
composer:
John Williams (American score composer and conductor)
42:53
15The Pink Panther - Theme
recording engineer:
John Newton (editor, engineer mixer)
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1987-06)
conductor:
John Williams (American score composer and conductor) (in 1987-06)
arranger:
Henry Mancini (US composer, conductor & arranger)
balance engineer:
Onno Scholtze (sound engineer)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1987-06)
recording of:
The Pink Panther Theme (in 1987-06)
orchestrator and composer:
Henry Mancini (US composer, conductor & arranger)
publisher:
EMI United Partnership Ltd., Northridge Music, Inc. and 香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch)
part of:
Classic 100: Piano (2025) (number: 61)
3:12
16Giorgio - If We Were in Love
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1982)
conductor:
John Williams (American score composer and conductor) (in 1982)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1982)
recording of:
If We Were in Love (Yes, Giorgio) (in 1982)
lyricist:
Alan Bergman (American lyricist) and Marilyn Bergman
composer:
John Williams (American score composer and conductor)
part of:
The 55th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1982 nominee)
part of:
Yes, Giorgio
4:59
17Die Dreigroschenoper - Mack the Knife
recording engineer:
John Newton (editor, engineer mixer)
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1987-06)
conductor:
John Williams (American score composer and conductor) (in 1987-06)
arranger:
Jack Mason (classical arranger)
balance engineer:
Onno Scholtze (sound engineer)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1987-06)
instrumental recording of:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer (in 1987-06)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
part of:
Die Dreigroschenoper: Vorspiel
3:12