Midnite Jazz & Blues: Divine Sarah

~ Veröffentlichung von Sarah Vaughan (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1Summertime
vocals:
Sarah Vaughan (am 1949-12-21)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1949)
cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (am 1949-12-21)
Texter:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) und DuBose Heyward (in 1934)
Komponist(in):
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (von 1935 bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Version von:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
3:11
2My Favourite Things
Bass:
George Duvivier (am 1961-07-18)
Gitarre:
Mundell Lowe (am 1961-07-18)
vocals:
Sarah Vaughan (am 1961-07-18)
aufgenommen bei:
RKO-Pathé Studios in New York, New York, Vereinigte Staaten (am 1961-07-18)
cover recording of:
My Favorite Things (The Sound of Music) (am 1961-07-18)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
Williamson Music Company
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
American Splendor
Teil von:
The Sound of Music (Rodgers & Hammerstein musical)
2:47
3In a Sentimental Mood
cover recording of:
In a Sentimental Mood
Texter:
Manny Kurtz und Irving Mills
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1935)
publisher:
American Academy of Music, Inc., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), J. R. Lafleur & Son Ltd., Lafleur Music Ltd., Mills Music und Sony/ATV Harmony
4:06
4Round Midnight
cover recording of:
’Round Midnight
Texter:
Bernie Hanighen
Komponist(in):
Thelonious Monk und Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
basiert auf:
I Need You So
3:37
5The More I See You
Gitarre:
Barry Galbraith (in 1960-04)
Harfe:
Janet Soyer (in 1960-04)
Schlagzeug:
Percy Brice (in 1960-04)
Trompete:
Harry “Sweets” Edison (in 1960-04)
vocals:
Sarah Vaughan (in 1960-04)
aufgenommen bei:
Bell Sound Studios in New York, New York, Vereinigte Staaten (in 1960-04)
cover recording of:
The More I See You (in 1960-04)
Texter:
Mack Gordon
Komponist(in):
Harry Warren (US composer and lyricist)
publisher:
Bregman, Vocco & Conn, Inc., Four Jays Music Co., Peermusic (UK) Limited, Warner Bros., Inc. (not for release label use!) und Warner/Chappell Music International Ltd.
übersetzte Version von:
The More I See You (Valli’s version with french lyrics)
3:09
6Hands Across the Table
Gitarre:
Barry Galbraith (in 1960-04)
Harfe:
Janet Soyer (in 1960-04)
Schlagzeug:
Percy Brice (in 1960-04)
vocals:
Sarah Vaughan (in 1960-04)
aufgenommen bei:
Bell Sound Studios in New York, New York, Vereinigte Staaten (in 1960-04)
cover recording of:
Hands Across the Table (in 1960-04)
Texter:
Mitchell Parish
Komponist(in):
Jean Delettre
2:52
7I Cried for You
cover recording of:
I Cried for You
Texter:
Arthur Freed
Komponist(in):
Gus Arnheim und Abe Lyman
publisher:
Arthur Freed Music, CBS Miller Catalog, Inc. und Miller Music Corp.
2:26
8Body and Soul
cover recording of:
Body and Soul
Texter:
Frank Eyton (in 1930), Edward Heyman (in 1930) und Robert Sour (in 1930)
Komponist(in):
Edward Heyman, Robert Sour und John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
2:56
9You Stepped Out of a Dream
cover recording of:
You Stepped Out of a Dream (Ziegfeld Girl, 1941 film)
Texter:
Gus Kahn
Komponist(in):
Nacio Herb Brown (US songwriter)
publisher:
EMI Feist Catalog Inc.
Teil von:
Ziegfeld Girl (1941)
2:17
10When Sunny Gets Blue
cover recording of:
When Sunny Gets Blue
Texter:
Jack Segal (US songwriter)
Verfasser(in):
Fisher und Segal (US songwriter)
Komponist(in):
Marvin Fisher
publisher:
Sony/ATV Tunes LLC (ASCAP)
Teil von:
The Real Book (compilation of jazz standards, volume I)
3:55
11It Might as Well Be Spring
alto saxophone:
Russell Procope (am 1946-01-09)
Bass und Kontrabass:
John Kirby (jazz bass/trombone/tuba player) (am 1946-01-09)
Klarinette:
Buster Bailey (clarinetist) (am 1946-01-09)
Klavier:
Billy Kyle (am 1946-01-09)
Schlagzeug:
Bill Beason (am 1946-01-09)
Trompete:
Clarence Brereton (am 1946-01-09)
vocals:
Sarah Vaughan (am 1946-01-09)
cover recording of:
It Might as Well Be Spring (State Fair) (am 1946-01-09)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1945)
Komponist(in):
Richard Rodgers (composer) (in 1945)
publisher:
Chappell Music Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Williamson Music Company, Williamson Music, Inc. und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
The 18th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1945 winner)
Teil von:
State Fair (1945 film soundtrack)
Teil von:
State Fair (1962 film soundtrack)
Teil von:
State Fair
3:00
12When Your Lover Has Gone
cover recording of:
When Your Lover Has Gone
Texter und Komponist(in):
Einar Aaron Swan
publisher:
Remick Music Corp. und Warner Bros., Inc. (Warner Bros. Music Division)
2:14
13Star Eyes
cover recording of:
Star Eyes
Komponist(in):
Gene de Paul und Don Raye
publisher:
EMI Feist Catalog Inc. und Red Cape Songs
Teil von:
I Dood It (1943)
4:22
14Mean to Me
cover recording of:
Mean to Me
Texter:
Roy Turk
Komponist(in):
Fred Ahlert
publisher:
Crawford Music Corp., Cromwell Music, Inc., Fred Ahlert Mus. Corp. und Pencil Mark Music (ASCAP)
2:41
15Sophisticated Lady
cover recording of:
Sophisticated Lady
Texter:
Mitchell Parish und Irving Mills (in 1932)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1932)
publisher:
Duke Ellington Music (beendet), Mills Music, Inc. (beendet), EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (bis 2007-05) und Sony/ATV Harmony (vom 2007-05 bis heute)
Teil von:
Sophisticated Ladies (1981 musical)
Teil von:
The Real Book (compilation of jazz standards, volume I)
3:46