Klassische Musik für Dummies

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Anmerkung

Box (back), booklet (impressum), CD cardboard sleeve (back) information:

(p) 1950–2009 The Copyright in these sound recordings is owned by EMI Records Ltd., EMI Records Ltd./Virgin Classics, EMI Music Germany, EMI Music France & EMI Music Spain - This compilation (p) & (c) 2011 EMI Music Germany & Co. KG

Anmerkung zuletzt geändert am 2018-04-15 17:42 UTC.

Titelliste

1▼CD: Mittelalter, Renaissance, Barock
Nr.TitelKünstlerBewertungLänge
1Ein Kind geboren zu Bethlehem
Sound-Engineering:
Angel Barco
Produzent(in):
Maria Francisca Bonmati
Chorgesang:
Coro de monjes del Monasterio Benedictino de Santo Domingo de Silos (The Benedictine Monks of Santo Domingo de Silos) (in 1981-05)
chorus master:
Francisco Lara (Gregorian chant specialist, musicologist, professor of history and music sciences) (in 1981-05)
phonographisches Urheberrecht (℗) von:
Hispavox, S.A. (not for release label use! Spanish record company) (in 1981)
aufgenommen bei:
Iglesia del Monasterio Benedictino de Santo Domingo de Silos in Santo Domingo de Silos, Burgos (Provinz Burgos), Castilla y León (Kastilien und León), Spanien (in 1981-05)
recording of:
Puer natus in Bethlehem (original Piæ cantiones 1625 version)
Texter und Komponist(in):
[anonymous] (special purpose artist)
Teil von:
Piæ cantiones (1625)
[anonymous]2:02
2Missa Papae Marcelli: Sanctus (Ausschn.)
Chorgesang:
King’s College Choir
conductor:
Sir David Willcocks (UK composer, organist, choral conductor)
teilweise recording of:
Missa Papae Marcelli: IV. Sanctus
Komponist(in):
Giovanni Pierluigi da Palestrina (Italian composer, 1525–1594)
Teil von:
Missa Papae Marcelli
Giovanni Pierluigi da Palestrina1:52
3Madrigalbuch 8: Hor ch’el ciel e la terra (Ausschn.)
conductor:
Anthony Rooley (lute player / conductor)
Interpret(in):
Consort of Musicke (British early-music group)
teilweise recording of:
Hor che’l ciel e la terra e’l vento tace SV 147
Komponist(in):
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
Teil von:
Stattkus-Verzeichnis (Nummer: SV 147)
Teil von:
Ottavo Libro de’ Madrigali: Canti Guerrieri
Claudio Monteverdi1:24
4Symphonie de la Gloire (aus Thésée)
conductor:
Lajos Rovatkay
Interpret(in):
Capella Agostino Steffani
recording of:
Le Bourgeois gentilhomme : Marche pour la cérémonie des Turcs
Komponist(in):
Jean‐Baptiste Lully (composer)
Teil von:
Le Bourgeois gentilhomme, LWV 43
Jean‐Baptiste Lully1:20
5Te Deum: Prélude
Orchester und Interpret(in):
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
aufgenommen bei:
Salle des Concerts de la Cité de la Musique in Paris, Île-de-France, Frankreich (von 2004-09-14 bis 2004-09-15)
recording of:
Te Deum, H. 146: Prélude
Komponist(in):
Marc‐Antoine Charpentier (composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Teil von:
Te Deum, H. 146
Marc‐Antoine Charpentier1:37
6Le Tic-Toc-Choc ou Les Maillotins
Klavier [Klavier]:
Georges Cziffra (pianist)
recording of:
Dix-huitième ordre de clavecin en fa majeur: No. 6. Le Tic-Toc-Choc ou Les Maillotins
Komponist(in):
François Couperin (French composer of the Baroque era)
Teil von:
Dix-huitième ordre de clavecin en fa majeur
François Couperin2:37
7La Poule (Die Henne)
Klavier [Klavier]:
Georges Cziffra (pianist)
recording of:
Nouvelles Suites de Pièces de Clavecin: La Poule
Komponist(in):
Jean‐Philippe Rameau (French composer of the Baroque era)
Teil von:
Nouvelles Suites de Pièces de Clavecin: Suite in G major/G minor
Jean‐Philippe Rameau3:05
8Kanon in D
Orchester:
Taverner Players
conductor:
Andrew Parrott (conductor)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon (Canon und Gigue D-Dur, P37: I. Canon)
Komponist(in):
Johann Pachelbel (composer)
Teil von:
Canon and Gigue in D major, P. 37, T. 337 (Canon und Gigue D-Dur, P37)
Johann Pachelbel3:40
9Music for a while
Gitarre und klassiche Gitarre:
Craig Ogden (guitarist)
Countertenorgesang:
David Daniels (American countertenor)
klassiche Gitarre arranger:
Craig Ogden (guitarist)
recording of:
Oedipus, King of Thebes, Z. 583: Act III "Music for a While" (catch-all for arrangements)
Komponist(in):
Henry Purcell (Baroque composer)
Arrangement von:
Oedipus, King of Thebes, Z. 583: II. "Music for a While"
Henry Purcell3:49
10Gloria, RV 589: Gloria in excelsis Deo (arr. Malipiero)
Chorgesang:
New Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
Orchester:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Riccardo Muti (conductor)
recording of:
Gloria, RV 589: I. Gloria in excelsis Deo (edited by Malipiero)
Texter:
Anonymous ([anonymous], special purpose artist)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist)
zusätzliche(r) Komponist(in):
Gian Francesco Malipiero (Italian composer)
basiert auf:
Gloria in D major, RV 589: I. Gloria in excelsis Deo
Teil von:
Gloria, RV 589 (edited by Malipiero)
Antonio Vivaldi2:26
11Mandolinenkonzert in C-dur, RV 425: Allegro
Techniker(in), Editing und Tonmeister(in):
Alessandra Galleron
leitende(r) Produzent(in):
Alain Lanceron
Produzent(in):
Nicolas Bartholomée (French sound engineer and producer of classical recordings)
Bratsche / Viola:
Ernesto Braucher, Stefano Marcocchi und Diego Mecca (violist)
Cello:
Maurizio Naddeo (cellist)
Cembalo und Orgel:
Sergio Ciomei
Geige / Violine:
Fabio Biondi (conductor/violinist), Robert Brown (Classical music violist), Lorenzo Colitto, Luca Giardini (classical violinist), Carla Marotta, Raffaello Negri, Andrea Rognoni und Renata Spotti (Classical violinist)
Mandoline [Mandoline]:
Giovanni Scaramuzzino (mandolinist) (von 2001-10-09 bis 2001-10-12)
Solo-Mandoline:
Giovanni Scaramuzzino (mandolinist)
theorbo:
Ugo Nastrucci und Giangiacomo Pinardi
Violone:
Francisco Montero (double bassist)
Orchester:
Europa Galante (Italian Baroque orchestra) (von 2001-10-09 bis 2001-10-12, in 2002)
conductor:
Fabio Biondi (conductor/violinist) (von 2001-10-09 bis 2001-10-12, in 2002)
aufgenommen bei:
San Giovanni Evangelista in Parma, Parma, Emilia-Romagna, Italien (von 2001-10-09 bis 2001-10-12)
recording of:
Concerto for Mandolin in C major, RV 425: I. Allegro (Mandolinenkonzert C-Dur, RV 425: I. Allegro) (von 2001-10-09 bis 2001-10-12)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist)
Teil von:
Concerto for Mandolin in C major, RV 425 (Mandolinenkonzert C-Dur, RV 425)
recording of:
Concerto for Mandolin in C major, RV 425: I. Allegro (Mandolinenkonzert C-Dur, RV 425: I. Allegro) (in 2002)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist)
Teil von:
Concerto for Mandolin in C major, RV 425 (Mandolinenkonzert C-Dur, RV 425)
Antonio Vivaldi3:12
12Die vier Jahreszeiten: Der Frühling – I. Allegro
Produzent(in):
Nicolas Bartholomée (French sound engineer and producer of classical recordings)
Editing:
Charlotte Charbonnier und Alessandra Galleron
Geige / Violine:
Fabio Biondi (conductor/violinist) (von 2000-07 bis 2000-10)
Orchester:
Europa Galante (Italian Baroque orchestra) (von 2000-07 bis 2000-10)
conductor:
Fabio Biondi (conductor/violinist) (von 2000-07 bis 2000-10)
Tonmeister(in):
Frédéric Briant
aufgenommen bei:
Studio Tibor Varga in Sion (Sitten), Valais (Kanton Wallis), Schweiz (von 2000-07 bis 2000-10)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro („Die vier Jahreszeiten“: Concerto in E-Dur „Frühling“: Allegro) (von 2000-07 bis 2000-10)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi3:02
13Die vier Jahreszeiten: Der Sommer – III. Presto
Produzent(in):
Nicolas Bartholomée (French sound engineer and producer of classical recordings)
Editing:
Charlotte Charbonnier und Alessandra Galleron
Geige / Violine [Violine]:
Fabio Biondi (conductor/violinist) (von 2000-07 bis 2000-10)
Orchester:
Europa Galante (Italian Baroque orchestra) (von 2000-07 bis 2000-10)
conductor:
Fabio Biondi (conductor/violinist) (von 2000-07 bis 2000-10)
Tonmeister(in):
Frédéric Briant
aufgenommen bei:
Studio Tibor Varga in Sion (Sitten), Valais (Kanton Wallis), Schweiz (von 2000-07 bis 2000-10)
recording of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: III. Presto (von 2000-07 bis 2000-10)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate” (Concerto in G minor, op. 8 no. 2, RV 315 “Summer”)
Antonio Vivaldi2:26
14Jesu bleibet meine Freude (arr. Hess)
Techniker(in):
Anthony Griffith (engineer)
Produzent(in):
Walter Legge (British classical producer)
Klavier [Klavier]:
Dinu Lipatti (Romanian classical pianist and composer) (am 1950-07-10)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1951)
aufgenommen bei:
Studio 2, Radio Geneva in Genève (Genf), Genève (Kanton Genf), Schweiz (am 1950-07-10)
recording of:
Jesu, Joy of Man’s Desire, from BWV 147 (for piano, Myra Hess) (am 1950-07-10)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Klavier arranger:
Dame Myra Hess (pianist)
Arrangement von:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
Johann Sebastian Bach3:25
15Johannes-Passion, BWV 245: Choral: Herr unser Herrscher (Ausschn.)
Chorgesang:
Taverner Consort
Orchester:
Taverner Players
conductor:
Andrew Parrott (conductor)
teilweise recording of:
Johannes-Passion, BWV 245: Teil I. No. 1 Chorus "Herr, unser Herrscher"
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach3:22
16Das Wohltemperierte Klavier, Teil 1: Präludium Nr. 1 in C-dur, BWV 846
Klavier [Klavier]:
Christian Zacharias (pianist and conductor)
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
Teil von:
Notebook for Anna Magdalena Bach (Notenbüchlein für Anna Magdalena Bach, 1725) (Nummer: 29)
Teil von:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846
Revision von:
Prelude and Fugue no. 1 in C major, BWV 846.1/846a: I. Prelude (early version)
Johann Sebastian Bach1:55
17Cellosuite Nr. 1 in G-dur, BWV 1007: Präludium
assistierende(r) Techniker(in):
Alain Joubert (sound engineer) (in 1991-03)
leitende(r) Produzent(in):
Mstislav Rostropovich (Mstislaw Rostropowitsch, cellist/conductor) (in 1991-03)
Produzent(in):
Guy Chesnais (producer)
Cello:
Mstislav Rostropovich (Mstislaw Rostropowitsch, cellist/conductor) (in 1991-03)
Tonmeister(in):
Raymond Buttin (engineer) (in 1991-03)
phonographisches Urheberrecht (℗) von:
SGOL Music Ltd. (in 1995)
aufgenommen bei:
Basilique Sainte-Marie-Madeleine de Vézelay in Vézelay, Yonne, Bourgogne-Franche-Comté, Frankreich (in 1991-03)
recording of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007: I. Prélude (Cello Suite No. 1 in G major, BWV 1007: I. Prélude) (in 1991-03)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007 (Cello Suite No. 1 in G major, BWV 1007)
Johann Sebastian Bach2:05
18Brandenburgisches Konzert Nr. 2 in F-dur, BWV 1047: Allegro (Ausschn.)
Orchester:
Orchestra of the Age of Enlightenment
teilweise recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: I.
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
Johann Sebastian Bach1:42
19Klavierkonzert Nr. 4 in f-moll, BWV 1056: Adagio
Klavier [Klavier]:
David Fray (pianist) (von 2008-01-29 bis 2008-02-01)
Orchester:
Deutsche Kammerphilharmonie Bremen (von 2008-01-29 bis 2008-02-01)
conductor:
David Fray (pianist)
recording of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056: II. Largo (von 2008-01-29 bis 2008-02-01)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056
Johann Sebastian Bach3:07
20Toccata und Fugue in d-moll, BWV 565: Toccata
Orgel:
Lionel Rogg (organist) (von 1975-11-25 bis 1975-12-04)
aufgenommen bei:
Cathédrale Saint-Pierre de Genève in Genève (Genf), Genève (Kanton Genf), Schweiz (von 1975-11-25 bis 1975-12-04)
recording of:
Toccata und Fuge d-Moll, BWV 565: I. Toccata (von 1975-11-25 bis 1975-12-04)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Classic 100: Piano (2025) (Nummer: 30)
Teil von:
Toccata und Fuge d-Moll, BWV 565
Johann Sebastian Bach2:32
21Orchestersuite Nr. 3 in D-dur, BWV 1068: Air
Orchester:
English Chamber Orchestra (in 1988-01)
conductor:
Philip Ledger (in 1988-01)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1991) und Virgin Classics (absorbed into Erato since 2013-07-19) (in 1991)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
Teil von:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (catch-all for unknown versions/arrangements)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Johann Sebastian Bach4:50
22Adriano in Siria: Tutti nemeci, e rei
Countertenorgesang:
Philippe Jaroussky (countertenor)
Orchester:
Le Cercle de l'Harmonie
conductor:
Jérémie Rhorer (conductor)
recording of:
Adriano in Siria: Atto secondo: Scena VIII: N.5 Aria: Tutti nemici e rei
Komponist(in):
Giovanni Battista Pergolesi (composer)
Librettist:
Pietro Metastasio
Teil von:
Adriano in Siria: Atto secondo
Johann Christian Bach2:41
23Sonate in f-moll, K. 519
Klavier [Klavier]:
Mikhail Pletnev (pianist & conductor)
recording of:
Sonata in F minor, K 519, L 475: Allegro assai
Komponist(in):
Domenico Scarlatti (composer)
Teil von:
Alessandro Longo’s catalog of Domenico Scarlatti’s keyboard works (Nummer: 475) und Ralph Kirkpatrick’s catalog of Domenico Scarlatti’s keyboard sonatas (Nummer: 519)
Domenico Scarlatti3:14
24Der Messias: Halleluja
Chorgesang:
Taverner Choir (in 1988-04)
Orchester:
Taverner Players (in 1988-04)
conductor:
Andrew Parrott (conductor) (in 1988-04)
Interpret(in):
The Taverner Choir, Consort & Players (in 1988-04)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1988-04)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” (in 1988-04)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Librettist:
Charles Jennens
Teil von:
Messiah, HWV 56: Part II
George Frideric Handel4:00
25Sarabande (arr. Hale)
Orchester:
Academy of St Martin-in-the-Fields (Academy of St Martin in the Fields) (in 2002)
conductor:
Alex Briger (Australian conductor) (in 2002)
Interpret(in):
Alexander Briger (Australian conductor)
arranger:
Simon Hale
recording of:
Suite de pièce in D minor, Vol. 2 no. 4, HWV 437: IV. Sarabande (catch-all for arrangements)
Komponist(in):
George Frideric Handel (German‐British baroque composer)
Arrangement von:
Suite de pièce in D minor, Vol. 2 no. 4, HWV 437: IV. Sarabande
George Frideric Handel3:24
26Feuerwerksmusik: La Réjouissance
Orchester:
Menuhin Festival Orchestra (in 1968)
conductor:
Yehudi Menuhin (violinist) (in 1968)
recording of:
Music for the Royal Fireworks, HWV 351: IV. La Réjouissance (in 1968)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1749)
Teil von:
Music for the Royal Fireworks, HWV 351
George Frideric Handel2:22
27Zadok the Priest (Ausschn.)
Chorgesang:
Royal Choral Society (The Royal Choral Society)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Andrew Davis (conductor, keyboardist, composer, arranger)
teilweise recording of:
The Four Coronation Anthems: “Zadok the Priest”, HWV 258
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1727)
Premiere bei:
Westminster Abbey in London (Greater London), England, Vereinigtes Königreich (am 1727-10-11)
Teil von:
Händel-Werke-Verzeichnis (Nummer: HWV 258)
Teil von:
The Four Coronation Anthems
George Frideric Handel2:17
28Stabat Mater: Stabat Mater dolorosa
Countertenorgesang:
David Daniels (American countertenor)
Soprangesang:
Dorothea Röschmann (soprano)
Orchester:
Europa Galante (Italian Baroque orchestra)
conductor:
Fabio Biondi (conductor/violinist)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: I. Duo: Stabat mater dolorosa
Komponist(in):
Giovanni Battista Pergolesi (composer)
Teil von:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi3:57
2▶CD: Wiener Klassik
3▶CD: Romantik
4▶CD: Spätromantik
5▶CD: Nationale Schulen
6▶CD: Klassische Moderne

Nennungen

Veröffentlichung

liner notes:David Pogue
Scott Speck
liner notes Übersetzer:Matthias Kalle Dahlheimer
Oliver Fehn
Harriet Gehring
hergestellt von:Optimal Media Production
urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:EMI Music Germany GmbH & Co. KG (do not use this as a release label!) (in 2011)
Teil von:für Dummies (German) (Reihenfolge: 2)
ASIN:DE: B005I736QA [Info]