Tracklist

1CD: Debussy: Nocturnes, L.91 / Ravel: Daphnis et Chloé Suite No.2, M.57b; Pavane pour une infante défunte, M.19; Le Poème de l’Extase, Op.54
2CD: Tchaikovsky: Symphony No.1 In G Minor, Op.13, TH.24 – “Winter Reveries”
3CD: R. Strauss: Also sprach Zarathustra, Op.30, TrV 176 / Holst: The Planets, Op.32
4CD: Ruggles: Sun‐Treader / W. H. Schuman: Concerto For Violin And Orchestra / Piston: Symphony No.2
5CD: Debussy: Images for Orchestra, L. 122; Prélude à l’après‐midi d’un faune, L.86 / Tchaikovsky: Romeo And Juliet, Fantasy Overture, TH.42
6CD: Smetana: Má Vlast, JB1:112
7CD: Stravinsky: Le Sacre du Printemps; Le Roi des étoiles / Hindemith: Symphonie “Mathis der Maler”; Konzertmusik Für Streichorchester Und Blechbläser, Op. 50
8CD: Mozart: Symphony no. 41 in C Major, K.551 – “Jupiter” / Schubert: Symphony No.8 In B Minor, D.759 “Unfinished”
9CD: Berlioz: Symphonie Fantastique, Op.14, H 48
10CD: Beethoven: Symphony no. 5 in C minor, op. 67; Piano Concerto No.5 In E Flat Major Op.73 -“Emperor”
11CD: Berlioz: La Damnation de Faust, Op.24
12CD: Berlioz: La Damnation de Faust, Op.24
13CD: Ravel: Boléro, M.81; Une barque sur l’océan, M. 43; Menuet antique, M. 7; Alborada del gracioso – Orchestral version, M. 43; Pavane pour une infante défunte, M. 19; La valse, M.72
14CD: Ravel: Le Tombeau de Couperin, M.68; Ma mère l’oye, M.60; Rapsodie espagnole, M.54
15CD: Ravel: Daphnis et Chloé, M. 57; Valses nobles et sentimentales, M.61
16CD: Bartók: The Miraculous Mandarin Suite , BB 82, Sz. 73; Concerto For Orchestra, Sz. 116
17CD: Glazunov: Chant du Ménestrel, Op.71 / Shostakovich: Cello Concerto No.2, Op.126 / de Falla: El sombrero de tres picos
18CD: Berlioz: Roméo et Juliette, Op.17, H.79
19CD: Berlioz: Roméo et Juliette, Op.17, H.79
20CD: Ives: 3 Places In New England; Symphony No.4; Central Park In The Dark
21CD: Tchaikovsky: Symphony No.5 In E Minor, Op.64, TH.29
22CD: Brahms: Symphony No.1 In C Minor, Op.68
23CD: Respighi: Pines Of Rome, P. 141; Roman Festivals, P. 157; Fountains Of Rome, P. 106
24CD: Respighi: Ancient Airs And Dances, Suites No.1–3
25CD: Liszt: A Faust Symphony, S.108
26CD: Rimsky‐Korsakov: Scheherazade, Op.35 / Bartók: Music For Strings, Percussion And Celesta, Sz. 106
27CD: Mahler: Symphony No.1 In D Major
28CD: Berg: Violin Concerto “To The Memory Of An Angel” / Stravinsky: Violin Concerto In D Major
29CD: Tchaikovsky: Swan Lake, Op.20, TH.12
30CD: Tchaikovsky: Swan Lake, Op.20, TH.12
31CD: Mozart: Clarinet Concerto In A, K.622; Bassoon Concerto In B Flat, K.191 / Takemitsu: Quatrain; A Flock Descends Into The Pentagonal Garden
32CD: Fauré: Pelléas et Mélisande, Op.80; Après un Rêve Op.7, No.1; Pavane, Op.50; Elégie, Op.24; Dolly, Op.56
33CD: Prokofiev: Romeo And Juliet, Op.64
#TitleArtistRatingLength
1Romeo and Juliet, op. 64: 1. Introduction
miscellaneous support:
Wolfgang Stengel (task: recording supervision)
producer:
Hanno Rinke
editor:
Helmut Burk
orchestra:
Boston Symphony Orchestra (in 1986-10)
conductor:
Seiji Ozawa (conductor and composer) (in 1986-10)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1987)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1986-10)
recording of:
Romeo and Juliet, op. 64: Act I, Scene I. No. 1. Introduction
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act I
Sergei Prokofiev2:51
2Romeo and Juliet, op. 64: Act 1. 2. Romeo
miscellaneous support:
Wolfgang Stengel (task: recording supervision)
producer:
Hanno Rinke
editor:
Helmut Burk
orchestra:
Boston Symphony Orchestra (in 1986-10)
conductor:
Seiji Ozawa (conductor and composer) (in 1986-10)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1987)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1986-10)
recording of:
Romeo and Juliet, op. 64: Act I, Scene I. No. 2. Romeo
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act I
Sergei Prokofiev1:32
3Romeo and Juliet, op. 64: Act 1. 3. The street awakens
miscellaneous support:
Wolfgang Stengel (task: recording supervision)
producer:
Hanno Rinke
editor:
Helmut Burk
orchestra:
Boston Symphony Orchestra (in 1986-10)
conductor:
Seiji Ozawa (conductor and composer) (in 1986-10)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1987)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1986-10)
recording of:
Romeo and Juliet, op. 64: Act I, Scene I. No. 3. The street awakens
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act I
Sergei Prokofiev2:21
4Romeo and Juliet, op. 64: Act 1. 4. Morning dance
miscellaneous support:
Wolfgang Stengel (task: recording supervision)
producer:
Hanno Rinke
editor:
Helmut Burk
orchestra:
Boston Symphony Orchestra (in 1986-10)
conductor:
Seiji Ozawa (conductor and composer) (in 1986-10)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1987)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1986-10)
recording of:
Romeo and Juliet, op. 64: Act I, Scene I. No. 4. Morning dance
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act I
Sergei Prokofiev2:08
5Romeo and Juliet, op. 64: Act 1. 5. The quarrel
miscellaneous support:
Wolfgang Stengel (task: recording supervision)
producer:
Hanno Rinke
editor:
Helmut Burk
orchestra:
Boston Symphony Orchestra (in 1986-10)
conductor:
Seiji Ozawa (conductor and composer) (in 1986-10)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1987)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1986-10)
recording of:
Romeo and Juliet, op. 64: Act I, Scene I. No. 5. The Quarrel
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act I
Sergei Prokofiev1:48
6Romeo and Juliet, op. 64: Act 1. 6. The fight
miscellaneous support:
Wolfgang Stengel (task: recording supervision)
producer:
Hanno Rinke
editor:
Helmut Burk
orchestra:
Boston Symphony Orchestra (in 1986-10)
conductor:
Seiji Ozawa (conductor and composer) (in 1986-10)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1987)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1986-10)
recording of:
Romeo and Juliet, op. 64: Act I, Scene I. No. 6. The fight
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act I
Sergei Prokofiev3:52
7Romeo and Juliet, op. 64: Act 1. 7. The duke’s command
miscellaneous support:
Wolfgang Stengel (task: recording supervision)
producer:
Hanno Rinke
editor:
Helmut Burk
orchestra:
Boston Symphony Orchestra (in 1986-10)
conductor:
Seiji Ozawa (conductor and composer) (in 1986-10)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1987)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1986-10)
recording of:
Romeo and Juliet, op. 64: Act I, Scene I. No. 7. The prince gives his order
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act I
Sergei Prokofiev1:15
8Romeo and Juliet, op. 64: Act 1. 8. Interlude
miscellaneous support:
Wolfgang Stengel (task: recording supervision)
producer:
Hanno Rinke
editor:
Helmut Burk
orchestra:
Boston Symphony Orchestra (in 1986-10)
conductor:
Seiji Ozawa (conductor and composer) (in 1986-10)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1987)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1986-10)
recording of:
Romeo and Juliet, op. 64: Act I, Scene I. No. 8. Interlude
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act I
Sergei Prokofiev2:16
9Romeo and Juliet, op. 64: Act 1. 9. At the Capulets’ (Preparations for the ball)
miscellaneous support:
Wolfgang Stengel (task: recording supervision)
producer:
Hanno Rinke
editor:
Helmut Burk
orchestra:
Boston Symphony Orchestra (in 1986-10)
conductor:
Seiji Ozawa (conductor and composer) (in 1986-10)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1987)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1986-10)
recording of:
Romeo and Juliet, op. 64: Act I, Scene II. No. 9. Preparing for the ball (Juliet and the nurse)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act I
Sergei Prokofiev2:17
10Romeo and Juliet, op. 64: Act 1. 10. The young Juliet
miscellaneous support:
Wolfgang Stengel (task: recording supervision)
producer:
Hanno Rinke
editor:
Helmut Burk
orchestra:
Boston Symphony Orchestra (in 1986-10)
conductor:
Seiji Ozawa (conductor and composer) (in 1986-10)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1987)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1986-10)
recording of:
Romeo and Juliet, op. 64: Act I, Scene II. No. 10. Juliet as a young girl
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act I
Sergei Prokofiev3:25
11Romeo and Juliet, op. 64: Act 1. 11. Arrival of the guests
miscellaneous support:
Wolfgang Stengel (task: recording supervision)
producer:
Hanno Rinke
editor:
Helmut Burk
orchestra:
Boston Symphony Orchestra (in 1986-10)
conductor:
Seiji Ozawa (conductor and composer) (in 1986-10)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1987)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1986-10)
recording of:
Romeo and Juliet, op. 64: Act I, Scene II. No. 11. Arrival of the guests (Minuet)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act I
Sergei Prokofiev3:59
12Romeo and Juliet, op. 64: Act 1. 12. Masks
miscellaneous support:
Wolfgang Stengel (task: recording supervision)
producer:
Hanno Rinke
editor:
Helmut Burk
orchestra:
Boston Symphony Orchestra (in 1986-10)
conductor:
Seiji Ozawa (conductor and composer) (in 1986-10)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1987)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1986-10)
recording of:
Romeo and Juliet, op. 64: Act I, Scene II. No. 12. Masks
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act I
Sergei Prokofiev2:43
13Romeo and Juliet, op. 64: Act 1. 13. Dance Of The Knights
miscellaneous support:
Wolfgang Stengel (task: recording supervision)
producer:
Hanno Rinke
editor:
Helmut Burk
orchestra:
Boston Symphony Orchestra (in 1986-10)
conductor:
Seiji Ozawa (conductor and composer) (in 1986-10)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1987)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1986-10)
recording of:
Romeo and Juliet, op. 64: Act I, Scene II. No. 13. Dance of the Knights (in 1986-10)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act I
Sergei Prokofiev5:18
14Romeo and Juliet, op. 64: Act 1. 14. Juliet’s variation
miscellaneous support:
Wolfgang Stengel (task: recording supervision)
producer:
Hanno Rinke
editor:
Helmut Burk
orchestra:
Boston Symphony Orchestra (in 1986-10)
conductor:
Seiji Ozawa (conductor and composer) (in 1986-10)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1987)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1986-10)
recording of:
Romeo and Juliet, op. 64: Act I, Scene II. No. 14. Juliet’s variation
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act I
Sergei Prokofiev2:52
15Romeo and Juliet, op. 64: Act 1. 15. Mercutio
miscellaneous support:
Wolfgang Stengel (task: recording supervision)
producer:
Hanno Rinke
editor:
Helmut Burk
orchestra:
Boston Symphony Orchestra (in 1986-10)
conductor:
Seiji Ozawa (conductor and composer) (in 1986-10)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1987)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1986-10)
recording of:
Romeo and Juliet, op. 64: Act I, Scene II. No. 15. Mercutio
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act I
Sergei Prokofiev2:18
16Romeo and Juliet, op. 64: Act 1. 16. Madrigal
miscellaneous support:
Wolfgang Stengel (task: recording supervision)
producer:
Hanno Rinke
editor:
Helmut Burk
orchestra:
Boston Symphony Orchestra (in 1986-10)
conductor:
Seiji Ozawa (conductor and composer) (in 1986-10)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1987)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1986-10)
recording of:
Romeo and Juliet, op. 64: Act I, Scene II. No. 16. Madrigal
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act I
Sergei Prokofiev3:43
17Romeo and Juliet, op. 64: Act 1. 17. Tybalt recognizes Romeo
miscellaneous support:
Wolfgang Stengel (task: recording supervision)
producer:
Hanno Rinke
editor:
Helmut Burk
orchestra:
Boston Symphony Orchestra (in 1986-10)
conductor:
Seiji Ozawa (conductor and composer) (in 1986-10)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1987)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1986-10)
recording of:
Romeo and Juliet, op. 64: Act I, Scene II. No. 17. Tybalt recognizes Romeo
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act I
Sergei Prokofiev2:11
18Romeo and Juliet, op. 64: Act 1. 18. Gavotte
miscellaneous support:
Wolfgang Stengel (task: recording supervision)
producer:
Hanno Rinke
editor:
Helmut Burk
orchestra:
Boston Symphony Orchestra (in 1986-10)
conductor:
Seiji Ozawa (conductor and composer) (in 1986-10)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1987)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1986-10)
recording of:
Romeo and Juliet, op. 64: Act I, Scene II. No. 18. Departure of the guests (Gavotte)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act I
Sergei Prokofiev3:40
19Romeo and Juliet, op. 64: Act 1. 19. Balcony scene
miscellaneous support:
Wolfgang Stengel (task: recording supervision)
producer:
Hanno Rinke
editor:
Helmut Burk
orchestra:
Boston Symphony Orchestra (in 1986-10)
conductor:
Seiji Ozawa (conductor and composer) (in 1986-10)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1987)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1986-10)
recording of:
Romeo and Juliet, op. 64: Act I, Scene II. No. 19. Balcony scene
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act I
Sergei Prokofiev3:24
20Romeo and Juliet, op. 64: Act 1. 20. Romeo’s variation
miscellaneous support:
Wolfgang Stengel (task: recording supervision)
producer:
Hanno Rinke
editor:
Helmut Burk
orchestra:
Boston Symphony Orchestra (in 1986-10)
conductor:
Seiji Ozawa (conductor and composer) (in 1986-10)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1987)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1986-10)
recording of:
Romeo and Juliet, op. 64: Act I, Scene II. No. 20. Romeo’s variation
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act I
Sergei Prokofiev1:37
21Romeo and Juliet, op. 64: Act 1. 21. Love dance
miscellaneous support:
Wolfgang Stengel (task: recording supervision)
producer:
Hanno Rinke
editor:
Helmut Burk
orchestra:
Boston Symphony Orchestra (in 1986-10)
conductor:
Seiji Ozawa (conductor and composer) (in 1986-10)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1987)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1986-10)
recording of:
Romeo and Juliet, op. 64: Act I, Scene II. No. 21. Love dance
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act I
Sergei Prokofiev6:11
22Romeo and Juliet, op. 64: Act 2. 22. Folk dance
miscellaneous support:
Wolfgang Stengel (task: recording supervision)
producer:
Hanno Rinke
editor:
Helmut Burk
orchestra:
Boston Symphony Orchestra (in 1986-10)
conductor:
Seiji Ozawa (conductor and composer) (in 1986-10)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1987)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1986-10)
recording of:
Romeo and Juliet, op. 64: Act II, Scene I. No. 22. Folk dance
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act II
Sergei Prokofiev3:52
23Romeo and Juliet, op. 64: Act 2. 23. Romeo and Mercutio
miscellaneous support:
Wolfgang Stengel (task: recording supervision)
producer:
Hanno Rinke
editor:
Helmut Burk
orchestra:
Boston Symphony Orchestra (in 1986-10)
conductor:
Seiji Ozawa (conductor and composer) (in 1986-10)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1987)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1986-10)
recording of:
Romeo and Juliet, op. 64: Act II, Scene I. No. 23. Romeo and Mercutio
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act II
Sergei Prokofiev2:18
24Romeo and Juliet, op. 64: Act 2. 24. Dance of the five couples
miscellaneous support:
Wolfgang Stengel (task: recording supervision)
producer:
Hanno Rinke
editor:
Helmut Burk
orchestra:
Boston Symphony Orchestra (in 1986-10)
conductor:
Seiji Ozawa (conductor and composer) (in 1986-10)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1987)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1986-10)
recording of:
Romeo and Juliet, op. 64: Act II, Scene I. No. 24. Dance of the five couples
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act II
Sergei Prokofiev3:55
25Romeo and Juliet, op. 64: Act 2. 25. Dance with mandolins
miscellaneous support:
Wolfgang Stengel (task: recording supervision)
producer:
Hanno Rinke
editor:
Helmut Burk
orchestra:
Boston Symphony Orchestra (in 1986-10)
conductor:
Seiji Ozawa (conductor and composer) (in 1986-10)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1987)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1986-10)
recording of:
Romeo and Juliet, op. 64: Act II, Scene I. No. 25. Dance with the mandolins
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act II
Sergei Prokofiev1:50
34CD: Prokofiev: Romeo And Juliet, Op.64
35CD: Liszt: Piano Concerto No.1 In E Flat, S.124; Piano Concerto No.2 In A, S.125; Totentanz, S. 525
36CD: Chabrier: España – Rhapsody For Orchestra / Gounod: Faust, Ballet Music / Thomas: Overture From ‘Mignon’ / Offenbach: Gaîté parisienne
37CD: Poulenc: Gloria, FP 177; Stabat Mater FP 148
38CD: Bartók: Violin Concerto No.2, BB 117, Sz.112 / Moret: En reve
39CD: Britten: Four Sea Interludes From “Peter Grimes”, Op.33a / Beethoven: Symphony No.7 In A, Op.92
40CD: Poulenc: Concerto for Organ, Strings And Percussion In G Minor, FP 93; Concert Champêtre, FP 49 / Gubaidulina: Offertorium – Concerto For Violin And Orchestra
41CD: Mendelssohn: Overture “A Midsummer Night’s Dream”, Op.21; A Midsummer Night’s Dream, Incidental Music, Op.61, MWV M 13
42CD: Tchaikovsky: The Nutcracker, Op.71, TH.14
43CD: Tchaikovsky: The Nutcracker, Op.71, TH.14; The Sleeping Beauty, Suite, Op.66a, TH 234
44CD: Rachmaninov: Piano Concerto No.1 In F Sharp Minor, Op.1; Piano Concerto No.2 In C Minor, Op.18
45CD: Williams: TreeSong; Concerto For Violin And Orchestra; Three Pieces From Schindler’s List For Solo Violin And Orchestra
46CD: Previn: Violin Concerto “Anne‐Sophie”; Double Concerto For Violin, Contrabass And Orchestra
47CD: Shostakovich: Passacaglia From “Lady Macbeth Of The Mtsensk District”, Op.29; Symphony No.10 In E Minor, Op.93
48CD: Shostakovich: Symphony No.9 In E Flat, Op.70; Symphony No.5 In D Minor, Op.47
49CD: Shostakovich: Suite From Hamlet, Op.32a; Symphony No.8 In C Minor, Op.65
50CD: Shostakovich: Symphony No.6 In B Minor, Op.54
51CD: Debussy: Prélude à l’après‐midi d’un faune, L. 86 (Arr. For Ensemble); Sonata In G Minor For Violin And Piano, L. 140; Sonata In D Minor For Cello And Piano, L.135; Sonata For Flute, Viola And Harp, L. 137; Syrinx, L.129
52CD: Carter: Sonata For Flute, Oboe, Violoncello And Harpsichord / Ives: Largo For Violin, Clarinet And Piano / Porter: Quintet For Oboe And String Quartet / Dvorák: String Quintet No.2 In G Major, Op.77, B.49
53CD: Stravinsky: Histoire du soldat; Septet
54CD: J. Strauss II: Waltz Transcriptions / Stravinsky: Chamber Music
55CD: Schoenberg: Chamber Symphony No.1, Op.9 / Berg: 2. Adagio From “Chamber Concerto”
56CD: Schoenberg: Suite, Op.29; Phantasy For Violin And Piano, Op.47
57CD: Brahms: Symphony No. 2 In D Major, Op. 73 / Rossini: Overture From “Semiramide” / Paganini: Moto perpetuo, Op.11