Complete Cantatas, Volume 8

~ Release by Bach; The Amsterdam Baroque Orchestra & Choir, Ton Koopman (see all versions of this release, 2 available)

Tracklist

1CD
#TitleArtistRatingLength
1Cantata, BWV 65 - 1. Coro: "Sie werden aus Saba alle kommen"
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Amsterdam Baroque Choir
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1998-03)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": I. Coro "Sie werden aus Saba alle kommen" (in 1998-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
Johann Sebastian Bach3:21
2Cantata, BWV 65 - 2. Choral: "Die Kön'ge aus Sabe kamen dar"
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Amsterdam Baroque Choir
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1998-03)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": II. Choral "Die Kön'ge aus Saba kamen dar" (in 1998-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 302)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
Johann Sebastian Bach0:21
3Cantata, BWV 65 - 3. Recit (B): "Was dort Jesaias vorhergesehn"
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1998-03)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": III. Recitativo (Bass) "Was dort Jesaias vorhergesehn" (in 1998-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
Johann Sebastian Bach1:50
4Cantata, BWV 65 - 4. Aria (B): "Gold aus Ophir ist zu schlecht"
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1998-03)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": IV. Aria (Bass) "Gold aus Ophir ist zu schlecht" (in 1998-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
Johann Sebastian Bach2:51
5Cantata, BWV 65 - 5. Recit (T): "Verschmähe nich, du, meiner Seelen Licht, mein Herz"
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
tenor vocals:
Jörg Dürmüller
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1998-03)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": V. Recitativo (Tenor) "Verschmähe nicht, du meiner Seele Licht" (in 1998-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
Johann Sebastian Bach1:11
6Cantata, BWV 65 - 6. Aria (T): "Nimm mich dir zu eigen hin"
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
tenor vocals:
Jörg Dürmüller
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1998-03)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": VI. Aria (Tenor) "Nimm mich dir zu eigen hin" (in 1998-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
Johann Sebastian Bach3:32
7Cantata, BWV 65 - 7. Choral: "Ei nun, mein Gott, so fall ich dir getrost in deine Hände"
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Amsterdam Baroque Choir
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1998-03)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": VII. Choral "Ei nun, mein Gott, so fall ich dir" (in 1998-03)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 346)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
Johann Sebastian Bach1:06
8Cantata, BWV 89 - 1. Aria (B): "Was soll ich aus dir machen, Ephraim?"
bass vocals:
Klaus Mertens (classical singer, bass‐baritone)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1998-03)
recording of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?": I. Aria (Bass) "Was soll ich aus dir machen, Ephraim?" (in 1998-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?"
Johann Sebastian Bach4:01
9Cantata, BWV 89 - 2. Recit (A): "Ja, freilich sollte Gott"
alto vocals:
Bogna Bartosz
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1998-03)
recording of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?": II. Recitativo (Alt) "Ja, freilich sollte Gott" (in 1998-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?"
Johann Sebastian Bach0:51
10Cantata, BWV 89 - 3. Aria (A): "Ein unbarmherziges Gerichte"
alto vocals:
Bogna Bartosz
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1998-03)
recording of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?": III. Aria (Alt) "Ein unbarmherziges Gerichte" (in 1998-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?"
Johann Sebastian Bach2:43
11Cantata, BWV 89 - 4. Recit (S): "Wohlan! mein Herze legt Zorn"
soprano vocals:
Dorothea Röschmann (soprano)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1998-03)
recording of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?": IV. Recitativo (Sopran) "Wohlan! mein Herze legt Zorn, Zank und Zwietracht hin" (in 1998-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?"
Johann Sebastian Bach1:10
12Cantata, BWV 89 - 5. Aria (S): "Gerechter Gott, ach rechnest du?"
soprano vocals:
Dorothea Röschmann (soprano)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1998-03)
recording of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?": V. Aria (Sopran) "Gerechter Gott, ach, rechnest du?" (in 1998-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?"
Johann Sebastian Bach1:59
13Cantata, BWV 89 - 6. Choral: "Mir mangelt zwar sehr viel"
choir vocals:
Amsterdam Baroque Choir
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1998-03)
recording of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?": VI. Choral "Mir mangelt zwar sehr viel" (in 1998-03)
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 26)
part of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?"
Johann Sebastian Bach0:47
14Cantata, BWV 60 - 1. Duet (A,T): "O Ewigkeit, du Donnerwort"
alto vocals:
Bogna Bartosz
tenor vocals:
Jörg Dürmüller
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1998-03)
recording of:
Kantate, BWV 60 "O Ewigkeit, du Donnerwort": I. Aria (Coro Alto, Tenore) "O Ewigkeit, du Donnerwort" (in 1998-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 60 "O Ewigkeit, du Donnerwort"
Johann Sebastian Bach3:25
15Cantata, BWV 60 - 2. Recit (A,T): "O schwerer Gang zum letzten Kampf und Streite"
alto vocals:
Bogna Bartosz
tenor vocals:
Jörg Dürmüller
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1998-03)
recording of:
Kantate, BWV 60 "O Ewigkeit, du Donnerwort": II. Recitativo (Alto, Tenore) "O schwerer Gang" (in 1998-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 60 "O Ewigkeit, du Donnerwort"
Johann Sebastian Bach2:06
16Cantata, BWV 60 - 3. Duet( A,T): "Mein letztes Lager will mich schrecken"
alto vocals:
Bogna Bartosz
tenor vocals:
Jörg Dürmüller
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1998-03)
recording of:
Kantate, BWV 60 "O Ewigkeit, du Donnerwort": III. Aria (Alto, Tenore) "Mein letztes Lager will mich schrecken" (in 1998-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 60 "O Ewigkeit, du Donnerwort"
Johann Sebastian Bach3:06
17Cantata, BWV 60 - 4. Recit (A,B): "Der Tod bleibt doch - Selig sind die Toten"
alto vocals:
Bogna Bartosz
bass vocals:
Klaus Mertens (classical singer, bass‐baritone)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1998-03)
recording of:
Kantate, BWV 60 "O Ewigkeit, du Donnerwort": IV. Recitativo (Alto, Basso) "Der Tod bleibt doch der menschlichen Natur verhaßt" (in 1998-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 60 "O Ewigkeit, du Donnerwort"
Johann Sebastian Bach4:34
18Cantata, BWV 60 - 5. Choral: "Es ist genug: Herr, wenn es dir gefällt"
choir vocals:
Amsterdam Baroque Choir
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1998-03)
recording of:
Kantate, BWV 60 "O Ewigkeit, du Donnerwort": V. Choral "Es ist genug; Herr, wenn es dir gefällt" (from 1997-04 until 1997-09)
lyricist:
Franz Joachim Burmeister (German hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 91)
part of:
Kantate, BWV 60 "O Ewigkeit, du Donnerwort"
Johann Sebastian Bach1:10
19Cantata, BWV 83 - 1. Aria (A): "Erfreute Zeit im neuen Bunde"
choir vocals:
Amsterdam Baroque Choir (from 2001-11-26 until 2001-12-03)
orchestra:
Amsterdam Baroque Orchestra (from 2001-11-26 until 2001-12-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2001-11-26 until 2001-12-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2001-11-26 until 2001-12-03)
recording of:
Kantate, BWV 83 "Erfreute Zeit im neuen Bunde": I. Aria (Alto) "Erfreute Zeit im neuen Bunde" (in 1998-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 83 "Erfreute Zeit im neuen Bunde"
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: I. Coro “Wachet auf, ruft uns die Stimme” (from 2001-11-26 until 2001-12-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
adaptations:
Prelude to Peace
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach6:11
20Cantata, BWV 83 - 2. Aria (B): "Herr, num lässest du deinen Diener"
bass vocals:
Klaus Mertens (classical singer, bass‐baritone)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1998-03)
recording of:
Kantate, BWV 83 "Erfreute Zeit im neuen Bunde": II. Aria (Bass) "Herr, nun lässest du deinen Diener" (in 1998-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 83 "Erfreute Zeit im neuen Bunde"
Johann Sebastian Bach3:36
21Cantata, BWV 83 - 3. Aria (T): "Eile, Herz, voll Freudigkeit"
tenor vocals:
Jörg Dürmüller
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1998-03)
recording of:
Kantate, BWV 83 "Erfreute Zeit im neuen Bunde": III. Aria (Ten) "Eile, Herz, voll Freudigkeit" (in 1998-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 83 "Erfreute Zeit im neuen Bunde"
Johann Sebastian Bach5:50
22Cantata, BWV 83 - 4. Recit (A): "Ja, merkt dein Glaube noch viel Finsternis"
alto vocals:
Elisabeth von Magnus (mezzo‐soprano / alto)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1998-03)
recording of:
Kantate, BWV 83 "Erfreute Zeit im neuen Bunde": IV. Recitativo (Alto) "Ja, merkt dein Glaube noch viel Finsternis" (in 1998-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 83 "Erfreute Zeit im neuen Bunde"
Johann Sebastian Bach0:37
23Cantata, BWV 83 - 5. Choral: "Er ist das Heil und selig Licht"
choir vocals:
Amsterdam Baroque Choir
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1998-03)
recording of:
Kantate, BWV 83 "Erfreute Zeit im neuen Bunde": V. Choral (Coro) "Er ist das heil und selig Licht" (in 1998-03)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 250)
part of:
Kantate, BWV 83 "Erfreute Zeit im neuen Bunde"
Johann Sebastian Bach0:55
24Cantata, BWV 89 (Appendix) - Aria (B): "Was soll ich aus dir machen, Ephraim?"
bass vocals:
Klaus Mertens (classical singer, bass‐baritone)
choir vocals:
Amsterdam Baroque Choir
tenor vocals:
Jörg Dürmüller
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1998-03)
recording of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?" (Appendix): I. Aria (Bass) "Was soll ich aus dir machen, Ephraim?" (in 1998-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?": I. Aria (Bass) "Was soll ich aus dir machen, Ephraim?"
Johann Sebastian Bach4:15
2CD
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Credits

Release group

part of:Complete Cantatas (Ton Koopmans complete Bach Cantatas for Erato) (number: 8) (order: 11)