Sound of Silence / Portrait of Carmen

~ Veröffentlichung von Carmen McRae (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1CD
Nr.TitelBewertungLänge
1The Sound of Silence
recording engineer und Techniker(in):
Andy Richardson (engineer)
Produzent(in):
Nesuhi Ertegun
Bass:
Max Bennett (US jazz bassist and session musician) (am 1968-06-27)
Geige / Violine:
Herman Clebanoff (am 1968-06-27), Sam Freed (am 1968-06-27), Dave Frisina (am 1968-06-27), Anatol Kaminsky (am 1968-06-27), Nathan Kaproff (am 1968-06-27) und Bernard Kundell (am 1968-06-27)
Gitarre:
Mike Deasy (am 1968-06-27), Tommy Tedesco (guitar) (am 1968-06-27) und Francois Vaz (am 1968-06-27)
Hybrid-Piano:
Norman Simmons (am 1968-06-27)
Perkussion:
Emil Radocchia (am 1968-06-27)
Posaune:
Lew McCreary (am 1968-06-27) und Dick Nash (am 1968-06-27)
Saxophon:
James Horn (woodwind) (am 1968-06-27)
Schlagzeug:
James Gordon (drums) (am 1968-06-27)
Trompete:
Buddy Childers (American jazz trumpeter & composer) (am 1968-06-27) und Jack Sheldon (am 1968-06-27)
vocals:
Carmen McRae (am 1968-06-27)
conductor:
Shorty Rogers (trumpet) (am 1968-06-27)
arranger:
Shorty Rogers (trumpet)
aufgenommen bei:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1968-06-27)
cover recording of:
The Sound of Silence (am 1968-06-27)
Texter:
Paul Simon (of Simon & Garfunkel) (von 1963-11 bis 1964-02-19)
Komponist(in):
Paul Simon (of Simon & Garfunkel) (von 1963-11 bis 1964-02-09)
publisher:
Essex Music of Australia Pty. Ltd., J. Michel KG (publisher), MDW (publisher), Mother Culture Publishing, Pattern Music Ltd (publisher), Universal/MCA Music Ltd. (not for release label use!), WB Music Corp. (1929–2019), Paul Simon Music (in 1964, in 1992) und Magic Arts Publishing (in 2000)
3:01
2I Got It Bad and That Ain't Good
recording engineer und Techniker(in):
Andy Richardson (engineer)
Produzent(in):
Nesuhi Ertegun
Bass:
Joe Comfort (am 1968-06-26)
Gitarre:
Francois Vaz (am 1968-06-26)
Klavier:
Norman Simmons (am 1968-06-26)
Perkussion:
Larry Bunker (am 1968-06-26)
Saiteninstrumente:
unidentified 16 strings ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1968-06-26)
Saxophon:
Gene Cipriano (am 1968-06-26)
Schlagzeug:
John Collins (drums) (am 1968-06-26)
Waldhorn:
Vincent DeRosa (am 1968-06-26)
vocals:
Carmen McRae (am 1968-06-26)
conductor:
Jimmy Jones (jazz pianist, active years 1936-1975) (am 1968-06-26)
arranger:
Jimmy Jones (jazz pianist, active years 1936-1975) und Shorty Rogers (trumpet)
concertmaster:
Lou Raderman (am 1968-06-26)
aufgenommen bei:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1968-06-26)
recording of:
I Got It Bad (and That Ain’t Good) (am 1968-06-26)
Texter:
Paul Francis Webster (in 1941)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Sony/ATV Harmony und Webster Music Co.
Teil von:
The Real Book (compilation of jazz standards, volume I)
3:28
3MacArthur Park
recording engineer und Techniker(in):
Andy Richardson (engineer)
Produzent(in):
Nesuhi Ertegun
Bass:
Bob West (US session bassist, producer & songwriter) (am 1968-06-28)
Geige / Violine:
Herman Clebanoff (am 1968-06-28), Sam Freed (am 1968-06-28), Dave Frisina (am 1968-06-28), Anatol Kaminsky (am 1968-06-28), Nathan Kaproff (am 1968-06-28) und Bernard Kundell (am 1968-06-28)
Gitarre:
Mike Deasy (am 1968-06-28), Al Hendrickson (am 1968-06-28) und Francois Vaz (am 1968-06-28)
Klavier:
Norman Simmons (am 1968-06-28)
Perkussion:
Larry Bunker (am 1968-06-28)
Posaune:
Lew McCreary (am 1968-06-28) und Dick Nash (am 1968-06-28)
Saxophon:
John Lowe (woodwind) (am 1968-06-28)
Schlagzeug:
Paul Humphrey (jazz, r&b drummer) (am 1968-06-28)
Trompete:
Jack Sheldon (am 1968-06-28) und Jimmy Zito (am 1968-06-28)
vocals:
Carmen McRae (am 1968-06-28)
conductor:
Shorty Rogers (trumpet) (am 1968-06-28)
arranger:
Shorty Rogers (trumpet)
aufgenommen bei:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1968-06-28)
cover recording of:
MacArthur Park (am 1968-06-28)
Texter und Komponist(in):
Jimmy Webb (US songwriter, composer, producer, pianist & singer)
publisher:
Canopy Music, Carlin Music Corporation, Global Musikverlage (Global Musik GmbH & Co. KG), Universal Music (plain logo: “Universal Music”) und Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
4:01
4Watch What Happens
recording engineer und Techniker(in):
Andy Richardson (engineer)
Produzent(in):
Nesuhi Ertegun
Bass:
Joe Comfort (am 1968-06-26)
Gitarre:
Francois Vaz (am 1968-06-26)
Klavier:
Norman Simmons (am 1968-06-26)
Perkussion:
Larry Bunker (am 1968-06-26)
Saiteninstrumente:
unidentified 16 strings ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1968-06-26)
Saxophon:
Gene Cipriano (am 1968-06-26)
Schlagzeug:
John Collins (drums) (am 1968-06-26)
Waldhorn:
Vincent DeRosa (am 1968-06-26)
vocals:
Carmen McRae (am 1968-06-26)
conductor:
Jimmy Jones (jazz pianist, active years 1936-1975) (am 1968-06-26)
arranger:
Jimmy Jones (jazz pianist, active years 1936-1975) und Shorty Rogers (trumpet)
concertmaster:
Lou Raderman (am 1968-06-26)
aufgenommen bei:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1968-06-26)
recording of:
Watch What Happens (am 1968-06-26)
Texter:
Jacques Demy
Komponist(in):
Michel Legrand
Übersetzer:
Norman Gimbel
übersetzte Version von:
Les Parapluies de Cherbourg: Récit de Cassard
2:35
5Stardust
recording engineer und Techniker(in):
Andy Richardson (engineer)
Produzent(in):
Nesuhi Ertegun
Bass:
Joe Comfort (am 1968-06-26)
Gitarre:
Francois Vaz (am 1968-06-26)
Klavier:
Norman Simmons (am 1968-06-26)
Perkussion:
Larry Bunker (am 1968-06-26)
Saiteninstrumente:
unidentified 16 strings ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1968-06-26)
Saxophon:
Gene Cipriano (am 1968-06-26)
Schlagzeug:
John Collins (drums) (am 1968-06-26)
Waldhorn:
Vincent DeRosa (am 1968-06-26)
vocals:
Carmen McRae (am 1968-06-26)
conductor:
Jimmy Jones (jazz pianist, active years 1936-1975) (am 1968-06-26)
arranger:
Jimmy Jones (jazz pianist, active years 1936-1975) und Shorty Rogers (trumpet)
concertmaster:
Lou Raderman (am 1968-06-26)
aufgenommen bei:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1968-06-26)
recording of:
Stardust (the jazz standard) (am 1968-06-26)
Texter:
Mitchell Parish (in 1929)
Komponist(in):
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (beendet), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. und Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Teil von:
American Splendor
4:06
6Don't Go Away
recording engineer und Techniker(in):
Andy Richardson (engineer)
Produzent(in):
Nesuhi Ertegun
Bass:
Max Bennett (US jazz bassist and session musician) (am 1968-06-27)
Geige / Violine:
Herman Clebanoff (am 1968-06-27), Sam Freed (am 1968-06-27), Dave Frisina (am 1968-06-27), Anatol Kaminsky (am 1968-06-27), Nathan Kaproff (am 1968-06-27) und Bernard Kundell (am 1968-06-27)
Gitarre:
Mike Deasy (am 1968-06-27), Tommy Tedesco (guitar) (am 1968-06-27) und Francois Vaz (am 1968-06-27)
Hybrid-Piano:
Norman Simmons (am 1968-06-27)
Perkussion:
Emil Radocchia (am 1968-06-27)
Posaune:
Lew McCreary (am 1968-06-27) und Dick Nash (am 1968-06-27)
Saxophon:
James Horn (woodwind) (am 1968-06-27)
Schlagzeug:
James Gordon (drums) (am 1968-06-27)
Trompete:
Buddy Childers (American jazz trumpeter & composer) (am 1968-06-27) und Jack Sheldon (am 1968-06-27)
vocals:
Carmen McRae (am 1968-06-27)
conductor:
Shorty Rogers (trumpet) (am 1968-06-27)
arranger:
Shorty Rogers (trumpet)
aufgenommen bei:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1968-06-27)
2:17
7Gloomy Sunday
recording engineer und Techniker(in):
Andy Richardson (engineer)
Produzent(in):
Nesuhi Ertegun
Bass:
Max Bennett (US jazz bassist and session musician) (am 1968-06-27)
Geige / Violine:
Herman Clebanoff (am 1968-06-27), Sam Freed (am 1968-06-27), Dave Frisina (am 1968-06-27), Anatol Kaminsky (am 1968-06-27), Nathan Kaproff (am 1968-06-27) und Bernard Kundell (am 1968-06-27)
Gitarre:
Mike Deasy (am 1968-06-27), Tommy Tedesco (guitar) (am 1968-06-27) und Francois Vaz (am 1968-06-27)
Hybrid-Piano:
Norman Simmons (am 1968-06-27)
Perkussion:
Emil Radocchia (am 1968-06-27)
Posaune:
Lew McCreary (am 1968-06-27) und Dick Nash (am 1968-06-27)
Saxophon:
James Horn (woodwind) (am 1968-06-27)
Schlagzeug:
James Gordon (drums) (am 1968-06-27)
Trompete:
Buddy Childers (American jazz trumpeter & composer) (am 1968-06-27) und Jack Sheldon (am 1968-06-27)
vocals:
Carmen McRae (am 1968-06-27)
conductor:
Shorty Rogers (trumpet) (am 1968-06-27)
arranger:
Shorty Rogers (trumpet)
aufgenommen bei:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1968-06-27)
recording of:
Gloomy Sunday (am 1968-06-27)
Texter:
Jávor László (Hungarian poet)
Komponist(in):
Rezső Seress
Übersetzer:
Sam M. Lewis (1930s lyricist)
übersetzte Version von:
Szomorú vasárnap
4:05
8I Sold My Heart to the Junkman
recording engineer und Techniker(in):
Andy Richardson (engineer)
Produzent(in):
Nesuhi Ertegun
Bass:
Bob West (US session bassist, producer & songwriter) (am 1968-06-28)
Geige / Violine:
Herman Clebanoff (am 1968-06-28), Sam Freed (am 1968-06-28), Dave Frisina (am 1968-06-28), Anatol Kaminsky (am 1968-06-28), Nathan Kaproff (am 1968-06-28) und Bernard Kundell (am 1968-06-28)
Gitarre:
Mike Deasy (am 1968-06-28), Al Hendrickson (am 1968-06-28) und Francois Vaz (am 1968-06-28)
Klavier:
Norman Simmons (am 1968-06-28)
Perkussion:
Larry Bunker (am 1968-06-28)
Posaune:
Lew McCreary (am 1968-06-28) und Dick Nash (am 1968-06-28)
Saxophon:
John Lowe (woodwind) (am 1968-06-28)
Schlagzeug:
Paul Humphrey (jazz, r&b drummer) (am 1968-06-28)
Trompete:
Jack Sheldon (am 1968-06-28) und Jimmy Zito (am 1968-06-28)
vocals:
Carmen McRae (am 1968-06-28)
conductor:
Shorty Rogers (trumpet) (am 1968-06-28)
arranger:
Shorty Rogers (trumpet)
aufgenommen bei:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1968-06-28)
recording of:
I Sold My Heart to the Junkman (am 1968-06-28)
Verfasser(in):
Leon René und Otis René
3:43
9Poor Butterfly
recording engineer und Techniker(in):
Andy Richardson (engineer)
Produzent(in):
Nesuhi Ertegun
Bass:
Bob West (US session bassist, producer & songwriter) (am 1968-06-28)
Geige / Violine:
Herman Clebanoff (am 1968-06-28), Sam Freed (am 1968-06-28), Dave Frisina (am 1968-06-28), Anatol Kaminsky (am 1968-06-28), Nathan Kaproff (am 1968-06-28) und Bernard Kundell (am 1968-06-28)
Gitarre:
Mike Deasy (am 1968-06-28), Al Hendrickson (am 1968-06-28) und Francois Vaz (am 1968-06-28)
Klavier:
Norman Simmons (am 1968-06-28)
Perkussion:
Larry Bunker (am 1968-06-28)
Posaune:
Lew McCreary (am 1968-06-28) und Dick Nash (am 1968-06-28)
Saxophon:
John Lowe (woodwind) (am 1968-06-28)
Schlagzeug:
Paul Humphrey (jazz, r&b drummer) (am 1968-06-28)
Trompete:
Jack Sheldon (am 1968-06-28) und Jimmy Zito (am 1968-06-28)
vocals:
Carmen McRae (am 1968-06-28)
conductor:
Shorty Rogers (trumpet) (am 1968-06-28)
arranger:
Shorty Rogers (trumpet)
aufgenommen bei:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1968-06-28)
recording of:
Poor Butterfly (am 1968-06-28)
Texter:
John L. Golden (in 1916)
Komponist(in):
John Raymond Hubbell (composer, co-founder of ASCAP) (in 1916)
publisher:
Harms, Inc.
2:20
10My Heart Reminds Me
recording engineer und Techniker(in):
Andy Richardson (engineer)
Produzent(in):
Nesuhi Ertegun
Bass:
Bob West (US session bassist, producer & songwriter) (am 1968-06-28)
Geige / Violine:
Herman Clebanoff (am 1968-06-28), Sam Freed (am 1968-06-28), Dave Frisina (am 1968-06-28), Anatol Kaminsky (am 1968-06-28), Nathan Kaproff (am 1968-06-28) und Bernard Kundell (am 1968-06-28)
Gitarre:
Mike Deasy (am 1968-06-28), Al Hendrickson (am 1968-06-28) und Francois Vaz (am 1968-06-28)
Klavier:
Norman Simmons (am 1968-06-28)
Perkussion:
Larry Bunker (am 1968-06-28)
Posaune:
Lew McCreary (am 1968-06-28) und Dick Nash (am 1968-06-28)
Saxophon:
John Lowe (woodwind) (am 1968-06-28)
Schlagzeug:
Paul Humphrey (jazz, r&b drummer) (am 1968-06-28)
Trompete:
Jack Sheldon (am 1968-06-28) und Jimmy Zito (am 1968-06-28)
vocals:
Carmen McRae (am 1968-06-28)
conductor:
Shorty Rogers (trumpet) (am 1968-06-28)
arranger:
Shorty Rogers (trumpet)
aufgenommen bei:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1968-06-28)
recording of:
My Heart Reminds Me (Translation of "Concerto d'automno") (am 1968-06-28)
Texter:
Dante Panzuti
Komponist(in):
Camillo Bargoni (Italian composer)
Übersetzer:
Paul Siegel (American songwriter) und Al Stillman
basiert auf:
Autumn Concerto (Concerto d'autumno)
2:31
11The Folks Who Live on the Hill
recording engineer und Techniker(in):
Andy Richardson (engineer)
Produzent(in):
Nesuhi Ertegun
Bass:
Joe Comfort (am 1968-06-26)
Gitarre:
Francois Vaz (am 1968-06-26)
Klavier:
Norman Simmons (am 1968-06-26)
Perkussion:
Larry Bunker (am 1968-06-26)
Saiteninstrumente:
unidentified 16 strings ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1968-06-26)
Saxophon:
Gene Cipriano (am 1968-06-26)
Schlagzeug:
John Collins (drums) (am 1968-06-26)
Waldhorn:
Vincent DeRosa (am 1968-06-26)
vocals:
Carmen McRae (am 1968-06-26)
conductor:
Jimmy Jones (jazz pianist, active years 1936-1975) (am 1968-06-26)
arranger:
Jimmy Jones (jazz pianist, active years 1936-1975) und Shorty Rogers (trumpet)
concertmaster:
Lou Raderman (am 1968-06-26)
aufgenommen bei:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1968-06-26)
recording of:
The Folks Who Live on the Hill (am 1968-06-26)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Jerome Kern
publisher:
Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Teil von:
High, Wide and Handsome (1937 film)
4:28
12Can You Tell
recording engineer und Techniker(in):
Andy Richardson (engineer)
Produzent(in):
Nesuhi Ertegun
Bass:
Max Bennett (US jazz bassist and session musician) (am 1968-06-27)
Geige / Violine:
Herman Clebanoff (am 1968-06-27), Sam Freed (am 1968-06-27), Dave Frisina (am 1968-06-27), Anatol Kaminsky (am 1968-06-27), Nathan Kaproff (am 1968-06-27) und Bernard Kundell (am 1968-06-27)
Gitarre:
Mike Deasy (am 1968-06-27), Tommy Tedesco (guitar) (am 1968-06-27) und Francois Vaz (am 1968-06-27)
Hybrid-Piano:
Norman Simmons (am 1968-06-27)
Perkussion:
Emil Radocchia (am 1968-06-27)
Posaune:
Lew McCreary (am 1968-06-27) und Dick Nash (am 1968-06-27)
Saxophon:
James Horn (woodwind) (am 1968-06-27)
Schlagzeug:
James Gordon (drums) (am 1968-06-27)
Trompete:
Buddy Childers (American jazz trumpeter & composer) (am 1968-06-27) und Jack Sheldon (am 1968-06-27)
vocals:
Carmen McRae (am 1968-06-27)
conductor:
Shorty Rogers (trumpet) (am 1968-06-27)
arranger:
Shorty Rogers (trumpet)
aufgenommen bei:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1968-06-27)
2:14
13I'm Always Drunk in San Francisco
recording of:
I’m Always Drunk in San Francisco
Texter und Komponist(in):
Tommy Wolf (US pianist/composer)
3:05
14Elusive Butterfly
cover recording of:
Elusive Butterfly
Texter und Komponist(in):
Bob Lind
publisher:
Metric Music Ltd.
3:03
15Day by Day
recording of:
Day by Day
Texter:
Sammy Cahn
Komponist(in):
Axel Stordahl und Paul Weston
publisher:
Barton Music Corp. und Hanover Music Corp.
2:29
16When You Get Around to Me
recording of:
When You Get Around to Me
Verfasser(in):
Richard Ahlert
2:58
17Walking Happy
recording of:
Walking Happy
Texter:
Sammy Cahn
Komponist(in):
Jimmy Van Heusen
2:41
18My Very Own Person
recording of:
My Very Own Person
Texter:
Spence Maxwell
Komponist(in):
Gene di Novi
2:59
19Ask Any Woman
recording of:
Ask Any Woman
Verfasser(in):
Gerard Robert Langley (songwriter with Jimmy Stewart) und James Johnston Stewart
3:01
20Boy, Do I Have a Surprise for You
3:26
21Loads of Love
recording of:
Loads of Love
Texter und Komponist(in):
Richard Rodgers (composer)
3:59
22I Haven't Got Anything Better to Do
recording of:
I Haven’t Got Anything Better to Do
Verfasser(in):
Lee Pockriss und Paul Vance (US songwriter and producer)
4:34
23Wonder Why
recording of:
Wonder Why (Rich, Young and Pretty)
Texter:
Sammy Cahn
Komponist(in):
Nicholas Brodzsky
publisher:
Primary Wave Songs und Robbins Music Corp.
Teil von:
The 24th Academy Award for Best Original Song (Nummer: 2)
2:13

Nennungen

Veröffentlichung

ASIN:US: B00005KHFT [Info]

Veröffentlichungsgruppe

enthält:The Sound of Silence