Bild- Klassik Gala 2004

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1O sole mio
tenor vocals:
The Three Tenors
orchestra:
Orchestra del Maggio Musicale Fiorentino and Orchestra del Teatro dell’Opera di Roma
conductor:
Zubin Mehta (conductor)
live recording of:
’O sole mio
lyricist:
Giovanni Capurro (in 1898)
composer:
Eduardo Di Capua (in 1898) and Alfredo Mazzucchi (Italian composer, known for “’O sole mio”) (in 1898)
publisher:
Bideri CEVEL, Domaine public (refers to works that are in the public domain) and Gennarelli Casa Editrice
recording of:
’O sole mio
lyricist:
Giovanni Capurro (in 1898)
composer:
Eduardo Di Capua (in 1898) and Alfredo Mazzucchi (Italian composer, known for “’O sole mio”) (in 1898)
publisher:
Bideri CEVEL, Domaine public (refers to works that are in the public domain) and Gennarelli Casa Editrice
Giovanni Capurro2:45
2Gianni Schicchi: “O mio babbino caro”
soprano vocals and soprano vocals [Lauretta]:
Kiri Te Kanawa (soprano)
orchestra:
London Symphony Orchestra
conductor:
Stephen Barlow (British conductor)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1994)
recording of:
Gianni Schicchi: “O mio babbino caro” (Lauretta)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A. and G. Ricordi & Co. (London) Ltd. (UK division)
part of:
Gianni Schicchi
Giacomo Puccini2:33
3Gold und Silber
orchestra:
Maastrich Salon Orchestra
conductor:
André Rieu
recording of:
Gold und Silber-Walzer, op. 79
composer:
Franz Lehár (composer)
Franz Lehár5:48
4L’elisir d’amore: “Una furtiva lagrima”
producer:
Andrew Cornall (engineer / producer)
tenor vocals [Nemorino]:
Juan Diego Flórez (Peruvian operatic tenor) (from 2002-09 until 2002-11)
orchestra:
Orchestra Sinfonica di Milano Giuseppe Verdi (Symphony Orchestra of Milan Giuseppe Verdi) (from 2002-09 until 2002-11)
conductor:
Riccardo Frizza (conductor) (from 2002-09 until 2002-11)
balance engineer:
Philip Siney (sound engineer) (from 2002-09 until 2002-11)
recorded at:
Auditorium di Milano in Milano (Milan), Milano, Lombardia, Italy (from 2002-09 until 2002-11)
recording of:
L’elisir d’amore: Atto II. Romanza “Una furtiva lagrima” (Nemorino) (from 2002-09 until 2002-11)
composer:
Gaetano Donizetti (Italian opera composer) (in 1832)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti4:43
5Flötensonate BMV 1035
sound engineer:
Wolfgang Stengel
engineer:
Andrzej Sasin (producer, engineer)
oboe:
Albrecht Mayer (oboist) (in 2003-03)
orchestra:
Sinfonia Varsovia (in 2003-03)
arranger:
Andreas N. Tarkmann (German composer)
recorded at:
Polskie Radio: Studio Koncertowe PR im. Witolda Lutosławskiego (Polish Radio Concert Studio named after Witold Lutosławski) in Warsaw, Mazowieckie (Masovian Voivodeship), Poland (in 2003-03)
recording of:
Flute Sonata in E-flat major, BWV 1031: II. Siciliano (catch-all for arrangements) (in 2003-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Flute Sonata in E-flat major, BWV 1031: II. Siciliano
part of:
Flute Sonata in E-flat major, BWV 1031 (catch-all for arrangements)
Johann Sebastian Bach2:11
6Ave Maria
recording engineer:
Thijs Hoekstra, Everett Porter and Roger de Schot
producer:
Anna Barry (classical producer)
mixer and balance engineer:
Jean‐Marie Geijsen
tenor vocals:
Andrea Bocelli (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
정명훈 (Myung-Whun Chung, pianist and conductor)
recorded at:
Auditorium Conciliazione in Roma (Rome), Roma, Lazio, Italy
recording of:
Ave Maria (Bach/Gounod)
lyricist:
[anonymous] (special purpose artist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) and Charles Gounod (French composer) (in 1853)
is based on:
Méditation sur le Premier Prélude de Piano de S. Bach
is based on:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude
Johann Sebastian Bach43:04
7Der Schwan
engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
producer:
Christian Gansch (conductor)
cello:
Mischa Maisky (cellist) (in 1991-06)
orchestra:
Orchestre de Paris (in 1991-06)
conductor:
Semyon Bychkov (conductor) (in 1991-06)
recorded at:
Salle Wagram in Paris, Île-de-France, France (in 1991-06)
recording of:
Le Carnaval des animaux: XIII. Le Cygne (for cello and orchestra, arr. Vidal) (in 1991-06)
orchestrator:
Paul Vidal (French composer and teacher)
composer:
Camille Saint‐Saëns (composer)
cello arranger:
Paul Vidal (French composer and teacher)
orchestration of:
Le Carnaval des animaux : XIII. Le Cygne (The Carnival of the Animals: XIII. The Swan, two pianos and cello)
recording of:
Le Carnaval des animaux : XIII. Le Cygne (The Carnival of the Animals: XIII. The Swan, two pianos and cello)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
arranger:
Pege Aladár
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns3:54
8Fantasia
orchestra:
The New Queen’s Hall Orchestra
conductor:
Barry Wordsworth (conductor)
partial recording of:
Fantasia on a Theme by Thomas Tallis
composer:
Ralph Vaughan Williams (English composer) (in 1910)
is based on:
Nine Psalm Tunes for Archbishop Parker’s Psalter: No. 3 “Why Fum’th in Fight” (Psalm 2)
recording of:
Fantasia on a Theme by Thomas Tallis
composer:
Ralph Vaughan Williams (English composer) (in 1910)
is based on:
Nine Psalm Tunes for Archbishop Parker’s Psalter: No. 3 “Why Fum’th in Fight” (Psalm 2)
Ralph Vaughan Williams5:18
9Kanon in D‐dur
violin:
Duel (UK violinist duo that plays classical music)
orchestra:
The London Session Orchestra
conductor:
Gavyn Wright (UK violinist, conductor)
recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon
composer:
Johann Pachelbel (composer)
part of:
Canon and Gigue in D major, P. 37, T. 337
recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon (catch-all for arrangements)
composer:
Johann Pachelbel (composer)
arrangement of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon
Johann Pachelbel4:05
10Questo addio
Jam El Mar5:24
11Schindlers List
producer:
Dominic Fyfe
violin:
Janine Jansen (Dutch violinist and violist) (in 2003-02)
orchestra:
Royal Philharmonic Orchestra (in 2003-02)
conductor:
Barry Wordsworth (conductor) (in 2003-02)
balance engineer:
Philip Siney (sound engineer) (in 2003-02)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 2003)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 2003-02)
recording of:
Main Theme (Schindler’s List) (in 2003-02)
composer:
John Williams (American score composer and conductor) (in 1993)
publisher:
Chester Music Ltd., MCA Music Ltd. and Universal/MCA Music (music publisher; do not use as release label!)
part of:
Schindler's List
part of:
Three Pieces from Schindler’s List
John Williams3:48
12Nocturne as‐moll op. 9 Nr 1
piano:
Anna Gourari
recording of:
Nocturne no. 1 in B‐flat minor, op. 9 no. 1: Larghetto
composer:
Frédéric Chopin (composer) (from 1830 until 1832)
part of:
Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 108)
part of:
Nocturnes, op. 9 (original for piano)
Fryderyk Chopin6:17
13La bohème: “Si. Mi chiamano Mimì”
soprano vocals and soprano vocals [Mimi]:
Angela Gheorghiu (Romanian soprano)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Riccardo Chailly (conductor)
recording of:
La bohème: Atto I, no. 7. “Sì. Mi chiamano Mimì” (Mimì)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini5:02
14Ob blond, ob braun, ich liebe alle Frau’n
tenor vocals:
Fritz Wunderlich (operatic tenor)
orchestra:
Symphonie-Orchester Graunke (Munich Symphony Orchestra, German symphonic orchestra pka “Symphonie-Orchester Graunke”; not related to Alfred Scholz) (in 1965)
recording of:
Ob blond, ob braun, ich liebe alle Frau'n (I Love All Women)
lyricist:
Ernst Marischka
composer:
Robert Stolz (Viennese operetta composer, songwriter and conductor)
Robert Stolz2:56
15That’s Amore
recording of:
That’s Amore
lyricist:
Jack Brooks (English–American lyricist)
composer:
Harry Warren (US composer and lyricist)
publisher:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Four Jays Music Co., Paramount Music Corp., Peermusic Pty. Ltd. (Australia) and Universal Songs (publisher)
sub-publisher:
BMG Ariola Belgium (do not use this as an imprint!) and BMG Unisongs Music Publishers BV
part of:
The 26th Academy Award for Best Original Song (number: 2)
part of:
The Real Book (compilation of jazz standards, volume I)
Harry Warren2:47
16All I Ask of You
bass guitar:
Steve Pearce (UK bassist)
drums (drum set) and membranophone:
Ralph Salmins
piano:
Dave Hartley (pianist)
baritone vocals, bass vocals and bass-baritone vocals [Raoul, Vicomte de Chagny]:
Bryn Terfel (bass‐baritone opera singer)
soprano vocals and soprano vocals [Christine Daaé]:
Renée Fleming (soprano)
orchestra:
Orchestra of the Welsh National Opera
conductor:
Paul Gemignani
arranger:
David Hamilton (US keyboardist, orchestral arranger/conductor, producer and songwriter), Rob Mathes and Torrie Zito
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 2003)
recorded at:
Brangwyn Hall in Swansea, Wales, United Kingdom (in 2002-08)
recording of:
All I Ask of You (catch-all for arrangements) (in 2002-08)
composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
arrangement of:
All I Ask of You (The Phantom of the Opera)
recording of:
All I Ask of You (The Phantom of the Opera)
additional lyricist:
Richard Stilgoe
lyricist:
Charles Hart (British lyricist)
composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) and The Really Useful Group PLC (not for release label use!) (in 1986)
sub-publisher:
Colgems-EMI Music Inc. (ended)
part of:
The Phantom of the Opera (Andrew Lloyd Webber musical)
part of:
The Phantom of the Opera (2004 film soundtrack)
Andrew Lloyd Webber35:15
17Main Theme Star Wars
producer:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (in 1980-06)
conductor:
John Williams (American score composer and conductor) (in 1980-06)
phonographic copyright (℗) by:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (in 1980)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1980-06)
recording of:
Main Title (Star Wars) (in 1980-06)
composer:
John Williams (American score composer and conductor) (ended)
publisher:
Bantha Music, Fox Fanfare Music Inc., Utapau Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
part of:
Star Wars Holiday Special (television soundtrack)
part of:
Star Wars, Episode I: The Phantom Menace (film soundtrack)
part of:
Star Wars, Episode II: Attack of the Clones (2002 film score)
part of:
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
part of:
Star Wars, Episode IX: The Rise of Skywalker (2019 film score)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
part of:
Star Wars, Episode VII: The Force Awakens (2015 film score)
part of:
Star Wars, Episode VIII: The Last Jedi (2017 film score)
part of:
Star Wars: Shadows of the Empire
John Williams5:39