When We Touch: Fallin in Love Songs from the 70s

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1You Are So Beautiful
assistierende(r) Techniker(in):
David Gallo (engineer) und David Roberts (engineer)
Techniker(in):
Guy Charbonneau
Produzent(in):
Michael Lang (Producer)
Mix:
Chris Lord‐Alge
Bass:
Dave McDaniel (bass)
Klavier:
Nicky Hopkins (pianist and organist)
Sologesang:
Joe Cocker
Interpret(in):
Joe Cocker
arranger:
Jimmy Webb (US songwriter, composer, producer, pianist & singer)
phonographisches Urheberrecht (℗) von:
A&M Records (in 1973)
aufgenommen bei:
Memorial Auditorium in Lowell, Massachusetts, Vereinigte Staaten (am 1989-10-05)
cover recording of:
You Are So Beautiful
Verfasser(in):
Bruce Fisher und Billy Preston
publisher:
Almo Music Corporation (USA, affiliated with ASCAP) und Preston Songs (ASCAP)
sub-publisher:
Universal Music Publishing Ltd. (Hong Kong)
Joe Cocker3.952:43
2Your Song
Techniker(in):
Robin Geoffrey Cable
Produzent(in):
Gus Dudgeon
Akustikgitarre:
Frank Clark (Guitar/bassist)
Bassgitarre:
Dave Richmond
Gitarre:
Colin Green
Klavier und Sologesang:
Elton John (English singer, songwriter, pianist, and composer)
Schlagzeug:
Barry Morgan (English drummer)
zwölfsaitige Gitarre:
Clive Hicks
conductor:
Paul Buckmaster
arranger:
Paul Buckmaster
phonographisches Urheberrecht (℗) von:
This Record Co. Ltd. (copyright holder)
aufgenommen bei:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 54), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 136) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 202)
recording of:
Your Song
Texter:
Bernie Taupin
Komponist(in):
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) (beendet), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal–Songs of PolyGram International, Inc., Universal/Dick James Music Ltd. (fka Dick James Music Ltd.), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Elton John3.754:00
3Sometimes When We Touch
phonographisches Urheberrecht (℗) von:
GRT of Canada Ltd. (in 1977), McCauley Music Ltd. (in 1977) und McCauley Music Masters (in 1977)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 33)
recording of:
Sometimes When We Touch
Texter:
Dan Hill (Canadian singer/songwriter)
Komponist(in):
Barry Mann
publisher:
Anthem Entertainment A (work publisher), Dyad Music Ltd., Mann and Weil Songs, Inc., McCauley Music Ltd., Ole Media Management LP II, Sony/ATV Music Publishing Australia Pty Ltd., Sony/ATV Songs LLC und Sony/ATV Tunes LLC (ASCAP)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und フジパシフィックミュージック (Fujipacific Music, Inc.)
Dan Hill34:01
4The Way I Feel Tonight
recording of:
The Way I Feel Tonight
Texter und Komponist(in):
Harvey Shield
Bay City Rollers3:56
5Lady
produced in:
Australien
assistierende(r) Techniker(in) und assistierende(r) Mix:
Jim Barton (Australian/US producer/engineer, fl. 1990’s–2020’s)
Techniker(in) und Mix:
Ern Rose
Produzent(in):
John Boylan und Little River Band
Akustikgitarre:
Graham Goble (in 1978-03)
Bass:
George McArdle (in 1978-03)
E-Gitarre:
David Briggs (producer, guitarist of Little River Band) (in 1978-03) und Graham Goble (in 1978-03)
elektronisches Schlagzeug / E-Drums [syndrum], Perkussion und Schlagzeug:
Derek Pellicci (in 1978-03)
Klavier:
Peter Sullivan (in 1978-03)
Talkbox:
David Briggs (producer, guitarist of Little River Band) (in 1978-03)
Hintergrundgesang und Sologesang:
Beeb Birtles (in 1978-03), Graeham Goble (in 1978-03) und Glenn Shorrock (in 1978-03)
Orchester:
Melbourne Symphony Orchestra (in 1978-03)
conductor:
Rick Formosa (in 1978-03: Saiteninstrumente)
Saiteninstrumente arranger:
Riccardo Formosa
vocals arranger:
Graeham Goble
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978), EMI (Australia) Limited (not for release label use! EMI's AU subsidiary, active from May 1957 to late 1980s) (in 1978), EMI Australia (company credits only; file no releases here!) (in 1978), EMI Music Australia Pty. Limited (not for release label use!) (in 1978) und EMI Music Australia (defunct holding company, not for release label use!) (in 2002)
produced for:
Tumbleweed Productions
aufgenommen bei:
Armstrong Audio Visual (later renamed AAV Studios) in Melbourne, Victoria, Australien (in 1978-03)
mixed at:
Armstrong Audio Visual (later renamed AAV Studios) in Melbourne, Victoria, Australien
recording of:
Lady (in 1978-03)
Texter und Komponist(in):
Graeham Goble
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Tumbleweed Music Pty. Ltd., Unichappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell Pty. Ltd. und Wheatley Music Pty Ltd.
Little River Band3.354:57
6Babe
Techniker(in):
Rob Kingsland und Gary Loizzo
Produzent(in):
Styx (rock band from Chicago)
Interpret(in):
Styx (rock band from Chicago)
phonographisches Urheberrecht (℗) von:
A&M Records
aufgenommen bei:
Pumpkin Studios in Oak Lawn, Illinois, Vereinigte Staaten
recording of:
Babe
Texter und Komponist(in):
Dennis DeYoung
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), MDW (publisher) und Stygian Songs (publishing company for the rock band Styx) (in 1979)
Styx3.354:27
7I Just Wanna Stop
recording engineer und Mix:
Norm Kinney
assistierende(r) Techniker(in):
Chris Desmond
Produzent(in):
Gino Vannelli, Joe Vannelli (Canadian musician, composer and record producer) und Ross Vannelli
assistierende(r) Mix:
Paul Aronoff und Betsy Banghart (engineer)
Bass-Synthesizer [synthesized electric bass]:
Leon Gaer
Gitarre:
Carlos Rios (producer/guitarist)
Hybrid-Piano und Synthesizer:
Joe Vannelli (Canadian musician, composer and record producer)
Perkussion:
Manuel Badrena
Schlagzeug:
Mark Craney
Tenorsaxophon:
Ernie Watts (Ernest James Watts, jazz and blues saxophonist)
Hintergrundgesang:
Julia Tillman Waters, Maxine Willard Waters, Stephanie Spruill (American soul/disco singer, songwriter, and percussionist) und Ross Vannelli
Sologesang:
Gino Vannelli
arranger:
Gino Vannelli, Joe Vannelli (Canadian musician, composer and record producer) und Ross Vannelli
phonographisches Urheberrecht (℗) von:
A&M Records und A&M Records, Inc. (in 1978)
aufgenommen bei:
Davlen Sound Studios in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Group IV Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
I Just Wanna Stop
Texter und Komponist(in):
Ross Vannelli
publisher:
Ross Vannelli Publishing und 日音 Synch事業部 (NICHION, INC. Synch Division)
Gino Vannelli3.13:40
8Three Times A Lady
Produzent(in):
James Anthony Carmichael und Commodores (US funk/soul band with Lionel Richie)
Sologesang:
Lionel Richie
arranger:
James Anthony Carmichael und Commodores (US funk/soul band with Lionel Richie)
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1978), Motown Record Corporation (company credits only; do NOT use as release label) (in 1978, in 1979) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1978)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 10)
recording of:
Three Times a Lady
Texter und Komponist(in):
Lionel Richie
publisher:
Brenda Richie Publishing, Brockman Enterprises, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc. und Libren Music
Commodores3.653:38
9Betcha By Golly, Wow
Produzent(in):
Thom Bell (keyboards, songwriter, producer)
phonographisches Urheberrecht (℗) von:
Avco Record Corp. (in 1971)
cover recording of:
Betcha by Golly, Wow (fka “Keep Growing Strong”)
Verfasser(in):
Thom Bell (keyboards, songwriter, producer) und Linda Creed
publisher:
Mijac Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Stylistics & Russell Thompkins, Jr.3:47
10We're All Alone
Produzent(in):
David Anderle
phonographisches Urheberrecht (℗) von:
A&M Records (in 1977) und A&M Records, Inc. (Los Angeles) (in 1977)
cover recording of:
We’re All Alone
Texter und Komponist(in):
Boz Scaggs
publisher:
BMG Songs, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Kobalt Music Publishing Ltd. (UK) und Boz Scaggs Music (publisher) (vom 1975 bis heute)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Rita Coolidge43:41
11Midnight Blue
recording engineer:
Bob Schaper
Produzent(in):
Vini Poncia
Mix:
Bill Schnee
Akustikgitarre und E-Gitarre:
David Wolfert
Bassgitarre [bass]:
Cooker LoPresti
Hybrid-Piano:
James Newton Howard (American score composer)
Klavier und Sologesang:
Melissa Manchester
Perkussion und Schlagzeug:
Kirk Bruner
Hintergrundgesang:
Melissa Manchester und Vini Poncia
Saiteninstrumente arranger:
Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1975)
mixed at:
Sound Labs in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Midnight Blue
Texter:
Carole Bayer Sager
Komponist(in):
Melissa Manchester
publisher:
New York Times Music Corp. (publisher) (beendet), Rumanian Pickleworks Company (beendet), Alley Music Corp., BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management) und Trio Music Company
sub-publisher:
フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Melissa Manchester43:53
12Do That To Me One More Time
recording engineer und Mix:
Roger Young (engineer)
assistierende(r) Techniker(in):
David Cole (American recording engineer and producer), Ira Leslie und Wayne Neuendorf
Produzent(in):
Daryl Dragon
Akustikgitarre:
Lee Ritenour
Bassgitarre:
Scott Edwards (bassist)
Perkussion:
Ken Watson (American percussionist)
Rhodes Piano [Fender Rhodes electric piano], Hintergrundgesang und Sologesang:
Toni Tennille
Schlagzeug [drums]:
Ralph Humphrey (American drummer and teacher)
Synthesizer [Oberheim Four Voice]:
Daryl Dragon
Windsynthesizer [flute synthesizer]:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
Assistent remixer:
Wayne Neuendorf
phonographisches Urheberrecht (℗) von:
Casablanca Record & FilmWorks, Inc. (not for release label use, for copyrights use only) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1979)
aufgenommen bei:
Capitol Records Studio (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und Rumbo Recorders in Canoga Park, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
The Village Recorders (Village Studios, aka The Village Recorder) in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Do That to Me One More Time
Texter und Komponist(in):
Toni Tennille
publisher:
Fujipacific Music, Inc. und Moonlight & Magnolias Music Publ. Co. (BMI-affiliated)
Captain & Tennille3.854:13
13Lead Me On
recording of:
Lead Me On (I have often heard you say you love me as a friend...)
Verfasser(in):
David Lasley und Allee Willis
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Irving Music, Inc., Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
instrumental recording of:
Lead Me On (I have often heard you say you love me as a friend...)
Verfasser(in):
David Lasley und Allee Willis
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Irving Music, Inc., Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Maxine Nightingale2:46
14So Into You
phonographisches Urheberrecht (℗) von:
Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (in 1976), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1976) und Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1976)
recording of:
So in to You
Verfasser(in):
Buddy Buie, Dean Daughtry und Robert Nix (drummer)
publisher:
Low-Sal, Inc.
Atlanta Rhythm Section54:22
15I'm In You
recording of:
I'm in You
Texter und Komponist(in):
Peter Frampton
publisher:
Rondor Music (Australia) Pty Ltd
Peter Frampton4:11
16Crazy Love
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) und MCA Records (1967–2003; name as in imprint during 1972–1990) (in 1978)
recording of:
Crazy Love
Texter und Komponist(in):
Rusty Young
publisher:
Green Lantern Music, Pirooting Publishing und WB Music Corp. (1929–2019)
Poco2.52:57
17Lovin' You
Produzent(in):
Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer) und Stevie Wonder
Bassgitarre:
Reggie McBride
Becken, Klavier, Mundharmonika und Schlagzeug:
El Toro Negro
Conga:
Kwasi "Rocki" Dzidzornu
Gitarre:
Marlo Henderson und Michael Sembello
Schlagzeug [drum kit]:
Ollie E. Brown (US drummer, session musician & record producer) und El Toro Negro
Hintergrundgesang:
Shirley Brewer, Lani Groves, Deniece Williams (US soul/funk vocalist/songwriter) und Yvonne Wright
vocals:
Minnie Riperton
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1993)
recording of:
Lovin’ You
Verfasser(in):
Minnie Riperton und Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer)
publisher:
Campbell Connelly CI Ltd, Campbell Connelly Ltd., Dickiebird Music and Publishing Co., Embassy Music Corporation und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
sub-publisher:
Peermusic (S.E. Asia) Ltd.
Minnie Riperton3.653:24

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