Die Zauberflöte

~ Release by Wolfgang Amadeus Mozart; Arnold Östman, Drottningholm Court Theatre Orchestra, Drottningholm Theatre Chorus (see all versions of this release, 3 available)

Tracklist

1▶CD: Disk 1
2▼CD: Disk 2
#TitleRatingLength
1Act Two: Eine schreckliche Nacht!
recording engineer:
John Dunkerley (engineer) (from 1992-08-03 until 1992-08-13) and Jonathan Stokes (engineer) (from 1992-08-03 until 1992-08-13)
producer:
Michael Haas (classical music producer), Peter Wadland (producer) and Morten Winding
orchestra:
Drottningholm Court Theatre Orchestra (Swedish period instrument ensemble) (from 1992-08-03 until 1992-08-13)
conductor:
Arnold Östman (Swedish conductor) (from 1992-08-03 until 1992-08-13)
performer:
Kurt Streit (Tamino) (tenor) (from 1992-08-03 until 1992-08-13)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1993)
recorded at:
Nacka Aula in Nacka municipality, Stockholms län (Stockholm county), Sweden (from 1992-08-03 until 1992-08-13)
recording of:
Die Zauberflöte: Akt II. Dialog „Eine schreckliche Nacht!” … „Papageno! Wo denkst du, daß wir uns befinden?” (Tamino, Papageno, Sprecher, Zweiter Sprecher) (from 1992-08-03 until 1992-08-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
3:08
2Act Two: Bewahret euch vor Weibertücken
recording engineer:
John Dunkerley (engineer) (from 1992-08-03 until 1992-08-13) and Jonathan Stokes (engineer) (from 1992-08-03 until 1992-08-13)
producer:
Michael Haas (classical music producer), Peter Wadland (producer) and Morten Winding
orchestra:
Drottningholm Court Theatre Orchestra (Swedish period instrument ensemble) (from 1992-08-03 until 1992-08-13)
conductor:
Arnold Östman (Swedish conductor) (from 1992-08-03 until 1992-08-13)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1993)
recorded at:
Nacka Aula in Nacka municipality, Stockholms län (Stockholm county), Sweden (from 1992-08-03 until 1992-08-13)
recording of:
Die Zauberflöte: Akt II. No. 11 Duett „Bewahret euch vor Weibertücken” (zwei Priester) (from 1992-08-03 until 1992-08-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
1:08
3Act Two: Wie? Wie? Wie?
recording engineer:
John Dunkerley (engineer) (from 1992-08-03 until 1992-08-13) and Jonathan Stokes (engineer) (from 1992-08-03 until 1992-08-13)
producer:
Michael Haas (classical music producer), Peter Wadland (producer) and Morten Winding
orchestra:
Drottningholm Court Theatre Orchestra (Swedish period instrument ensemble) (from 1992-08-03 until 1992-08-13)
conductor:
Arnold Östman (Swedish conductor) (from 1992-08-03 until 1992-08-13)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1993)
recorded at:
Nacka Aula in Nacka municipality, Stockholms län (Stockholm county), Sweden (from 1992-08-03 until 1992-08-13)
recording of:
Die Zauberflöte: Akt II. No. 12 Quintett „Wie? Wie? Wie? Ihr an diesem Schreckensort?” (Drei Damen, Papageno, Tamino, Priester) (from 1992-08-03 until 1992-08-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
5:16
4Act Two: Alles fühlt der Liebe Freuden
recording engineer:
John Dunkerley (engineer) (from 1992-08-03 until 1992-08-13) and Jonathan Stokes (engineer) (from 1992-08-03 until 1992-08-13)
producer:
Michael Haas (classical music producer), Peter Wadland (producer) and Morten Winding
orchestra:
Drottningholm Court Theatre Orchestra (Swedish period instrument ensemble) (from 1992-08-03 until 1992-08-13)
conductor:
Arnold Östman (Swedish conductor) (from 1992-08-03 until 1992-08-13)
performer:
Martin Petzold (Monostatos) (tenor) (from 1992-08-03 until 1992-08-13)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1993)
recorded at:
Nacka Aula in Nacka municipality, Stockholms län (Stockholm county), Sweden (from 1992-08-03 until 1992-08-13)
recording of:
Die Zauberflöte: Akt II. No. 13 Arie „Alles fühlt der Liebe Freuden” (Monostatos) (from 1992-08-03 until 1992-08-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
3:49
5Act Two: Der Hölle Rache kocht in meinem Herzen
recording engineer:
John Dunkerley (engineer) (from 1992-08-03 until 1992-08-13) and Jonathan Stokes (engineer) (from 1992-08-03 until 1992-08-13)
producer:
Michael Haas (classical music producer), Peter Wadland (producer) and Morten Winding
orchestra:
Drottningholm Court Theatre Orchestra (Swedish period instrument ensemble) (from 1992-08-03 until 1992-08-13)
conductor:
Arnold Östman (Swedish conductor) (from 1992-08-03 until 1992-08-13)
performer:
Sumi Jo (Königin der Nacht) (Sumi Jo, soprano) (from 1992-08-03 until 1992-08-13)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1993)
recorded at:
Nacka Aula in Nacka municipality, Stockholms län (Stockholm county), Sweden (from 1992-08-03 until 1992-08-13)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht) (from 1992-08-03 until 1992-08-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
5:30
6Act Two: In diesen heil'gen Hallen
recording engineer:
John Dunkerley (engineer) (from 1992-08-03 until 1992-08-13) and Jonathan Stokes (engineer) (from 1992-08-03 until 1992-08-13)
producer:
Michael Haas (classical music producer), Peter Wadland (producer) and Morten Winding
orchestra:
Drottningholm Court Theatre Orchestra (Swedish period instrument ensemble) (from 1992-08-03 until 1992-08-13)
conductor:
Arnold Östman (Swedish conductor) (from 1992-08-03 until 1992-08-13)
performer:
Kristinn Sigmundsson (Sarastro) (operatic bass) (from 1992-08-03 until 1992-08-13)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1993)
recorded at:
Nacka Aula in Nacka municipality, Stockholms län (Stockholm county), Sweden (from 1992-08-03 until 1992-08-13)
recording of:
Die Zauberflöte: Akt II. No. 15 Arie „In diesen heil’gen Hallen” (Sarastro) (from 1992-08-03 until 1992-08-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
6:18
7Act Two: Seid uns zum zweitenmal wilkommen
recording engineer:
John Dunkerley (engineer) (from 1992-08-03 until 1992-08-13) and Jonathan Stokes (engineer) (from 1992-08-03 until 1992-08-13)
producer:
Michael Haas (classical music producer), Peter Wadland (producer) and Morten Winding
orchestra:
Drottningholm Court Theatre Orchestra (Swedish period instrument ensemble) (from 1992-08-03 until 1992-08-13)
conductor:
Arnold Östman (Swedish conductor) (from 1992-08-03 until 1992-08-13)
performer:
Gilles Cachemaille (Papageno) (bass-baritone) (from 1992-08-03 until 1992-08-13)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1993)
recorded at:
Nacka Aula in Nacka municipality, Stockholms län (Stockholm county), Sweden (from 1992-08-03 until 1992-08-13)
recording of:
Die Zauberflöte: Akt II. No. 16 Trio „Seid uns zum zweiten Mal willkommen” (Drei Knaben) (from 1992-08-03 until 1992-08-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
3:06
8Act Two: Ach, ich fühl's, es ist verchwunden
recording engineer:
John Dunkerley (engineer) (from 1992-08-03 until 1992-08-13) and Jonathan Stokes (engineer) (from 1992-08-03 until 1992-08-13)
producer:
Michael Haas (classical music producer), Peter Wadland (producer) and Morten Winding
orchestra:
Drottningholm Court Theatre Orchestra (Swedish period instrument ensemble) (from 1992-08-03 until 1992-08-13)
conductor:
Arnold Östman (Swedish conductor) (from 1992-08-03 until 1992-08-13)
performer:
Barbara Bonney (Pamina) (soprano) (from 1992-08-03 until 1992-08-13)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1993)
recorded at:
Nacka Aula in Nacka municipality, Stockholms län (Stockholm county), Sweden (from 1992-08-03 until 1992-08-13)
recording of:
Die Zauberflöte: Akt II. No. 17 Arie „Ach, ich fühl’s, es ist verschwunden“ (Pamina) (from 1992-08-03 until 1992-08-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
5:16
9Act Two: O Isis und Osiris, welche Wonne!
recording engineer:
John Dunkerley (engineer) (from 1992-08-03 until 1992-08-13) and Jonathan Stokes (engineer) (from 1992-08-03 until 1992-08-13)
producer:
Michael Haas (classical music producer), Peter Wadland (producer) and Morten Winding
orchestra:
Drottningholm Court Theatre Orchestra (Swedish period instrument ensemble) (from 1992-08-03 until 1992-08-13)
conductor:
Arnold Östman (Swedish conductor) (from 1992-08-03 until 1992-08-13)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1993)
recorded at:
Nacka Aula in Nacka municipality, Stockholms län (Stockholm county), Sweden (from 1992-08-03 until 1992-08-13)
recording of:
Die Zauberflöte: Akt II. No. 18 Chor der Priester „O Isis und Osiris, welche Wonne!” (Priester) (from 1992-08-03 until 1992-08-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
3:04
10Act Two: Soll ich dich, Teurer, nicht mehr sehn?
recording engineer:
John Dunkerley (engineer) (from 1992-08-03 until 1992-08-13) and Jonathan Stokes (engineer) (from 1992-08-03 until 1992-08-13)
producer:
Michael Haas (classical music producer), Peter Wadland (producer) and Morten Winding
orchestra:
Drottningholm Court Theatre Orchestra (Swedish period instrument ensemble) (from 1992-08-03 until 1992-08-13)
conductor:
Arnold Östman (Swedish conductor) (from 1992-08-03 until 1992-08-13)
performer:
Barbara Bonney (Pamina) (soprano) (from 1992-08-03 until 1992-08-13)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1993)
recorded at:
Nacka Aula in Nacka municipality, Stockholms län (Stockholm county), Sweden (from 1992-08-03 until 1992-08-13)
recording of:
Die Zauberflöte: Akt II. No. 19 Trio „Soll ich dich, Teurer, nicht mehr sehn?” (Pamina, Sarastro, Tamino) (from 1992-08-03 until 1992-08-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
4:54
11Act Two: Ein Mädchen oder Weibchen
recording engineer:
John Dunkerley (engineer) (from 1992-08-03 until 1992-08-13) and Jonathan Stokes (engineer) (from 1992-08-03 until 1992-08-13)
producer:
Michael Haas (classical music producer), Peter Wadland (producer) and Morten Winding
orchestra:
Drottningholm Court Theatre Orchestra (Swedish period instrument ensemble) (from 1992-08-03 until 1992-08-13)
conductor:
Arnold Östman (Swedish conductor) (from 1992-08-03 until 1992-08-13)
performer:
Gilles Cachemaille (Papageno) (bass-baritone) (from 1992-08-03 until 1992-08-13)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1993)
recorded at:
Nacka Aula in Nacka municipality, Stockholms län (Stockholm county), Sweden (from 1992-08-03 until 1992-08-13)
recording of:
Die Zauberflöte: Akt II. No. 20 Arie „Ein Mädchen oder Weibchen wünscht Papageno sich!” (Papageno) (from 1992-08-03 until 1992-08-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
5:25
12Act Two: Bald prangt, den Morgen zu verkünden
recording engineer:
John Dunkerley (engineer) (from 1992-08-03 until 1992-08-13) and Jonathan Stokes (engineer) (from 1992-08-03 until 1992-08-13)
producer:
Michael Haas (classical music producer), Peter Wadland (producer) and Morten Winding
orchestra:
Drottningholm Court Theatre Orchestra (Swedish period instrument ensemble) (from 1992-08-03 until 1992-08-13)
conductor:
Arnold Östman (Swedish conductor) (from 1992-08-03 until 1992-08-13)
performer:
Gilles Cachemaille (Papageno) (bass-baritone) (from 1992-08-03 until 1992-08-13)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1993)
recorded at:
Nacka Aula in Nacka municipality, Stockholms län (Stockholm county), Sweden (from 1992-08-03 until 1992-08-13)
recording of:
Die Zauberflöte: Akt II. No. 21 Finale „Bald prangt, den Morgen zu verkünden” … „Du also bist mein Bräutigam” (Drei Knaben, Pamina) (from 1992-08-03 until 1992-08-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
1:37
13Act Two: Du also bist Bräutigam?
recording engineer:
John Dunkerley (engineer) (from 1992-08-03 until 1992-08-13) and Jonathan Stokes (engineer) (from 1992-08-03 until 1992-08-13)
producer:
Michael Haas (classical music producer), Peter Wadland (producer) and Morten Winding
orchestra:
Drottningholm Court Theatre Orchestra (Swedish period instrument ensemble) (from 1992-08-03 until 1992-08-13)
conductor:
Arnold Östman (Swedish conductor) (from 1992-08-03 until 1992-08-13)
performer:
Barbara Bonney (Pamina) (soprano) (from 1992-08-03 until 1992-08-13) and Gilles Cachemaille (Papageno) (bass-baritone) (from 1992-08-03 until 1992-08-13)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1993)
recorded at:
Nacka Aula in Nacka municipality, Stockholms län (Stockholm county), Sweden (from 1992-08-03 until 1992-08-13)
partial recording of:
Die Zauberflöte: Akt II. No. 21 Finale „Bald prangt, den Morgen zu verkünden” … „Du also bist mein Bräutigam” (Drei Knaben, Pamina) (from 1992-08-03 until 1992-08-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
4:08
14Act Two: Der, welcher wandert diese Straße
recording engineer:
John Dunkerley (engineer) (from 1992-08-03 until 1992-08-13) and Jonathan Stokes (engineer) (from 1992-08-03 until 1992-08-13)
producer:
Michael Haas (classical music producer), Peter Wadland (producer) and Morten Winding
orchestra:
Drottningholm Court Theatre Orchestra (Swedish period instrument ensemble) (from 1992-08-03 until 1992-08-13)
conductor:
Arnold Östman (Swedish conductor) (from 1992-08-03 until 1992-08-13)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1993)
recorded at:
Nacka Aula in Nacka municipality, Stockholms län (Stockholm county), Sweden (from 1992-08-03 until 1992-08-13)
recording of:
Die Zauberflöte: Akt II. „Der, welcher wandelt diese Straße voll Beschwerden” (Zwei Geharnischte, Tamino, Pamina) (from 1992-08-03 until 1992-08-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
4:40
15Act Two: Tamino mein! O welch in Glück!
recording engineer:
John Dunkerley (engineer) (from 1992-08-03 until 1992-08-13) and Jonathan Stokes (engineer) (from 1992-08-03 until 1992-08-13)
producer:
Michael Haas (classical music producer), Peter Wadland (producer) and Morten Winding
orchestra:
Drottningholm Court Theatre Orchestra (Swedish period instrument ensemble) (from 1992-08-03 until 1992-08-13)
conductor:
Arnold Östman (Swedish conductor) (from 1992-08-03 until 1992-08-13)
performer:
Barbara Bonney (Pamina) (soprano) (from 1992-08-03 until 1992-08-13)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1993)
recorded at:
Nacka Aula in Nacka municipality, Stockholms län (Stockholm county), Sweden (from 1992-08-03 until 1992-08-13)
recording of:
Die Zauberflöte: Akt II. „Tamino mein! O welch Glück!” (Pamina, Tamino) (from 1992-08-03 until 1992-08-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
3:38
16Act Two: Wir wandelten durch Feuesgluten
recording engineer:
John Dunkerley (engineer) (from 1992-08-03 until 1992-08-13) and Jonathan Stokes (engineer) (from 1992-08-03 until 1992-08-13)
producer:
Michael Haas (classical music producer), Peter Wadland (producer) and Morten Winding
orchestra:
Drottningholm Court Theatre Orchestra (Swedish period instrument ensemble) (from 1992-08-03 until 1992-08-13)
conductor:
Arnold Östman (Swedish conductor) (from 1992-08-03 until 1992-08-13)
performer:
Barbara Bonney (Pamina) (soprano) (from 1992-08-03 until 1992-08-13) and Kurt Streit (Tamino) (tenor) (from 1992-08-03 until 1992-08-13)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1993)
recorded at:
Nacka Aula in Nacka municipality, Stockholms län (Stockholm county), Sweden (from 1992-08-03 until 1992-08-13)
recording of:
Die Zauberflöte: Akt II. Marsch durch Feuer und Wasser „Wir wandelten durch Feuersgluten” (Pamina, Tamino, Coro) (from 1992-08-03 until 1992-08-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
3:32
17Act Two: Papagena! Papagena! Papagena!
recording engineer:
John Dunkerley (engineer) (from 1992-08-03 until 1992-08-13) and Jonathan Stokes (engineer) (from 1992-08-03 until 1992-08-13)
producer:
Michael Haas (classical music producer), Peter Wadland (producer) and Morten Winding
orchestra:
Drottningholm Court Theatre Orchestra (Swedish period instrument ensemble) (from 1992-08-03 until 1992-08-13)
conductor:
Arnold Östman (Swedish conductor) (from 1992-08-03 until 1992-08-13)
performer:
Gilles Cachemaille (Papageno) (bass-baritone) (from 1992-08-03 until 1992-08-13)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1993)
recorded at:
Nacka Aula in Nacka municipality, Stockholms län (Stockholm county), Sweden (from 1992-08-03 until 1992-08-13)
recording of:
Die Zauberflöte: Akt II. „Papagena! Weibchen! Täubchen!” … „Klinget, Glöckchen, klinget!” (Papageno, Drei Knaben, Papagena) (from 1992-08-03 until 1992-08-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
5:19
18Act Two: Pa-Pa-Pa
recording engineer:
John Dunkerley (engineer) (from 1992-08-03 until 1992-08-13) and Jonathan Stokes (engineer) (from 1992-08-03 until 1992-08-13)
producer:
Michael Haas (classical music producer), Peter Wadland (producer) and Morten Winding
orchestra:
Drottningholm Court Theatre Orchestra (Swedish period instrument ensemble) (from 1992-08-03 until 1992-08-13)
conductor:
Arnold Östman (Swedish conductor) (from 1992-08-03 until 1992-08-13)
performer:
Gilles Cachemaille (Papageno) (bass-baritone) (from 1992-08-03 until 1992-08-13)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1993)
recorded at:
Nacka Aula in Nacka municipality, Stockholms län (Stockholm county), Sweden (from 1992-08-03 until 1992-08-13)
recording of:
Die Zauberflöte: Akt II. Duett „Pa-pa-gena!... Pa-pa-geno!” (Papageno, Papagena) (from 1992-08-03 until 1992-08-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
included in:
「パ、パ、パ、パ」〜オペラ「魔笛」より
part of:
Die Zauberflöte, K. 620: Akt II
2:28
19Act Two: Nur stille, stille, stille
recording engineer:
John Dunkerley (engineer) (from 1992-08-03 until 1992-08-13) and Jonathan Stokes (engineer) (from 1992-08-03 until 1992-08-13)
producer:
Michael Haas (classical music producer), Peter Wadland (producer) and Morten Winding
orchestra:
Drottningholm Court Theatre Orchestra (Swedish period instrument ensemble) (from 1992-08-03 until 1992-08-13)
conductor:
Arnold Östman (Swedish conductor) (from 1992-08-03 until 1992-08-13)
performer:
Martin Petzold (Monostatos) (tenor) (from 1992-08-03 until 1992-08-13)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1993)
recorded at:
Nacka Aula in Nacka municipality, Stockholms län (Stockholm county), Sweden (from 1992-08-03 until 1992-08-13)
recording of:
Die Zauberflöte: Akt II. „Nur stille, stille, stille!” (Monostatos, Königin, Damen) (from 1992-08-03 until 1992-08-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
2:00
20Act Two: Die Strahlen der Sonne
recording engineer:
John Dunkerley (engineer) (from 1992-08-03 until 1992-08-13) and Jonathan Stokes (engineer) (from 1992-08-03 until 1992-08-13)
producer:
Michael Haas (classical music producer), Peter Wadland (producer) and Morten Winding
orchestra:
Drottningholm Court Theatre Orchestra (Swedish period instrument ensemble) (from 1992-08-03 until 1992-08-13)
conductor:
Arnold Östman (Swedish conductor) (from 1992-08-03 until 1992-08-13)
performer:
Kristinn Sigmundsson (Sarastro) (operatic bass) (from 1992-08-03 until 1992-08-13)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1993)
recorded at:
Nacka Aula in Nacka municipality, Stockholms län (Stockholm county), Sweden (from 1992-08-03 until 1992-08-13)
recording of:
Die Zauberflöte: Akt II. „Die Strahlen der Sonne vertreiben die Nacht” (Sarastro) (from 1992-08-03 until 1992-08-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
2:44