Legends: Ultimate Rock Collection: Let’s Get It On

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Titelliste

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Nr.TitelKünstlerBewertungLänge
1Listen to the Music
recording of:
Listen to the Music
Texter und Komponist(in):
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
publisher:
Warner Bros. Music (publisher; do NOT use as release label) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Doobie Brothers4.353:26
2Bang a Gong (Get It on)
Techniker(in):
Roy Thomas Baker (producer), Malcolm Cecil, Rik Pekkonen und Martin Rushent
Produzent(in):
Tony Visconti
E-Bass:
Steve Currie (von 1971-03 bis 1971-06)
E-Gitarre und Sologesang:
Marc Bolan (von 1971-03 bis 1971-06)
Keyboard:
Rick Wakeman (von 1971-03 bis 1971-06)
Perkussion:
Mickey Finn (musician and T. Rex member) (von 1971-03 bis 1971-06)
Schlagzeug:
Bill Legend (von 1971-03 bis 1971-06)
Hintergrundgesang:
Howard Kaylan (von 1971-03 bis 1971-06) und Mark Volman (von 1971-03 bis 1971-06)
phonographisches Urheberrecht (℗) von:
Essex Music International Ltd. (in 1971), Straight Ahead Productions Ltd. (in 1971, in 2001) und Tarantula Productions (in 1971)
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 22), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (Nummer: 41)
recording of:
Get It On (Bang a Gong) (von 1971-03 bis 1971-06)
Texter und Komponist(in):
Marc Bolan
publisher:
Essex Music International, Essex Music International, Inc., Essex Musikförlaget, Essex Musikvertrieb GmbH, The Richmond Organization, TRO Essex Music International, Inc. und Westminster Music Ltd.
T. Rex4.654:26
3Blinded by the Light
Produzent(in):
Manfred Mann (the person) und Manfred Mann’s Earth Band
phonographisches Urheberrecht (℗) von:
Creature Music Ltd., Bronze Records Limited (in 1976) und Petbrook Ltd (in 1976)
aufgenommen bei:
The Workhouse in London (Greater London), England, Vereinigtes Königreich (in 1976)
cover recording of:
Blinded by the Light (in 1976)
Texter und Komponist(in):
Bruce Springsteen (von 1972-08 bis 1972-09)
publisher:
Eldridge Publishing Co., Intersong Music Ltd., Sioux City Music Ltd., Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Pop Music Publishing, Zomba Music und Laurel Canyon Music Ltd. (publishing company of Mike Appel and Jim Cretecos) (in 1972)
Manfred Mann’s Earth Band4.23:50
4Slow Ride
phonographisches Urheberrecht (℗) von:
Bearsville Records Inc. (in 1975) und Rhino Records, Inc. (company credits only; not for release label use!) (in 1976)
Bearbeitung von:
Slow Ride (long version) von Foghat
recording of:
Slow Ride
Texter und Komponist(in):
Dave Peverett
publisher:
Kohaw Music Inc. und WC Music Corp.
Foghat4.53:56
5Smoke on the Water
recorded in:
Montreux, Vaud (Kanton Waadt), Schweiz (in 1971-12)
assistierende(r) Techniker(in):
Jeremy Gee
Techniker(in):
Martin Birch
Produzent(in):
Deep Purple
E-Bass:
Roger Glover (in 1971-12)
E-Gitarre:
Ritchie Blackmore (in 1971-12)
Hammond-Orgel:
Jon Lord (in 1971-12)
Schlagzeug:
Ian Paice (in 1971-12)
Sologesang:
Ian Gillan (in 1971-12)
aufgenommen bei:
Rolling Stones Mobile Studio in Vereinigtes Königreich (in 1971-12)
recording of:
Smoke on the Water (in 1971-12)
Verfasser(in):
Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord und Ian Paice
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Publishing (do not use as a release label!), Glenwood Music Corp., HEC Music und Henrees Music co.
sub-publisher:
EMI Music Publishing France, EMI Music Publishing Scandinavia AB, EMI Music Publishing Japan C.F. division (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Deep Purple3.953:57
6Sister Golden Hair
assistierende(r) Techniker(in):
Tom Anderson (engineer)
Techniker(in):
Geoff Emerick (British recording engineer)
Produzent(in):
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
andere Instrumente:
America (US folk/soft rock band)
Bassgitarre:
David Dickey (U.S. drummer and bassist)
Schlagzeug und Perkussion:
Willie Leacox
vocals:
America (US folk/soft rock band)
arranger:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1975), Warner Music H.K. Ltd. (in 1997) und Rhino Entertainment Company (not for release label use!) (in 2011)
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 12) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 264)
recording of:
Sister Golden Hair
Texter und Komponist(in):
Gerald Beckley
publisher:
Warner/Chappell Music Australia Pty. Ltd.
America4.13:20
7Spirit in the Sky
Produzent(in):
Erik Jacobsen
phonographisches Urheberrecht (℗) von:
Reprise Records (in 1969), Seven Arts Records, Inc. (not a label) (in 1969), Transtone Productions (in 1970) und Craft Recordings (US jazz label; reissue division of Concord) (in 2023)
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 5), Billboard Year-End Hot 100 singles of 1970 (Nummer: 22) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 333)
recording of:
Spirit in the Sky (in 1969)
Texter und Komponist(in):
Norman Greenbaum
publisher:
Great Honesty Music Inc., Warner Chappell Music Publishing (Warner/Chappell Music, Inc.), Warner Chappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019) und Westminster Music Ltd.
Norman Greenbaum4.054:02
8Hot Blooded
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1978)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 36)
recording of:
Hot Blooded
Verfasser(in):
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) und Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Evansongs Ltd. (publisher), Somerset Songs Publishing Inc., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31), フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Foreigner4:22
9Can’t Get Enough
recording engineer und Mix:
Ron Nevison
Techniker(in):
Ron Fawcus (Aufgabe: tape operator)
Produzent(in):
Bad Company (British blues-rock supergroup)
Bass:
Boz Burrell (English musician) (in 1973-11)
Gitarre:
Mick Ralphs (in 1973-11)
Gitarre [second guitar] und Sologesang:
Paul Rodgers (in 1973-11)
Schlagzeug:
Simon Kirke (in 1973-11)
phonographisches Urheberrecht (℗) von:
Warner Music International (trademark of Warner Music International the company) (in 1974)
aufgenommen bei:
Headley Grange (Grade II listed building, best known for its use as a recording and rehearsal venue in the 1960s–70s) in Hampshire, England, Vereinigtes Königreich (in 1973-11)
mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich
recording of:
Can’t Get Enough (in 1973-11)
Texter und Komponist(in):
Mick Ralphs
publisher:
Badco Music, Inc.
Bad Company3.654:17
10Smokin’ in the Boys Room
Techniker(in):
Michael Delugg
Produzent(in):
Doug Morris (record executive) und Eric Stevens (producer active in the 1970s)
phonographisches Urheberrecht (℗) von:
Big Tree Records (1970s/80s US) (in 1973) und Warner Music International (trademark of Warner Music International the company) (in 1973)
aufgenommen bei:
Mediasound Studios in New York, New York, Vereinigte Staaten
recording of:
Smokin’ in the Boys Room
Verfasser(in):
Cub Koda und Michael Lutz
publisher:
Big Leaf Publishing, Lady J Music, Tooney Loons Publishing und Walden Music, Inc.
Brownsville Station52:58
11School’s Out
Techniker(in):
Roy Cicala und Shelly Yakus
Produzent(in):
Bob Ezrin
E-Bass:
Dennis Dunaway (original bass player for Alice Cooper)
E-Gitarre:
Michael Bruce (of Alice Cooper) und Glen Buxton (American guitarist)
Gitarre und Hintergrundgesang:
Reggie Vincent
Keyboard:
Michael Bruce (of Alice Cooper) und Bob Ezrin
Schlagzeug:
Neil Smith (former Alice Cooper drummer)
Sologesang:
Alice Cooper (the singer, active as a solo artist 1975‐present)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972, in 1974) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1972)
produced for:
Alive Enterprises Incorporated und Nimbus 9 Productions
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 35), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 293) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 319)
recording of:
School’s Out
Verfasser(in):
Michael Bruce (of Alice Cooper), Glen Buxton (American guitarist), Alice Cooper (the singer, active as a solo artist 1975‐present), Dennis Dunaway (original bass player for Alice Cooper) und Neal Smith (former Alice Cooper drummer)
publisher:
Bizarre Music Co. (US work publisher), BMG Platinum Songs US, Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ezra Music, Ezra Music Corp., Opus 19 Music, Primary Wave Music Publishing, Sony/ATV Music Publishing, Third Palm Music, Universal Music Publishing Group, Warner Bros. Music (publisher; do NOT use as release label) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper4.253:31
12Feels Like the First Time
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1977)
recording of:
Feels Like the First Time
Texter und Komponist(in):
Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Somerset Songs Publishing Inc., フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31), Evansongs Ltd. (publisher) (in 1981), Somerset Music (publisher) (in 1981) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
Foreigner43:30
13Just What I Needed
assistierende(r) Techniker(in):
Nigel Walker (UK producer/engineer/guitarist)
Techniker(in):
Geoff Workman
Produzent(in):
Roy Thomas Baker (producer)
phonographisches Urheberrecht (℗) von:
Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (in 1978), Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1978), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1978) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1978)
aufgenommen bei und mixed at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich (in 1978-02)
Teil von:
Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (Nummer: 75), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 112) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 369)
recording of:
Just What I Needed (in 1978-02)
Texter und Komponist(in):
Ric Ocasek
publisher:
BMG Music Publishing Ltd., Lido Music, Inc. und Lido Music (not for release label use!) (in 1978)
The Cars4.33:47
14Dixie Chicken
Produzent(in):
Lowell George
vocals:
Lowell George
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1973)
recording of:
Dixie Chicken
Verfasser(in):
Lowell George und Martin Kibbee (singer-songwriter)
publisher:
Naked Snake Music
Little Feat43:51
15Truckin’
Koproduzent(in):
Steve Barncard
Produzent(in):
Grateful Dead
Bassgitarre:
Phil Lesh (in 1970-09)
Gitarre:
Jerry Garcia (guitarist / vocalist in Grateful Dead) (in 1970-09), Phil Lesh (in 1970-09) und Bob Weir (in 1970-09)
Klavier:
Jerry Garcia (guitarist / vocalist in Grateful Dead) (in 1970-09) und Phil Lesh (in 1970-09)
Mundharmonika:
Ron “Pigpen” McKernan (in 1970-09)
Orgel:
Howard Wales (in 1970-09)
Pedal-Steel-Gitarre:
Jerry Garcia (guitarist / vocalist in Grateful Dead) (in 1970-09)
Perkussion:
Mickey Hart (drummer for The Grateful Dead) (in 1970-09)
Schlagzeug:
Bill Kreutzmann (in 1970-09)
vocals:
Jerry Garcia (guitarist / vocalist in Grateful Dead) (in 1970-09), Phil Lesh (in 1970-09), Ron “Pigpen” McKernan (in 1970-09) und Bob Weir (in 1970-09)
aufgenommen bei:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California (Kalifornien), Vereinigte Staaten (in 1970-09)
recording of:
Truckin’ (in 1970-09)
Texter:
Robert Hunter (American lyricist, non‐performing member of the Grateful Dead)
Komponist(in):
Jerry Garcia (guitarist / vocalist in Grateful Dead), Phil Lesh und Bob Weir
publisher:
Ice Nine Publishing Company, Inc.
Grateful Dead3.85:06
16Feel Like Makin’ Love
recording engineer:
Ron Nevison (in 1974-09)
Produzent(in):
Bad Company (British blues-rock supergroup)
Mix:
Ron Nevison
E-Bass:
Boz Burrell (English musician) (in 1974-09)
Gitarre:
Mick Ralphs (in 1974-09) und Paul Rodgers (in 1974-09)
Keyboard:
Mick Ralphs (in 1974-09)
Klavier und Sologesang:
Paul Rodgers (in 1974-09)
Schlagzeug:
Simon Kirke (in 1974-09)
phonographisches Urheberrecht (℗) von:
Swan Song Inc. (in 1975)
aufgenommen bei:
Clearwell Castle in Gloucestershire, England, Vereinigtes Königreich (in 1974-09)
mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 78)
recording of:
Feel Like Makin’ Love (in 1974-09)
Verfasser(in):
Mick Ralphs und Paul Rodgers
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Ltd., WC Music Corp., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) und Badco Music, Inc. (vom 1974 bis heute)
Bad Company4.255:14
17Roundabout
recording of:
Roundabout
Verfasser(in):
Jon Anderson (Yes/Jon & Vangelis) und Steve Howe
publisher:
Cotillion Music Inc. (BMI), Rondor Music (London) Ltd., Topographic Music, Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Bros. (holding: file NO releases), Warner Chappell Music, Inc., Yessongs Ltd., WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Yes3:29
18Lucky Man
Emerson, Lake & Palmer4:38

Nennungen

Veröffentlichungsgruppe

Teil von:Legends: The Ultimate Rock Collection (Time Life Music) (Reihenfolge: 3)