Sacred Music in the Renaissance Volume 1: The Tallis Scholars Finest Recordings 1980-1989

~ Veröffentlichung von The Tallis Scholars & Peter Phillips (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Miserere
Produzent(in):
Peter Phillips (British conductor) und Steve C. Smith (engineer/producer)
Chorgesang:
The Tallis Scholars (in 1980)
Solo Diskantstimme:
Alison Stamp (Treble, Soprano) (in 1980)
vocals:
The Tallis Scholars
conductor:
Peter Phillips (British conductor) (in 1980)
aufgenommen bei:
Chapel of Merton College in Oxford, Oxfordshire, England, Vereinigtes Königreich (in 1980)
Kompilation von:
Miserere: 01. Miserere mei, Deus von The Tallis Scholars, Miserere: 02. Amplius lava me von The Tallis Scholars, Miserere: 03. Tibi soli peccavi von The Tallis Scholars, Miserere: 04. Ecce enim veritatem von The Tallis Scholars, Miserere: 05. Auditui meo dabis von The Tallis Scholars, Miserere: 06. Cor mundum crea in me von The Tallis Scholars, Miserere: 07. Redde mihi laetitiam von The Tallis Scholars, Miserere: 08. Libera me von The Tallis Scholars, Miserere: 09. Quoniam si voluisses von The Tallis Scholars, Miserere: 10. Benigne fac, Domine von The Tallis Scholars und Miserere: 11. Tunc acceptabis von The Tallis Scholars
recording of:
Miserere mei, Deus (in 1980)
Komponist(in):
Gregorio Allegri (composer)
Teil von:
ABC Classic 100 (2001) (Nummer: 9)
quotes lyrics from:
Miserere mei (words from Psalm 51)
Gregorio Allegri12:32
2Mass for five voices, i. Kyrie
Techniker(in):
Tony Faulkner (recording engineer) (in 1984)
Produzent(in):
Peter Phillips (British conductor) (in 1984) und Steve C Smith (engineer/producer) (in 1984)
Bass-Gesang:
Francis Steele (operatic bass) (in 1984) und Jeremy White (operatic bass) (in 1984)
Chorgesang:
The Tallis Scholars
Hochgesang:
Michael Chance (British countertenor) (in 1984) und Robert Harre-Jones (countertenor) (in 1984)
mittlere Stimmen:
Sally Dunkley (soprano) (in 1984) und Alison Gough (Soprano) (in 1984)
Tenor-Gesang:
Charles Daniels (tenor) (in 1984), Rufus Müller (tenor) (in 1984), Mark Padmore (British tenor) (in 1984) und Nicolas Robertson (Tenor) (in 1984)
vocals:
The Tallis Scholars (in 1984)
conductor:
Peter Phillips (British conductor) (in 1984)
aufgenommen bei:
Merton College Chapel in Oxford, Oxfordshire, England, Vereinigtes Königreich (in 1984)
recording of:
Mass for 5 Voices: I. Kyrie eleison (in 1984)
Komponist(in):
William Byrd (English composer)
Teil von:
Mass for 5 Voices
teilweise recording of:
Mass for 5 Voices
Komponist(in):
William Byrd (English composer)
William Byrd1:27
3Mass for five voices, ii. Gloria
Techniker(in):
Tony Faulkner (recording engineer) (in 1984)
Produzent(in):
Peter Phillips (British conductor) (in 1984) und Steve C Smith (engineer/producer) (in 1984)
Bass-Gesang:
Francis Steele (operatic bass) (in 1984) und Jeremy White (operatic bass) (in 1984)
Chorgesang:
The Tallis Scholars
Hochgesang:
Michael Chance (British countertenor) (in 1984) und Robert Harre-Jones (countertenor) (in 1984)
mittlere Stimmen:
Sally Dunkley (soprano) (in 1984) und Alison Gough (Soprano) (in 1984)
Tenor-Gesang:
Charles Daniels (tenor) (in 1984), Rufus Müller (tenor) (in 1984), Mark Padmore (British tenor) (in 1984) und Nicolas Robertson (Tenor) (in 1984)
vocals:
The Tallis Scholars (in 1984)
conductor:
Peter Phillips (British conductor) (in 1984)
aufgenommen bei:
Merton College Chapel in Oxford, Oxfordshire, England, Vereinigtes Königreich (in 1984)
Kompilation von:
Mass for Five Voices: 02. Gloria in excelsis von The Tallis Scholars, Mass for Five Voices: 03. Domine Deus, Agnus Dei von The Tallis Scholars und Mass for Five Voices: 04. Quoniam tu solus Sanctus von The Tallis Scholars
recording of:
Mass for 5 Voices: II. Gloria in excelsis Deo (in 1984)
Komponist(in):
William Byrd (English composer)
Teil von:
Mass for 5 Voices
William Byrd4:57
4Mass for five voices, iii. Credo
Techniker(in):
Tony Faulkner (recording engineer) (in 1984)
Produzent(in):
Peter Phillips (British conductor) (in 1984) und Steve C Smith (engineer/producer) (in 1984)
Bass-Gesang:
Francis Steele (operatic bass) (in 1984) und Jeremy White (operatic bass) (in 1984)
Chorgesang:
The Tallis Scholars
Hochgesang:
Michael Chance (British countertenor) (in 1984) und Robert Harre-Jones (countertenor) (in 1984)
mittlere Stimmen:
Sally Dunkley (soprano) (in 1984) und Alison Gough (Soprano) (in 1984)
Tenor-Gesang:
Charles Daniels (tenor) (in 1984), Rufus Müller (tenor) (in 1984), Mark Padmore (British tenor) (in 1984) und Nicolas Robertson (Tenor) (in 1984)
vocals:
The Tallis Scholars (in 1984)
conductor:
Peter Phillips (British conductor) (in 1984)
aufgenommen bei:
Merton College Chapel in Oxford, Oxfordshire, England, Vereinigtes Königreich (in 1984)
Kompilation von:
Mass for Five Voices: 05. Credo in unum Deum von The Tallis Scholars, Mass for Five Voices: 06. Qui propter nos homines von The Tallis Scholars, Mass for Five Voices: 07. Crucifixus von The Tallis Scholars, Mass for Five Voices: 08. Et resurrexit von The Tallis Scholars, Mass for Five Voices: 09. Et in Spiritum Sanctum von The Tallis Scholars und Mass for Five Voices: 10. Et unam sanctam von The Tallis Scholars
recording of:
Mass for 5 Voices: III. Credo in unum Deum (in 1984)
Komponist(in):
William Byrd (English composer)
Teil von:
Mass for 5 Voices
William Byrd8:43
5Mass for five voices, iv. Sanctus & Benedictus
Techniker(in):
Tony Faulkner (recording engineer) (in 1984)
Produzent(in):
Peter Phillips (British conductor) (in 1984) und Steve C Smith (engineer/producer) (in 1984)
Bass-Gesang:
Francis Steele (operatic bass) (in 1984) und Jeremy White (operatic bass) (in 1984)
Chorgesang:
The Tallis Scholars
Hochgesang:
Michael Chance (British countertenor) (in 1984) und Robert Harre-Jones (countertenor) (in 1984)
mittlere Stimmen:
Sally Dunkley (soprano) (in 1984) und Alison Gough (Soprano) (in 1984)
Tenor-Gesang:
Charles Daniels (tenor) (in 1984), Rufus Müller (tenor) (in 1984), Mark Padmore (British tenor) (in 1984) und Nicolas Robertson (Tenor) (in 1984)
vocals:
The Tallis Scholars (in 1984)
conductor:
Peter Phillips (British conductor) (in 1984)
aufgenommen bei:
Merton College Chapel in Oxford, Oxfordshire, England, Vereinigtes Königreich (in 1984)
Kompilation von:
Mass for Five Voices: 11. Sanctus von The Tallis Scholars, Mass for Five Voices: 12. Pleni sunt caeli von The Tallis Scholars und Mass for Five Voices: 13. Benedictus von The Tallis Scholars
recording of:
Mass for 5 Voices: IV. Sanctus (in 1984)
Komponist(in):
William Byrd (English composer)
Teil von:
Mass for 5 Voices
recording of:
Mass for 5 Voices: V. Benedictus (in 1984)
Komponist(in):
William Byrd (English composer)
Teil von:
Mass for 5 Voices
William Byrd3:48
6Mass for five voices, v. Agnus Dei
Techniker(in):
Tony Faulkner (recording engineer) (in 1984)
Produzent(in):
Peter Phillips (British conductor) (in 1984) und Steve C Smith (engineer/producer) (in 1984)
Bass-Gesang:
Francis Steele (operatic bass) (in 1984) und Jeremy White (operatic bass) (in 1984)
Chorgesang:
The Tallis Scholars
Hochgesang:
Michael Chance (British countertenor) (in 1984) und Robert Harre-Jones (countertenor) (in 1984)
mittlere Stimmen:
Sally Dunkley (soprano) (in 1984) und Alison Gough (Soprano) (in 1984)
Tenor-Gesang:
Charles Daniels (tenor) (in 1984), Rufus Müller (tenor) (in 1984), Mark Padmore (British tenor) (in 1984) und Nicolas Robertson (Tenor) (in 1984)
vocals:
The Tallis Scholars (in 1984)
conductor:
Peter Phillips (British conductor) (in 1984)
aufgenommen bei:
Merton College Chapel in Oxford, Oxfordshire, England, Vereinigtes Königreich (in 1984)
Kompilation von:
Mass for Five Voices: 14. Agnus Dei 1 & 2 von The Tallis Scholars und Mass for Five Voices: 15. Agnus Dei 3 von The Tallis Scholars
recording of:
Mass for 5 Voices: VI. Agnus Dei (in 1984)
Komponist(in):
William Byrd (English composer)
Teil von:
Mass for 5 Voices
William Byrd3:33
7Ave verum corpus
Techniker(in):
Tony Faulkner (recording engineer) (in 1984)
Produzent(in):
Peter Phillips (British conductor) (in 1984) und Steve C Smith (engineer/producer) (in 1984)
Bass-Gesang:
Francis Steele (operatic bass) (in 1984) und Jeremy White (operatic bass) (in 1984)
Chorgesang:
The Tallis Scholars
Hochgesang:
Michael Chance (British countertenor) (in 1984) und Robert Harre-Jones (countertenor) (in 1984)
mittlere Stimmen:
Sally Dunkley (soprano) (in 1984) und Alison Gough (Soprano) (in 1984)
Tenor-Gesang:
Rufus Müller (tenor) (in 1984) und Nicolas Robertson (Tenor) (in 1984)
vocals:
The Tallis Scholars (in 1984)
conductor:
Peter Phillips (British conductor) (in 1984)
aufgenommen bei:
Merton College Chapel in Oxford, Oxfordshire, England, Vereinigtes Königreich (in 1984)
recording of:
Ave verum corpus, T 92 (à 4, Gradualia I (1605)) (in 1984)
Komponist(in):
William Byrd (English composer)
publisher:
Oxford University Press
Teil von:
William Byrd: A Research and Information Guide, 3rd ed. (Turbet [T]) (Nummer: T 92)
Teil von:
Gradualia ac cantiones sacrae, Liber 1 (1605)
William Byrd4:16
8Requiem, i. Introitus
Techniker(in):
Mr Bear (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
Produzent(in):
Peter Phillips (British conductor) und Steve C. Smith (engineer/producer)
Bass-Gesang:
Donald Greig (baritone) (in 1987) und Francis Steele (operatic bass) (in 1987)
Chorgesang:
The Tallis Scholars (in 1987)
contralto vocals:
Robert Harre-Jones (countertenor) (in 1987) und Caroline Trevor (contralto) (in 1987)
Soprangesang:
Tessa Bonner (soprano) (in 1987), Sally Dunkley (soprano) (in 1987), Ruth Holton (soprano) (in 1987) und Deborah Roberts (soprano) (in 1987)
Tenor-Gesang:
Charles Daniels (tenor) (in 1987), Simon Davies (tenor) (in 1987), Mark Padmore (British tenor) (in 1987) und Nicolas Robertson (Tenor) (in 1987)
vocals:
The Tallis Scholars (in 1987)
conductor:
Peter Phillips (British conductor) (in 1987)
phonographisches Urheberrecht (℗) von:
Gimell Records Ltd. (copyright) (in 1987)
aufgenommen bei:
Hackney Church in Hackney, London (Greater London), England, Vereinigtes Königreich (in 1987)
recording of:
Requiem Officium Defunctorem: Introitus: Requiem aeternam (in 1987)
Texter:
[traditional] (special purpose artist)
Komponist(in):
Tomás Luis de Victoria (Spanish Renaissance composer)
Teil von:
Officium Defunctorum (1605) (With chants researched and edited from 16th- and 17th-century Spanish sources by Luis Lozano Virumbrales)
Teil von:
Officium defunctorum: Misa de Requiem a 6 (Published 1605)
Tomás Luis de Victoria6:14
9Requiem, ii. Kyrie
Techniker(in):
Mr Bear (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
Produzent(in):
Peter Phillips (British conductor) und Steve C. Smith (engineer/producer)
Bass-Gesang:
Donald Greig (baritone) (in 1987) und Francis Steele (operatic bass) (in 1987)
Chorgesang:
The Tallis Scholars (in 1987)
contralto vocals:
Robert Harre-Jones (countertenor) (in 1987) und Caroline Trevor (contralto) (in 1987)
Soprangesang:
Tessa Bonner (soprano) (in 1987), Sally Dunkley (soprano) (in 1987), Ruth Holton (soprano) (in 1987) und Deborah Roberts (soprano) (in 1987)
Tenor-Gesang:
Charles Daniels (tenor) (in 1987), Simon Davies (tenor) (in 1987), Mark Padmore (British tenor) (in 1987) und Nicolas Robertson (Tenor) (in 1987)
vocals:
The Tallis Scholars (in 1987)
conductor:
Peter Phillips (British conductor) (in 1987)
phonographisches Urheberrecht (℗) von:
Gimell Records Ltd. (copyright) (in 1987)
aufgenommen bei:
Hackney Church in Hackney, London (Greater London), England, Vereinigtes Königreich (in 1987)
recording of:
Requiem Officium Defunctorem: Kyrie (in 1987)
Texter:
[traditional] (special purpose artist)
Komponist(in):
Tomás Luis de Victoria (Spanish Renaissance composer) (in 1603)
Teil von:
Officium Defunctorum (1605) (With chants researched and edited from 16th- and 17th-century Spanish sources by Luis Lozano Virumbrales)
Teil von:
Officium defunctorum: Misa de Requiem a 6 (Published 1605)
Tomás Luis de Victoria2:35
10Requiem, iii. Graduale
Techniker(in):
Mr Bear (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
Produzent(in):
Peter Phillips (British conductor) und Steve C. Smith (engineer/producer)
Bass-Gesang:
Donald Greig (baritone) (in 1987) und Francis Steele (operatic bass) (in 1987)
Chorgesang:
The Tallis Scholars (in 1987)
contralto vocals:
Robert Harre-Jones (countertenor) (in 1987) und Caroline Trevor (contralto) (in 1987)
Soprangesang:
Tessa Bonner (soprano) (in 1987), Sally Dunkley (soprano) (in 1987), Ruth Holton (soprano) (in 1987) und Deborah Roberts (soprano) (in 1987)
Tenor-Gesang:
Charles Daniels (tenor) (in 1987), Simon Davies (tenor) (in 1987), Mark Padmore (British tenor) (in 1987) und Nicolas Robertson (Tenor) (in 1987)
vocals:
The Tallis Scholars (in 1987)
conductor:
Peter Phillips (British conductor) (in 1987)
phonographisches Urheberrecht (℗) von:
Gimell Records Ltd. (copyright) (in 1987)
aufgenommen bei:
Hackney Church in Hackney, London (Greater London), England, Vereinigtes Königreich (in 1987)
recording of:
Requiem Officium Defunctorem: Graduale: Requiem aeternam (in 1987)
Komponist(in):
Tomás Luis de Victoria (Spanish Renaissance composer) (in 1603)
Teil von:
Officium Defunctorum (1605) (With chants researched and edited from 16th- and 17th-century Spanish sources by Luis Lozano Virumbrales)
Teil von:
Officium defunctorum: Misa de Requiem a 6 (Published 1605)
Tomás Luis de Victoria3:08
11Requiem, iv. Offertorium
Techniker(in):
Mr Bear (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
Produzent(in):
Peter Phillips (British conductor) und Steve C. Smith (engineer/producer)
Bass-Gesang:
Donald Greig (baritone) (in 1987) und Francis Steele (operatic bass) (in 1987)
Chorgesang:
The Tallis Scholars (in 1987)
contralto vocals:
Robert Harre-Jones (countertenor) (in 1987) und Caroline Trevor (contralto) (in 1987)
Soprangesang:
Tessa Bonner (soprano) (in 1987), Sally Dunkley (soprano) (in 1987), Ruth Holton (soprano) (in 1987) und Deborah Roberts (soprano) (in 1987)
Tenor-Gesang:
Charles Daniels (tenor) (in 1987), Simon Davies (tenor) (in 1987), Mark Padmore (British tenor) (in 1987) und Nicolas Robertson (Tenor) (in 1987)
vocals:
The Tallis Scholars (in 1987)
conductor:
Peter Phillips (British conductor) (in 1987)
phonographisches Urheberrecht (℗) von:
Gimell Records Ltd. (copyright) (in 1987)
aufgenommen bei:
Hackney Church in Hackney, London (Greater London), England, Vereinigtes Königreich (in 1987)
recording of:
Requiem Officium Defunctorem: Offerorium: Domine Iesu Christe (in 1987)
Texter:
[traditional] (special purpose artist)
Komponist(in):
Tomás Luis de Victoria (Spanish Renaissance composer) (in 1603)
Teil von:
Officium Defunctorum (1605) (With chants researched and edited from 16th- and 17th-century Spanish sources by Luis Lozano Virumbrales)
Teil von:
Officium defunctorum: Misa de Requiem a 6 (Published 1605)
Tomás Luis de Victoria4:36
12Requiem, v. Sanctus & Benedictus
Techniker(in):
Mr Bear (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
Produzent(in):
Peter Phillips (British conductor) und Steve C. Smith (engineer/producer)
Bass-Gesang:
Donald Greig (baritone) (in 1987) und Francis Steele (operatic bass) (in 1987)
Chorgesang:
The Tallis Scholars (in 1987)
contralto vocals:
Robert Harre-Jones (countertenor) (in 1987) und Caroline Trevor (contralto) (in 1987)
Soprangesang:
Tessa Bonner (soprano) (in 1987), Sally Dunkley (soprano) (in 1987), Ruth Holton (soprano) (in 1987) und Deborah Roberts (soprano) (in 1987)
Tenor-Gesang:
Charles Daniels (tenor) (in 1987), Simon Davies (tenor) (in 1987), Mark Padmore (British tenor) (in 1987) und Nicolas Robertson (Tenor) (in 1987)
vocals:
The Tallis Scholars (in 1987)
conductor:
Peter Phillips (British conductor) (in 1987)
phonographisches Urheberrecht (℗) von:
Gimell Records Ltd. (copyright) (in 1987)
aufgenommen bei:
Hackney Church in Hackney, London (Greater London), England, Vereinigtes Königreich (in 1987)
recording of:
Requiem Officium Defunctorem: Benedictus (in 1987)
Texter:
[traditional] (special purpose artist)
Komponist(in):
Tomás Luis de Victoria (Spanish Renaissance composer) (in 1603)
Teil von:
Officium Defunctorum (1605) (With chants researched and edited from 16th- and 17th-century Spanish sources by Luis Lozano Virumbrales)
Teil von:
Requiem Officium Defunctorem: Sanctus & Benedictus
recording of:
Requiem Officium Defunctorem: Sanctus (in 1987)
Texter:
[traditional] (special purpose artist)
Komponist(in):
Tomás Luis de Victoria (Spanish Renaissance composer) (in 1603)
Teil von:
Officium Defunctorum (1605) (With chants researched and edited from 16th- and 17th-century Spanish sources by Luis Lozano Virumbrales)
Teil von:
Requiem Officium Defunctorem: Sanctus & Benedictus
Tomás Luis de Victoria2:55
13Requiem, vi. Agnus Dei
Techniker(in):
Mr Bear (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
Produzent(in):
Peter Phillips (British conductor) und Steve C. Smith (engineer/producer)
Bass-Gesang:
Donald Greig (baritone) (in 1987) und Francis Steele (operatic bass) (in 1987)
Chorgesang:
The Tallis Scholars (in 1987)
contralto vocals:
Robert Harre-Jones (countertenor) (in 1987) und Caroline Trevor (contralto) (in 1987)
Soprangesang:
Tessa Bonner (soprano) (in 1987), Sally Dunkley (soprano) (in 1987), Ruth Holton (soprano) (in 1987) und Deborah Roberts (soprano) (in 1987)
Tenor-Gesang:
Charles Daniels (tenor) (in 1987), Simon Davies (tenor) (in 1987), Mark Padmore (British tenor) (in 1987) und Nicolas Robertson (Tenor) (in 1987)
vocals:
The Tallis Scholars (in 1987)
conductor:
Peter Phillips (British conductor) (in 1987)
phonographisches Urheberrecht (℗) von:
Gimell Records Ltd. (copyright) (in 1987)
aufgenommen bei:
Hackney Church in Hackney, London (Greater London), England, Vereinigtes Königreich (in 1987)
recording of:
Requiem Officium Defunctorem: Agnus Dei (in 1987)
Texter:
[traditional] (special purpose artist)
Komponist(in):
Tomás Luis de Victoria (Spanish Renaissance composer) (in 1603)
Teil von:
Officium Defunctorum (1605) (With chants researched and edited from 16th- and 17th-century Spanish sources by Luis Lozano Virumbrales)
Teil von:
Officium defunctorum: Misa de Requiem a 6 (Published 1605)
Tomás Luis de Victoria2:52
14Requiem, vii. Communio
Techniker(in):
Mr Bear (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
Produzent(in):
Peter Phillips (British conductor) und Steve C. Smith (engineer/producer)
Bass-Gesang:
Donald Greig (baritone) (in 1987) und Francis Steele (operatic bass) (in 1987)
Chorgesang:
The Tallis Scholars (in 1987)
contralto vocals:
Robert Harre-Jones (countertenor) (in 1987) und Caroline Trevor (contralto) (in 1987)
Soprangesang:
Tessa Bonner (soprano) (in 1987), Sally Dunkley (soprano) (in 1987), Ruth Holton (soprano) (in 1987) und Deborah Roberts (soprano) (in 1987)
Tenor-Gesang:
Charles Daniels (tenor) (in 1987), Simon Davies (tenor) (in 1987), Mark Padmore (British tenor) (in 1987) und Nicolas Robertson (Tenor) (in 1987)
vocals:
The Tallis Scholars (in 1987)
conductor:
Peter Phillips (British conductor) (in 1987)
phonographisches Urheberrecht (℗) von:
Gimell Records Ltd. (copyright) (in 1987)
aufgenommen bei:
Hackney Church in Hackney, London (Greater London), England, Vereinigtes Königreich (in 1987)
recording of:
Requiem Officium Defunctorem: Communio: Lux aeterna (in 1987)
Komponist(in):
Tomás Luis de Victoria (Spanish Renaissance composer) (in 1603)
Teil von:
Officium Defunctorum (1605) (With chants researched and edited from 16th- and 17th-century Spanish sources by Luis Lozano Virumbrales)
Teil von:
Officium defunctorum: Misa de Requiem a 6 (Published 1605)
Tomás Luis de Victoria3:47
15Requiem, viii. Responsorium
Techniker(in):
Mr Bear (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
Produzent(in):
Peter Phillips (British conductor) und Steve C. Smith (engineer/producer)
Bass-Gesang:
Donald Greig (baritone) (in 1987) und Francis Steele (operatic bass) (in 1987)
Chorgesang:
The Tallis Scholars (in 1987)
contralto vocals:
Robert Harre-Jones (countertenor) (in 1987) und Caroline Trevor (contralto) (in 1987)
Soprangesang:
Tessa Bonner (soprano) (in 1987), Sally Dunkley (soprano) (in 1987), Ruth Holton (soprano) (in 1987) und Deborah Roberts (soprano) (in 1987)
Tenor-Gesang:
Charles Daniels (tenor) (in 1987), Simon Davies (tenor) (in 1987), Mark Padmore (British tenor) (in 1987) und Nicolas Robertson (Tenor) (in 1987)
vocals:
The Tallis Scholars (in 1987)
conductor:
Peter Phillips (British conductor) (in 1987)
phonographisches Urheberrecht (℗) von:
Gimell Records Ltd. (copyright) (in 1987)
aufgenommen bei:
Hackney Church in Hackney, London (Greater London), England, Vereinigtes Königreich (in 1987)
recording of:
Requiem Officium Defunctorem: Absolutio: Libera me, Domine (in 1987)
Komponist(in):
Tomás Luis de Victoria (Spanish Renaissance composer) (in 1603)
Teil von:
Officium Defunctorum (1605) (With chants researched and edited from 16th- and 17th-century Spanish sources by Luis Lozano Virumbrales)
Teil von:
Officium defunctorum: Misa de Requiem a 6 (Published 1605)
Tomás Luis de Victoria9:14
16Versa est in luctum
Tomás Luis de Victoria3:57
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