Star Wars: The Ultimate Digital Collection

~ Parution par John Williams (afficher toutes les versions de cette parution, 3 proposées)

Annotation

Miscellaneous

In track listing from HDtracks track 23 has the title “Anakin and Padme” and track 63 has a duration of “5:51” which are however both errors.

Annotation modifiée en dernier le 2016-07-04 03:52 UTC.

Liste de pistes

1▼Support numérique
noTitreÉvaluationDurée
1Episode I - Star Wars Main Title and the Arrival at Naboo
orchestre :
London Symphony Orchestra (du 1999-02-05 au 1999-02-17)
conductor :
John Williams (American score composer and conductor) (du 1999-02-05 au 1999-02-17)
droits phonographiques (℗) par :
Lucas Film Ltd. (le 2018)
enregistré à :
Abbey Road Studios: Studio 1 dans St John's Wood, Westminster, London (Londres, Greater London), England, Royaume-Uni (du 1999-02-05 au 1999-02-17)
recording of :
Main Title (Star Wars) (du 1999-02-05 au 1999-02-17)
compositeur :
John Williams (American score composer and conductor) (terminé)
éditeur :
Bantha Music, Fox Fanfare Music Inc., Utapau Music et Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
partie de :
Star Wars Holiday Special (television soundtrack)
partie de :
Star Wars, Episode I: The Phantom Menace (film soundtrack)
partie de :
Star Wars, Episode II: Attack of the Clones (2002 film score)
partie de :
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
partie de :
Star Wars, Episode IV: A New Hope (film soundtrack)
partie de :
Star Wars, Episode IX: The Rise of Skywalker (2019 film score)
partie de :
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
partie de :
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
partie de :
Star Wars, Episode VII: The Force Awakens (2015 film score)
partie de :
Star Wars, Episode VIII: The Last Jedi (2017 film score)
partie de :
Star Wars: Shadows of the Empire
recording of :
The Arrival at Naboo (Star Wars, Episode I: The Phantom Menace) (du 1999-02-05 au 1999-02-17)
compositeur :
John Williams (American score composer and conductor)
partie de :
Star Wars, Episode I: The Phantom Menace (film soundtrack)
3.42:56
2Episode I - Duel of The Fates
chœurs :
London Voices (du 1999-02-05 au 1999-02-18)
orchestre :
London Symphony Orchestra (du 1999-02-05 au 1999-02-18)
conductor :
John Williams (American score composer and conductor) (du 1999-02-05 au 1999-02-18)
droits phonographiques (℗) par :
Lucas Film Ltd. (le 2018)
enregistré à :
Abbey Road Studios: Studio 1 dans St John's Wood, Westminster, London (Londres, Greater London), England, Royaume-Uni (du 1999-02-05 au 1999-02-17)
recording of :
Duel of the Fates (Star Wars, Episode I: The Phantom Menace) (du 1999-02-05 au 1999-02-18)
compositeur :
John Williams (American score composer and conductor)
éditeur :
Bantha Music et Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
partie de :
Star Wars, Episode I: The Phantom Menace (film soundtrack)
partie de :
Star Wars: The Phantom Menace - Suite for Orchestra
44:14
3Episode I - Anakin’s Theme
orchestre :
London Symphony Orchestra (du 1999-02-05 au 1999-02-17)
conductor :
John Williams (American score composer and conductor) (du 1999-02-05 au 1999-02-17)
droits phonographiques (℗) par :
Lucas Film Ltd. (le 2018)
enregistré à :
Abbey Road Studios: Studio 1 dans St John's Wood, Westminster, London (Londres, Greater London), England, Royaume-Uni (du 1999-02-05 au 1999-02-17)
recording of :
Anakin’s Theme (Star Wars, Episode I: The Phantom Menace) (du 1999-02-05 au 1999-02-17)
compositeur :
John Williams (American score composer and conductor)
partie de :
Star Wars, Episode I: The Phantom Menace (film soundtrack)
partie de :
Star Wars: The Phantom Menace - Suite for Orchestra
2.753:09
4Episode I - Jar Jar’s Introduction and the Swim to Otoh Gunga
orchestre :
London Symphony Orchestra (du 1999-02-05 au 1999-02-17)
conductor :
John Williams (American score composer and conductor) (du 1999-02-05 au 1999-02-17)
droits phonographiques (℗) par :
Lucas Film Ltd. (le 2018)
enregistré à :
Abbey Road Studios: Studio 1 dans St John's Wood, Westminster, London (Londres, Greater London), England, Royaume-Uni (du 1999-02-05 au 1999-02-17)
recording of :
Jar Jar’s Introduction / The Swim to Otoh Gunga (Star Wars, Episode I: The Phantom Menace) (du 1999-02-05 au 1999-02-17)
compositeur :
John Williams (American score composer and conductor)
éditeur :
Bantha Music
partie de :
Star Wars, Episode I: The Phantom Menace (film soundtrack)
2.655:08
5Episode I - The Sith Spacecraft and the Droid Battle
orchestre :
London Symphony Orchestra (du 1999-02-05 au 1999-02-17)
conductor :
John Williams (American score composer and conductor) (du 1999-02-05 au 1999-02-17)
droits phonographiques (℗) par :
Lucas Film Ltd. (le 2018)
enregistré à :
Abbey Road Studios: Studio 1 dans St John's Wood, Westminster, London (Londres, Greater London), England, Royaume-Uni (du 1999-02-05 au 1999-02-17)
recording of :
The Sith Spacecraft / The Droid Battle (Star Wars, Episode I: The Phantom Menace)
compositeur :
John Williams (American score composer and conductor)
éditeur :
Bantha Music
partie de :
Star Wars, Episode I: The Phantom Menace (film soundtrack)
3.152:37
6Episode I - The Trip to the Naboo Temple and the Audience with Boss Nass
orchestre :
London Symphony Orchestra (du 1999-02-05 au 1999-02-17)
conductor :
John Williams (American score composer and conductor) (du 1999-02-05 au 1999-02-17)
droits phonographiques (℗) par :
Lucas Film Ltd. (le 2018)
enregistré à :
Abbey Road Studios: Studio 1 dans St John's Wood, Westminster, London (Londres, Greater London), England, Royaume-Uni (du 1999-02-05 au 1999-02-17)
recording of :
The Trip to the Naboo Temple / The Audience With Boss Nass (Star Wars, Episode I: The Phantom Menace) (du 1999-02-05 au 1999-02-17)
compositeur :
John Williams (American score composer and conductor)
éditeur :
Bantha Music
partie de :
Star Wars, Episode I: The Phantom Menace (film soundtrack)
34:07
7Episode I - The Arrival at Tatooine and the Flag Parade
orchestre :
London Symphony Orchestra (du 1999-02-05 au 1999-02-17)
conductor :
John Williams (American score composer and conductor) (du 1999-02-05 au 1999-02-17)
droits phonographiques (℗) par :
Lucas Film Ltd. (le 2018)
enregistré à :
Abbey Road Studios: Studio 1 dans St John's Wood, Westminster, London (Londres, Greater London), England, Royaume-Uni (du 1999-02-05 au 1999-02-17)
recording of :
The Arrival at Tatooine (Star Wars, Episode 1: The Phantom Menace) (du 1999-02-05 au 1999-02-17)
compositeur :
John Williams (American score composer and conductor)
partie de :
Star Wars, Episode I: The Phantom Menace (film soundtrack)
recording of :
The Flag Parade (Star Wars, Episode 1: The Phantom Menace) (du 1999-02-05 au 1999-02-17)
compositeur :
John Williams (American score composer and conductor)
éditeur :
Bantha Music
partie de :
Star Wars, Episode I: The Phantom Menace (film soundtrack)
partie de :
Star Wars: The Phantom Menace - Suite for Orchestra
3.154:04
8Episode I - He Is the Chosen One
orchestre :
London Symphony Orchestra (du 1999-02-05 au 1999-02-17)
conductor :
John Williams (American score composer and conductor) (du 1999-02-05 au 1999-02-17)
droits phonographiques (℗) par :
Lucas Film Ltd. (le 2018)
enregistré à :
Abbey Road Studios: Studio 1 dans St John's Wood, Westminster, London (Londres, Greater London), England, Royaume-Uni (du 1999-02-05 au 1999-02-17)
recording of :
He Is the Chosen One (Star Wars, Episode I: The Phantom Menace) (du 1999-02-05 au 1999-02-17)
compositeur :
John Williams (American score composer and conductor)
éditeur :
Bantha Music
partie de :
Star Wars, Episode I: The Phantom Menace (film soundtrack)
33:53
9Episode I - Anakin Defeats Sebulba
orchestre :
London Symphony Orchestra (du 1999-02-05 au 1999-02-17)
conductor :
John Williams (American score composer and conductor) (du 1999-02-05 au 1999-02-17)
droits phonographiques (℗) par :
Lucas Film Ltd. (le 2018)
enregistré à :
Abbey Road Studios: Studio 1 dans St John's Wood, Westminster, London (Londres, Greater London), England, Royaume-Uni (du 1999-02-05 au 1999-02-17)
recording of :
Anakin Defeats Sebulba (Star Wars, Episode I: The Phantom Menace) (du 1999-02-05 au 1999-02-17)
compositeur :
John Williams (American score composer and conductor)
éditeur :
Bantha Music
partie de :
Star Wars, Episode I: The Phantom Menace (film soundtrack)
34:24
10Episode I - Passage Through the Planet Core
orchestre :
London Symphony Orchestra (du 1999-02-05 au 1999-02-17)
conductor :
John Williams (American score composer and conductor) (du 1999-02-05 au 1999-02-17)
droits phonographiques (℗) par :
Lucas Film Ltd. (le 2018)
enregistré à :
Abbey Road Studios: Studio 1 dans St John's Wood, Westminster, London (Londres, Greater London), England, Royaume-Uni (du 1999-02-05 au 1999-02-17)
recording of :
Passage Through the Planet Core (Star Wars, Episode I: The Phantom Menace) (du 1999-02-05 au 1999-02-17)
compositeur :
John Williams (American score composer and conductor)
éditeur :
Bantha Music
partie de :
Star Wars, Episode I: The Phantom Menace (film soundtrack)
2.254:40
11Episode I - Watto’s Deal and Kids at Play
orchestre :
London Symphony Orchestra (du 1999-02-05 au 1999-02-17)
conductor :
John Williams (American score composer and conductor) (du 1999-02-05 au 1999-02-17)
droits phonographiques (℗) par :
Lucas Film Ltd. (le 2018)
enregistré à :
Abbey Road Studios: Studio 1 dans St John's Wood, Westminster, London (Londres, Greater London), England, Royaume-Uni (du 1999-02-05 au 1999-02-17)
recording of :
Watto’s Deal / Kids at Play (Star Wars, Episode I: The Phantom Menace) (du 1999-02-05 au 1999-02-17)
compositeur :
John Williams (American score composer and conductor)
éditeur :
Bantha Music
partie de :
Star Wars, Episode I: The Phantom Menace (film soundtrack)
34:57
12Episode I - Panaka and the Queen’s Protectors
orchestre :
London Symphony Orchestra (du 1999-02-05 au 1999-02-17)
conductor :
John Williams (American score composer and conductor) (du 1999-02-05 au 1999-02-17)
droits phonographiques (℗) par :
Lucas Film Ltd. (le 2018)
enregistré à :
Abbey Road Studios: Studio 1 dans St John's Wood, Westminster, London (Londres, Greater London), England, Royaume-Uni (du 1999-02-05 au 1999-02-17)
recording of :
Panaka and the Queen’s Protectors (Star Wars, Episode I: The Phantom Menace) (du 1999-02-05 au 1999-02-17)
compositeur :
John Williams (American score composer and conductor)
éditeur :
Bantha Music
partie de :
Star Wars, Episode I: The Phantom Menace (film soundtrack)
33:24
13Episode I - Queen Amidala and the Naboo Palace
orchestre :
London Symphony Orchestra (du 1999-02-05 au 1999-02-17)
conductor :
John Williams (American score composer and conductor) (du 1999-02-05 au 1999-02-17)
droits phonographiques (℗) par :
Lucas Film Ltd. (le 2018)
enregistré à :
Abbey Road Studios: Studio 1 dans St John's Wood, Westminster, London (Londres, Greater London), England, Royaume-Uni (du 1999-02-05 au 1999-02-17)
recording of :
Queen Amidala / The Naboo Palace (Star Wars, Episode I: The Phantom Menace) (du 1999-02-05 au 1999-02-17)
compositeur :
John Williams (American score composer and conductor)
éditeur :
Bantha Music
partie de :
Star Wars, Episode I: The Phantom Menace (film soundtrack)
2.754:52
14Episode I - The Droid Invasion and the Appearance of Darth Maul
orchestre :
London Symphony Orchestra (du 1999-02-05 au 1999-02-17)
conductor :
John Williams (American score composer and conductor) (du 1999-02-05 au 1999-02-17)
droits phonographiques (℗) par :
Lucas Film Ltd. (le 2018)
enregistré à :
Abbey Road Studios: Studio 1 dans St John's Wood, Westminster, London (Londres, Greater London), England, Royaume-Uni (du 1999-02-05 au 1999-02-17)
recording of :
The Droid Invasion / The Appearance of Darth Maul (Star Wars, Episode I: The Phantom Menace) (du 1999-02-05 au 1999-02-17)
compositeur :
John Williams (American score composer and conductor)
éditeur :
Bantha Music
partie de :
Star Wars, Episode I: The Phantom Menace (film soundtrack)
3.45:14
15Episode I - Qui-Gon’s Noble End
orchestre :
London Symphony Orchestra (du 1999-02-05 au 1999-02-17)
conductor :
John Williams (American score composer and conductor) (du 1999-02-05 au 1999-02-17)
droits phonographiques (℗) par :
Lucas Film Ltd. (le 2018)
enregistré à :
Abbey Road Studios: Studio 1 dans St John's Wood, Westminster, London (Londres, Greater London), England, Royaume-Uni (du 1999-02-05 au 1999-02-17)
recording of :
Qui-Gon’s Noble End (Star Wars, Episode I: The Phantom Menace)
compositeur :
John Williams (American score composer and conductor)
éditeur :
Bantha Music
partie de :
Star Wars, Episode I: The Phantom Menace (film soundtrack)
33:48
16Episode I - The High Council Meeting and Qui-Gon’s Funeral
orchestre :
London Symphony Orchestra (du 1999-02-05 au 1999-02-17)
conductor :
John Williams (American score composer and conductor) (du 1999-02-05 au 1999-02-17)
droits phonographiques (℗) par :
Lucas Film Ltd. (le 2018)
enregistré à :
Abbey Road Studios: Studio 1 dans St John's Wood, Westminster, London (Londres, Greater London), England, Royaume-Uni (du 1999-02-05 au 1999-02-17)
recording of :
The High Council Meeting / Qui-Gon’s Funeral (Star Wars, Episode I: The Phantom Menace) (du 1999-02-05 au 1999-02-17)
compositeur :
John Williams (American score composer and conductor)
éditeur :
Bantha Music
partie de :
Star Wars, Episode I: The Phantom Menace (film soundtrack)
3.253:09
17Episode I - Augie’s Great Municipal Band and End Credits
orchestre :
London Symphony Orchestra (du 1999-02-05 au 1999-02-17)
conductor :
John Williams (American score composer and conductor) (du 1999-02-05 au 1999-02-17)
droits phonographiques (℗) par :
Lucas Film Ltd. (le 2018)
enregistré à :
Abbey Road Studios: Studio 1 dans St John's Wood, Westminster, London (Londres, Greater London), England, Royaume-Uni (du 1999-02-05 au 1999-02-17)
recording of :
Augie’s Great Municipal Band / End Credits (Star Wars, Episode I: The Phantom Menace) (du 1999-02-05 au 1999-02-17)
compositeur :
John Williams (American score composer and conductor)
éditeur :
Bantha Music et Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
citations musicales de :
End Titles (Star Wars, Episode IV: A New Hope)
partie de :
Star Wars, Episode I: The Phantom Menace (film soundtrack)
3.259:40
18Episode II - Star Wars Main Title and Ambush on Coruscant
orchestre :
London Symphony Orchestra (du 2002-01-18 au 2002-01-26)
conductor :
John Williams (American score composer and conductor) (du 2002-01-18 au 2002-01-26)
droits phonographiques (℗) par :
Lucas Film Ltd. (le 2018)
enregistré à :
Abbey Road Studios: Studio 1 dans St John's Wood, Westminster, London (Londres, Greater London), England, Royaume-Uni (du 2002-01-18 au 2002-01-26)
recording of :
Ambush on Coruscant (Star Wars, Episode II: Attack of the Clones) (du 2002-01-18 au 2002-01-26)
compositeur :
John Williams (American score composer and conductor)
éditeur :
Bantha Music
partie de :
Star Wars, Episode II: Attack of the Clones (2002 film score)
recording of :
Main Title (Star Wars) (du 2002-01-18 au 2002-01-26)
compositeur :
John Williams (American score composer and conductor) (terminé)
éditeur :
Bantha Music, Fox Fanfare Music Inc., Utapau Music et Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
partie de :
Star Wars Holiday Special (television soundtrack)
partie de :
Star Wars, Episode I: The Phantom Menace (film soundtrack)
partie de :
Star Wars, Episode II: Attack of the Clones (2002 film score)
partie de :
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
partie de :
Star Wars, Episode IV: A New Hope (film soundtrack)
partie de :
Star Wars, Episode IX: The Rise of Skywalker (2019 film score)
partie de :
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
partie de :
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
partie de :
Star Wars, Episode VII: The Force Awakens (2015 film score)
partie de :
Star Wars, Episode VIII: The Last Jedi (2017 film score)
partie de :
Star Wars: Shadows of the Empire
3.153:48
19Episode II - Across the Stars (Love Theme from Star Wars Episode II)
orchestre :
London Symphony Orchestra (du 2002-01-18 au 2002-01-26)
conductor :
John Williams (American score composer and conductor) (du 2002-01-18 au 2002-01-26)
droits phonographiques (℗) par :
Lucas Film Ltd. (le 2018)
enregistré à :
Abbey Road Studios: Studio 1 dans St John's Wood, Westminster, London (Londres, Greater London), England, Royaume-Uni (du 2002-01-18 au 2002-01-26)
recording of :
Across the Stars (Star Wars, Episode II: Attack of the Clones; love theme) (du 2002-01-18 au 2002-01-26)
compositeur :
John Williams (American score composer and conductor)
éditeur :
Bantha Music
partie de :
Star Wars, Episode II: Attack of the Clones (2002 film score)
3.655:33
20Episode II - Zam the Assassin and the Chase Through Coruscant
orchestre :
London Symphony Orchestra (du 2002-01-18 au 2002-01-26)
conductor :
John Williams (American score composer and conductor) (du 2002-01-18 au 2002-01-26)
droits phonographiques (℗) par :
Lucas Film Ltd. (le 2018)
enregistré à :
Abbey Road Studios: Studio 1 dans St John's Wood, Westminster, London (Londres, Greater London), England, Royaume-Uni (du 2002-01-18 au 2002-01-26)
recording of :
Zam the Assassin / The Chase Through Coruscant (Star Wars, Episode II: Attack of the Clones) (du 2002-01-18 au 2002-01-26)
compositeur :
John Williams (American score composer and conductor)
éditeur :
Bantha Music
partie de :
Star Wars, Episode II: Attack of the Clones (2002 film score)
3.2511:07
21Episode II - Yoda and the Younglings
orchestre :
London Symphony Orchestra (du 2002-01-18 au 2002-01-26)
conductor :
John Williams (American score composer and conductor) (du 2002-01-18 au 2002-01-26)
droits phonographiques (℗) par :
Lucas Film Ltd. (le 2018)
enregistré à :
Abbey Road Studios: Studio 1 dans St John's Wood, Westminster, London (Londres, Greater London), England, Royaume-Uni (du 2002-01-18 au 2002-01-26)
recording of :
Yoda and the Younglings (Star Wars, Episode II: Attack of the Clones) (du 2002-01-18 au 2002-01-26)
compositeur :
John Williams (American score composer and conductor)
éditeur :
Bantha Music
partie de :
Star Wars, Episode II: Attack of the Clones (2002 film score)
33:55
22Episode II - Departing Coruscant
orchestre :
London Symphony Orchestra (du 2002-01-18 au 2002-01-26)
conductor :
John Williams (American score composer and conductor) (du 2002-01-18 au 2002-01-26)
droits phonographiques (℗) par :
Lucas Film Ltd. (le 2018)
enregistré à :
Abbey Road Studios: Studio 1 dans St John's Wood, Westminster, London (Londres, Greater London), England, Royaume-Uni (du 2002-01-18 au 2002-01-26)
recording of :
Departing Coruscant (Star Wars, Episode II: Attack of the Clones) (du 2002-01-18 au 2002-01-26)
compositeur :
John Williams (American score composer and conductor)
éditeur :
Bantha Music
partie de :
Star Wars, Episode II: Attack of the Clones (2002 film score)
2.51:45
23Episode II - Anakin and Padmé
orchestre :
London Symphony Orchestra (du 2002-01-18 au 2002-01-26)
conductor :
John Williams (American score composer and conductor) (du 2002-01-18 au 2002-01-26)
droits phonographiques (℗) par :
Lucas Film Ltd. (le 2018)
enregistré à :
Abbey Road Studios: Studio 1 dans St John's Wood, Westminster, London (Londres, Greater London), England, Royaume-Uni (du 2002-01-18 au 2002-01-26)
recording of :
Anakin and Padmé (Star Wars, Episode II: Attack of the Clones) (du 2002-01-18 au 2002-01-26)
compositeur :
John Williams (American score composer and conductor)
éditeur :
Bantha Music
partie de :
Star Wars, Episode II: Attack of the Clones (2002 film score)
2.253:56
24Episode II - Jango’s Escape
orchestre :
London Symphony Orchestra (du 2002-01-18 au 2002-01-26)
conductor :
John Williams (American score composer and conductor) (du 2002-01-18 au 2002-01-26)
droits phonographiques (℗) par :
Lucas Film Ltd. (le 2018)
enregistré à :
Abbey Road Studios: Studio 1 dans St John's Wood, Westminster, London (Londres, Greater London), England, Royaume-Uni (du 2002-01-18 au 2002-01-26)
recording of :
Jango’s Escape (Star Wars, Episode II: Attack of the Clones) (du 2002-01-18 au 2002-01-26)
compositeur :
John Williams (American score composer and conductor)
éditeur :
Bantha Music
partie de :
Star Wars, Episode II: Attack of the Clones (2002 film score)
2.953:48
25Episode II - The Meadow Picnic
orchestre :
London Symphony Orchestra (du 2002-01-18 au 2002-01-26)
conductor :
John Williams (American score composer and conductor) (du 2002-01-18 au 2002-01-26)
droits phonographiques (℗) par :
Lucas Film Ltd. (le 2018)
enregistré à :
Abbey Road Studios: Studio 1 dans St John's Wood, Westminster, London (Londres, Greater London), England, Royaume-Uni (du 2002-01-18 au 2002-01-26)
recording of :
The Meadow Picnic (Star Wars, Episode II: Attack of the Clones) (du 2002-01-18 au 2002-01-26)
compositeur :
John Williams (American score composer and conductor)
éditeur :
Bantha Music
partie de :
Star Wars, Episode II: Attack of the Clones (2002 film score)
2.754:14
26Episode II - Bounty Hunter’s Pursuit
orchestre :
London Symphony Orchestra (du 2002-01-18 au 2002-01-26)
conductor :
John Williams (American score composer and conductor) (du 2002-01-18 au 2002-01-26)
droits phonographiques (℗) par :
Lucas Film Ltd. (le 2018)
enregistré à :
Abbey Road Studios: Studio 1 dans St John's Wood, Westminster, London (Londres, Greater London), England, Royaume-Uni (du 2002-01-18 au 2002-01-26)
recording of :
Bounty Hunter's Pursuit (Star Wars, Episode II: Attack of the Clones) (du 2002-01-18 au 2002-01-26)
compositeur :
John Williams (American score composer and conductor)
éditeur :
Bantha Music
partie de :
Star Wars, Episode II: Attack of the Clones (2002 film score)
33:23
27Episode II - Return to Tatooine
orchestre :
London Symphony Orchestra (du 2002-01-18 au 2002-01-26)
conductor :
John Williams (American score composer and conductor) (du 2002-01-18 au 2002-01-26)
droits phonographiques (℗) par :
Lucas Film Ltd. (le 2018)
enregistré à :
Abbey Road Studios: Studio 1 dans St John's Wood, Westminster, London (Londres, Greater London), England, Royaume-Uni (du 2002-01-18 au 2002-01-26)
recording of :
Return to Tatooine (Star Wars, Episode II: Attack of the Clones) (du 2002-01-18 au 2002-01-26)
compositeur :
John Williams (American score composer and conductor)
éditeur :
Bantha Music
partie de :
Star Wars, Episode II: Attack of the Clones (2002 film score)
2.756:57
28Episode II - The Tusken Camp and the Homestead
orchestre :
London Symphony Orchestra (du 2002-01-18 au 2002-01-26)
conductor :
John Williams (American score composer and conductor) (du 2002-01-18 au 2002-01-26)
droits phonographiques (℗) par :
Lucas Film Ltd. (le 2018)
enregistré à :
Abbey Road Studios: Studio 1 dans St John's Wood, Westminster, London (Londres, Greater London), England, Royaume-Uni (du 2002-01-18 au 2002-01-26)
recording of :
The Tusken Camp / The Homestead (Star Wars, Episode II: Attack of the Clones) (du 2002-01-18 au 2002-01-26)
compositeur :
John Williams (American score composer and conductor)
éditeur :
Bantha Music
partie de :
Star Wars, Episode II: Attack of the Clones (2002 film score)
2.255:55
29Episode II - Love Pledge and the Arena
orchestre :
London Symphony Orchestra (du 2002-01-18 au 2002-01-26)
conductor :
John Williams (American score composer and conductor) (du 2002-01-18 au 2002-01-26)
droits phonographiques (℗) par :
Lucas Film Ltd. (le 2018)
enregistré à :
Abbey Road Studios: Studio 1 dans St John's Wood, Westminster, London (Londres, Greater London), England, Royaume-Uni (du 2002-01-18 au 2002-01-26)
recording of :
Love Pledge / The Arena (Star Wars, Episode II: Attack of the Clones) (du 2002-01-18 au 2002-01-26)
compositeur :
John Williams (American score composer and conductor)
éditeur :
Bantha Music
partie de :
Star Wars, Episode II: Attack of the Clones (2002 film score)
3.48:29
30Episode II - Confrontation with Count Dooku and Finale
orchestre :
London Symphony Orchestra (du 2002-01-18 au 2002-01-26)
conductor :
John Williams (American score composer and conductor) (du 2002-01-18 au 2002-01-26)
droits phonographiques (℗) par :
Lucas Film Ltd. (le 2018)
enregistré à :
Abbey Road Studios: Studio 1 dans St John's Wood, Westminster, London (Londres, Greater London), England, Royaume-Uni (du 2002-01-18 au 2002-01-26)
recording of :
Confrontation With Count Dooku / Finale (Star Wars, Episode II: Attack of the Clones) (du 2002-01-18 au 2002-01-26)
compositeur :
John Williams (American score composer and conductor)
éditeur :
Bantha Music
citations musicales de :
The Imperial March (Star Wars, Episode V: The Empire Strikes Back, Darth Vader’s Theme)
citations musicales de :
Across the Stars (Star Wars, Episode II: Attack of the Clones; love theme)
citations musicales de :
End Titles (Star Wars, Episode IV: A New Hope)
partie de :
Star Wars, Episode II: Attack of the Clones (2002 film score)
3.2510:44
31Episode III - Star Wars and the Revenge of the Sith
orchestre :
London Symphony Orchestra
conductor :
John Williams (American score composer and conductor)
droits phonographiques (℗) par :
Lucas Film Ltd. (le 2018)
recording of :
Main Title (Star Wars)
compositeur :
John Williams (American score composer and conductor) (terminé)
éditeur :
Bantha Music, Fox Fanfare Music Inc., Utapau Music et Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
partie de :
Star Wars Holiday Special (television soundtrack)
partie de :
Star Wars, Episode I: The Phantom Menace (film soundtrack)
partie de :
Star Wars, Episode II: Attack of the Clones (2002 film score)
partie de :
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
partie de :
Star Wars, Episode IV: A New Hope (film soundtrack)
partie de :
Star Wars, Episode IX: The Rise of Skywalker (2019 film score)
partie de :
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
partie de :
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
partie de :
Star Wars, Episode VII: The Force Awakens (2015 film score)
partie de :
Star Wars, Episode VIII: The Last Jedi (2017 film score)
partie de :
Star Wars: Shadows of the Empire
recording of :
The Revenge of the Sith
compositeur :
John Williams (American score composer and conductor)
partie de :
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
3.47:31
32Episode III - Anakin’s Dream
orchestre :
London Symphony Orchestra
conductor :
John Williams (American score composer and conductor)
droits phonographiques (℗) par :
Lucas Film Ltd. (le 2018)
recording of :
Anakin’s Dream (Star Wars, Episode III: Revenge of the Sith)
compositeur :
John Williams (American score composer and conductor)
partie de :
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
3.154:46
33Episode III - Battle of the Heroes
chœurs :
London Voices
orchestre :
London Symphony Orchestra
conductor :
John Williams (American score composer and conductor)
droits phonographiques (℗) par :
Lucas Film Ltd. (le 2018)
recording of :
Battle of the Heroes (Star Wars, Episode III: Revenge of the Sith)
compositeur :
John Williams (American score composer and conductor)
partie de :
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
3.53:42
34Episode III - Anakin’s Betrayal
chœurs :
London Voices
orchestre :
London Symphony Orchestra
conductor :
John Williams (American score composer and conductor)
droits phonographiques (℗) par :
Lucas Film Ltd. (le 2018)
recording of :
Anakin’s Betrayal (Star Wars, Episode III: Revenge of the Sith)
compositeur :
John Williams (American score composer and conductor)
citations musicales de :
Missa pro defunctis: Sequentia “Dies irae” (plainchant)
partie de :
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
3.654:04
35Episode III - General Grievous
orchestre :
London Symphony Orchestra
conductor :
John Williams (American score composer and conductor)
droits phonographiques (℗) par :
Lucas Film Ltd. (le 2018)
recording of :
General Grievous (Star Wars, Episode III: Revenge of the Sith)
compositeur :
John Williams (American score composer and conductor)
partie de :
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
2.94:07
36Episode III - Palpatine’s Teachings
orchestre :
London Symphony Orchestra
conductor :
John Williams (American score composer and conductor)
droits phonographiques (℗) par :
Lucas Film Ltd. (le 2018)
recording of :
Palpatine’s Teachings (Star Wars, Episode III: Revenge of the Sith)
compositeur :
John Williams (American score composer and conductor)
partie de :
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
2.355:25
37Episode III - Grievous and the Droids
orchestre :
London Symphony Orchestra
conductor :
John Williams (American score composer and conductor)
droits phonographiques (℗) par :
Lucas Film Ltd. (le 2018)
recording of :
Grievous and the Droids (Star Wars, Episode III: Revenge of the Sith)
compositeur :
John Williams (American score composer and conductor)
partie de :
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
33:28
38Episode III - Padme’s Ruminations
orchestre :
London Symphony Orchestra
conductor :
John Williams (American score composer and conductor)
droits phonographiques (℗) par :
Lucas Film Ltd. (le 2018)
recording of :
Padmé’s Ruminations (Star Wars, Episode III: Revenge of the Sith)
compositeur :
John Williams (American score composer and conductor)
partie de :
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
2.253:16
39Episode III - Anakin vs. Obi-Wan
chœurs :
London Voices
orchestre :
London Symphony Orchestra
conductor :
John Williams (American score composer and conductor)
droits phonographiques (℗) par :
Lucas Film Ltd. (le 2018)
recording of :
Anakin vs. Obi-Wan
compositeur :
John Williams (American score composer and conductor)
partie de :
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
3.53:57
40Episode III - Anakin’s Dark Deeds
chœurs :
London Voices
orchestre :
London Symphony Orchestra
conductor :
John Williams (American score composer and conductor)
droits phonographiques (℗) par :
Lucas Film Ltd. (le 2018)
recording of :
Anakin’s Dark Deeds (Star Wars, Episode III: Revenge of the Sith)
compositeur :
John Williams (American score composer and conductor)
partie de :
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
34:05
41Episode III - Enter Lord Vader
orchestre :
London Symphony Orchestra
conductor :
John Williams (American score composer and conductor)
droits phonographiques (℗) par :
Lucas Film Ltd. (le 2018)
recording of :
Enter Lord Vader (Star Wars, Episode III: Revenge of the Sith)
compositeur :
John Williams (American score composer and conductor)
partie de :
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
3.74:14
42Episode III - The Immolation Scene
orchestre :
London Symphony Orchestra
conductor :
John Williams (American score composer and conductor)
droits phonographiques (℗) par :
Lucas Film Ltd. (le 2018)
recording of :
The Immolation Scene (Star Wars, Episode III: Revenge of the Sith)
compositeur :
John Williams (American score composer and conductor)
partie de :
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
3.52:42
43Episode III - Grievous Speaks to Lord Sidious
chœurs :
London Voices
orchestre :
London Symphony Orchestra
conductor :
John Williams (American score composer and conductor)
droits phonographiques (℗) par :
Lucas Film Ltd. (le 2018)
recording of :
Grievous Speaks to Lord Sidious (Star Wars, Episode III: Revenge of the Sith)
compositeur :
John Williams (American score composer and conductor)
partie de :
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
2.752:49
44Episode III - The Birth of the Twins and Padme’s Destiny
chœurs :
London Voices
orchestre :
London Symphony Orchestra
conductor :
John Williams (American score composer and conductor)
droits phonographiques (℗) par :
Lucas Film Ltd. (le 2018)
recording of :
The Birth of the Twins / Padmé’s Destiny (Star Wars, Episode III: Revenge of the Sith)
compositeur :
John Williams (American score composer and conductor)
partie de :
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
2.93:37
45Episode III - A New Hope and End Credits
orchestre :
London Symphony Orchestra
conductor :
John Williams (American score composer and conductor)
droits phonographiques (℗) par :
Lucas Film Ltd. (le 2018)
recording of :
A New Hope / End Credits (Star Wars, Episode III: Revenge of the Sith)
compositeur :
John Williams (American score composer and conductor)
citations musicales de :
End Titles (Star Wars, Episode IV: A New Hope)
partie de :
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
3.2513:06
46Episode IV - Main Title
preneur de son :
Eric A. Tomlinson (British recording engineer)
producteur :
George Lucas
mixeur :
John Neal (engineer)
orchestre :
London Symphony Orchestra
conductor :
John Williams (American score composer and conductor)
droits phonographiques (℗) par :
Lucas Film Ltd. (le 2018)
recording of :
End Titles (Star Wars, Episode IV: A New Hope)
compositeur :
John Williams (American score composer and conductor)
partie de :
Star Wars, Episode IV: A New Hope (film soundtrack)
recording of :
Main Title (Star Wars)
compositeur :
John Williams (American score composer and conductor) (terminé)
éditeur :
Bantha Music, Fox Fanfare Music Inc., Utapau Music et Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
partie de :
Star Wars Holiday Special (television soundtrack)
partie de :
Star Wars, Episode I: The Phantom Menace (film soundtrack)
partie de :
Star Wars, Episode II: Attack of the Clones (2002 film score)
partie de :
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
partie de :
Star Wars, Episode IV: A New Hope (film soundtrack)
partie de :
Star Wars, Episode IX: The Rise of Skywalker (2019 film score)
partie de :
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
partie de :
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
partie de :
Star Wars, Episode VII: The Force Awakens (2015 film score)
partie de :
Star Wars, Episode VIII: The Last Jedi (2017 film score)
partie de :
Star Wars: Shadows of the Empire
55:25
47Episode IV - Imperial Attack
preneur de son :
Eric A. Tomlinson (British recording engineer)
producteur :
George Lucas
mixeur :
John Neal (engineer)
orchestre :
London Symphony Orchestra
conductor :
John Williams (American score composer and conductor)
droits phonographiques (℗) par :
Lucas Film Ltd. (le 2018)
recording of :
Imperial Attack (Star Wars, Episode IV: A New Hope)
compositeur :
John Williams (American score composer and conductor)
partie de :
Star Wars, Episode IV: A New Hope (film soundtrack)
partiel recording of :
Imperial Attack, Part 1 (Star Wars, Episode IV: A New Hope)
orchestrateur :
Herbert W. Spencer (composer and orchestrator)
compositeur :
John Williams (American score composer and conductor)
partie de :
Star Wars, Episode IV: A New Hope (film soundtrack)
recording of :
Imperial Attack, Part 2 (Star Wars, Episode IV: A New Hope)
orchestrateur :
Herbert W. Spencer (composer and orchestrator)
compositeur :
John Williams (American score composer and conductor)
partie de :
Star Wars, Episode IV: A New Hope (film soundtrack)
6:19
48Episode IV - Princess Leia’s Theme
preneur de son :
Eric A. Tomlinson (British recording engineer)
producteur :
George Lucas et Tom Null
mixeur :
John Neal (engineer)
orchestre :
London Symphony Orchestra (du 1977-03-05 au 1977-03-16)
conductor :
John Williams (American score composer and conductor) (du 1977-03-05 au 1977-03-16)
droits phonographiques (℗) par :
Lucas Film Ltd. (le 2018)
enregistré à :
Anvil Studios dans Denham, Buckinghamshire, England, Royaume-Uni (du 1977-03-05 au 1977-03-16) et Abravanel Hall dans Salt Lake City, Utah, États-Unis (du 1983-06-21 au 1983-06-22)
recording of :
Princess Leia's Theme (Star Wars, Episode IV: A New Hope) (du 1977-03-05 au 1977-03-16)
compositeur :
John Williams (American score composer and conductor)
partie de :
Star Wars, Episode IV: A New Hope (film soundtrack)
2.754:24
49Episode IV - The Desert and the Robot Auction
preneur de son :
Eric A. Tomlinson (British recording engineer)
producteur :
George Lucas
mixeur :
John Neal (engineer)
orchestre :
London Symphony Orchestra
conductor :
John Williams (American score composer and conductor)
droits phonographiques (℗) par :
Lucas Film Ltd. (le 2018)
recording of :
The Desert (Star Wars, Episode IV: A New Hope)
orchestrateur :
Herbert W. Spencer (composer and orchestrator)
compositeur :
John Williams (American score composer and conductor)
partie de :
Star Wars, Episode IV: A New Hope (film soundtrack)
recording of :
The Desert / The Robot Auction (Star Wars)
compositeur :
John Williams (American score composer and conductor)
partie de :
Star Wars, Episode IV: A New Hope (film soundtrack)
recording of :
The Robot Auction (Star Wars, Episode IV: A New Hope)
orchestrateur :
Herbert W. Spencer (composer and orchestrator)
compositeur :
John Williams (American score composer and conductor)
partie de :
Star Wars, Episode IV: A New Hope (film soundtrack)
2:55
50Episode IV - Ben’s Death and TIE Fighter Attack
orchestre :
London Symphony Orchestra
conductor :
John Williams (American score composer and conductor)
droits phonographiques (℗) par :
Lucas Film Ltd. (le 2018)
recording of :
Ben Kenobi’s Death (Star Wars, Episode IV: A New Hope)
compositeur :
John Williams (American score composer and conductor)
partie de :
Star Wars, Episode IV: A New Hope (film soundtrack)
recording of :
TIE Fighter Attack (Star Wars, Episode IV: A New Hope)
compositeur :
John Williams (American score composer and conductor)
partie de :
Star Wars, Episode IV: A New Hope (film soundtrack)
3:52
51Episode IV - The Little People Work
preneur de son :
Eric A. Tomlinson (British recording engineer)
producteur :
George Lucas
mixeur :
John Neal (engineer)
orchestre :
London Symphony Orchestra
conductor :
John Williams (American score composer and conductor)
droits phonographiques (℗) par :
Lucas Film Ltd. (le 2018)
recording of :
The Little People (Star Wars, Episode IV: A New Hope)
compositeur :
John Williams (American score composer and conductor)
est basée sur :
The Little People Work (Star Wars)
partie de :
Star Wars, Episode IV: A New Hope (film soundtrack)
recording of :
The Little People Work (Star Wars)
compositeur :
John Williams (American score composer and conductor)
partie de :
Star Wars, Episode IV: A New Hope (film soundtrack)
4:06
52Episode IV - Rescue of the Princess
preneur de son :
Eric A. Tomlinson (British recording engineer)
producteur :
George Lucas
mixeur :
John Neal (engineer)
orchestre :
London Symphony Orchestra
conductor :
John Williams (American score composer and conductor)
droits phonographiques (℗) par :
Lucas Film Ltd. (le 2018)
recording of :
Chasm Crossfire (Star Wars, Episode IV: A New Hope)
orchestrateur :
Arthur Morton
compositeur :
John Williams (American score composer and conductor)
partie de :
Star Wars, Episode IV: A New Hope (film soundtrack)
recording of :
Rescue of the Princess (Star Wars)
compositeur :
John Williams (American score composer and conductor)
partie de :
Star Wars, Episode IV: A New Hope (film soundtrack)
recording of :
Shootout in the Cell Bay (Star Wars, Episode IV: A New Hope)
orchestrateur :
Herbert W. Spencer (composer and orchestrator)
compositeur :
John Williams (American score composer and conductor)
partie de :
Star Wars, Episode IV: A New Hope (film soundtrack)
4:50
53Episode IV - Inner City
preneur de son :
Eric A. Tomlinson (British recording engineer)
producteur :
George Lucas
mixeur :
John Neal (engineer)
orchestre :
London Symphony Orchestra
conductor :
John Williams (American score composer and conductor)
droits phonographiques (℗) par :
Lucas Film Ltd. (le 2018)
recording of :
Inner City (Star Wars)
compositeur :
John Williams (American score composer and conductor)
partie de :
Star Wars, Episode IV: A New Hope (film soundtrack)
recording of :
Tales of a Jedi Knight, Part 1 (Star Wars, Episode IV: A New Hope)
orchestrateur :
Arthur Morton
compositeur :
John Williams (American score composer and conductor)
partie de :
Star Wars, Episode IV: A New Hope (film soundtrack)
recording of :
The Death Star (Star Wars, Episode IV: A New Hope)
compositeur :
John Williams (American score composer and conductor)
partie de :
Star Wars, Episode IV: A New Hope (film soundtrack)
partiel recording of :
The Millennium Falcon (Star Wars, Episode IV: A New Hope)
orchestrateur :
Herbert W. Spencer (composer and orchestrator)
compositeur :
John Williams (American score composer and conductor)
partie de :
Star Wars, Episode IV: A New Hope (film soundtrack)
4:16
54Episode IV - Cantina Band
preneur de son :
Eric A. Tomlinson (British recording engineer)
producteur :
George Lucas
mixeur :
John Neal (engineer)
orchestre :
London Symphony Orchestra (du 1977-03-05 au 1977-03-16)
conductor :
John Williams (American score composer and conductor) (du 1977-03-05 au 1977-03-16)
droits phonographiques (℗) par :
Lucas Film Ltd. (le 2018)
enregistré à :
Anvil Studios dans Denham, Buckinghamshire, England, Royaume-Uni (du 1977-03-05 au 1977-03-16)
recording of :
Cantina Band (Star Wars, Episode IV: A New Hope) (du 1977-03-05 au 1977-03-16)
compositeur :
John Williams (American score composer and conductor)
éditeur :
Fox Fanfare Music Inc.
partie de :
Star Wars, Episode IV: A New Hope (film soundtrack)
3.92:48
55Episode IV - The Land of the Sandpeople
preneur de son :
Eric A. Tomlinson (British recording engineer)
producteur :
George Lucas
mixeur :
John Neal (engineer)
orchestre :
London Symphony Orchestra
conductor :
John Williams (American score composer and conductor)
droits phonographiques (℗) par :
Lucas Film Ltd. (le 2018)
partiel recording of :
Attack of the Sand People (Star Wars, Episode IV: A New Hope)
orchestrateur :
Herbert W. Spencer (composer and orchestrator)
compositeur :
John Williams (American score composer and conductor)
partie de :
Star Wars, Episode IV: A New Hope (film soundtrack)
recording of :
Landspeeder Search (Star Wars, Episode IV: A New Hope)
orchestrateur :
Herbert W. Spencer (composer and orchestrator)
compositeur :
John Williams (American score composer and conductor)
partie de :
Star Wars, Episode IV: A New Hope (film soundtrack)
recording of :
The Land of the Sand People (Star Wars, Episode IV: A New Hope)
compositeur :
John Williams (American score composer and conductor)
partie de :
Star Wars, Episode IV: A New Hope (film soundtrack)
2:53
56Episode IV - Mouse Robot and Blasting Off
preneur de son :
Eric A. Tomlinson (British recording engineer)
producteur :
George Lucas
mixeur :
John Neal (engineer)
orchestre :
London Symphony Orchestra
conductor :
John Williams (American score composer and conductor)
droits phonographiques (℗) par :
Lucas Film Ltd. (le 2018)
partiel recording of :
Blasting Off (Star Wars, Episode IV: A New Hope)
orchestrateur :
Herbert W. Spencer (composer and orchestrator)
compositeur :
John Williams (American score composer and conductor)
partie de :
Star Wars, Episode IV: A New Hope (film soundtrack)
recording of :
Mouse Robot (Star Wars, Episode IV: A New Hope)
orchestrateur :
Arthur Morton
compositeur :
John Williams (American score composer and conductor)
partie de :
Star Wars, Episode IV: A New Hope (film soundtrack)
recording of :
Mouse Robot / Blasting Off (Star Wars)
compositeur :
John Williams (American score composer and conductor)
partie de :
Star Wars, Episode IV: A New Hope (film soundtrack)
4:04
57Episode IV - The Return Home
preneur de son :
Eric A. Tomlinson (British recording engineer)
producteur :
George Lucas
mixeur :
John Neal (engineer)
orchestre :
London Symphony Orchestra
conductor :
John Williams (American score composer and conductor)
droits phonographiques (℗) par :
Lucas Film Ltd. (le 2018)
recording of :
The Return Home (Star Wars)
compositeur :
John Williams (American score composer and conductor)
partie de :
Star Wars, Episode IV: A New Hope (film soundtrack)
2:49
58Episode IV - The Walls Converge
preneur de son :
Eric A. Tomlinson (British recording engineer)
producteur :
George Lucas
mixeur :
John Neal (engineer)
orchestre :
London Symphony Orchestra
conductor :
John Williams (American score composer and conductor)
droits phonographiques (℗) par :
Lucas Film Ltd. (le 2018)
recording of :
Dianoga (Star Wars, Episode IV: A New Hope)
orchestrateur :
Herbert W. Spencer (composer and orchestrator)
compositeur :
John Williams (American score composer and conductor)
partie de :
Star Wars, Episode IV: A New Hope (film soundtrack)
recording of :
The Walls Converge (Star Wars)
orchestrateur :
Herbert W. Spencer (composer and orchestrator)
compositeur :
John Williams (American score composer and conductor)
partie de :
Star Wars, Episode IV: A New Hope (film soundtrack)
4:35
59Episode IV - The Princess Appears
preneur de son :
Eric A. Tomlinson (British recording engineer)
producteur :
George Lucas
mixeur :
John Neal (engineer)
orchestre :
London Symphony Orchestra
conductor :
John Williams (American score composer and conductor)
droits phonographiques (℗) par :
Lucas Film Ltd. (le 2018)
recording of :
Binary Sunset (Star Wars, Episode IV: A New Hope)
compositeur :
John Williams (American score composer and conductor)
partie de :
Star Wars, Episode IV: A New Hope (film soundtrack)
révision de :
Binary Sunset (alternate) (Star Wars archival bonus track)
recording of :
The Hologram (Star Wars, Episode IV: A New Hope)
compositeur :
John Williams (American score composer and conductor)
partie de :
Star Wars, Episode IV: A New Hope (film soundtrack)
recording of :
The Princess Appears (Star Wars, Episode IV: A New Hope)
orchestrateur :
Herbert W. Spencer (composer and orchestrator)
compositeur :
John Williams (American score composer and conductor)
partie de :
Star Wars, Episode IV: A New Hope (film soundtrack)
4:07
60Episode IV - The Last Battle
preneur de son :
Eric A. Tomlinson (British recording engineer)
producteur :
George Lucas
mixeur :
John Neal (engineer)
orchestre :
London Symphony Orchestra
conductor :
John Williams (American score composer and conductor)
droits phonographiques (℗) par :
Lucas Film Ltd. (le 2018)
compilation de :
The Last Battle, Part 1 par John Williams (American score composer and conductor) et The Last Battle, Part 2 par John Williams (American score composer and conductor)
recording of :
Detention Block Ambush (Star Wars, Episode IV: A New Hope)
orchestrateur :
Al Woodbury
compositeur :
John Williams (American score composer and conductor)
partie de :
Star Wars, Episode IV: A New Hope (film soundtrack)
recording of :
The Last Battle (Star Wars, Episode IV: A New Hope)
orchestrateur :
Angela Morley
compositeur :
John Williams (American score composer and conductor)
partie de :
Star Wars, Episode IV: A New Hope (film soundtrack)
recording of :
The Tractor Beam (Star Wars, Episode IV: A New Hope)
orchestrateur :
Herbert W. Spencer (composer and orchestrator)
compositeur :
John Williams (American score composer and conductor)
partie de :
Star Wars, Episode IV: A New Hope (film soundtrack)
recording of :
X-Wings Draw Fire (Star Wars, Episode IV: A New Hope)
orchestrateur :
Arthur Morton
compositeur :
John Williams (American score composer and conductor)
partie de :
Star Wars, Episode IV: A New Hope (film soundtrack)
12:09
61Episode IV - The Throne Room and End Title
preneur de son :
Eric A. Tomlinson (British recording engineer)
producteur :
George Lucas
mixeur :
John Neal (engineer)
orchestre :
London Symphony Orchestra
conductor :
John Williams (American score composer and conductor)
droits phonographiques (℗) par :
Lucas Film Ltd. (le 2018)
recording of :
End Titles (Star Wars, Episode IV: A New Hope)
compositeur :
John Williams (American score composer and conductor)
partie de :
Star Wars, Episode IV: A New Hope (film soundtrack)
recording of :
The Throne Room (Star Wars, Episode IV: A New Hope)
compositeur :
John Williams (American score composer and conductor)
partie de :
Star Wars, Episode IV: A New Hope (film soundtrack)
recording of :
Throne Room / Finale (Star Wars, Episode IV: A New Hope)
compositeur :
John Williams (American score composer and conductor)
est basée sur :
End Titles (Star Wars, Episode IV: A New Hope)
est basée sur :
The Throne Room (Star Wars, Episode IV: A New Hope)
partie de :
Star Wars, Episode IV: A New Hope (film soundtrack)
5:29
62Episode V - Star Wars (Main Theme)
orchestre :
London Symphony Orchestra
conductor :
John Williams (American score composer and conductor)
droits phonographiques (℗) par :
Lucas Film Ltd. (le 2018)
recording of :
Main Title (Star Wars)
compositeur :
John Williams (American score composer and conductor) (terminé)
éditeur :
Bantha Music, Fox Fanfare Music Inc., Utapau Music et Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
partie de :
Star Wars Holiday Special (television soundtrack)
partie de :
Star Wars, Episode I: The Phantom Menace (film soundtrack)
partie de :
Star Wars, Episode II: Attack of the Clones (2002 film score)
partie de :
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
partie de :
Star Wars, Episode IV: A New Hope (film soundtrack)
partie de :
Star Wars, Episode IX: The Rise of Skywalker (2019 film score)
partie de :
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
partie de :
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
partie de :
Star Wars, Episode VII: The Force Awakens (2015 film score)
partie de :
Star Wars, Episode VIII: The Last Jedi (2017 film score)
partie de :
Star Wars: Shadows of the Empire
partiel recording of :
Mynock Cave (Star Wars, Episode V: The Empire Strikes Back)
orchestrateur :
Herbert W. Spencer (composer and orchestrator)
compositeur :
John Williams (American score composer and conductor)
partie de :
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
partiel recording of :
The Ice Planet Hoth (Star Wars, Episode V: The Empire Strikes Back)
orchestrateur :
Herbert W. Spencer (composer and orchestrator)
compositeur :
John Williams (American score composer and conductor)
partie de :
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
55:51
63Episode V - Yoda’s Theme
ingénieur du son :
Eric A. Tomlinson (British recording engineer) (du 1979-12-27 au 1980-01-18)
producteur :
John Williams (American score composer and conductor)
orchestre :
London Symphony Orchestra (du 1979-12-27 au 1980-01-18)
conductor :
John Williams (American score composer and conductor) (du 1979-12-27 au 1980-01-18)
droits phonographiques (℗) par :
Lucas Film Ltd. (le 2018)
enregistré à :
Anvil Studios dans Denham, Buckinghamshire, England, Royaume-Uni (du 1979-12-27 au 1980-01-18)
recording of :
Yoda's Theme (Star Wars, Episode V: The Empire Strikes Back) (du 1979-12-27 au 1980-01-18)
orchestrateur :
Herbert W. Spencer (composer and orchestrator)
compositeur :
John Williams (American score composer and conductor)
partie de :
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
3.153:31
64Episode V - The Training of a Jedi Knight
orchestre :
London Symphony Orchestra
conductor :
John Williams (American score composer and conductor)
droits phonographiques (℗) par :
Lucas Film Ltd. (le 2018)
partiel recording of :
Luke’s Nocturnal Visitor (Star Wars, Episode V: The Empire Strikes Back)
orchestrateur :
Herbert W. Spencer (composer and orchestrator)
compositeur :
John Williams (American score composer and conductor)
partie de :
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
partiel recording of :
The Training of a Jedi Knight (Star Wars, Episode V: The Empire Strikes Back)
orchestrateur :
Herbert W. Spencer (composer and orchestrator)
compositeur :
John Williams (American score composer and conductor)
partie de :
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
3:09
65Episode V - The Heroics of Luke and Han
orchestre :
London Symphony Orchestra (du 1979-12-27 au 1980-01-19)
conductor :
John Williams (American score composer and conductor) (du 1979-12-27 au 1980-01-19)
droits phonographiques (℗) par :
Lucas Film Ltd. (le 2018)
partiel recording of :
Luke’s Escape (Star Wars, Episode V: The Empire Strikes Back)
compositeur :
John Williams (American score composer and conductor)
partie de :
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
recording of :
The Heroics of Luke and Han (Star Wars, Episode V: The Empire Strikes Back)
compositeur :
John Williams (American score composer and conductor)
partie de :
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
recording of :
The Rebels Escape Again (Star Wars, Episode V: The Empire Strikes Back)
orchestrateur :
Herbert W. Spencer (composer and orchestrator)
compositeur :
John Williams (American score composer and conductor)
partie de :
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
5:57
66Episode V - The Imperial March (Darth Vader’s Theme)
ingénieur du son :
Eric A. Tomlinson (British recording engineer) (du 1979-12-27 au 1980-01-18)
producteur :
John Williams (American score composer and conductor)
orchestre :
London Symphony Orchestra (du 1979-12-27 au 1980-01-18)
conductor :
John Williams (American score composer and conductor) (du 1979-12-27 au 1980-01-18)
droits phonographiques (℗) par :
Lucas Film Ltd. (le 2018)
enregistré à :
Anvil Studios dans Denham, Buckinghamshire, England, Royaume-Uni (du 1979-12-27 au 1980-01-18)
recording of :
The Imperial March (Star Wars, Episode V: The Empire Strikes Back, Darth Vader’s Theme) (du 1979-12-27 au 1980-01-18)
orchestrateur :
Herbert W. Spencer (composer and orchestrator)
compositeur :
John Williams (American score composer and conductor)
éditeur :
Fox Fanfare Music Inc.
partie de :
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
4.153:05
67Episode V - Departure of Boba Fett
orchestre :
London Symphony Orchestra (du 1979-12-27 au 1980-01-19)
conductor :
John Williams (American score composer and conductor) (du 1979-12-27 au 1980-01-19)
droits phonographiques (℗) par :
Lucas Film Ltd. (le 2018)
recording of :
Departure of Boba Fett (Star Wars, Episode V: The Empire Strikes Back)
compositeur :
John Williams (American score composer and conductor)
partie de :
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
3:10
68Episode V - Han Solo and the Princess
ingénieur du son :
Eric A. Tomlinson (British recording engineer) (du 1979-12-27 au 1980-01-18)
producteur :
John Williams (American score composer and conductor)
orchestre :
London Symphony Orchestra (du 1979-12-27 au 1980-01-18)
conductor :
John Williams (American score composer and conductor) (du 1979-12-27 au 1980-01-18)
droits phonographiques (℗) par :
Lucas Film Ltd. (le 2018)
enregistré à :
Anvil Studios dans Denham, Buckinghamshire, England, Royaume-Uni (du 1979-12-27 au 1980-01-18)
recording of :
Han Solo and the Princess (Star Wars, Episode V: The Empire Strikes Back) (du 1979-12-27 au 1980-01-18)
orchestrateur :
Herbert W. Spencer (composer and orchestrator)
compositeur :
John Williams (American score composer and conductor)
partie de :
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
2.753:30
69Episode V - Hyperspace
orchestre :
London Symphony Orchestra
conductor :
John Williams (American score composer and conductor)
droits phonographiques (℗) par :
Lucas Film Ltd. (le 2018)
recording of :
Hyperspace (Star Wars, Episode V: The Empire Strikes Back)
compositeur :
John Williams (American score composer and conductor)
partie de :
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
4:05
70Episode V - The Battle in the Snow
orchestre :
London Symphony Orchestra
conductor :
John Williams (American score composer and conductor)
droits phonographiques (℗) par :
Lucas Film Ltd. (le 2018)
recording of :
The Battle in the Snow (Star Wars, Episode V: The Empire Strikes Back)
compositeur :
John Williams (American score composer and conductor)
partie de :
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
3:51
71Episode V - The Asteroid Field
ingénieur du son :
Eric A. Tomlinson (British recording engineer) (du 1979-12-27 au 1980-01-18)
producteur :
John Williams (American score composer and conductor)
orchestre :
London Symphony Orchestra (du 1979-12-27 au 1980-01-18)
conductor :
John Williams (American score composer and conductor) (du 1979-12-27 au 1980-01-18)
droits phonographiques (℗) par :
Lucas Film Ltd. (le 2018)
enregistré à :
Anvil Studios dans Denham, Buckinghamshire, England, Royaume-Uni (du 1979-12-27 au 1980-01-18)
recording of :
The Asteroid Field (Star Wars, Episode V: The Empire Strikes Back) (du 1979-12-27 au 1980-01-18)
orchestrateur :
Herbert W. Spencer (composer and orchestrator)
compositeur :
John Williams (American score composer and conductor)
partie de :
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
3.254:16
72Episode V - The City in the Clouds
orchestre :
London Symphony Orchestra
conductor :
John Williams (American score composer and conductor)
droits phonographiques (℗) par :
Lucas Film Ltd. (le 2018)
partiel recording of :
City in the Clouds (Star Wars, Episode V: The Empire Strikes Back)
compositeur :
John Williams (American score composer and conductor)
partie de :
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
recording of :
Jedi Master Revealed (Star Wars, Episode V: The Empire Strikes Back)
orchestrateur :
Herbert W. Spencer (composer and orchestrator)
compositeur :
John Williams (American score composer and conductor)
partie de :
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
6:34
73Episode V - Rebels at Bay
orchestre :
London Symphony Orchestra
conductor :
John Williams (American score composer and conductor)
droits phonographiques (℗) par :
Lucas Film Ltd. (le 2018)
partiel recording of :
Luke’s First Crash (Star Wars, Episode V: The Empire Strikes Back)
orchestrateur :
Fred Steiner
compositeur :
John Williams (American score composer and conductor)
partie de :
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
recording of :
Rebels at Bay (Star Wars, Episode V: The Empire Strikes Back)
compositeur :
John Williams (American score composer and conductor)
partie de :
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
recording of :
Snowspeeders Take Flight (Star Wars, Episode V: The Empire Strikes Back)
orchestrateur :
Herbert W. Spencer (composer and orchestrator)
compositeur :
John Williams (American score composer and conductor)
partie de :
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
5:27
74Episode V - Yoda and the Force
ingénieur du son :
Eric A. Tomlinson (British recording engineer) (du 1979-12-27 au 1980-01-18)
producteur :
John Williams (American score composer and conductor)
orchestre :
London Symphony Orchestra (du 1979-12-27 au 1980-01-18)
conductor :
John Williams (American score composer and conductor) (du 1979-12-27 au 1980-01-18)
droits phonographiques (℗) par :
Lucas Film Ltd. (le 2018)
enregistré à :
Anvil Studios dans Denham, Buckinghamshire, England, Royaume-Uni (du 1979-12-27 au 1980-01-18)
recording of :
Yoda and the Force (Star Wars, Episode V: The Empire Strikes Back) (du 1979-12-27 au 1980-01-18)
orchestrateur :
Herbert W. Spencer (composer and orchestrator)
compositeur :
John Williams (American score composer and conductor)
partie de :
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
3.24:07
75Episode V - The Duel
orchestre :
London Symphony Orchestra
conductor :
John Williams (American score composer and conductor)
droits phonographiques (℗) par :
Lucas Film Ltd. (le 2018)
recording of :
The Duel (Star Wars, Episode V: The Empire Strikes Back)
compositeur :
John Williams (American score composer and conductor)
partie de :
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
4:07
76Episode V - The Magic Tree
orchestre :
London Symphony Orchestra
conductor :
John Williams (American score composer and conductor)
droits phonographiques (℗) par :
Lucas Film Ltd. (le 2018)
recording of :
The Magic Tree (Star Wars, Episode V: The Empire Strikes Back)
compositeur :
John Williams (American score composer and conductor)
partie de :
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
3:36
77Episode V - Lando’s Palace
ingénieur du son :
Eric A. Tomlinson (British recording engineer) (du 1979-12-27 au 1980-01-18)
producteur :
John Williams (American score composer and conductor)
orchestre :
London Symphony Orchestra (du 1979-12-27 au 1980-01-18)
conductor :
John Williams (American score composer and conductor) (du 1979-12-27 au 1980-01-18)
droits phonographiques (℗) par :
Lucas Film Ltd. (le 2018)
enregistré à :
Anvil Studios dans Denham, Buckinghamshire, England, Royaume-Uni (du 1979-12-27 au 1980-01-18)
recording of :
Lando’s Palace (Star Wars, Episode V: The Empire Strikes Back) (du 1979-12-27 au 1980-01-18)
orchestrateur :
Herbert W. Spencer (composer and orchestrator)
compositeur :
John Williams (American score composer and conductor)
partie de :
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
2.53:57
78Episode V - Finale
orchestre :
London Symphony Orchestra
conductor :
John Williams (American score composer and conductor)
droits phonographiques (℗) par :
Lucas Film Ltd. (le 2018)
recording of :
End Titles (Star Wars, Episode V: The Empire Strikes Back)
compositeur :
John Williams (American score composer and conductor)
citations musicales de :
End Titles (Star Wars, Episode IV: A New Hope)
partie de :
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
recording of :
Finale (Star Wars, Episode V: The Empire Strikes Back)
orchestrateur :
Angela Morley
compositeur :
John Williams (American score composer and conductor)
partie de :
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
recording of :
Finale / End Credits (Star Wars, Episode V: The Empire Strikes Back)
compositeur :
John Williams (American score composer and conductor)
partie de :
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
6:30
79Episode VI - Main Title (The Story Continues)
orchestre :
London Symphony Orchestra (du 1983-01-17 au 1983-02-10)
conductor :
John Williams (American score composer and conductor) (du 1983-01-17 au 1983-02-10)
droits phonographiques (℗) par :
Lucas Film Ltd. (le 2018)
enregistré à :
Abbey Road Studios dans St John's Wood, Westminster, London (Londres, Greater London), England, Royaume-Uni (du 1983-01-17 au 1983-02-10)
recording of :
Main Title (Star Wars)
compositeur :
John Williams (American score composer and conductor) (terminé)
éditeur :
Bantha Music, Fox Fanfare Music Inc., Utapau Music et Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
partie de :
Star Wars Holiday Special (television soundtrack)
partie de :
Star Wars, Episode I: The Phantom Menace (film soundtrack)
partie de :
Star Wars, Episode II: Attack of the Clones (2002 film score)
partie de :
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
partie de :
Star Wars, Episode IV: A New Hope (film soundtrack)
partie de :
Star Wars, Episode IX: The Rise of Skywalker (2019 film score)
partie de :
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
partie de :
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
partie de :
Star Wars, Episode VII: The Force Awakens (2015 film score)
partie de :
Star Wars, Episode VIII: The Last Jedi (2017 film score)
partie de :
Star Wars: Shadows of the Empire
5:14
80Episode VI - Into the Trap
orchestre :
London Symphony Orchestra (du 1983-01-17 au 1983-02-10)
conductor :
John Williams (American score composer and conductor) (du 1983-01-17 au 1983-02-10)
droits phonographiques (℗) par :
Lucas Film Ltd. (le 2018)
enregistré à :
Abbey Road Studios dans St John's Wood, Westminster, London (Londres, Greater London), England, Royaume-Uni (du 1983-01-17 au 1983-02-10)
recording of :
Into the Trap (Star Wars, Episode VI: Return of the Jedi)
compositeur :
John Williams (American score composer and conductor)
partie de :
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
2:41
81Episode VI - Luke and Leia
ingénieur du son :
Lionel Newman et Eric A. Tomlinson (British recording engineer) (du 1983-01-17 au 1983-02-10)
producteur :
John Williams (American score composer and conductor)
orchestre :
London Symphony Orchestra (du 1983-01-17 au 1983-02-10)
conductor :
John Williams (American score composer and conductor) (du 1983-01-17 au 1983-02-10)
droits phonographiques (℗) par :
Lucas Film Ltd. (le 2018)
enregistré à :
Abbey Road Studios dans St John's Wood, Westminster, London (Londres, Greater London), England, Royaume-Uni (du 1983-01-17 au 1983-02-10)
recording of :
Luke and Leia (Star Wars, Episode VI: Return of the Jedi) (du 1983-01-17 au 1983-02-10)
compositeur :
John Williams (American score composer and conductor)
éditeur :
Fox Fanfare Music Inc.
partie de :
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
24:51
82Episode VI - Parade of the Ewoks
ingénieur du son :
Eric A. Tomlinson (British recording engineer) (du 1983-01-17 au 1983-02-10)
orchestre :
London Symphony Orchestra (du 1983-01-17 au 1983-02-10)
conductor :
John Williams (American score composer and conductor) (du 1983-01-17 au 1983-02-10)
droits phonographiques (℗) par :
Lucas Film Ltd. (le 2018)
enregistré à :
Abbey Road Studios dans St John's Wood, Westminster, London (Londres, Greater London), England, Royaume-Uni (du 1983-01-17 au 1983-02-10)
recording of :
Parade of the Ewoks (Star Wars, Episode VI: Return of the Jedi) (du 1983-01-17 au 1983-02-10)
compositeur :
John Williams (American score composer and conductor)
partie de :
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
23:28
83Episode VI - Han Solo Returns (At the Court of Jabba the Hutt)
ingénieur du son :
Lionel Newman et Eric A. Tomlinson (British recording engineer)
producteur :
John Williams (American score composer and conductor)
orchestre :
London Symphony Orchestra
conductor :
John Williams (American score composer and conductor)
droits phonographiques (℗) par :
Lucas Film Ltd. (le 2018)
enregistré à :
Abbey Road Studios dans St John's Wood, Westminster, London (Londres, Greater London), England, Royaume-Uni (du 1983-01-17 au 1983-02-10)
recording of :
Han Solo Returns (Star Wars, Episode VI: The Return of the Jedi)
orchestrateur :
Herbert W. Spencer (composer and orchestrator)
compositeur :
John Williams (American score composer and conductor)
partie de :
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
4:14
84Episode VI - Lapti Nek (Jabba’s Palace Band)
instruments et interprète :
Jabba’s Palace Band
voix principale [Sy Snootles] :
Michele Gruska
arrangeur :
Ernie Fosellius, John Williams (American score composer and conductor) et Joseph Williams (vocalist for Toto, son of composer John Williams)
droits phonographiques (℗) par :
Lucas Film Ltd. (le 2018)
recording of :
Lapti Nek (Star Wars, Episode VI: Return of the Jedi)
parolier :
Annie M. Arbogast
compositeur :
John Williams (American score composer and conductor)
éditeur :
Bantha Music
partie de :
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
2:54
85Episode VI - The Forest Battle
ingénieur du son :
Eric A. Tomlinson (British recording engineer) (du 1983-01-17 au 1983-02-10)
orchestre :
London Symphony Orchestra (du 1983-01-17 au 1983-02-10)
conductor :
John Williams (American score composer and conductor) (du 1983-01-17 au 1983-02-10)
droits phonographiques (℗) par :
Lucas Film Ltd. (le 2018)
enregistré à :
Abbey Road Studios dans St John's Wood, Westminster, London (Londres, Greater London), England, Royaume-Uni (du 1983-01-17 au 1983-02-10)
recording of :
The Forest Battle (Star Wars, Episode VI: Return of the Jedi) (du 1983-01-17 au 1983-02-10)
compositeur :
John Williams (American score composer and conductor)
partie de :
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
2.254:08
86Episode VI - Rebel Briefing
orchestre :
London Symphony Orchestra (du 1983-01-17 au 1983-02-10)
conductor :
John Williams (American score composer and conductor) (du 1983-01-17 au 1983-02-10)
droits phonographiques (℗) par :
Lucas Film Ltd. (le 2018)
enregistré à :
Abbey Road Studios dans St John's Wood, Westminster, London (Londres, Greater London), England, Royaume-Uni (du 1983-01-17 au 1983-02-10)
recording of :
Rebel Briefing (Star Wars, Episode VI: The Return of the Jedi)
compositeur :
John Williams (American score composer and conductor)
partie de :
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
2:26
87Episode VI - The Emperor
orchestre :
London Symphony Orchestra (du 1983-01-17 au 1983-02-10)
conductor :
John Williams (American score composer and conductor) (du 1983-01-17 au 1983-02-10)
droits phonographiques (℗) par :
Lucas Film Ltd. (le 2018)
enregistré à :
Abbey Road Studios dans St John's Wood, Westminster, London (Londres, Greater London), England, Royaume-Uni (du 1983-01-17 au 1983-02-10)
recording of :
The Emperor (Star Wars, Episode VI: The Return of the Jedi)
compositeur :
John Williams (American score composer and conductor)
partie de :
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
2:46
88Episode VI - The Return of the Jedi
orchestre :
London Symphony Orchestra (du 1983-01-17 au 1983-02-10)
conductor :
John Williams (American score composer and conductor) (du 1983-01-17 au 1983-02-10)
droits phonographiques (℗) par :
Lucas Film Ltd. (le 2018)
enregistré à :
Abbey Road Studios dans St John's Wood, Westminster, London (Londres, Greater London), England, Royaume-Uni (du 1983-01-17 au 1983-02-10)
recording of :
The Return of the Jedi (Star Wars, Episode VI: Return of the Jedi)
compositeur :
John Williams (American score composer and conductor)
partie de :
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
5:07
89Episode VI - Ewok Celebration and Finale
orchestre :
London Symphony Orchestra (du 1983-01-17 au 1983-02-10)
conductor :
John Williams (American score composer and conductor) (du 1983-01-17 au 1983-02-10)
droits phonographiques (℗) par :
Lucas Film Ltd. (le 2018)
enregistré à :
Abbey Road Studios dans St John's Wood, Westminster, London (Londres, Greater London), England, Royaume-Uni (du 1983-01-17 au 1983-02-10)
recording of :
Ewok Celebration
compositeur :
John Williams (American score composer and conductor)
partie de :
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
recording of :
Finale (Star Wars, Episode VI: Return of the Jedi)
compositeur :
John Williams (American score composer and conductor)
partie de :
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
8:04