Little Masterpieces: The Roger Woodward Edition

~ Release by Roger Woodward (see all versions of this release, 2 available)

Annotation

Performed on Steinway model D pianos

Annotation last modified on 2014-12-05 19:09 UTC.

Tracklist

1▼CD
#TitleArtistRatingLength
1Für Elise
recording engineer:
Allan Maclean (engineer/editor) (from 1995-11 until 1998-02)
producer:
Andrew McKeich (producer) (from 1995-11 until 1998-02) and Natalie Shea (alto / producer) (from 1995-11 until 1998-02)
piano:
Roger Woodward (pianist) (from 1995-11 until 1998-02)
recorded at:
Eugene Goossens Hall, ABC Centre (ABC Studio 200) in Sydney, New South Wales, Australia (from 1995-11 until 1998-02)
recording of:
Bagatelle for Piano in A minor, WoO 59 “Für Elise”: Poco moto (Bagatelle for Piano in A minor “Für Elise”, WoO 59) (from 1995-11 until 1998-02)
composer:
Ludwig van Beethoven (German composer) (from 1808 until 1810)
part of:
Classic 100: Piano (2004) (number: 15), Classic 100: Piano (2025) (number: 17) and Kinsky catalogue (Beethoven WoO works) (number: WoO 59)
Ludwig van Beethoven3:48
2Sonata in A Major K331, 1st movement
recording engineer:
Ron Craig (engineer/editor) (from 1995-11 until 1998-02)
producer:
Andrew McKeich (producer) (from 1995-11 until 1998-02) and Natalie Shea (alto / producer) (from 1995-11 until 1998-02)
piano:
Roger Woodward (pianist) (from 1995-11 until 1998-02)
recorded at:
Ron Craig’s Acoustic Studio in Mittagong, New South Wales, Australia (from 1995-11 until 1998-02)
recording of:
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”: I. Tema con variazioni. Andante grazioso (from 1995-11 until 1998-02)
composed in:
Paris, Île-de-France, France (in 1778)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1783)
part of:
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”
Wolfgang Amadeus Mozart1:39
3Von fremden Ländern und Menschen
recording engineer:
Allan Maclean (engineer/editor) (from 1995-11 until 1998-02)
producer:
Andrew McKeich (producer) (from 1995-11 until 1998-02) and Natalie Shea (alto / producer) (from 1995-11 until 1998-02)
piano:
Roger Woodward (pianist) (from 1995-11 until 1998-02)
recorded at:
Eugene Goossens Hall, ABC Centre (ABC Studio 200) in Sydney, New South Wales, Australia (from 1995-11 until 1998-02)
recording of:
Kinderszenen, op. 15: No. 1. Von fremden Ländern und Menschen (from 1995-11 until 1998-02)
composer:
Robert Schumann (German classical composer) (in 1838)
part of:
Kinderszenen, op. 15
Robert Schumann1:36
4Träumerei
recording engineer:
Allan Maclean (engineer/editor) (from 1995-11 until 1998-02)
producer:
Andrew McKeich (producer) (from 1995-11 until 1998-02) and Natalie Shea (alto / producer) (from 1995-11 until 1998-02)
piano:
Roger Woodward (pianist) (from 1995-11 until 1998-02)
recorded at:
Eugene Goossens Hall, ABC Centre (ABC Studio 200) in Sydney, New South Wales, Australia (from 1995-11 until 1998-02)
Robert Schumann3:00
5Jesu, Joy of Man's Desiring
recording engineer:
Ron Craig (engineer/editor) (from 1995-11 until 1998-02)
producer:
Andrew McKeich (producer) (from 1995-11 until 1998-02) and Natalie Shea (alto / producer) (from 1995-11 until 1998-02)
piano:
Roger Woodward (pianist) (from 1995-11 until 1998-02)
recorded at:
Ron Craig’s Acoustic Studio in Mittagong, New South Wales, Australia (from 1995-11 until 1998-02)
recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations) (from 1995-11 until 1998-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
Johann Sebastian Bach3:37
6Rhapsody on a theme by Paganini, variation 18
recording engineer:
Allan Maclean (engineer/editor) (from 1995-11 until 1998-02)
producer:
Andrew McKeich (producer) (from 1995-11 until 1998-02) and Natalie Shea (alto / producer) (from 1995-11 until 1998-02)
piano:
Roger Woodward (pianist) (from 1995-11 until 1998-02)
arranger:
Roger Woodward (pianist)
recorded at:
Eugene Goossens Hall, ABC Centre (ABC Studio 200) in Sydney, New South Wales, Australia (from 1995-11 until 1998-02)
recording of:
Rhapsody on a Theme of Paganini, op. 43: Variation XVIII: Andante cantabile (catch-all for arrangements) (from 1995-11 until 1998-02)
composer:
Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer) (from 1934-07-03 until 1934-08-18)
arrangement of:
Rhapsody on a Theme of Paganini, op. 43: Variation XVIII: Andante cantabile
part of:
Rhapsody on a Theme of Paganini op. 43 (catch-all for arrangements)
Sergei Vasilievich Rachmaninoff3:04
7Song without Words
recording engineer:
Allan Maclean (engineer/editor) (from 1995-11 until 1998-02)
producer:
Andrew McKeich (producer) (from 1995-11 until 1998-02) and Natalie Shea (alto / producer) (from 1995-11 until 1998-02)
piano:
Roger Woodward (pianist) (from 1995-11 until 1998-02)
recorded at:
Eugene Goossens Hall, ABC Centre (ABC Studio 200) in Sydney, New South Wales, Australia (from 1995-11 until 1998-02)
Felix Mendelssohn4:52
8The Quiet Garden
recording engineer:
Ron Craig (engineer/editor) (from 1995-11 until 1998-02)
producer:
Andrew McKeich (producer) (from 1995-11 until 1998-02) and Natalie Shea (alto / producer) (from 1995-11 until 1998-02)
piano:
Roger Woodward (pianist) (from 1995-11 until 1998-02)
recorded at:
Ron Craig’s Acoustic Studio in Mittagong, New South Wales, Australia (from 1995-11 until 1998-02)
Arthur Benjamin3:26
9Reverie
recording engineer:
Allan Maclean (engineer/editor) (from 1995-11 until 1998-02)
producer:
Andrew McKeich (producer) (from 1995-11 until 1998-02) and Natalie Shea (alto / producer) (from 1995-11 until 1998-02)
piano:
Roger Woodward (pianist) (from 1995-11 until 1998-02)
recorded at:
Eugene Goossens Hall, ABC Centre (ABC Studio 200) in Sydney, New South Wales, Australia (from 1995-11 until 1998-02)
recording of:
Rêverie, L. 68, CD 76 (for piano) (from 1995-11 until 1998-02)
composer:
Claude Debussy (French composer) (in 1890)
premiered at:
[concert] (1899-02-27)
publisher:
Choudens (in 1891) and Eugène Fromont (in 1905)
part of:
Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 68) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 76)
Claude Debussy4:14
10Evening
recording engineer:
Ron Craig (engineer/editor) (from 1995-11 until 1998-02)
producer:
Andrew McKeich (producer) (from 1995-11 until 1998-02) and Natalie Shea (alto / producer) (from 1995-11 until 1998-02)
piano:
Roger Woodward (pianist) (from 1995-11 until 1998-02)
recorded at:
Ron Craig’s Acoustic Studio in Mittagong, New South Wales, Australia (from 1995-11 until 1998-02)
Sergei Sergeyevich Prokofiev1:47
11The Entertainer
recording engineer:
Allan Maclean (engineer/editor) (from 1995-11 until 1998-02)
producer:
Andrew McKeich (producer) (from 1995-11 until 1998-02) and Natalie Shea (alto / producer) (from 1995-11 until 1998-02)
piano:
Roger Woodward (pianist) (from 1995-11 until 1998-02)
recorded at:
Eugene Goossens Hall, ABC Centre (ABC Studio 200) in Sydney, New South Wales, Australia (from 1995-11 until 1998-02)
Scott Joplin5:08
12Shepherd's Hay
recording engineer:
Ron Craig (engineer/editor) (from 1995-11 until 1998-02)
producer:
Andrew McKeich (producer) (from 1995-11 until 1998-02) and Natalie Shea (alto / producer) (from 1995-11 until 1998-02)
piano:
Roger Woodward (pianist) (from 1995-11 until 1998-02)
recorded at:
Ron Craig’s Acoustic Studio in Mittagong, New South Wales, Australia (from 1995-11 until 1998-02)
Percy Grainger2:05
13General Lavine - Eccentric
recording engineer:
Ron Craig (engineer/editor) (from 1995-11 until 1998-02)
producer:
Andrew McKeich (producer) (from 1995-11 until 1998-02) and Natalie Shea (alto / producer) (from 1995-11 until 1998-02)
piano:
Roger Woodward (pianist) (from 1995-11 until 1998-02)
recorded at:
Ron Craig’s Acoustic Studio in Mittagong, New South Wales, Australia (from 1995-11 until 1998-02)
recording of:
Préludes, Livre II, L. 123: VI. Général Lavine – eccentric. Dans le style et le mouvement d’un Cakewalk (Préludes, Book II: 6. General Lavine – eccentric) (from 1995-11 until 1998-02)
composer:
Claude Debussy (French composer) (from 1911 until 1912)
part of:
Préludes, Livre II, L. 123
Claude Debussy2:17
14Evening in Transylvania
recording engineer:
Ron Craig (engineer/editor) (from 1995-11 until 1998-02)
producer:
Andrew McKeich (producer) (from 1995-11 until 1998-02) and Natalie Shea (alto / producer) (from 1995-11 until 1998-02)
piano:
Roger Woodward (pianist) (from 1995-11 until 1998-02)
recorded at:
Ron Craig’s Acoustic Studio in Mittagong, New South Wales, Australia (from 1995-11 until 1998-02)
Béla Bartók2:42
15Les sons et les parfums tourment dans l'air du soir
recording engineer:
Ron Craig (engineer/editor) (from 1995-11 until 1998-02)
producer:
Andrew McKeich (producer) (from 1995-11 until 1998-02) and Natalie Shea (alto / producer) (from 1995-11 until 1998-02)
piano:
Roger Woodward (pianist) (from 1995-11 until 1998-02)
recorded at:
Ron Craig’s Acoustic Studio in Mittagong, New South Wales, Australia (from 1995-11 until 1998-02)
recording of:
Préludes, Livre I, L. 117, CD 125: IV. «Les sons et les parfums tournent dans l'air du soir». Modéré (from 1995-11 until 1998-02)
composer:
Claude Debussy (French composer) (from 1909-12 until 1910-02)
premiered at:
[concert] (1911-01-16)
part of:
Préludes, Livre I, L. 117, CD 125
Claude Debussy3:37
16La terrasse des audiences du clair de lune
recording engineer:
Ron Craig (engineer/editor) (from 1995-11 until 1998-02)
producer:
Andrew McKeich (producer) (from 1995-11 until 1998-02) and Natalie Shea (alto / producer) (from 1995-11 until 1998-02)
piano:
Roger Woodward (pianist) (from 1995-11 until 1998-02)
recorded at:
Ron Craig’s Acoustic Studio in Mittagong, New South Wales, Australia (from 1995-11 until 1998-02)
recording of:
Préludes, Livre II, L. 123: VII. La terrasse des audiences du clair de lune. Lent (Préludes, Book II: 7. La Terrasse des audiences du clair de lune) (from 1995-11 until 1998-02)
composer:
Claude Debussy (French composer) (from 1911 until 1912)
part of:
Préludes, Livre II, L. 123
Claude Debussy4:34
17'Moonlight' Sonata, Op. 27, No. 2, 1st movement
recording engineer:
Allan Maclean (engineer/editor) (from 1995-11 until 1998-02)
producer:
Andrew McKeich (producer) (from 1995-11 until 1998-02) and Natalie Shea (alto / producer) (from 1995-11 until 1998-02)
piano:
Roger Woodward (pianist) (from 1995-11 until 1998-02)
recorded at:
Eugene Goossens Hall, ABC Centre (ABC Studio 200) in Sydney, New South Wales, Australia (from 1995-11 until 1998-02)
recording of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto (from 1995-11 until 1998-02)
composer:
Ludwig van Beethoven (German composer) (in 1801)
part of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”
Ludwig van Beethoven5:18
18Idyll, Op. 7, No. 4
recording engineer:
Allan Maclean (engineer/editor) (from 1995-11 until 1998-02)
producer:
Andrew McKeich (producer) (from 1995-11 until 1998-02) and Natalie Shea (alto / producer) (from 1995-11 until 1998-02)
piano:
Roger Woodward (pianist) (from 1995-11 until 1998-02)
recorded at:
Eugene Goossens Hall, ABC Centre (ABC Studio 200) in Sydney, New South Wales, Australia (from 1995-11 until 1998-02)
recording of:
Klavírní skladby, op. 7: IV. Idylky: No. 1. Moderato - No. 2. Tempo comodo (from 1995-11 until 1998-02)
composer:
Josef Suk (Czech composer, 1874–1935) (from 1891 until 1893)
part of:
Klavírní skladby, op. 7
Josef Suk3:53
19Consolation No. 1, S172
recording engineer:
Allan Maclean (engineer/editor) (from 1995-11 until 1998-02)
producer:
Andrew McKeich (producer) (from 1995-11 until 1998-02) and Natalie Shea (alto / producer) (from 1995-11 until 1998-02)
piano:
Roger Woodward (pianist) (from 1995-11 until 1998-02)
recorded at:
Eugene Goossens Hall, ABC Centre (ABC Studio 200) in Sydney, New South Wales, Australia (from 1995-11 until 1998-02)
recording of:
Consolation in E major, S. 172 no. 1: Andante con moto (from 1995-11 until 1998-02)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Consolations, S. 172
revision of:
Consolation in E major, S. 171a no. 1: Andante con moto (first, less common version)
Franz Liszt1:27
20Prelude in C Major
recording engineer:
Allan Maclean (engineer/editor) (from 1995-11 until 1998-02)
producer:
Andrew McKeich (producer) (from 1995-11 until 1998-02) and Natalie Shea (alto / producer) (from 1995-11 until 1998-02)
piano:
Roger Woodward (pianist) (from 1995-11 until 1998-02)
recorded at:
Eugene Goossens Hall, ABC Centre (ABC Studio 200) in Sydney, New South Wales, Australia (from 1995-11 until 1998-02)
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude (from 1995-11 until 1998-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 29)
part of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846
revision of:
Prelude and Fugue no. 1 in C major, BWV 846.1/846a: I. Prelude (early version)
Johann Sebastian Bach2:15
21Impromptu D899 No. 4
recording engineer:
Allan Maclean (engineer/editor) (from 1995-11 until 1998-02)
producer:
Andrew McKeich (producer) (from 1995-11 until 1998-02) and Natalie Shea (alto / producer) (from 1995-11 until 1998-02)
piano:
Roger Woodward (pianist) (from 1995-11 until 1998-02)
recorded at:
Eugene Goossens Hall, ABC Centre (ABC Studio 200) in Sydney, New South Wales, Australia (from 1995-11 until 1998-02)
recording of:
Impromptu in A‐flat major, op. 90, D. 899: No. 4. Allegretto (from 1995-11 until 1998-02)
composer:
Franz Schubert (composer) (in 1827)
part of:
4 Impromptus, op. 90, D. 899
Franz Schubert6:31
22Impromptu D899 No. 3
recording engineer:
Allan Maclean (engineer/editor) (from 1995-11 until 1998-02)
producer:
Andrew McKeich (producer) (from 1995-11 until 1998-02) and Natalie Shea (alto / producer) (from 1995-11 until 1998-02)
piano:
Roger Woodward (pianist) (from 1995-11 until 1998-02)
recorded at:
Eugene Goossens Hall, ABC Centre (ABC Studio 200) in Sydney, New South Wales, Australia (from 1995-11 until 1998-02)
recording of:
Impromptu in G‐flat major, op. 90, D. 899: No. 3. Andante (from 1995-11 until 1998-02)
composer:
Franz Schubert (composer) (in 1827)
part of:
Classic 100: Piano (2004) (number: 6)
part of:
4 Impromptus, op. 90, D. 899
Franz Schubert6:28
2▶CD

Credits

Release

design/illustration:Imagecorp Pty Ltd
photography:Patrick Togher Artists’ Management.
executive producer:Robert Patterson (producer)
producer:Lyle Chan (Malaysian-born Australian composer & pianist)
mastering:Thomas Grubb (engineer/producer)
ASIN:US: B000K97RGG [info]
discography entry:http://www.buywell.com/booklets/4768788.pdf [info]