Maria Callas Live - Remastered Recordings 1949-1964

~ Release by Maria Callas (see all versions of this release, 1 available)

Annotation

A collection of 20 live and 5 filmed performances. Incliudes 42 CDs, 3 Blu-Rays, and a 216-page booklet.

Annotation last modified on 2025-05-26 09:38 UTC.

Tracklist

1CD: Giuseppe Verdi: Nabucco (Parts 1 & 2)
2CD: Giuseppe Verdi: Nabucco (Parts 3 & 4)
3CD: Richard Wagner: Parsifal (Act 1 beginning)
4CD: Richard Wagner: Parsifal (Act 1 conclusion • Act 2)
5CD: Richard Wagner: Parsifal (Act 3)
6CD: Giuseppe Verdi: I vespri siciliani (Acts 1 & 2)
7CD: Giuseppe Verdi: I vespri siciliani (Act 3)
8CD: Giuseppe Verdi: I vespri siciliani (Acts 4 & 5)
9CD: Giuseppe Verdi: Aida (Acts 1 & 2)
10CD: Giuseppe Verdi: Aida (Acts 3 & 4)
#TitleArtistRatingLength
1Aida: Atto terzo. “O tu che sei d'Osiride” (Coro, Ramfis, Amneris)
bass vocals [Ramfis]:
Roberto Silva (operatic bass) (on 1951-07-03)
choir vocals:
Coro del Palacio de Bellas Artes, México (on 1951-07-03)
mezzo-soprano vocals [Amneris]:
Oralia Dominguez (mezzo soprano) (on 1951-07-03)
orchestra:
Orquesta del Palacio de Bellas Artes, México (on 1951-07-03)
conductor:
Oliviero de Fabritiis (conductor and composer) (on 1951-07-03)
recorded at:
Palacio de Bellas Artes in Ciudad de México (Mexico City), Mexico (on 1951-07-03)
live recording of:
Aida: Atto III: Introduzione; Preghiera “O tu che sei d’Osiride” (Sancerdotesse, Sacerdoti, Ramfis, Amneris) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi2:11
2Aida: Atto terzo. “Vieni d'Iside al tempio” (Coro, Ramfis, Amneris)
bass vocals [Ramfis]:
Roberto Silva (operatic bass) (on 1951-07-03)
choir vocals:
Coro del Palacio de Bellas Artes, México (on 1951-07-03)
mezzo-soprano vocals [Amneris]:
Oralia Dominguez (mezzo soprano) (on 1951-07-03)
orchestra:
Orquesta del Palacio de Bellas Artes, México (on 1951-07-03)
conductor:
Oliviero de Fabritiis (conductor and composer) (on 1951-07-03)
recorded at:
Palacio de Bellas Artes in Ciudad de México (Mexico City), Mexico (on 1951-07-03)
live recording of:
Aida: Atto III: Introduzione-Preghiera: “Vieni d’Iside al tempio” (Sacerdotesse, Sacerdoti, Ramfis, Amneris) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi2:08
3Aida: Atto terzo. “Qui Radamès verrà” (Aida)
soprano vocals [Aida]:
Maria Callas (soprano) (on 1951-07-03)
orchestra:
Orquesta del Palacio de Bellas Artes, México (on 1951-07-03)
conductor:
Oliviero de Fabritiis (conductor and composer) (on 1951-07-03)
recorded at:
Palacio de Bellas Artes in Ciudad de México (Mexico City), Mexico (on 1951-07-03)
live recording of:
Aida: Atto III: Romanza: “Qui Radamès verrá!” … “O patria mia” (Aida) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi1:38
4Aida: Atto terzo. “O patria mia” (Aida)
soprano vocals [Aida]:
Maria Callas (soprano) (on 1951-07-03)
orchestra:
Orquesta del Palacio de Bellas Artes, México (on 1951-07-03)
conductor:
Oliviero de Fabritiis (conductor and composer) (on 1951-07-03)
recorded at:
Palacio de Bellas Artes in Ciudad de México (Mexico City), Mexico (on 1951-07-03)
live recording of:
Aida: Atto III: Romanza: “Qui Radamès verrá!” … “O patria mia” (Aida) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi5:30
5Aida: Atto terzo. “Ciel! mio padre!” (Aida, Amonasro)
baritone vocals [Amonasro]:
Giuseppe Taddei (baritone) (on 1951-07-03)
soprano vocals [Aida]:
Maria Callas (soprano) (on 1951-07-03)
orchestra:
Orquesta del Palacio de Bellas Artes, México (on 1951-07-03)
conductor:
Oliviero de Fabritiis (conductor and composer) (on 1951-07-03)
recorded at:
Palacio de Bellas Artes in Ciudad de México (Mexico City), Mexico (on 1951-07-03)
live recording of:
Aida: Atto III. Duetto “Ciel! mio padre!” … “A te grave cagion m’adduce” (Aida, Amonasro) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi1:18
6Aida: Atto terzo. “Rivedrai le foreste imbalsamate” (Aida, Amonasro)
baritone vocals [Amonasro]:
Giuseppe Taddei (baritone) (on 1951-07-03)
soprano vocals [Aida]:
Maria Callas (soprano) (on 1951-07-03)
orchestra:
Orquesta del Palacio de Bellas Artes, México (on 1951-07-03)
conductor:
Oliviero de Fabritiis (conductor and composer) (on 1951-07-03)
recorded at:
Palacio de Bellas Artes in Ciudad de México (Mexico City), Mexico (on 1951-07-03)
live recording of:
Aida: Atto III: Duetto: “Rivedrai le foreste imbalsamate” – “In armi ora si desta il popol nostro” – “Padre, a costoro schiava non sono” (Aida, Amonasro) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi6:51
7Aida: Atto terzo. “Pur ti riveggo, mia dolce Aida” (Radamès, Aida)
soprano vocals [Aida]:
Maria Callas (soprano) (on 1951-07-03)
tenor vocals [Radamès]:
Mario Del Monaco (tenor) (on 1951-07-03)
orchestra:
Orquesta del Palacio de Bellas Artes, México (on 1951-07-03)
conductor:
Oliviero de Fabritiis (conductor and composer) (on 1951-07-03)
recorded at:
Palacio de Bellas Artes in Ciudad de México (Mexico City), Mexico (on 1951-07-03)
live recording of:
Aida: Atto III. Duetto “Pur ti riveggo, mia dolce Aida…” (Radamès, Aida) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi1:24
8Aida: Atto terzo. “Nel fiero anelito di nuova guerra” (Radamès, Aida)
soprano vocals [Aida]:
Maria Callas (soprano) (on 1951-07-03)
tenor vocals [Radamès]:
Mario Del Monaco (tenor) (on 1951-07-03)
orchestra:
Orquesta del Palacio de Bellas Artes, México (on 1951-07-03)
conductor:
Oliviero de Fabritiis (conductor and composer) (on 1951-07-03)
recorded at:
Palacio de Bellas Artes in Ciudad de México (Mexico City), Mexico (on 1951-07-03)
live recording of:
Aida: Atto III: Duetto: “Nel fiero anelito di nuova guerra” (Radamès, Aida) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi1:47
9Aida: Atto terzo. “Fuggiam gli ardori inospiti…Là, tra foreste vergini” (Radamès, Aida)
soprano vocals [Aida]:
Maria Callas (soprano) (on 1951-07-03)
tenor vocals [Radamès]:
Mario Del Monaco (tenor) (on 1951-07-03)
orchestra:
Orquesta del Palacio de Bellas Artes, México (on 1951-07-03)
conductor:
Oliviero de Fabritiis (conductor and composer) (on 1951-07-03)
recorded at:
Palacio de Bellas Artes in Ciudad de México (Mexico City), Mexico (on 1951-07-03)
live recording of:
Aida: Atto III: Duetto: “Fuggiam gli ardori inospiti” / “Là, tra foreste vergini” (Aida, Radamès) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi6:41
10Aida: Atto terzo. “Ma dimmi: per qual via” (Aida, Radamès, Amonasro, Amneris, Ramfis)
baritone vocals [Amonasro]:
Giuseppe Taddei (baritone) (on 1951-07-03)
bass vocals [Ramfis]:
Roberto Silva (operatic bass) (on 1951-07-03)
mezzo-soprano vocals [Amneris]:
Oralia Dominguez (mezzo soprano) (on 1951-07-03)
soprano vocals [Aida]:
Maria Callas (soprano) (on 1951-07-03)
tenor vocals [Radamès]:
Mario Del Monaco (tenor) (on 1951-07-03)
orchestra:
Orquesta del Palacio de Bellas Artes, México (on 1951-07-03)
conductor:
Oliviero de Fabritiis (conductor and composer) (on 1951-07-03)
recorded at:
Palacio de Bellas Artes in Ciudad de México (Mexico City), Mexico (on 1951-07-03)
live recording of:
Aida: Atto III: Finale III: “Ma dimmi; per qual via” – “Ah no! ti calma, ascoltami” –“Traditor! … Muori! … Arresta, insano” (Aida, Radamès, Amonasro, Amneris, Ramfis) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi3:30
11Aida: Atto quarto, scena prima. “L'aborrita rivale a me sfuggia” (Amneris)
mezzo-soprano vocals [Amneris]:
Oralia Dominguez (mezzo soprano) (on 1951-07-03)
orchestra:
Orquesta del Palacio de Bellas Artes, México (on 1951-07-03)
conductor:
Oliviero de Fabritiis (conductor and composer) (on 1951-07-03)
recorded at:
Palacio de Bellas Artes in Ciudad de México (Mexico City), Mexico (on 1951-07-03)
live recording of:
Aida: Atto IV, scena 1: Scena: “L’abborrita rivale a me sfuggia” … “Io l'amo, io l'amo sempre” (Amneris) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi3:03
12Aida: Atto quarto, scena prima. “Già i sacerdoti adunansi” (Amneris, Radamès)
mezzo-soprano vocals [Amneris]:
Oralia Dominguez (mezzo soprano) (on 1951-07-03)
tenor vocals [Radamès]:
Mario Del Monaco (tenor) (on 1951-07-03)
orchestra:
Orquesta del Palacio de Bellas Artes, México (on 1951-07-03)
conductor:
Oliviero de Fabritiis (conductor and composer) (on 1951-07-03)
recorded at:
Palacio de Bellas Artes in Ciudad de México (Mexico City), Mexico (on 1951-07-03)
live recording of:
Aida: Atto IV, scena 1: Duetto: “Già i sacerdoti adunansi” – “Ah! Tu deî vivere” – “Misero appien mi festi” – ”Chi ti salva, sciagurato” (Amneris, Radamès) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi7:28
13Aida: Atto quarto, scena prima. “Ohimè! morir mi sento!” (Amneris, Ramfis, Coro)
bass vocals [Ramfis]:
Roberto Silva (operatic bass) (on 1951-07-03)
choir vocals:
Coro del Palacio de Bellas Artes, México (on 1951-07-03)
mezzo-soprano vocals [Amneris]:
Oralia Dominguez (mezzo soprano) (on 1951-07-03)
orchestra:
Orquesta del Palacio de Bellas Artes, México (on 1951-07-03)
conductor:
Oliviero de Fabritiis (conductor and composer) (on 1951-07-03)
recorded at:
Palacio de Bellas Artes in Ciudad de México (Mexico City), Mexico (on 1951-07-03)
live recording of:
Aida: Atto IV, scena 1: Scena del giudizio: “Ohimè! morir mi sento!” (Amneris) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi2:31
14Aida: Atto quarto, scena prima. “Spirto del nume” (Amneris, Ramfis, Coro)
bass vocals [Ramfis]:
Roberto Silva (operatic bass) (on 1951-07-03)
choir vocals:
Coro del Palacio de Bellas Artes, México (on 1951-07-03)
mezzo-soprano vocals [Amneris]:
Oralia Dominguez (mezzo soprano) (on 1951-07-03)
orchestra:
Orquesta del Palacio de Bellas Artes, México (on 1951-07-03)
conductor:
Oliviero de Fabritiis (conductor and composer) (on 1951-07-03)
recorded at:
Palacio de Bellas Artes in Ciudad de México (Mexico City), Mexico (on 1951-07-03)
live recording of:
Aida: Atto IV, scena 1: Scena del giudizio: “Spirto del nume” (Amneris, Ramfis, Sacerdoti) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi5:29
15Aida: Atto quarto, scena prima. “A lui vivo, la tomba!…Sacerdoti: compiste un delitto!” (Amneris, Ramfis, Coro)
bass vocals [Ramfis]:
Roberto Silva (operatic bass) (on 1951-07-03)
choir vocals:
Coro del Palacio de Bellas Artes, México (on 1951-07-03)
mezzo-soprano vocals [Amneris]:
Oralia Dominguez (mezzo soprano) (on 1951-07-03)
orchestra:
Orquesta del Palacio de Bellas Artes, México (on 1951-07-03)
conductor:
Oliviero de Fabritiis (conductor and composer) (on 1951-07-03)
recorded at:
Palacio de Bellas Artes in Ciudad de México (Mexico City), Mexico (on 1951-07-03)
live recording of:
Aida: Atto IV, scena 1: Scena del giudizio: “A lui vivo, la tomba” / “Sacerdoti: compiste un delitto!” (Amneris, Ramfis, Sacerdoti) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi3:50
16Aida: Atto quarto, scena seconda. “La fatal pietra sovra me si chiuse” (Radamès, Aida, Coro)
choir vocals:
Coro del Palacio de Bellas Artes, México (on 1951-07-03)
soprano vocals [Aida]:
Maria Callas (soprano) (on 1951-07-03)
tenor vocals [Radamès]:
Mario Del Monaco (tenor) (on 1951-07-03)
orchestra:
Orquesta del Palacio de Bellas Artes, México (on 1951-07-03)
conductor:
Oliviero de Fabritiis (conductor and composer) (on 1951-07-03)
recorded at:
Palacio de Bellas Artes in Ciudad de México (Mexico City), Mexico (on 1951-07-03)
live partial recording of:
Aida: Atto IV, scena 2: Scena e duetto: “La fatal pietra sovra me si chiuse” – “Presago il core della tua condanna” – “Morir si pura e bella” – “Vedi?... di morte l'angelo” (Radamès, Aida) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi4:24
17Aida: Atto quarto, scena seconda. “Vedi? Di morte l'angelo…Immenso Fthà” (Radamès, Aida, Coro)
choir vocals:
Coro del Palacio de Bellas Artes, México (on 1951-07-03)
soprano vocals [Aida]:
Maria Callas (soprano) (on 1951-07-03)
tenor vocals [Radamès]:
Mario Del Monaco (tenor) (on 1951-07-03)
orchestra:
Orquesta del Palacio de Bellas Artes, México (on 1951-07-03)
conductor:
Oliviero de Fabritiis (conductor and composer) (on 1951-07-03)
recorded at:
Palacio de Bellas Artes in Ciudad de México (Mexico City), Mexico (on 1951-07-03)
live partial recording of:
Aida: Atto IV, scena 2: Scena e duetto: “La fatal pietra sovra me si chiuse” – “Presago il core della tua condanna” – “Morir si pura e bella” – “Vedi?... di morte l'angelo” (Radamès, Aida) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi1:45
18Aida: Atto quarto, scena seconda. “O terra, addio” (Aida, Radamès, Coro, Amneris)
choir vocals:
Coro del Palacio de Bellas Artes, México (on 1951-07-03)
mezzo-soprano vocals [Amneris]:
Oralia Dominguez (mezzo soprano) (on 1951-07-03)
soprano vocals [Aida]:
Maria Callas (soprano) (on 1951-07-03)
tenor vocals [Radamès]:
Mario Del Monaco (tenor) (on 1951-07-03)
orchestra:
Orquesta del Palacio de Bellas Artes, México (on 1951-07-03)
conductor:
Oliviero de Fabritiis (conductor and composer) (on 1951-07-03)
recorded at:
Palacio de Bellas Artes in Ciudad de México (Mexico City), Mexico (on 1951-07-03)
live recording of:
Aida: Atto IV, scena 2: Finale Ultimo: “O terra addio” (Aida, Radamès, coro, Amneris) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi5:09
11CD: Gioachino Rossini: Armida (Act 1)
12CD: Gioachino Rossini: Armida (Acts 2 & 3)
13CD: Giuseppe Verdi: Rigoletto (Act 1)
14CD: Giuseppe Verdi: Rigoletto (Acts 2 & 3)
15CD: Vincenzo Bellini: Norma (Act 1, Scene 1 • Act 1, Scene 2 beginning)
16CD: Vincenzo Bellini: Norma (Act 1, Scene 2 conclusion • Act 2)
17CD: Giuseppe Verdi: Macbeth (Acts 1 & 2)
18CD: Giuseppe Verdi: Macbeth (Acts 3 & 4)
19CD: Luigi Cherubini: Medea (Act 1)
20CD: Luigi Cherubini: Medea (Acts 2 & 3)
21CD: Christoph Willibald Gluck: Alceste (Act 1)
22CD: Christoph Willibald Gluck: Alceste (Acts 2 & 3)
23CD: Gaspare Spontini: La vestale (Act 1)
24CD: Gaspare Spontini: La vestale (Acts 2 & 3)
25CD: Umberto Giordano: Andrea Chénier (Acts 1 & 2)
26CD: Umberto Giordano: Andrea Chénier (Acts 3 & 4)
27CD: Vincenzo Bellini: La sonnambula (Act 1 beginning)
28CD: Vincenzo Bellini: La sonnambula (Act 1 conclusion • Act 2)
29CD: Gaetano Donizetti: Lucia di Lammermoor (Act 1)
30CD: Gaetano Donizetti: Lucia di Lammermoor (Acts 2 & 3)
31CD: Gaetano Donizetti: Anna Bolena (Act 1)
32CD: Gaetano Donizetti: Anna Bolena (Act 2)
33CD: Christoph Willibald Gluck: Ifigenia in Tauride (Acts 1 & 2)
34CD: Christoph Willibald Gluck: Ifigenia in Tauride (Acts 3 & 4)
35CD: Giuseppe Verdi: La traviata (Act 1 • Act 2, Scene 1)
36CD: Giuseppe Verdi: La traviata (Act 2, Scene 2 • Act 3)
37CD: Vincenzo Bellini: Il pirata (Act 1)
38CD: Vincenzo Bellini: Il pirata (Act 2)
39CD: Gaetano Donizetti: Poliuto (Act 1)
40CD: Gaetano Donizetti: Poliuto (Acts 2 & 3)
41CD: Giacomo Puccini: Tosca (Act 1)
42CD: Giacomo Puccini: Tosca (Acts 2 & 3)
43Blu-ray: Paris 1958
44Blu-ray: Hamburg 1959 & 1962
45Blu-ray: London 1962 & 1964
46CD