Trusted Guide to Classical Music

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Sub tuum praesidium
cori:
The Monks and Choirboys of Downside Abbey
[anonymous]1:04
2O nata lux
cori:
Choir of King’s College, Cambridge
direttore d'orchestra:
Philip Ledger
registrazione di:
O nata lux (à 5, Cantiones sacrae (1575))
compositore:
Thomas Tallis (composer)
parte di:
Cantiones quae ab argumento sacrae vocantur (1575)
Thomas Tallis1:57
3Ave verum corpus
cori:
Choir of King’s College, Cambridge
direttore d'orchestra:
Sir David Willcocks (UK composer, organist, choral conductor)
registrazione di:
Ave verum corpus, T 92 (à 4, Gradualia I (1605))
compositore:
William Byrd (English composer)
editore:
Oxford University Press
parte di:
William Byrd: A Research and Information Guide, 3rd ed. (Turbet [T]) (numero: T 92)
parte di:
Gradualia ac cantiones sacrae, Liber 1 (1605)
William Byrd4:41
4Miserere mei, Deus (vv. 1-4 & 17-20)
cori:
Choir of King’s College, Cambridge
voce:
Gerald Finley (bass-baritone)
voce di ragazzo soprano (treble):
Timothy Beasley-Murray (treble vocalist)
direttore d'orchestra:
Stephen Cleobury (organist, conductor)
registrazione parziale di:
Miserere mei, Deus
compositore:
Gregorio Allegri (composer)
parte di:
ABC Classic 100 (2001) (numero: 9)
cita i testi di:
Miserere mei (words from Psalm 51)
Gregorio Allegri5:47
5Te Deum: Prelude
orchestra:
Academy of St Martin in the Fields
direttore d'orchestra:
Philip Ledger
registrazione di:
Te Deum, H. 146: Prélude
compositore:
Marc‐Antoine Charpentier (composer)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
parte di:
Te Deum, H. 146
Marc‐Antoine Charpentier1:48
6Canon in D
orchestra:
Academy of St Martin in the Fields
direttore d'orchestra:
Sir Neville Marriner (conductor)
registrazione di:
Canon and Gigue in D major, P. 37, T. 337: I. Canon
compositore:
Johann Pachelbel (composer)
parte di:
Canon and Gigue in D major, P. 37, T. 337
Johann Pachelbel5:00
7Funeral Music for Queen Mary: March
strumenti:
Philip Jones Brass Ensemble
cori:
Choir of King’s College, Cambridge
direttore d'orchestra:
Philip Ledger
registrazione di:
Funeral Music on the Death of Queen Mary: I. March, Z. 860
compositore:
Henry Purcell (Baroque composer)
parte di:
Music for the Funeral of Queen Mary, Z. 860
Henry Purcell1:38
8Funeral Music for Queen Mary: Thou Knowest, Lord
strumenti:
Philip Jones Brass Ensemble
cori:
Choir of King’s College, Cambridge
direttore d'orchestra:
Philip Ledger
registrazione di:
Funeral Music on the Death of Queen Mary: VI. Anthem, Z. 58c "Thou knowest, Lord" (2nd setting for 4 trumpets)
compositore:
Henry Purcell (Baroque composer) (nel 1687)
parte di:
Music for the Funeral of Queen Mary, Z. 860
Henry Purcell2:22
9Adagio in G minor
orchestra:
Academy of St Martin in the Fields
direttore d'orchestra:
Sir Neville Marriner (conductor)
registrazione di:
Adagio for Strings and Organ in G minor
compositore:
Remo Giazotto
precedentemente attribuito a:
Tomaso Giovanni Albinoni (Italian Baroque composer)
editore:
Ricordi London (Casa Ricordi sublabel for Classical music) e Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Tomaso Giovanni Albinoni7:46
10Trumpet Voluntary (The Prince of Denmark's March)
organo :
Jane Parker‐Smith (organist)
tromba :
Maurice André (French trumpeter)
registrazione di:
The Prince of Denmark’s March (erroneously called “Trumpet Voluntary”)
compositore:
Jeremiah Clarke (English baroque composer and organist) (nel 1700)
Jeremiah Clarke2:52
11The Four Seasons: "Summer": III. Presto
violino :
Yehudi Menuhin (violinist)
orchestra:
Camerata Lysy Gstaad
direttore d'orchestra:
Alberto Lysy (violinist and conductor)
registrazione di:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: III. Presto
compositore:
Antonio Vivaldi (Italian baroque composer and violinist) (nel 1723)
parte di:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate” (Concerto in G minor, op. 8 no. 2, RV 315 “Summer”)
Antonio Vivaldi2:48
12Gloria in excelsis Deo (Gloria, RV 589)
produttore:
David Groves (classical music producer at EMI)
cori:
Academy of St Martin in the Fields Chorus (dal 1990-10-05 al 1990-10-07)
orchestra:
Academy of St Martin in the Fields (dal 1990-10-05 al 1990-10-07)
direttore d'orchestra:
Sir Neville Marriner (conductor) (dal 1990-10-05 al 1990-10-07)
maestro del coro:
László Heltay (British/Hungarian conductor and composer) (dal 1990-10-05 al 1990-10-07)
tecnico di bilanciamento:
Mark Vigars (engineer)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1990)
registrata presso:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Regno Unito (dal 1990-10-05 al 1990-10-07)
registrazione di:
Gloria in D major, RV 589: I. Gloria in excelsis Deo (dal 1990-10-05 al 1990-10-07)
compositore:
Antonio Vivaldi (Italian baroque composer and violinist)
parte di:
Gloria in D major, RV 589
registrazione di:
Gloria, RV 589: I. Gloria in excelsis Deo (edited by Malipiero)
paroliere:
Anonymous ([anonymous], special purpose artist)
compositore:
Antonio Vivaldi (Italian baroque composer and violinist)
compositore aggiunto:
Gian Francesco Malipiero (Italian composer)
si basa su:
Gloria in D major, RV 589: I. Gloria in excelsis Deo
parte di:
Gloria, RV 589 (edited by Malipiero)
Antonio Vivaldi2:24
13The Arrival of the Queen of Sheba (Solomon)
orchestra:
Academy of St Martin in the Fields
direttore d'orchestra:
Sir Neville Marriner (conductor)
registrazione di:
Solomon, HWV 67: Act III. Sinfonia “The Arrival of the Queen of Sheba”
compositore:
George Frideric Handel (German‐British baroque composer) (nel 1748)
editore:
Hallische Händel‐Ausgabe der Georg‐Friedrich‐Händel‐Gesellschaft e Public Domain (refers to works that are in the public domain)
parte di:
Solomon, HWV 67: Act III
George Frideric Handel2:49
14Hallelujah Chorus (Messiah, ed. Lam)
cori:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
orchestra:
English Chamber Orchestra
direttore d'orchestra:
Charles Mackerras (Australian conductor)
registrazione di:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah”
compositore:
George Frideric Handel (German‐British baroque composer) (nel 1741)
librettista:
Charles Jennens
parte di:
Messiah, HWV 56: Part II
George Frideric Handel4:01
15Toccata in D minor, BWV 565i
organo :
Wayne Marshall (British pianist, organist and conductor)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1990)
registrazione di:
Toccata und Fuge d-Moll, BWV 565: I. Toccata
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
parte di:
Classic 100: Piano (2025) (numero: 30)
parte di:
Toccata und Fuge d-Moll, BWV 565 (Toccata and Fugue in D minor, BWV 565)
Johann Sebastian Bach3:23
16Jesu, Joy of Man's Desiring (Cantata no. 147)
produttore:
Christopher Bishop (conductor/producer)
cori:
King’s College Choir, Cambridge
orchestra:
Academy of St Martin-in-the-Fields (Academy of St Martin in the Fields)
direttore d'orchestra:
Sir Neville Marriner (conductor) e Sir David Willcocks (UK composer, organist, choral conductor)
tecnico di bilanciamento:
Neville Boyling (engineer)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1972)
registrata presso:
King’s College Chapel in Cambridge, Cambridgeshire, England, Regno Unito
registrazione di:
Jesu, Joy of Man’s Desiring
orchestratore:
Leopold Stokowski (conductor)
paroliere:
Robert Bridges (poet)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
versione tradotta di:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
registrazione di:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangiamento di:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
registrazione di:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
eseguita per la prima volta a:
Leipzig, Sachsen (Saxony), Germania (il 1723-07-02)
paroliere:
Martin Janus (German Protestant minister, c. 1620–1682) (nel 1665)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician) (nel 1723)
parte di:
Classic 100: Piano (2025) (numero: 15)
parte di:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach3:31
17Double Violin Concerto in D minor, BWV 1043: II. Largo
violino :
Christian Ferras (violinist) e Yehudi Menuhin (violinist)
orchestra:
Bath Festival Orchestra
registrazione di:
Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto
compositore:
Johann Sebastian Bach (German Baroque period composer & musician) (dal 1730 al 1731)
parte di:
Concerto for 2 Violins in D minor, BWV 1043
Johann Sebastian Bach7:43
18Trumpet Concerto in E-flat: III. Finale: Allegro
tromba :
Alison Balsom (classical trumpet player)
orchestra:
Deutsche Kammerphilharmonie Bremen
direttore d'orchestra:
Thomas Klug (German violinist, conductor and concertmaster)
registrazione di:
Konzert für Trompete und Orchester Es-Dur, Hob. VIIe:1: III. Allegro
compositore:
Joseph Haydn (composer) (nel 1796)
parte di:
Konzert für Trompete und Orchester Es-Dur, Hob. VIIe:1 (Trumpet Concerto in E-flat major)
Joseph Haydn4:30
19Serenade in G "Eine kleine Nachtmusik", K 525: I. Allegro
orchestra:
Academy of St Martin in the Fields
direttore d'orchestra:
Sir Neville Marriner (conductor)
registrazione di:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: I. Allegro (Serenade No. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": I. Allegro)
compositore:
Wolfgang Amadeus Mozart (classical composer) (nel 1787)
parte di:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart5:52
20Piano Concerto no. 21 in C "Elvira Madigan", K 467: II. Andante
pianoforte :
Stephen Hough (pianist) (nel 1987-05)
orchestra:
Hallé Orchestra (nel 1987-05)
direttore d'orchestra:
Bryden Thomson (conductor) (nel 1987-05)
registrata presso:
Free Trade Hall in Manchester, Greater Manchester, England, Regno Unito (nel 1987-05)
registrazione di:
Concerto for Piano no. 21 in C major, K. 467: II. Andante (nel 1987-05)
compositore:
Wolfgang Amadeus Mozart (classical composer) (dal 1785 al 1785-03-09)
parte di:
Concerto for Piano no. 21 in C major, K. 467
Wolfgang Amadeus Mozart6:47
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