Bacobens Rock Top 500

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1Digital Media
2Digital Media
3Digital Media
4Digital Media
5Digital Media
6Digital Media
7Digital Media
8Digital Media
#TitleArtistRatingLength
1Livin’ Thing
engineer:
Mack (German rock producer/engineer Reinhold Mack), Dick Plant (engineer), John Richards (engineer) and Duane Scott
producer:
Jeff Lynne
bass:
Kelly Groucutt (in 1976-07)
cello:
Melvyn Gale (in 1976-07) and Hugh McDowell (in 1976-07)
clavinet, Moog and piano:
Richard Tandy (keyboardist for Electric Light Orchestra) (in 1976-07)
drums (drum set) and percussion:
Bev Bevan (English rock drummer) (in 1976-07)
guitar:
Jeff Lynne (in 1976-07) and Richard Tandy (keyboardist for Electric Light Orchestra) (in 1976-07)
violin:
Mik Kaminski (in 1976-07)
background vocals:
Brie Brandt (in 1976-07), Kelly Groucutt (in 1976-07), Addie Lee (in 1976-07) and Patti Quatro (in 1976-07)
lead vocals:
Jeff Lynne (in 1976-07)
conductor:
Louis Clark (in 1976-07)
choir vocals arranger:
Louis Clark, Jeff Lynne and Richard Tandy (keyboardist for Electric Light Orchestra)
orchestrator:
Louis Clark, Jeff Lynne and Richard Tandy (keyboardist for Electric Light Orchestra)
phonographic copyright (℗) by:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1976), Jet Records (in 1976), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1976, in 2005), United Artists Music and Records Group, Inc. (UAMARG, Inc.) (in 1976) and Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1994)
recorded at:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, United Kingdom (in 1976-07) and Musicland Studios (Munich) in München (Munich), Bayern (Bavaria), Germany (in 1976-07)
mixed at:
Musicland Studios (Munich) in München (Munich), Bayern (Bavaria), Germany
edited at:
Cherokee Studios in Hollywood, Los Angeles, California, United States
recording of:
Livin’ Thing (in 1976-07)
lyricist and composer:
Jeff Lynne
publisher:
EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., Jet Music Inc., Polygon Publishing Ltd., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Electric Light Orchestra4.33:31
2Solsbury Hill
additional recording engineer:
Jim Frank, Keith Grant (classical recording engineer), Dave Harris (Recording engineer at Morgan Studios, London), Rod O’Brien, Robert Hrycyna and Robert Stasiak
recording engineer:
Brian Christian
programming:
Larry Fast (American synthesizer player and composer)
producer:
Bob Ezrin
acoustic guitar and pedal steel guitar:
Steve Hunter (rock guitarist)
banjo and classical guitar:
Robert Fripp
bass and tuba:
Tony Levin (US rock bassist/Chapman stick player)
bones and percussion:
Jimmy Maelen (percussion)
drums (drum set):
Allan Schwartzberg
electric guitar and guitar:
Robert Fripp and Steve Hunter (rock guitarist)
flute and recorder:
Peter Gabriel (formerly of Genesis)
keyboard:
Jozef Chirowski and Peter Gabriel (formerly of Genesis)
synthesizer:
Larry Fast (American synthesizer player and composer)
vocals:
Peter Gabriel (formerly of Genesis)
phonographic copyright (℗) by:
Charisma Records (in 1977) and Peter Gabriel Ltd. (UK record and music publishing company associated with Peter Gabriel) (in 1977)
additionally recorded at:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (London Borough of Brent), London (Greater London), England, United Kingdom and Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
recorded at and mixed at:
Sound Stage (Nimbus 9 Studios) in Toronto, Ontario, Canada
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 472)
recording of:
Solsbury Hill
lyricist and composer:
Peter Gabriel (formerly of Genesis)
publisher:
Ear Pieces, EMI Music Publishing Ltd. (PRS‐affiliated), EMI Virgin Music Publishing Australia Pty Ltd, Hit & Run Music, Intersong Music, Pentagon Lipservices Real World and Real World Music, Ltd.
Peter Gabriel4.54:20
3Blue Collar Man (Long Nights)
synthesizer programming:
Dennis DeYoung and Ed Walsh (US synthesizer player & programmer)
assistant engineer:
Harry Andronis and Gary Geppert (engineer)
engineer:
Rob Kingsland and Barry Mraz
assistant producer:
Barry Mraz
producer:
Styx (rock band from Chicago)
guitar [lead] and lead vocals:
Tommy Shaw (of Styx)
recording of:
Blue Collar Man (Long Nights)
lyricist and composer:
Tommy Shaw (of Styx)
publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), 日音 Synch事業部 (NICHION, INC. Synch Division), Almo Music Corp. (USA, affiliated with ASCAP) (from 1978 to present) and Stygian Songs (publishing company for the rock band Styx) (from 1978 to present)
Styx44:06
4Shine On You Crazy DiamondPink Floyd26:11
5Sharp Dressed Man
engineer:
Terry Manning (US recording engineer)
producer:
Bill Ham (manager of ZZ Top)
drums (drum set) and percussion:
Frank Beard (ZZ Top drummer)
electric bass guitar:
Dusty Hill
electric guitar and lead vocals:
Billy Gibbons
vocals:
Dusty Hill
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
recorded at:
Ardent Studios in Memphis, Tennessee, United States
recording of:
Sharp Dressed Man
writer:
Frank Beard (ZZ Top drummer), Billy Gibbons and Dusty Hill
composer:
Chrome Division (Norwegian heavy metal band)
publisher:
Hamstein Music Company (publisher), Music of Stage Three, Songs of Mosaic and Stage Three Songs
sub-publisher:
BMG Gold Songs and Zazta Muzic Ltd.
ZZ Top4.64:13
6Bad to the Bone
engineer:
Paul Mufson and John Nagy
assistant producer:
Ken Irwin and John Nagy
producer:
Terry Manning (US recording engineer) and The Delaware Destroyers (George Thorogood & the Destroyers)
mixer:
Ken Irwin, Paul Mufson, John Nagy, George Thorogood (blues, rock, and blues/rock guitarist and vocalist) and Terry Manning (US recording engineer) (in 1992)
bass:
Bill Blough (from 1981 until 1982)
drums (drum set):
Jeff Simon (from 1981 until 1982)
guitar and lead vocals:
George Thorogood (blues, rock, and blues/rock guitarist and vocalist) (from 1981 until 1982)
keyboard:
Ian Stewart (piano/keyboard, Rolling Stones member) (from 1981 until 1982)
piano:
Ian Stewart (piano/keyboard, Rolling Stones member)
saxophone:
Hank Carter (Hank "Hurricane" Carter) (from 1981 until 1982)
phonographic copyright (℗) by:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1989)
recorded at:
Dimension Sound in Jamaica Plain, Boston, Massachusetts, United States (from 1981 until 1982)
mixed at:
The Mixing Lab in Newton, Massachusetts, United States
recording of:
Bad to the Bone (from 1981 until 1982)
lyricist and composer:
George Thorogood (blues, rock, and blues/rock guitarist and vocalist)
publisher:
Del Sound Music
George Thorogood4.24:54
7New Years Day
engineer:
Paul Thomas (engineer)
producer:
Steve Lillywhite
phonographic copyright (℗) by:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1983)
edit of:
New Year’s Day by U2 (Irish rock band)
music videos:
New Year’s Day by U2 (Irish rock band)
recording of:
New Year’s Day
lyricist:
Bono (singer of U2)
composer:
Bono (singer of U2), Adam Clayton, Larry Mullen, Jr. and The Edge (U2 guitarist David Evans)
publisher:
Blue Mountain Music Ltd, Mother Music, PolyGram International Music Publishing B.V., Taiyo Music Inc. and Universal Music Publishing B.V. (Benelux subsidiary of Universal Music Publishing Group)
U24.54:18
8Conquistador
producer:
Chris Thomas (UK record producer / remixer)
recording of:
Conquistador
lyricist:
Keith Reid
composer:
Gary Brooker
publisher:
Westminster Music Ltd.
Procol Harum4:14
9Funeral for a Friend / Love Lies Bleeding
engineer:
David Hentschel
producer:
Gus Dudgeon
bass guitar:
Dee Murray
electric guitar:
Davey Johnstone
membranophone:
Nigel Olsson
piano and lead vocals:
Elton John (English singer, songwriter, pianist, and composer)
synthesizer:
David Hentschel
background vocals:
Davey Johnstone, Dee Murray and Nigel Olsson
recorded at:
Château d'Hérouville in Hérouville, Val-d'Oise, Île-de-France, France (in 1973-05)
recording of:
Funeral for a Friend / Love Lies Bleeding (in 1973-05)
lyricist:
Bernie Taupin
composer:
Elton John (English singer, songwriter, pianist, and composer)
Elton John3.511:07
10Hello, It’s Me
phonographic copyright (℗) by:
Bearsville Records Inc. (in 1972)
recording of:
Hello, It’s Me
lyricist and composer:
Todd Rundgren
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Todd Rundgren53:50
11Josie
executive engineer:
Roger Nichols (US mastering, recording engineer and producer)
producer:
Gary Katz
bass guitar:
Chuck Rainey (American bassist)
drums (drum set) and percussion:
Jim Keltner
guitar:
Larry Carlton and Dean Parks (American session guitarist)
Rhodes piano [Fender Rhodes]:
Victor Feldman (jazz musician)
solo guitar:
Walter Becker
synthesizer and lead vocals:
Donald Fagen
background vocals:
Donald Fagen and Tim Schmit
phonographic copyright (℗) by:
ABC Records, Inc (in 1977), Geffen Records (in 1977) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1977)
recording of:
Josie
lyricist and composer:
Walter Becker and Donald Fagen
publisher:
MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Universal‐MCA Music Publishing (US), ABC/Dunhill Music, Inc. (in 1977) and Anchor Music Ltd. (in 1977)
Steely Dan3.54:31
12Wild World
producer:
Paul Samwell-Smith
bass guitar:
John Ryan (producer a/k/a “The Chicago Kid”) (in 1970-07)
drums (drum set):
Harvey Burns (in 1970-07)
guitar and keyboard:
Cat Stevens (now known as Yusuf Islam) (in 1970-07)
guitar [2nd]:
Alun Davies (in 1970-07)
solo violin:
John Rostein (in 1970-07)
vocals:
Cat Stevens (now known as Yusuf Islam) (in 1970-07)
strings arranger:
Del Newman (British conductor, orchestrator, arranger)
phonographic copyright (℗) by:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 1970), Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1970) and Universal Island Records Ltd. (not for release label use! company known by this name from 1999-03-29 to 2014-06-25) (in 1970)
recording of:
Wild World (in 1970-07)
lyricist and composer:
Cat Stevens (now known as Yusuf Islam)
publisher:
Sony Tunes, Inc. (ended), Island Music Ltd., Island Music, Inc. (work publisher – NOT related to the Island imprint now owned by UMG), Salafa Ltd., Freshwater Music Ltd. (from 1970 to present) and Irving Music, Inc. (from 1970 to present)
Cat Stevens3.93:20
13Bang a Gong (Get It On)
engineer:
Roy Thomas Baker (producer), Malcolm Cecil, Rik Pekkonen and Martin Rushent
producer:
Tony Visconti
drums (drum set):
Bill Legend (from 1971-03 until 1971-06)
electric bass guitar:
Steve Currie (from 1971-03 until 1971-06)
electric guitar and lead vocals:
Marc Bolan (from 1971-03 until 1971-06)
keyboard:
Rick Wakeman (from 1971-03 until 1971-06)
percussion:
Mickey Finn (musician and T. Rex member) (from 1971-03 until 1971-06)
background vocals:
Howard Kaylan (from 1971-03 until 1971-06) and Mark Volman (from 1971-03 until 1971-06)
phonographic copyright (℗) by:
Essex Music International Ltd. (in 1971), Straight Ahead Productions Ltd. (in 1971, in 2001) and Tarantula Productions (in 1971)
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 22), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (number: 41)
recording of:
Get It On (Bang a Gong) (from 1971-03 until 1971-06)
lyricist and composer:
Marc Bolan
publisher:
Essex Music International, Essex Music International, Inc., Essex Musikförlaget (Swedish subsidiary of Essex Music), Essex Musikvertrieb GmbH, The Richmond Organization, TRO Essex Music International, Inc. and Westminster Music Ltd.
T. Rex4.654:27
14Going Mobile
recording engineer, engineer and mixer:
Glyn Johns
associate producer:
Glyn Johns
executive producer:
Pete Kameron, Kit Lambert and Chris Stamp
producer:
The Who
bass guitar and brass:
John Entwistle (from 1971-04 until 1971-05)
drums (drum set) and percussion:
Keith Moon (drummer) (from 1971-04 until 1971-05)
guitar, organ and synthesizer:
Pete Townshend (of The Who) (from 1971-04 until 1971-05)
lead vocals:
Roger Daltrey (from 1971-04 until 1971-05)
vocals:
John Entwistle (from 1971-04 until 1971-05) and Pete Townshend (of The Who) (from 1971-04 until 1971-05)
recorded at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (from 1971-04 until 1971-05)
recording of:
Going Mobile (from 1971-04 until 1971-05)
lyricist and composer:
Pete Townshend (of The Who)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Fabulous Music, Ltd. (this is a publisher, not an imprint!) and Towser Tunes, Inc.
The Who43:43
15I Can’t Dance
assistant recording engineer:
Mike Bowen (from 1991-03 until 1991-09) and Geoff Callingham (from 1991-03 until 1991-09)
drums (drum set) programming:
Tony Banks (Genesis) (from 1991-03 until 1991-09)
assistant engineer:
Mark Robinson (assistant engineer)
engineer:
Nick Davis (producer, engineer)
producer:
Nick Davis (producer, engineer) and Genesis (English rock band)
bass and guitar:
Mike Rutherford (from 1991-03 until 1991-09)
drums (drum set), percussion and lead vocals:
Phil Collins (of Genesis) (from 1991-03 until 1991-09)
keyboard:
Tony Banks (Genesis) (from 1991-03 until 1991-09)
background vocals:
Tony Banks (Genesis) (from 1991-03 until 1991-09) and Mike Rutherford (from 1991-03 until 1991-09)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1991)
recorded at:
The Farm (of Genesis fame) in Surrey, England, United Kingdom (from 1991-03 until 1991-09)
recording of:
I Can’t Dance (from 1991-03 until 1991-09)
lyricist:
Phil Collins (of Genesis)
composer:
Tony Banks (Genesis), Phil Collins (of Genesis) and Mike Rutherford
publisher:
Anthony Banks Ltd., Concord Sounds, Hit & Run Music (Publishing) Ltd, Imagem CV, Imagem Music GmbH (subsidiary of Dutch music publishers Imagem), Imagem Sounds Banks, Imagem Sounds Collins, Imagem Sounds Rutherford, Michael Rutherford Ltd., Philip Collins Ltd. and EMI Music Publishing Ltd. (PRS‐affiliated) (from 2007 to present)
Genesis3.23:59
16The Letter
producer:
Dan Penn (songwriter, soul singer)
phonographic copyright (℗) by:
Arista Records (not an imprint, use “Arista” for release labels) (in 1967), Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1967), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1967) and Atoll Music (in 1968)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (number: 357) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 364)
recording of:
The Letter (in 1967)
lyricist and composer:
Wayne Carson Thompson
publisher:
Bike Music, Budde Songs Inc., Chelsea Music Publishing, Chelsea Music Publishing Co., Ltd., Concord Bicycle Assets, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music (do not use as release label! this is a music publisher), Lovolar Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
The Box Tops4.151:52
17Another Day
assistant recording engineer:
Ted Brosnan (from 1970-10-12 until 1971-01)
recording engineer:
Tim Geelan (from 1970-10-12 until 1971-01)
producer:
Paul McCartney (The Beatles) (from 1970-10-12 until 1971-01)
mixer:
Dixon Van Winkle (on 1971-02-08)
acoustic guitar and electric guitar:
Paul McCartney (The Beatles) (from 1970-10-12 until 1971-01) and David Spinozza (from 1970-10-12 until 1971-01)
bass guitar, tambourine and lead vocals:
Paul McCartney (The Beatles) (from 1970-10-12 until 1971-01)
drums (drum set):
Denny Seiwell (US drummer) (from 1970-10-12 until 1971-01)
percussion:
Paul McCartney (The Beatles) (from 1970-10-12 until 1971-01) and Denny Seiwell (US drummer) (from 1970-10-12 until 1971-01)
background vocals:
Linda McCartney (from 1970-10-12 until 1971-01) and Paul McCartney (The Beatles) (from 1970-10-12 until 1971-01)
vocals:
Paul McCartney (The Beatles)
phonographic copyright (℗) by:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (in 2012) and MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company) (in 2012)
additionally recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (in 1971-01)
recorded at:
CBS Studios (New York City, encompassing studios at 7th Ave, and 52nd & 30th St) in New York, New York, United States (on 1970-10-12) and A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (in 1971-01)
mixed at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (on 1971-02-08)
recording of:
Another Day (1970 McCartney song) (from 1970-10-12 until 1971-01-21)
writer:
Linda McCartney and Paul McCartney (The Beatles)
publisher:
Maclen (Music) Ltd. (U.K. based publisher for Lennon-McCartney), McCartney Music Inc. and Northern Songs
Paul McCartney3.33:44
18The Story in Your Eyes
producer:
Tony Clarke (UK producer/guitarist)
recording of:
The Story in Your Eyes
lyricist and composer:
Justin Hayward (of the Moody Blues)
publisher:
Cheshire Music Inc. and Tyler Music Ltd.
The Moody Blues33:05
19Radar Love
recording engineer:
Pieter Nieboer
executive producer:
Fred Haayen
producer:
Golden Earring
mixer:
Damon Lyon-Shaw
acoustic guitar and electric guitar:
George Kooymans
drums (drum set) and percussion:
Cesar Zuiderwijk (Dutch drummer, member of Golden Earring)
electric bass guitar and keyboard:
Rinus Gerritsen (bass player)
slide guitar:
Eelco Gelling
vocals:
Barry Hay and George Kooymans
arranger:
Golden Earring
phonographic copyright (℗) by:
Dutch Record Company (in 1973), Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1973), Red Bullet Productions B.V. (in 1973), Track Records Ltd. (in 1973) and Geffen Records (in 1974)
produced for:
Red Bullet Productions
recorded at:
Phonogram Studios in Hilversum, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
mixed at:
IBC Studios in London (Greater London), England, United Kingdom
recording of:
Radar Love
lyricist:
Barry Hay
composer:
George Kooymans
publisher:
Dayglow Music (publisher), Larry Shayne Music, Inc., Louvigny-Marquee Music Ltd., New Dayglow Music, Snamyook Music (publisher associated with George Kooymans) and Sony/ATV Music Publishing
Golden Earring4.36:22
20Start Me Up
producer:
The Glimmer Twins (production name for Mick Jagger & Keith Richards)
bass:
Bill Wyman
drums (drum set):
Charlie Watts (drummer in The Rolling Stones)
background vocals:
Keith Richards (Rolling Stones guitarist) and Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
lead vocals:
Mick Jagger (The Rolling Stones)
phonographic copyright (℗) by:
Promotone B.V. (not for release label use!) (in 1981, in 1993, in 2012)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 94)
recording of:
Start Me Up
writer:
Mick Jagger (The Rolling Stones) and Keith Richards (Rolling Stones guitarist)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
The Rolling Stones4.23:34
21Funk #49
bass:
Dale Peters (in 1969-11)
drums (drum set):
Jim Fox (American percussionist) (in 1969-11)
guitar:
Joe Walsh (Eagles/James Gang) (in 1969-11)
recording of:
Funk #49 (in 1969-11)
writer:
Jim Fox (American percussionist), Dale Peters and Joe Walsh (Eagles/James Gang)
publisher:
Songs of Universal, Inc. (BMI)
James Gang43:55
22School’s Out
engineer:
Roy Cicala and Shelly Yakus
producer:
Bob Ezrin
drums (drum set):
Neil Smith (former Alice Cooper drummer)
electric bass guitar:
Dennis Dunaway (original bass player for Alice Cooper)
electric guitar:
Michael Bruce (of Alice Cooper) and Glen Buxton (American guitarist)
guitar and background vocals:
Reggie Vincent
keyboard:
Michael Bruce (of Alice Cooper) and Bob Ezrin
lead vocals:
Alice Cooper (the singer, active as a solo artist 1975‐present)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972, in 1974) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1972)
produced for:
Alive Enterprises Incorporated and Nimbus 9 Productions
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 35), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 293) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 319)
recording of:
School’s Out
writer:
Michael Bruce (of Alice Cooper), Glen Buxton (American guitarist), Alice Cooper (the singer, active as a solo artist 1975‐present), Dennis Dunaway (original bass player for Alice Cooper) and Neal Smith (former Alice Cooper drummer)
publisher:
Bizarre Music Co. (US work publisher), BMG Platinum Songs US, Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ezra Music, Ezra Music Corp., Opus 19 Music, Primary Wave Music Publishing, Sony/ATV Music Publishing, Third Palm Music, Universal Music Publishing Group, Warner Bros. Music (publisher; do NOT use as release label) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper4.253:30
23American Girl
recording engineer and mixer:
Max and Noah Shark
producer:
Denny Cordell
electric bass guitar:
Ron Blair
phonographic copyright (℗) by:
Gone Gator Records (in 1976)
recorded at and mixed at:
The Shelter Studio (Leon Russell's second studio) in Los Angeles, California, United States
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 169)
recording of:
American Girl
lyricist and composer:
Tom Petty
publisher:
Almo Music Corp. (USA, affiliated with ASCAP)
Tom Petty and the Heartbreakers43:32
24The Wind Cries Mary
engineer:
Dave Siddle (DeLane Lea) (engineer) (in 1967-02) and Eddie Kramer (Olympic) (engineer) (in 1967-02)
producer:
Chas Chandler
drums (drum set):
Mitch Mitchell (UK drummer for Jimi Hendrix Experience, many others) (in 1967-02)
electric bass guitar:
Noel Redding (in 1967-02)
electric guitar and lead vocals:
Jimi Hendrix (in 1967-02)
phonographic copyright (℗) by:
PolyGram International Music B.V. (not for release label use!) (in 1967) and Experience Hendrix, L.L.C. (in 2010)
recorded at:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, United Kingdom (in 1967-02) and Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (on 1967-02-08)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 371)
recording of:
The Wind Cries Mary (in 1967-02)
lyricist and composer:
Jimi Hendrix
publisher:
Bella Godiva Music, Experience Hendrix, L.L.C. and Sea-Lark Enterprises, Inc.
Jimi Hendrix3.93:18
25Hair of the Dog
additional recording engineer and additional mixer:
John Punter
recording engineer:
Tony Taverner
producer:
Manny Charlton (singer-songwriter and guitarist)
bass guitar:
Pete Agnew (singer-songwriter and bassist)
drums (drum set):
Darrell Sweet (drummer and songwriter)
guitar and synthesizer:
Manny Charlton (singer-songwriter and guitarist)
background vocals:
Pete Agnew (singer-songwriter and bassist) and Darrell Sweet (drummer and songwriter)
lead vocals:
Dan McCafferty (singer, songwriter)
publisher:
Intersong Music
phonographic copyright (℗) by:
A&M Records (in 1975), USM Copyrights Ltd. (in 2010), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recorded at:
Associated Recording Studios in London (Greater London), England, United Kingdom and Escape Studios in Kent, England, United Kingdom
recording of:
Hair of the Dog
writer:
Pete Agnew (singer-songwriter and bassist), Manny Charlton (singer-songwriter and guitarist), Dan McCafferty (singer, songwriter) and Darrell Sweet (drummer and songwriter)
publisher:
Carlin Music Corporation and Mountain Music Ltd.
Nazareth3.54:08
26La Grange
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1974)
recording of:
La Grange
writer:
Frank Beard (ZZ Top drummer), Billy Gibbons and Dusty Hill
publisher:
Hamstein Music Company (publisher), Music of Stage Three, Songs of Mosaic and Stage Three Songs
is based on:
Boogie Chillen’
ZZ Top43:34
27Oye como va
engineer:
David Brown (US producer, engineer – Record Plant Studios, Wally Heider Studios) and John Fiore (engineer)
producer:
Fred Catero and Carlos Santana
bass guitar:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (on 1970-07-08)
congas and percussion:
Michael Carabello (percussionist) (on 1970-07-08)
congas, percussion and timbales:
José “Chepito” Áreas (on 1970-07-08)
drums (drum set):
Michael Shrieve (drummer) (on 1970-07-08)
guitar:
Carlos Santana (on 1970-07-08)
keyboard and lead vocals:
Gregg Rolie (keyboardist and vocalist) (on 1970-07-08)
percussion:
Rico Reyes (on 1970-07-08)
tabla:
Steven Saphore (on 1970-07-08)
background vocals:
Rico Reyes (on 1970-07-08) and Carlos Santana (on 1970-07-08)
arranger:
Santana (US Latin, blues, & rock band)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1970) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1970)
recorded at:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California, United States (on 1970-07-08)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 479)
cover recording of:
Oye como va (on 1970-07-08)
lyricist and composer:
Tito Puente
publisher:
EMI Full Keel Music, Full Keel Music, Planetary Music Publ. Corp., Sony/ATV Music Publishing LLC (1995–2020) and Windswept Pacific Music Ltd.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
is based on:
Chanchullo
is based on:
Te enseñaré
Santana3.854:19
28Movin’ On
recording engineer and mixer:
Ron Nevison
engineer:
Ron Fawcus (task: tape operator)
producer:
Bad Company (British blues-rock supergroup)
bass:
Boz Burrell (English musician) (in 1973-11)
drums (drum set):
Simon Kirke (in 1973-11)
guitar:
Mick Ralphs (in 1973-11)
vocals:
Paul Rodgers (in 1973-11)
recorded at:
Headley Grange (Grade II listed building, best known for its use as a recording and rehearsal venue in the 1960s–70s) in Hampshire, England, United Kingdom (in 1973-11)
mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
recording of:
Movin’ On (in 1973-11)
lyricist and composer:
Mick Ralphs
publisher:
Badco Music, Inc.
Bad Company3.653:20
29Runnin’ With the Devil
engineer:
Donn Landee
producer:
Ted Templeman
drums (drum set):
Alex Van Halen
electric bass guitar:
Michael Anthony (US bassist, formerly of Van Halen)
electric guitar:
Edward Van Halen
background vocals:
Michael Anthony (US bassist, formerly of Van Halen) and Edward Van Halen
lead vocals:
David Roth
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978)
recorded at:
Sunset Sound in Hollywood, Los Angeles, California, United States
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 9), Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 68) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Runnin’ With the Devil
lyricist and composer:
Michael Anthony (US bassist, formerly of Van Halen), Edward Van Halen, David Lee Roth and Alex Van Halen
publisher:
Iconic Roth Anthems, Mugambi Publishing, Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across), WB Music Corp. (1929–2019) (until 2019-05-28), Diamond Dave Music (in 1978), Van Halen Music (in 1978) and WC Music Corp. (from 2019-05-28 to present)
Van Halen4.153:34
30Going Up the Country
producer:
Canned Heat and Skip Taylor
flute:
Jim Horn (saxophonist, hornist, flutist and oboist) (from 1968-08-06 until 1968-08-07)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1968) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2005)
recorded at:
I.D. Sound in Los Angeles, California, United States (from 1968-08-06 until 1968-08-07)
recording of:
Going Up the Country (from 1968-08-06 until 1968-08-07)
lyricist, writer and composer:
Alan Wilson (Canned Heat member)
publisher:
EMI Catalogue Partnership Australia Pty Ltd, EMI Unart Catalog Inc., Metric Music Co (publisher), SBK United Partnership Ltd. and United Artists Music Ltd.
version of:
Bull Doze Blues
Canned Heat32:51
31Dirty Work
assistant engineer:
Tim Weston (in 1972-08)
engineer:
Roger Nichols (US mastering, recording engineer and producer) (in 1972-08)
producer:
Gary Katz (in 1972-08)
acoustic guitar:
Denny Dias (in 1972-08)
drums (drum set):
Jim Hodder (in 1972-08)
electric bass guitar:
Walter Becker (in 1972-08)
electric guitar:
Jeff “Skunk” Baxter (in 1972-08)
flugelhorn:
Snooky Young (in 1972-08)
organ and Wurlitzer electric piano:
Donald Fagen (in 1972-08)
tenor saxophone:
Jerome Richardson (in 1972-08)
background vocals:
Walter Becker (in 1972-08), Donald Fagen (in 1972-08) and Jim Hodder (in 1972-08)
lead vocals:
David Palmer (early Steely Dan vocalist) (in 1972-08)
phonographic copyright (℗) by:
ABC Records, Inc (in 1972) and Geffen Records (in 1972)
engineered at:
The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California, United States (in 1972-08)
part of:
Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 6)
recording of:
Dirty Work (in 1972-08)
writer:
Walter Becker and Donald Fagen
publisher:
American Broadcasting Music, Inc., MCA Music Ltd., Red Giant Inc., Red Giant Music, Inc., United Artists Music, Universal Music Corp. (USA, affiliated with ASCAP), Universal/MCA Music Ltd. (not for release label use!) and Wingate Music Corp.
Steely Dan3.853:08
32Tom Sawyer
assistant engineer:
Robbie Whelan
engineer:
Paul Northfield
producer:
Terry Brown (producer) and Rush (Canadian rock trio)
bass guitar, Minimoog, synthesizer and lead vocals:
Geddy Lee (from 1980-10 until 1980-11)
drums (drum set) and percussion:
Neil Peart (from 1980-10 until 1980-11)
guitar:
Alex Lifeson (from 1980-10 until 1980-11)
arranger:
Terry Brown (producer) and Rush (Canadian rock trio)
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 2022)
recorded at and mixed at:
Le Studio in Morin‐Heights, Québec (Quebec), Canada (from 1980-10 until 1980-11)
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 19) and Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 91)
recording of:
Tom Sawyer (from 1980-10 until 1980-11)
lyricist:
Pye Dubois and Neil Peart
composer:
Geddy Lee and Alex Lifeson
publisher:
Ole Core Music Publishing
Rush4.554:34
33Arc of a Diver
assistant engineer:
John Clarke (engineer, associated with Steve Winwood)
engineer, producer and mixer:
Steve Winwood
engineered at:
Netherturkdonic Studios in Gloucester, Gloucestershire, England, United Kingdom
recording of:
Arc of a Diver
writer:
Vivian Stanshall and Steve Winwood
Steve Winwood5:29
34Wonderous Stories
assistant engineer:
David Richards (Swiss-based producer and engineer)
engineer:
John Timperley
executive producer:
Brian Lane (producer)
producer:
Yes (British progressive rock band)
bass guitar:
Chris Squire (Yes bassist) (from 1976 until 1977)
drums (drum set) and percussion:
Alan White (Yes drummer) (from 1976 until 1977)
Moog [Polymoog]:
Rick Wakeman (from 1976 until 1977)
Portuguese guitar [Vachalia] and electric guitar:
Steve Howe (from 1976 until 1977)
background vocals:
Steve Howe (from 1976 until 1977) and Chris Squire (Yes bassist) (from 1976 until 1977)
lead vocals:
Jon Anderson (Yes/Jon & Vangelis) (from 1976 until 1977)
arranger:
Yes (British progressive rock band)
phonographic copyright (℗) by:
Atlantic (Warner Music imprint) (in 1977), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1977) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1977)
recorded at:
Mountain Recording Studios (original Montreux location, 1975–2002) in Montreux, Vaud (Canton of Vaud), Switzerland (from 1976 until 1977)
partial recording of:
Wonderous Stories (from 1976 until 1977)
lyricist and composer:
Jon Anderson (Yes/Jon & Vangelis)
publisher:
Rondor Music (London) Ltd., Topographic Music (publisher), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) and Topographic Music, Ltd. (in 1977)
Yes4.353:46
35Celluloid Heroes
producer:
Ray Davies (UK singer/songwriter, member of The Kinks)
arranger:
Ray Davies (UK singer/songwriter, member of The Kinks)
recording of:
Celluloid Heroes
lyricist and composer:
Ray Davies (UK singer/songwriter, member of The Kinks)
publisher:
Davray Music (publisher) and Sony/ATV Tunes LLC (ASCAP)
The Kinks46:18
36Jet
recording engineer:
Geoff Emerick (British recording engineer) (in 1973-10)
assistant engineer:
Monday (engineer) (in 1973-10) and Pete Swettenham (in 1973-10)
producer:
Paul McCartney (The Beatles) (in 1973-10)
mixer:
Geoff Emerick (British recording engineer) (from 1973-10 until 1973-11)
bass guitar, drums (drum set), Moog and piano and lead vocals:
Paul McCartney (The Beatles) (in 1973-10)
electric guitar:
Denny Laine (in 1973-10) and Paul McCartney (The Beatles) (in 1973-10)
keyboard and Moog:
Linda McCartney (in 1973-10)
piano:
Denny Laine (in 1973-10)
saxophone:
Howie Casey (in 1973-10)
strings:
Beaux Arts Orchestra (in 1973-10)
background vocals:
Denny Laine (in 1973-10), Linda McCartney (in 1973-10) and Paul McCartney (The Beatles) (in 1973-10)
orchestrator:
Tony Visconti
phonographic copyright (℗) by:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
recorded at:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, United Kingdom (in 1973-10)
mixed at:
Kingsway Studios in Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1973-10 until 1973-11)
recording of:
Jet (in 1973-10)
writer:
Linda McCartney and Paul McCartney (The Beatles)
publisher:
ATV Music Corp. and McCartney Music, Inc.
Paul McCartney3.34:10
37Frankenstein
producer:
Rick Derringer
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1972), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1972)
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 97)
recording of:
Frankenstein
composer:
Edgar Winter
publisher:
Longitude Music (ended), EMI Longitude Music, EMI Music Publishing Ltd. (PRS‐affiliated), EMI Virgin Songs, Inc., Hierophant Music, Longitude Music Co., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
The Edgar Winter Group44:46
38Positively 4th Street
recorded in:
New York, New York, United States (in 1965-07)
producer:
Bob Johnston (US record producer and early rockebilly singer)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 8) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 203)
recording of:
Positively 4th Street (on 1965-07-29)
lyricist and composer:
Bob Dylan (from 1965-06 until 1965-07)
publisher:
Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Warner Bros. Music (publisher; do NOT use as release label), Warner/Chappell (Warner/Chappell Music, Inc.) (from 1965 until 1993) and Special Rider Music (from 1993 to present)
Bob Dylan4.53:52
39Tumbling Dice
producer:
Jimmy Miller (producer for Rolling Stones/Nirvana etc)
additional drums (drum set):
Jimmy Miller (producer for Rolling Stones/Nirvana etc)
bass:
Mick Taylor
guitar:
Mick Jagger (The Rolling Stones)
background vocals:
plus friend [of Venetta] ([unknown], Special Purpose Artist – Do not add releases here, if possible.) and Vanetta
guest background vocals:
Clydie King
phonographic copyright (℗) by:
Promotone B.V. (not for release label use!) (in 2012)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 86) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 424)
recording of:
Tumbling Dice
written in:
France
writer:
Mick Jagger (The Rolling Stones) and Keith Richards (Rolling Stones guitarist)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Promopub. B.V. and Schaltone B.V. (in 1977)
The Rolling Stones3.753:47
40Bad Time
producer:
Jimmy Ienner (producer)
recording of:
Bad Time
lyricist and composer:
Mark Farner
Grand Funk Railroad4.352:55
41Baby Blue
producer:
Todd Rundgren
recording of:
Baby Blue (in 1971)
lyricist and composer:
Pete Ham
Badfinger53:35
42You Better You Bet
assistant engineer:
Jimmy Paterson and Teri Reed
engineer:
Allan Blazek and Bill Szymczyk
producer:
Bill Szymczyk
drums (drum set):
Kenney Jones (drummer for Small Faces, Faces, and The Who) (on 1980-11-04)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1981) and Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1981)
recorded at:
Odyssey Studio (London) in London (Greater London), England, United Kingdom (on 1980-11-04)
mixed at:
Bayshore Recording Studios in Coconut Grove, Miami, Florida, United States
recording of:
You Better, You Bet (on 1980-11-04)
lyricist and composer:
Pete Townshend (of The Who)
publisher:
Eel Pie Publishing Ltd., Towser Tunes, Inc. and Windswept Pacific
The Who45:35
43Fat Bottomed Girls
engineer:
John Etchells and Geoff Workman
producer:
Roy Thomas Baker (producer) and Queen (UK rock group)
bass guitar:
John Deacon
drums (drum set):
Roger Taylor (Queen drummer)
electric guitar:
Brian May (Queen guitarist)
background vocals:
Brian May (Queen guitarist) and Freddie Mercury
lead vocals:
Freddie Mercury
phonographic copyright (℗) by:
Hollywood Records, Inc. (holding company, not a release label; Disney subsidiary) (in 1978) and Raincloud Productions Ltd. (in 1978)
recorded at:
Mountain Studios (original Montreux location, 1975–2002) in Montreux, Vaud (Canton of Vaud), Switzerland (from 1978-07 until 1978-10) and Super Bear Studios in Berre-les-Alpes, Alpes-Maritimes, Provence-Alpes-Côte-d'Azur, France (from 1978-07 until 1978-10)
recording of:
Fat Bottomed Girls
written in:
Montreux, Vaud (Canton of Vaud), Switzerland and Nice, Alpes-Maritimes, Provence-Alpes-Côte-d'Azur, France
lyricist and composer:
Brian May (Queen guitarist) (from 1978-07 until 1978-10)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Queen Music Ltd., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
included in:
We Will Rock You (German version of the Queen musical)
Queen3.653:24
44Magical Mystery Tour
engineer:
Geoff Emerick (British recording engineer)
producer:
Big George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
acoustic guitar [acoustic rhythm guitar]:
John Lennon (The Beatles) (on 1967-04-25)
drums (drum set):
Ringo Starr (The Beatles) (on 1967-04-25)
electric bass guitar:
Paul McCartney (The Beatles) (on 1967-04-26)
electric guitar [lead guitar]:
George Harrison (The Beatles) (on 1967-04-25)
guest percussion:
Neil Aspinall (on 1967-04-26) and Mal Evans (on 1967-04-26)
guest trumpet:
Roy Copestake (trumpeter) (on 1967-05-03), Elgar Howarth (English conductor, composer and trumpeter) (on 1967-05-03), David Mason (trumpeter) (on 1967-05-03) and John Wilbraham (trumpet player) (on 1967-05-03)
percussion:
George Harrison (The Beatles) (on 1967-04-26) and John Lennon (The Beatles) (on 1967-04-26)
piano:
Paul McCartney (The Beatles) (on 1967-04-25)
background vocals:
Paul McCartney (The Beatles) (on 1967-04-26), George Harrison (The Beatles) (from 1967-04-26 until 1967-04-27) and John Lennon (The Beatles) (from 1967-04-26 until 1967-04-27)
lead vocals:
Paul McCartney (The Beatles) (on 1967-04-27)
spoken vocals:
John Lennon (The Beatles)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967, in 1987) and The Gramophone Co., Ltd. (UK record company) (in 1967)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1967-04-25, on 1967-04-26, on 1967-04-27, on 1967-05-03)
edited at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1967-11-07)
recording of:
Magical Mystery Tour (from 1967-04-25 until 1967-05-03)
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs Ltd. and Sony/ATV Music Publishing LLC (1995–2020)
The Beatles3.42:51
45I Shot the Sheriff
assistant engineer:
Steve Klein (Engineer)
engineer:
Karl Richardson
producer:
Tom Dowd
drums (drum set):
Jamie Oldaker (from 1974-04-18 until 1974-05-10)
electric bass guitar [Bass]:
Carl Radle (from 1974-04-18 until 1974-05-10)
electronic organ:
Dick Sims (from 1974-04-18 until 1974-05-10)
guitar:
Eric Clapton (from 1974-04-18 until 1974-05-10) and George Terry (guitar player with Clapton in 70's) (from 1974-04-18 until 1974-05-10)
piano:
Albhy Galuten (from 1974-04-18 until 1974-05-10)
background vocals:
Yvonne Elliman (from 1974-04-18 until 1974-05-10) and George Terry (guitar player with Clapton in 70's) (from 1974-04-18 until 1974-05-10)
lead vocals:
Eric Clapton (from 1974-04-18 until 1974-05-10)
phonographic copyright (℗) by:
RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (in 1974) and Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1974)
recorded at:
Criteria Studios in Miami, Florida, United States (from 1974-04-18 until 1974-05-10)
cover recording of:
I Shot the Sheriff (from 1974-04-18 until 1974-05-10)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Blackwell Fuller Music Publishing LLC, Cayman Music, PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Blue Mountain Music (in 1974), Cayman Music Inc (in 1974), Fifty Six Hope Road Music Limited (in 1974) and Odnil Music Ltd. (in 1974)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Eric Clapton44:24
46Waiting for the Sun
engineer:
Bruce Botnick
producer:
Paul A. Rothchild
drums (drum set):
John Densmore
guitar:
Robby Krieger (American guitarist, member of The Doors)
keyboard:
Ray Manzarek
vocals:
Jim Morrison (lead vocalist of the Doors)
recording of:
Waiting for the Sun
lyricist and composer:
Jim Morrison (lead vocalist of the Doors)
publisher:
Doors Music Company, Nipper Music, Rondor Music and Rondor Music (London) Ltd.
The Doors4.153:59
47Make Me SmileChicago4:25
48No Sugar Tonight
assistant recording engineer:
Ed Schnabl and Russ Vestuto
recording engineer:
Brian Christian
producer:
Jack Richardson
arranger:
The Guess Who (Canadian rock band)
recorded at:
RCA's Mid-America Recording Center (Chicago, 1935-1969) in Chicago, Illinois, United States
recording of:
No Sugar Tonight / New Mother Nature (from 1969-08 until 1969-11)
lyricist and composer:
Randy Bachman (Canadian guitarist, singer & songwriter) and Burton Cummings
medley of:
No Sugar Tonight
medley of:
New Mother Nature
The Guess Who4.64:52
49Good Times Bad Times
engineer:
Glyn Johns
executive producer:
Peter Grant (English manager, notably of Led Zeppelin, Bad Company, and The Yardbirds among others)
producer:
Jimmy Page
drums (drum set):
John Bonham (in 1968-10)
electric bass guitar:
John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures) (in 1968-10)
guitar:
Jimmy Page (in 1968-10)
vocals:
Robert Plant (of Led Zeppelin) (in 1968-10)
recorded at and mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (in 1968-10)
recording of:
Good Times Bad Times (from 1968-09 until 1968-10)
writer:
John Bonham, John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures), Jimmy Page and Robert Plant (of Led Zeppelin)
publisher:
Flames of Albion Music, Inc., Superhype Music, Inc., Superhype Publishing, Inc., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Led Zeppelin4.152:46
50Pink Cadillac
recording engineer:
Toby Scott
producer:
Jon Landau, Little Steven, Chuck Plotkin and Bruce Springsteen
mixer:
Bob Clearmountain
bass:
Garry Tallent
drums (drum set):
Max Weinberg
guitar and lead vocals:
Bruce Springsteen
saxophone:
Clarence Clemons
phonographic copyright (℗) by:
Bruce Springsteen (in 1984)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States (on 1983-05-31)
recording of:
Pink Cadillac (on 1983-05-31)
lyricist and composer:
Bruce Springsteen (from 1981 until 1982)
publisher:
Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Bruce Springsteen43:32
9Digital Media
10Digital Media