Famous Jazz Singers: The Greatest Tracks: You Go to My Head

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD: How About You?
2▶CD: Night and Day
3▼CD: Route 66
Nr.TitelKünstlerBewertungLänge
1I’m in the Mood for Love
recording of:
I’m in the Mood for Love
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Margenia Music, MCI Music Publishing Ltd., EMI Robbins Catalog Inc. (ASCAP) (in 1935, in 1963) und EMI Music Publishing Ltd. (PRS‐affiliated) (in 2016)
Nat King Cole3:12
2I Don’t Know Why
Gitarre:
Oscar Moore (am 1946-03-15)
Klavier und Sologesang:
Nat King Cole (am 1946-03-15)
Kontrabass:
Johnny Miller (part of the Nat King Cole Trio) (am 1946-03-15)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1946-03-15)
cover recording of:
I Don’t Know Why (am 1946-03-15)
Texter:
Roy Turk (in 1931)
Komponist(in):
Fred Ahlert (in 1931)
publisher:
Bucks Music Ltd, Leo Feist, Inc., Memory Lane Music Ltd. und Redwood Music
Nat King Cole3:10
3Route 66
Nat King Cole3:01
4Everyone Is Sayin’ Hello Again
Gitarre:
Oscar Moore (am 1946-03-15)
Klavier:
Nat King Cole (am 1946-03-15)
Kontrabass:
Johnny Miller (part of the Nat King Cole Trio) (am 1946-03-15)
Sologesang:
King Cole (am 1946-03-15)
vocals:
Nat King Cole (am 1946-03-15)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1946-03-15)
recording of:
Everyone Is Sayin’ Hello Again (Why Must We Say Goodbye?) (am 1946-03-15)
Verfasser(in):
Jerry Marlowe und Jack Segal (US songwriter)
Nat King Cole2:38
5What Can I Say After I Say I’m Sorry
Gitarre:
Oscar Moore (am 1946-04-05)
Klavier und Sologesang:
Nat King Cole (am 1946-04-05)
Kontrabass:
Johnny Miller (part of the Nat King Cole Trio) (am 1946-04-05)
vocals:
Nat King Cole (am 1946-04-05)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1946-04-05)
recording of:
What Can I Say After I Say I’m Sorry? (am 1946-04-05)
Texter und Komponist(in):
Walter Donaldson (in 1926) und Abe Lyman (in 1926)
Nat King Cole3:02
6To a Wild Rose
Nat King Cole3:14
7Could‐’Ja
Nat King Cole3:02
8Baby, Baby All the Time
cover recording of:
Baby Baby All the Time
Texter und Komponist(in):
Bobby Troup
Nat King Cole3:01
9Oh, but I Do
Gitarre:
Oscar Moore (am 1946-04-17)
Klavier und Sologesang:
Nat King Cole (am 1946-04-17)
Kontrabass:
Johnny Miller (part of the Nat King Cole Trio) (am 1946-04-17)
vocals:
Nat King Cole (am 1946-04-17)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1946-04-17)
recording of:
Oh, But I Do (am 1946-04-17)
Verfasser(in):
Ella Fitzgerald (American jazz singer) und Kenneth Watts
Nat King Cole2:39
10But She’s My Buddy’s Chick
recording of:
But She’s My Buddy’s Chick
Verfasser(in):
Charles Atkinson und Sy Oliver
Nat King Cole3:07
11You Call It Madness
Gitarre:
Oscar Moore (am 1946-05-01)
Klavier:
Nat King Cole (am 1946-05-01)
Kontrabass:
Johnny Miller (part of the Nat King Cole Trio) (am 1946-05-01)
vocals:
Nat King Cole (am 1946-05-01)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1946-05-01)
recording of:
You Call It Madness (But I Call It Love) (am 1946-05-01)
Verfasser(in):
Russ Columbo (American singer, songwriter, violinist and actor), Con Conrad (songwriter and producer), Gladys DuBois und Paul Gregory (Songwriter)
Teil von:
Going Hollywood (1933 film)
Nat King Cole3:04
12Chant of the Blues
Nat King Cole3:11
13The Christmas Song
cover recording of:
The Christmas Song (Chestnuts Roasting on an Open Fire)
Texter:
Robert Wells (songwriter) (in 1945-07) und Mel Tormé (“The Velvet Fog”) (in 1945-07)
Komponist(in):
Mel Tormé (“The Velvet Fog”) (in 1945-07)
publisher:
Chappell/Morris Ltd., MPL Music Publishing Inc., Sony/ATV Music Publishing Australia Pty Ltd., Sony/ATV Tunes LLC (ASCAP), Warner Chappell, Warner Chappell Ltd., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Australia Pty. Ltd. und Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) (vom 1946 bis heute)
Nat King Cole3:14
14You Should Have Told Me
Nat King Cole2:52
15Gee Baby, Ain’t I Good to You
Gitarre:
Oscar Moore (am 1943-11-30)
Klavier:
Nat King Cole (am 1943-11-30)
Kontrabass:
Johnny Miller (part of the Nat King Cole Trio) (am 1943-11-30)
vocals:
Nat King Cole (am 1943-11-30)
aufgenommen bei:
C. P. MacGregor Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1943-11-30)
cover recording of:
Gee, Baby Ain’t I Good to You (am 1943-11-30)
Texter:
Andy Razaf
Komponist(in):
Don Redman
publisher:
Michael H. Goldsen Inc. und Razaf Music
Teil von:
The Real Book (compilation of jazz standards, volume I)
Nat King Cole2:56
16Look What You’ve Done to Me
Nat King Cole3:03
17I Tho’t You Ought to Know
Nat King Cole2:53
18It Only Happens Once
Nat King Cole2:54
4▶CD: St. Louis Blues
5▶CD: For a Little While
6▶CD: Shoo, Shoo, Baby
7▶CD: Love in Bloom
8▶CD: Once Too Often
9▶CD: Back o’ Town Blues
10▶CD: East of the Sun

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