Je n’aimerai jamais le classique, mais ça j’aime bien !

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1Suite N°1 en Sol Majeur: Praeludium
sound engineer:
Pierre-Antoine Signoret
producer and editor:
Arnaud Orieux
cello:
Christian-Pierre La Marca (cellist) (in 2012-10)
recorded at:
Église luthérienne de Bon Secours in Paris, Île-de-France, France (in 2012-10)
recording of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007: I. Prélude (Cello Suite No. 1 in G major, BWV 1007: I. Prélude) (in 2012-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007 (Cello Suite No. 1 in G major, BWV 1007)
Christian-Pierre La Marca2:16
2Rinaldo, HWV 7: Lascia ch’io pianga
soprano vocals:
Ileana Cotrubaș (Romanian soprano)
orchestra:
La Grande Écurie et la Chambre du Roy
conductor:
Jean‐Claude Malgoire (conductor and oboist)
recording of:
Rinaldo, HWV 7b: Atto II, Scene IV, no. 20. Aria “Lascia ch’io pianga mia cruda sorte” (Almirena)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Giacomo Rossi
part of:
Rinaldo, HWV 7b: Atto II
revision of:
Rinaldo, HWV 7a: Atto II, Scene IV, no. 22. Aria “Lascia ch’io pianga mia cruda sorte” (Almirena)
Jean‐Claude Malgoire, La Grande Écurie et la Chambre du Roy Ileana Cotrubaş4:29
3Italian Concerto in F major, BWV 971: I. (Recorded 1959)
producer:
Andrew Kazdin (American record producer), Paul Myers (classical record producer) and Howard H. Scott (classical music producer)
piano:
Glenn Gould (pianist) (from 1959-06-22 until 1959-06-26)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1959-06-22 until 1959-06-26)
recording of:
Italienisches Konzert F-Dur, BWV 971: I. [Allegro] (Italian Concerto in F major, BWV 971: I. [Allegro]) (from 1959-06-22 until 1959-06-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Italienisches Konzert F-Dur, BWV 971 (Italian Concerto in F major, BWV 971)
Glenn Gould4:05
4Symphony no. 3 in A minor, op. 56 “Scottish”: Vivace non troppo
orchestra:
Boston Symphony Orchestra
conductor:
Charles Munch (conductor and violinist)
recording of:
Symphony no. 3 in A minor, op. 56 “Scottish”: II. Vivace non troppo
composer:
Felix Mendelssohn (composer) (from 1841 until 1842)
part of:
Symphony no. 3 in A minor, op. 56 “Scottish”
Charles Munch Boston Symphony Orchestra4:06
5Rondo a capriccio, op. 129
piano:
Evgeny Kissin (Russian classical pianist) (from 1997-08-20 until 1997-08-26)
recorded at:
Schloßbergsaal in Freiburg im Breisgau (large city), Baden-Württemberg, Germany (from 1997-08-20 until 1997-08-26)
recording of:
Rondo a capriccio for Piano in G major, op. 129 “The Rage Over the Lost Penny”: Allegro vivace (from 1997-08-20 until 1997-08-26)
composer:
Ludwig van Beethoven (German composer) (in 1795)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 129)
Evgeny Kissin5:26
6Nocturne en Ré Bémol Majeur, op. 27 no. 2
piano:
Jean‐Marc Luisada (pianist)
recording of:
Nocturne no. 8 in D‐flat major, op. 27 no. 2: Lento sostenuto
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1836)
part of:
Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 96) and Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 115)
part of:
Nocturnes, op. 27
Jean‐Marc Luisada6:01
7Lohengrin, Act III: Treulich geführt ziehet dahin (Bridal Chorus)
choir vocals:
Robert Shaw Chorale
orchestra:
RCA Victor Symphony Orchestra
conductor:
Robert Shaw (conductor)
recording of:
Lohengrin, WWV 75: Akt III, Szene I. „Treulich geführt ziehet dahin“ (Chor) (Lohengrin: Act III, Scene I. Bridal Chorus (Choir))
composer:
Richard Wagner (composer) (from 1846 until 1848)
librettist:
Richard Wagner (composer)
part of:
Lohengrin, WWV 75: Akt III
Robert Shaw Chorale, RCA Victor Symphony Orchestra, Robert Shaw4:54
8The Firebird: Finale
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Barry Wordsworth (conductor)
recording of:
Suite du ballet « L’Oiseau de feu » : XII. Finale
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1945)
part of:
Suite du ballet « L’Oiseau de feu » (1945 ballet suite)
Orchestra of the Royal Opera House, Covent Garden, Barry Wordsworth2:53
9Kaddish
cello:
Christian-Pierre La Marca (cellist)
piano:
Amandine Savary (pianist)
recording of:
Deux mélodies hébraïques: No. 1. Kaddisch (catch-all for arrangements)
composer:
Maurice Ravel (French composer)
arrangement of:
Deux mélodies hébraïques: No. 1. Kaddisch (for voice and piano)
Christian-Pierre La Marca, Amandine Savary5:24
10Concerto no. 2 in F major for Piano and Orchestra, op. 102: II. Andante
piano:
Yefim Bronfman (pianist)
orchestra:
Los Angeles Philharmonic
conductor:
Esa‐Pekka Salonen (conductor and composer)
recording of:
Piano Concerto no. 2 in F major, op. 102: II. Andante
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer) (in 1957)
part of:
Piano Concerto no. 2 in F major, op. 102
Esa-Pekka Salonen, Yefim Bronfman, Los Angeles Philharmonic6:26
11Danses Roumaine, Sz. 68: no. 4, Bucsumí tánc / Buciumeana
piano:
Georges Pludermacher (pianist)
violin:
Laurent Korcia (violinist)
recording of:
Romanian Folk Dances, Sz. 68, BB 76 (for Orchestra): IV. Buciumeana
orchestrator:
Bartók Béla (Béla Bartók, composer) (in 1917)
composer:
Bartók Béla (Béla Bartók, composer) (in 1915)
orchestration of:
Romanian Folk Dances, Sz. 56, BB 68: IV. Buciumeana
part of:
Romanian Folk Dances, Sz. 68, BB 76 (for Orchestra)
Laurent Korcia, Georges Pludermacher1:31
12Je te veux
cello:
Christian-Pierre La Marca (cellist)
piano:
Amandine Savary (pianist)
recording of:
Je te veux (catch-all for arrangements)
composer:
Erik Satie (French composer) (in 1897)
arrangement of:
Je te veux (for voice and piano)
Christian-Pierre La Marca, Amandine Savary2:07
13Spartacus: Adagio
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Libor Pešek (conductor)
recording of:
Second Suite from the ballet "Spartacus" for orchestra, op. 82B: I. Adagio of Spartacus and Phrygia
composer:
Արամ Խաչատրյան (Aram Khachaturian, Soviet-Armenian composer) (in 1955)
part of:
Second Suite from the ballet "Spartacus" for orchestra, op. 82B
recording of:
Spartacus: Adagio of Spartacus & Phrygia
composer:
Aram Khachaturian (Soviet-Armenian composer) (in 1955)
part of:
Spartacus, op. 82
Royal Liverpool Philharmonic Orchestra, Libor Pešek9:33
14Piano Concerto no. 1 in B-flat minor, op. 23: Allegro non troppo e molto maestoso
piano:
John Browning (American pianist)
orchestra:
London Symphony Orchestra
conductor:
小澤征爾 (Seiji Ozawa, conductor and composer)
recording of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (1888 version, most often performed)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1874-11 until 1875-02)
part of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (1888 version, most often performed)
revision of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (1879 version, rarely performed)
revision of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Andante non troppo e molto maestoso (original 1874/75 version, rarely performed)
John Browning, Seiji Ozawa, London Symphony Orchestra19:57