The Complete Capitol Recordings of the Nat King Cole Trio

~ Release by The Nat King Cole Trio (see all versions of this release, 2 available)

Annotation

Some tracks on 'media' 16/17/18 are currently unavailable on apple music, perhaps due to licensing issues.

Annotation last modified on 2024-01-03 20:23 UTC.

Tracklist

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2▼Digital Media
#TitleRatingLength
1The Man I Love
recorded in:
Los Angeles, California, United States (on 1944-01-17)
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1944-01-17)
guitar:
Oscar Moore (on 1944-01-17)
piano:
Nat King Cole (on 1944-01-17)
recorded at:
C. P. MacGregor Studios in Hollywood, Los Angeles, California, United States (on 1944-01-17)
instrumental cover recording of:
The Man I Love (on 1944-01-17)
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (composer) (in 1924)
publisher:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
included in:
An American in Paris (2015 Broadway musical)
part of:
Lady, Be Good (full musical)
part of:
New York, New York (1977 musical film soundtrack)
3:22
2Body and Soul
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1944-01-17)
guitar:
Oscar Moore (on 1944-01-17)
piano:
Nat King Cole (on 1944-01-17)
vocals:
Nat King Cole (on 1944-01-17), Johnny Miller (part of the Nat King Cole Trio) (on 1944-01-17) and Oscar Moore (on 1944-01-17)
recorded at:
C. P. MacGregor Studios in Hollywood, Los Angeles, California, United States (on 1944-01-17)
instrumental cover recording of:
Body and Soul (on 1944-01-17)
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Edward Heyman, Robert Sour and John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:21
3Prelude in C Sharp Minor
recorded in:
Los Angeles, California, United States (on 1944-01-17)
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1944-01-17)
guitar:
Oscar Moore (on 1944-01-17)
piano:
Nat King Cole (on 1944-01-17)
recorded at:
C. P. MacGregor Studios in Hollywood, Los Angeles, California, United States (on 1944-01-17)
cover recording of:
Morceaux de fantaisie, op. 3: No. 2. Prélude in C‐sharp minor (The Bells of Moscow) (on 1944-01-17)
composer:
Sergei Rachmaninoff (Russian composer)
part of:
Morceaux de fantaisie, op. 3
2:57
4What Is This Thing Called Love
recorded in:
Los Angeles, California, United States (on 1944-01-17)
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1944-01-17)
guitar:
Oscar Moore (on 1944-01-17)
piano:
Nat King Cole (on 1944-01-17)
recorded at:
C. P. MacGregor Studios in Hollywood, Los Angeles, California, United States (on 1944-01-17)
instrumental cover recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (on 1944-01-17)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) and Warner/Chappell (Warner/Chappell Music, Inc.)
part of:
Wake Up and Dream (1929 revue)
2:59
5After You Get What You Want, You Don’t Want It
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1944-03-06)
guitar:
Oscar Moore (on 1944-03-06)
piano:
Nat King Cole (on 1944-03-06)
vocals:
Nat King Cole (on 1944-03-06)
recorded at:
C. P. MacGregor Studios in Hollywood, Los Angeles, California, United States (on 1944-03-06)
recording of:
After You Get What You Want (You Don’t Want It) (on 1944-03-06)
lyricist and composer:
Irving Berlin
2:48
6Look What You’ve Done to Me
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1944-03-06)
guitar:
Oscar Moore (on 1944-03-06)
piano:
Nat King Cole (on 1944-03-06)
vocals:
Nat King Cole (on 1944-03-06)
recorded at:
C. P. MacGregor Studios in Hollywood, Los Angeles, California, United States (on 1944-03-06)
recording of:
Look What You’ve Done to Me (on 1944-03-06)
writer:
Con Conrad (songwriter and producer), Archie Gottler and Sidney Mitchell
3:04
7Easy Listening Blues
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1944-03-06)
guitar:
Oscar Moore (on 1944-03-06)
piano:
Nat King Cole (on 1944-03-06)
recorded at:
C. P. MacGregor Studios in Hollywood, Los Angeles, California, United States (on 1944-03-06)
instrumental recording of:
Easy Listenin' Blues (on 1944-03-06)
composer:
Nadine Robinson (in 1944)
recording of:
Easy Listenin' Blues
composer:
Nadine Robinson (in 1944)
3:12
8I Realize Now
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1944-03-06)
guitar:
Oscar Moore (on 1944-03-06)
piano:
Nat King Cole (on 1944-03-06)
vocals:
Nat King Cole (on 1944-03-06)
recorded at:
C. P. MacGregor Studios in Hollywood, Los Angeles, California, United States (on 1944-03-06)
recording of:
I Realize Now (on 1944-03-06)
writer:
Stanley Cowan (composer, songwriter) and Sidney Miller (songwriter, director and actor)
3:10
9Please Consider Me
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1944-11-28)
guitar:
Oscar Moore (on 1944-11-28)
piano:
Nat King Cole (on 1944-11-28)
vocals:
Nat King Cole (on 1944-11-28)
recorded at:
C. P. MacGregor Studios in Hollywood, Los Angeles, California, United States (on 1944-11-28)
recording of:
Please Consider Me (on 1944-11-28)
lyricist and composer:
Timmie Rogers
3:15
10Bring Another Drink
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1944-11-28)
guitar:
Oscar Moore (on 1944-11-28)
piano:
Nat King Cole (on 1944-11-28)
vocals:
Nat King Cole (on 1944-11-28)
recorded at:
C. P. MacGregor Studios in Hollywood, Los Angeles, California, United States (on 1944-11-28)
recording of:
Bring Another Drink (on 1944-11-28)
writer:
Bob Bell (Three Peppers Guitarist) and Roy Branker
2:21
11I’d Love to Make Love to You
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1945-04-13)
guitar:
Oscar Moore (on 1945-04-13)
piano:
Nat King Cole (on 1945-04-13)
vocals:
Nat King Cole (on 1945-04-13)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1945-04-13)
recording of:
I’d Love to Make Love to You (on 1945-04-13)
writer:
Robert Emmerich (writer "Our Love") and Ruth Poll
3:11
12I’m a Shy Guy
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1945-04-13)
guitar:
Oscar Moore (on 1945-04-13)
piano:
Nat King Cole (on 1945-04-13)
vocals:
Nat King Cole (on 1945-04-13)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1945-04-13)
recording of:
I’m a Shy Guy (on 1945-04-13)
lyricist and composer:
Nat King Cole
2:56
13Katusha
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1945-04-13)
guitar:
Oscar Moore (on 1945-04-13)
piano:
Nat King Cole (on 1945-04-13)
vocals:
Nat King Cole (on 1945-04-13)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1945-04-13)
recording of:
Katusha (on 1945-04-13)
writer:
Lou Singer (pianist) and Hy Zaret
composer:
Матвей Блантер (Matvey Blanter, Soviet Jewish composer)
version of:
Катюша («Расцветали яблони и груши, поплыли туманы над рекой, выходила на берег Катюша…»)
2:31
14It Only Happens Once
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1945-04-13)
guitar:
Oscar Moore (on 1945-04-13)
piano:
Nat King Cole (on 1945-04-13)
vocals:
Nat King Cole (on 1945-04-13)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1945-04-13)
recording of:
It Only Happens Once (on 1945-04-13)
lyricist and composer:
Frankie Laine
2:54
15You’re Nobody ’Til Somebody Loves You
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1945-05-19)
guitar:
Oscar Moore (on 1945-05-19)
piano:
Nat King Cole (on 1945-05-19)
vocals:
Nat King Cole (on 1945-05-19)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1945-05-19)
recording of:
You’re Nobody Till Somebody Loves You (on 1945-05-19)
writer:
James Cavanaugh, Russ Morgan (Big Band orchestra leader) and Larry Stock
publisher:
Capitol Records (imprint of Capitol Records, Inc.), Shapiro, Bernstein & Co., Inc. and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
part of:
The Real Book (compilation of jazz standards, volume I)
cover recording of:
You’re Nobody Till Somebody Loves You (in 1945)
writer:
James Cavanaugh, Russ Morgan (Big Band orchestra leader) and Larry Stock
publisher:
Capitol Records (imprint of Capitol Records, Inc.), Shapiro, Bernstein & Co., Inc. and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
part of:
The Real Book (compilation of jazz standards, volume I)
2:52
16Don’t Blame Me
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1945-05-19)
guitar:
Oscar Moore (on 1945-05-19)
piano:
Nat King Cole (on 1945-05-19)
vocals:
Nat King Cole (on 1945-05-19)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1945-05-19)
recording of:
Don’t Blame Me (on 1945-05-19)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
EMI Robbins Catalog Inc. (ASCAP) and Ireneadele Publishing
3:25
17I’m in the Mood for Love
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1945-05-19)
guitar:
Oscar Moore (on 1945-05-19)
piano:
Nat King Cole (on 1945-05-19)
vocals:
Nat King Cole (on 1945-05-19)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1945-05-19)
cover recording of:
I’m in the Mood for Love (on 1945-05-19)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Margenia Music, MCI Music Publishing Ltd., EMI Robbins Catalog Inc. (ASCAP) (in 1935, in 1963) and EMI Music Publishing Ltd. (PRS‐affiliated) (in 2016)
2:59
18What Can I Say After I Say I’m Sorry
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1945-05-19)
guitar:
Oscar Moore (on 1945-05-19)
piano:
Nat King Cole (on 1945-05-19)
vocals:
Nat King Cole (on 1945-05-19)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1945-05-19)
recording of:
What Can I Say After I Say I’m Sorry? (on 1945-05-19)
lyricist and composer:
Walter Donaldson (in 1926) and Abe Lyman (in 1926)
cover recording of:
What Can I Say After I Say I’m Sorry? (in 1946)
lyricist and composer:
Walter Donaldson (in 1926) and Abe Lyman (in 1926)
2:35
19I’m Thru With Love
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1945-05-19)
guitar:
Oscar Moore (on 1945-05-19)
piano:
Nat King Cole (on 1945-05-19)
vocals:
Nat King Cole (on 1945-05-19)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1945-05-19)
recording of:
I’m Thru With Love (on 1945-05-19)
lyricist:
Gus Kahn
composer:
Fud Livingston and Matty Malneck
publisher:
Metro–Goldwyn–Mayer, Inc. (pre‐MGM/UA Entertainment Co. era, 1924–1981) (on 1931-04-17)
2:54
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