Let's Misbehave!

~ Release by Ulrich Tukur & Die Rhythmus Boys (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1Let's Misbehave
assistant recording engineer:
Linda Gerdes (recording engineer from Hamburg, Germany) and Sebastian Muxfeldt
recording engineer:
Clemens Matznick
mixer:
Günter Märtens and Clemens Matznick
recorded at:
Clouds Hill Studio in Hamburg, Germany
mixed at:
The White Studio in Berlin, Germany
recording of:
Let’s Misbehave (Paris musical)
lyricist and composer:
Cole Porter (composer) (in 1927)
part of:
Anything Goes
2:23
2Opus One
assistant recording engineer:
Linda Gerdes (recording engineer from Hamburg, Germany) and Sebastian Muxfeldt
recording engineer:
Clemens Matznick
mixer:
Günter Märtens and Clemens Matznick
recorded at:
Clouds Hill Studio in Hamburg, Germany
mixed at:
The White Studio in Berlin, Germany
recording of:
Opus One (1943 song)
lyricist:
Sidney Reginald Garris
composer:
Sy Oliver
publisher:
Embassy Music Corp. (on 1943-06-23)
part of:
New York, New York (1977 musical film soundtrack)
2:55
3Puttin' on the Ritz
assistant recording engineer:
Linda Gerdes (recording engineer from Hamburg, Germany) and Sebastian Muxfeldt
recording engineer:
Clemens Matznick
mixer:
Günter Märtens and Clemens Matznick
recorded at:
Clouds Hill Studio in Hamburg, Germany
mixed at:
The White Studio in Berlin, Germany
recording of:
Puttin’ On the Ritz
lyricist and composer:
Irving Berlin (in 1929)
publisher:
Berlin Irving Music Corp and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
part of:
Idiot’s Delight (film)
2:44
4Miss Otis Regrets
assistant recording engineer:
Linda Gerdes (recording engineer from Hamburg, Germany) and Sebastian Muxfeldt
recording engineer:
Clemens Matznick
mixer:
Günter Mertens and Clemens Matznick
recorded at:
Clouds Hill Studio in Hamburg, Germany
mixed at:
The White Studio in Berlin, Germany
recording of:
Miss Otis Regrets
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1934)
2:15
5Begin the Beguine
assistant recording engineer:
Linda Gerdes (recording engineer from Hamburg, Germany) and Sebastian Muxfeldt
recording engineer:
Clemens Matznick
mixer:
Günter Mertens and Clemens Matznick
recorded at:
Clouds Hill Studio in Hamburg, Germany
mixed at:
The White Studio in Berlin, Germany
recording of:
Begin the Beguine
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Jubilee
3:52
6Mississippi Mud
assistant recording engineer:
Linda Gerdes (recording engineer from Hamburg, Germany) and Sebastian Muxfeldt
recording engineer:
Clemens Matznick
mixer:
Günter Mertens and Clemens Matznick
recorded at:
Clouds Hill Studio in Hamburg, Germany
mixed at:
The White Studio in Berlin, Germany
recording of:
Mississippi Mud
writer:
Harry Barris (in 1927) and James Cavanaugh (in 1927)
2:08
7Love Me or Leave Me
assistant recording engineer:
Linda Gerdes (recording engineer from Hamburg, Germany) and Sebastian Muxfeldt
recording engineer:
Clemens Matznick
mixer:
Günter Mertens and Clemens Matznick
recorded at:
Clouds Hill Studio in Hamburg, Germany
mixed at:
The White Studio in Berlin, Germany
recording of:
Love Me or Leave Me
lyricist:
Gus Kahn
composer:
Walter Donaldson
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Co. (in 1928, in 1955) and Gilbert Keyes Music Company (in 1928, in 1955)
3:35
8Nagasaki
assistant recording engineer:
Linda Gerdes (recording engineer from Hamburg, Germany) and Sebastian Muxfeldt
recording engineer:
Clemens Matznick
mixer:
Günter Mertens and Clemens Matznick
recorded at:
Clouds Hill Studio in Hamburg, Germany
mixed at:
The White Studio in Berlin, Germany
recording of:
Nagasaki
lyricist:
Mort Dixon
composer:
Harry Warren (US composer and lyricist) (in 1928)
2:43
9Shall We Dance
assistant recording engineer:
Linda Gerdes (recording engineer from Hamburg, Germany) and Sebastian Muxfeldt
recording engineer:
Clemens Matznick
mixer:
Günter Mertens and Clemens Matznick
recorded at:
Clouds Hill Studio in Hamburg, Germany
mixed at:
The White Studio in Berlin, Germany
recording of:
Shall We Dance
lyricist:
Ira Gershwin
composer:
George Gershwin (composer)
publisher:
Gershwin Publishing Corp (in 1937)
included in:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Shall We Dance (1937 film soundtrack)
2:46
10These Foolish Things
assistant recording engineer:
Linda Gerdes (recording engineer from Hamburg, Germany) and Sebastian Muxfeldt
recording engineer:
Clemens Matznick
mixer:
Günter Mertens and Clemens Matznick
recorded at:
Clouds Hill Studio in Hamburg, Germany
mixed at:
The White Studio in Berlin, Germany
recording of:
These Foolish Things (Remind Me of You)
lyricist:
Holt Marvell (in 1935)
additional composer:
Harry Link (US vaudeville actor & songwriter)
composer:
Jack Strachey (in 1935)
publisher:
Boosey & Co. (music publisher founded in the 1760s, forebear of Boosey & Hawkes), Boosey & Hawkes Music Publishers, Ltd, Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label), Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., E.G. Music Inc. and Lafleur Music Ltd.
3:22
11I Can't Give You Anything but Love
assistant recording engineer:
Linda Gerdes (recording engineer from Hamburg, Germany) and Sebastian Muxfeldt
recording engineer:
Clemens Matznick
mixer:
Günter Mertens and Clemens Matznick
recorded at:
Clouds Hill Studio in Hamburg, Germany
mixed at:
The White Studio in Berlin, Germany
recording of:
I Can’t Give You Anything but Love, Baby
lyricist:
Dorothy Fields (American librettist and lyricist)
writer:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Aldi Music Company, Cotton Club Publishing and EMI Mills Music Inc. (ASCAP-affiliated)
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Shapiro Bernstein & Co. Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
3:27
12Georgia on My Mind
assistant recording engineer:
Linda Gerdes (recording engineer from Hamburg, Germany) and Sebastian Muxfeldt
recording engineer:
Clemens Matznick
mixer:
Günter Mertens and Clemens Matznick
recorded at:
Clouds Hill Studio in Hamburg, Germany
mixed at:
The White Studio in Berlin, Germany
recording of:
Georgia on My Mind
anthem of:
Georgia, United States (from 1979 to present)
lyricist:
Stuart Gorrell (in 1930)
composer:
Hoagy Carmichael (in 1930)
publisher:
Peer International Corporation (BMI), Peermusic III, Ltd. (BMI), Campbell Connelly & Co. Ltd. (from 1930 to present) and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) (from 1930 to present)
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
arrangement of:
Georgia on My Mind (Solo piano arrangement)
3:16
13Happy Feet
assistant recording engineer:
Linda Gerdes (recording engineer from Hamburg, Germany) and Sebastian Muxfeldt
recording engineer:
Clemens Matznick
mixer:
Günter Mertens and Clemens Matznick
recorded at:
Clouds Hill Studio in Hamburg, Germany
mixed at:
The White Studio in Berlin, Germany
recording of:
Happy Feet
lyricist:
Jack Yellen
composer:
Milton Ager
publisher:
Warner Bros., Inc. (not for release label use!) (in 1930)
2:11
14Stardust
assistant recording engineer:
Linda Gerdes (recording engineer from Hamburg, Germany) and Sebastian Muxfeldt
recording engineer:
Clemens Matznick
mixer:
Günter Mertens and Clemens Matznick
recorded at:
Clouds Hill Studio in Hamburg, Germany
mixed at:
The White Studio in Berlin, Germany
recording of:
Stardust (the jazz standard)
lyricist:
Mitchell Parish (in 1929)
composer:
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (ended), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. and Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
part of:
American Splendor
4:43
15Why Don't Women Like Me
assistant recording engineer:
Linda Gerdes (recording engineer from Hamburg, Germany) and Sebastian Muxfeldt
recording engineer:
Clemens Matznick
mixer:
Günter Mertens and Clemens Matznick
recorded at:
Clouds Hill Studio in Hamburg, Germany
mixed at:
The White Studio in Berlin, Germany
cover recording of:
Why Don’t Women Like Me?
writer:
Bud Bennett, Jack Cottrell (songwriter) and George Formby (Junior, musical film star 1904–1961)
2:01