The Summer Breeze Collection

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

Partial re-release of Time Life's "Classic Soft Rock" and "Best of Soft Rock"

Anmerkung zuletzt geändert am 2022-10-18 03:46 UTC.

Titelliste

1▶CD: Lost in Love (CD 1)
2▶CD: Lost in Love (CD 2)
3▶CD: Steal Away (CD 1)
4▼CD: Steal Away (CD 2)
Nr.TitelKünstlerBewertungLänge
1The Guitar Man
Techniker(in):
Armin Steiner
Partner-Produzent(in):
James Griffin (soft rock singer/songwriter/guitarist)
Produzent(in):
David Gates (singer/songwriter, lead singer of Bread)
Bassgitarre:
David Gates (singer/songwriter, lead singer of Bread)
Gitarre:
David Gates (singer/songwriter, lead singer of Bread) und James Griffin (soft rock singer/songwriter/guitarist)
Klavier:
James Griffin (soft rock singer/songwriter/guitarist)
Perkussion und Schlagzeug:
Michael Botts
arranger:
David Gates (singer/songwriter, lead singer of Bread)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US), Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1972), Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1972) und Warner Music International (trademark of Warner Music International the company) (in 1973)
aufgenommen bei:
Elektra Sound Recorders in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
The Guitar Man
Texter und Komponist(in):
David Gates (singer/songwriter, lead singer of Bread)
publisher:
EMI Music Publishing (do not use as a release label!) und Screen Gems–Columbia Music, Inc.
Bread43:45
2Tin Man
Techniker(in):
Geoff Emerick (British recording engineer)
Produzent(in):
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
Band:
Pete Henderson (engineer)
Bass, Bass, Gitarre und Keyboard, Gitarre und Keyboard:
America (US folk/soft rock band)
Schlagzeug und Perkussion:
Willie Leacox
arranger:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1974) und Rhino Entertainment Company (not for release label use!) (in 2011)
recording of:
Tin Man
Texter und Komponist(in):
Dewey Bunnell
live recording of:
Tin Man
Texter und Komponist(in):
Dewey Bunnell
America3.853:27
3Wildfire
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1975)
recording of:
Wildfire
Verfasser(in):
Larry Cansler und Michael Martin Murphey
Michael Martin Murphey54:50
425 to 6 or 4
recording of:
25 or 6 to 4
Texter und Komponist(in):
Robert Lamm (in 1969)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Island Music Ltd., Spirit Music Publishing Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Aurelius Music (in 1986) und Lamminations Music (in 1986)
Chicago4:52
5Lotta Love
Techniker(in):
Donn Landee
Produzent(in):
Ted Templeman
Akustikgitarre:
Herb Pedersen
Bass:
Bob Glaub
flute:
Plas Johnson
Gitarre:
Dave Kalish
Keyboard:
Mark T. Jordan
Saxophon:
Andrew Love
Schlagzeug:
Rick Schlosser (drummer)
Tamburin:
Nicolette Larson
Hintergrundgesang:
Nicolette Larson und Ted Templeman
conductor:
Jimmie Haskell
Saiteninstrumente arranger:
Jimmie Haskell
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978)
recording of:
Lotta Love
Texter:
Neil Young (Canadian singer, songwriter & musician)
Komponist(in):
Frank Sampedro und Neil Young (Canadian singer, songwriter & musician)
publisher:
Silver Fiddle Music
Nicolette Larson53:10
6What a Fool Believes
Techniker(in):
Donn Landee
zusätzliche(r) Techniker(in):
Loyd Clifft
Produzent(in):
Ted Templeman
Bassgitarre:
Tiran Porter (in 1978-08)
Gitarre:
Jeff “Skunk” Baxter (in 1978-08) und Patrick Simmons (in 1978-08)
Keyboard und Sologesang:
Michael McDonald (R&B & soul singer) (in 1978-08)
Schlagzeug:
John Hartman (drummer for the Doobie Brothers) (in 1978-08)
Synthesizer:
Michael McDonald (R&B & soul singer) (in 1978-08) und Bill Payne (in 1978-08)
zusätzlich Conga und zusätzlich vocals:
Bobby LaKind (in 1978-08)
zusätzlich Synthesizer:
Bill Payne (in 1978-08)
vocals:
Patrick Simmons (in 1978-08)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978)
aufgenommen bei:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1978-08)
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 3), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 147) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 343)
recording of:
What a Fool Believes (in 1978-08)
Verfasser(in):
Ken Loggins und Mike McDonald (R&B & soul singer)
publisher:
Milk Money Music (in 1978) und Snug Music (in 1978)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und 日音 Synch事業部 (NICHION, INC. Synch Division)
The Doobie Brothers43:45
7Steal Away
Techniker(in):
Gary Brandt
Conga:
Miguel Rivera (percussionist)
Gitarre:
Bob Bordy, Dennis Herring, Bill LaBounty, Robert Palmer (English singer‐songwriter) und Brian Ray
Keyboard:
Rick Chudacoff und Bill Elliott (keyboardist/composer)
Marimba:
Alan Estes
Mundharmonika:
Robbie Dupree
Perkussion:
Peter Bunetta, Robbie Dupree, Alan Estes, Arno Lucas und Miguel Rivera (percussionist)
Saxophon:
Jerry Peterson
Synthesizer:
Michael Boddicker und Bill Elliott (conductor, producer)
Hintergrundgesang:
Kal David, Bill LaBounty, Arno Lucas und Michael McDonald (R&B & soul singer)
arranger:
Bill Elliott (keyboardist/composer)
phonographisches Urheberrecht (℗) von:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1980) und Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1980)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 64)
recording of:
Steal Away
Texter:
Rick Chudacoff
Komponist(in):
Robbie Dupree
publisher:
Big Ears Music, Inc., Chrome Willie Music, EMI April Music Inc., EMI Blackwood Music Inc., Gouda Music Co., Grandma Annie Music, Oozle Music, フジパシフィックミュージック (Fujipacific Music, Inc.), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Robbie Dupree3:31
8You’re the Only Woman (You & I)
Produzent(in):
Ambrosia (L.A. prog rock band) und Freddie Piro
Bass:
Joe Puerta
Chamberlin, Clavinet, elektronische Orgel und Minimoog:
Christopher North
Gitarre und Sologesang:
David Pack
Perkussion:
Burleigh Drummond und Royce Jones
Schlagzeug:
Burleigh Drummond
vocals:
Burleigh Drummond, Royce Jones und Joe Puerta
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1980)
recording of:
You’re the Only Woman (You & I)
Texter und Komponist(in):
David Pack
publisher:
EMI Longitude Music
Ambrosia54:22
9Sexy Eyes
Produzent(in):
Ron Haffkine
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1979)
recording of:
Sexy Eyes
Verfasser(in):
R.J. Mather, Keith Stegall (American country singer / songwriter and record producer) und Chris Waters (Country music singer and songwriter)
publisher:
EMI April Music Inc., EMI Blackwood Music Inc. und EMI Songs Ltd.
cover recording of:
Sexy Eyes
Verfasser(in):
R.J. Mather, Keith Stegall (American country singer / songwriter and record producer) und Chris Waters (Country music singer and songwriter)
publisher:
EMI April Music Inc., EMI Blackwood Music Inc. und EMI Songs Ltd.
Dr. Hook3.53:00
10Kiss You All Over
phonographisches Urheberrecht (℗) von:
Curb Records (in 1978), RAK Records (copyrights holder) (in 1978), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1986) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1993)
Bearbeitung von:
Kiss You All Over von Exile (American country band)
recording of:
Kiss You All Over
Verfasser(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
publisher:
BMG (the former Bertelsmann Music Group, defunct since 2004-08-05; for releases dated 2008 and later, see annotation), BMG Songs, Inc., Downtown DLJ Songs, Universal Music–MGB Songs, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Exile53:29
11Even the Nights Are Better
recorded in:
Sydney, New South Wales, Australien
assistierende(r) Techniker(in):
Karen Hewitt
Techniker(in) und Produzent(in):
Harry Maslin
assistierende(r) Mix:
John Van Nest
Mix:
Harry Maslin und John Van Nest
Bassgitarre:
David Green (Australian bassist, formerly of Air Supply)
Gitarre [lead guitar]:
Rex Goh und David Moyse
Gitarre [rhythm guitar]:
Graham Russell (Air Supply)
Keyboard:
Frank Esler‐Smith
Schlagzeug:
Ralph Cooper (drummer)
Sologesang:
Russell Hitchcock und Graham Russell (Air Supply)
conductor:
Frank Esler‐Smith
Orchestrator(in):
Frank Esler‐Smith
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1982), Big Time Phonograph Recording Co. (in 1982) und Interscope Records (part of UMG Recordings, Inc.) (in 2021)
produced for:
HRM Productions Inc. (Harry Maslin production company)
mixed at:
Allen Zentz Recording in Encino, California (Kalifornien), Vereinigte Staaten
Teil von:
The Downloader’s Music Source Book (Nummer: 291)
recording of:
Even the Nights Are Better
Verfasser(in):
Ken Bell, Terry Nelson Skinner und J.L. Wallace (US songwriter and guitarist)
publisher:
Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Air Supply53:56
12Arthur’s Theme (Best That You Can Do)
assistierende(r) Techniker(in):
Stuart Gitlin und Margaret Gwynne (engineer)
zusätzliche(r) Techniker(in):
John Guess, Lee Herschberg, Mark Linett und Richard Mullen
Produzent(in):
Michael Omartian
Mix:
Chet Himes
Sologesang:
Christopher Cross (US singer‐songwriter)
conductor:
Michael Omartian
Saiteninstrumente arranger:
Michael Omartian
arranger:
Christopher Cross (US singer‐songwriter), Rob Meurer und Michael Omartian
concertmaster:
Assa Drori
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1981, in 1983)
aufgenommen bei und mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 19)
recording of:
Arthur’s Theme (Best That You Can Do)
Verfasser(in):
Peter Allen (Australian singer‐songwriter), Burt Bacharach, Carole Bayer Sager und Christopher Cross (US singer‐songwriter)
publisher:
Begonia Melodies Inc., New Hidden Valley Music Co., Universal Music–MGB Songs, Warner Chappell Music Publishing (Warner/Chappell Music, Inc.), Warner Olive Music LLC, Warner–Barham Music LLC, Warner/Chappell North America und Woolnough Music
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
The 54th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1981 winner)
Christopher Cross53:55
13Missing You
recording of:
Missing You
Texter:
John Waite
Komponist(in):
Mark Leonard, Chas Sandford und John Waite
publisher:
Alley Music Corp., Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Everpop Songs, Markmeem Music (publisher), Paperwaite Music (publisher) (, in 1984), Quartet Music Inc., Sony Music Publishing (worldwide except Japan, ended 1995), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (bis 2019-05-28), Fallwater Music (in 1984), Markeem Music (publisher) (in 1984), The Hudson Bay Music Co. (publisher) (in 1984) und WC Music Corp. (vom 2019-05-28 bis heute)
John Waite4:30
14Beautiful in My Eyes
Techniker(in):
Simon Smart
Produzent(in):
Rod Argent und Peter Van Hooke
Mix:
David Kershenbaum und Kevin Smith (American DJ, producer and hip hop pioneer based in New York City)
Akustikgitarre:
Mark Cresswell
Bratsche / Viola:
Bob Smissen (violist), Andy Parker (violist), George Robertson (violist) und Steve Tees
Cello:
Paul Kegg (cellist), Ben Kennard und Roger Smith (cello, Academy of St. Martin in the Fields)
Geige / Violine:
Mark Berrow (violinist), Ben Cruft (violinist), Roger Garland (violinist), Roy Gillard (violinist), Tim Good, Rita Manning (violinist), Peter Oxer, Bill Penham, Barry Wilde, Wilf Gibson (UK violinist), Dave Woodcock (violinist) und Gavyn Wright (UK violinist, conductor)
Instrumente:
Helen Liebmann (cellist)
Keyboard:
Rod Argent
Klavier:
Joshua Kadison (US singer-songwriter, pianist & writer)
Kontrabass:
Chris Laurence (double bassist)
Perkussion und Schlagzeug:
Peter Van Hooke
Chorgesang:
Rod Argent, Adele Bertei, Lance Ellington (Production music composer), Carol Kenyan, David Lasley, Ian Shaw (UK jazz vocalist / producer), Helen Terry (UK singer) und Ruby Turner
vocals:
Joshua Kadison (US singer-songwriter, pianist & writer)
Saiteninstrumente arranger:
Rod Argent
recording of:
Beautiful in My Eyes
Texter und Komponist(in):
Joshua Kadison (US singer-songwriter, pianist & writer)
publisher:
EMI Blackwood Music Inc., Joshuasongs (BMI affiliated) und Seymour Glass Songs (BMI affiliated)
Joshua Kadison34:10
15Black Velvet
Produzent(in):
David Tyson (Canadian producer/songwriter)
Mix:
Kevin Doyle (award-winning sound engineer, producer)
Sologesang:
Alannah Myles
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corp. (not for release label use! copyrights holder, distributor within the US) (in 1989) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 2) (Nummer: 6)
recording of:
Black Velvet
Verfasser(in):
David Tyson (Canadian producer/songwriter) und Christopher Ward (Canadian songwriter & veejay)
publisher:
BMG Rights Management (see annotation), BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), David Tyson Music, EMI Songs Ltd., Into Wishin’, Kobalt Music Publishing Ltd. (UK), Ole Media Management LP und Zomba Music Publishing Ltd.
Alannah Myles4.54:48
5▶CD: Sailing (CD 1)
6▶CD: Sailing (CD 2)
7▶CD: Escape (CD 1)
8▶CD: Escape (CD 2)
9▶CD: Two Tickets to Paradise
10▶CD: Classic Rock Ballads