One Shot 1981

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Bette Davis Eyes
recording engineer:
Val Garay (in 1981-01)
producer:
Val Garay
electric guitar:
Waddy Wachtel (in 1981-01)
lead vocals:
Kim Carnes (in 1981-01)
phonographic copyright (℗) by:
Capitol Records (imprint of Capitol Records, Inc.) (in 1981), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1981), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1981), EMI America Records, Inc. (holding – file NO releases here!) (in 1981), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1981), EMI USA (renamed EMI Records USA in the beginning of the 1990s) (in 1981), EMI–Manhattan Records (company credits only; do NOT use as release label) (in 1981) and Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1997)
recorded at:
Record One in Sherman Oaks, Los Angeles, California, United States (in 1981-01)
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 18) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 425)
cover recording of:
Bette Davis Eyes (in 1981-01)
writer:
Jackie DeShannon and Donna Weiss
publisher:
Donna Weiss Music Inc., Mothfrog Publishing, Plain and Simple Music, PolyGram Music Publishing Ltd., Warner Brothers Inc., Warner Chappell Music, Inc. and Warner/Chappell Music Ltd. (1996–2019)
recording of:
Bette Davis Eyes
writer:
Jackie DeShannon and Donna Weiss
publisher:
Donna Weiss Music Inc., Mothfrog Publishing, Plain and Simple Music, PolyGram Music Publishing Ltd., Warner Brothers Inc., Warner Chappell Music, Inc. and Warner/Chappell Music Ltd. (1996–2019)
Kim Carnes3.953:44
2Who Can It Be Now?
additional engineer:
Paul Ray (70s/80s US engineer)
engineer:
Jim Barbour and Peter McIan
producer:
Peter McIan
bass:
John Rees
drums (drum set):
Jerry Speiser (drummer for Men at Work)
guitar:
Colin Hay and Ron Strykert
saxophone:
Greg Ham (member of Men at Work)
vocals:
Colin Hay
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1981, in 1982), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981), CBS, Inc. (US broadcasting company; file no releases here!) (in 1982) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1996)
recorded at:
Richmond Recorders in Melbourne, Victoria, Australia
recording of:
Who Can It Be Now?
lyricist and composer:
Colin Hay
publisher:
April Music Pty. Ltd., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Songs Australia Pty. Ltd. and EMI Songs Ltd.
Men at Work4.43:22
3Kiss on My List
recording of:
Kiss on My List
writer:
Janna Allen (songwriter) and Daryl Hall
publisher:
Gnarly Dude Music, Hot Cha Music Co., Primary Wave Brian and Unichappell Music, Inc.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 BMG事業部 (until 2014-12-31) and フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (from 2015-01-01 to present)
Hall & Oates3:26
4Shake it Up
assistant engineer:
Thom Moore (Syncro Sound engineer, Gang Green producer) and Walter Turbitt (UK engineer, producer, songwriter, and guitarist.)
engineer:
Ian Taylor (rock producer/engineer)
producer:
Roy Thomas Baker (producer)
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1981) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1981)
recorded at:
Syncro Sound in Boston, Massachusetts, United States
recording of:
Shake It Up
publisher:
Ric Ocasek (in 1981)
lyricist and composer:
Ric Ocasek
publisher:
Lido Music, Inc.
The Cars4.33:34
5Centerfold
engineer:
Dave Thoener
producer:
Seth Justman
arranger:
Seth Justman
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1981), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1981), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1981) and EMI Catalog (in 2006)
recorded at:
Long View Farm in North Brookfield, Massachusetts, United States
mixed at:
Mix Room, Record Plant (NYC) in New York, New York, United States
part of:
TV Cream: Real 100 Best Singles Ever (number: 38), Billboard: Greatest of All Time Hot 100 Songs (number: 73) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 314)
recording of:
Centerfold (song by The J. Geils Band)
lyricist and composer:
Seth Justman
publisher:
Center City Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Pal-Park Music, Rondor Music (London) Ltd., Warner Chappell Music Publishing Ltd. (no slash in name; in use since 2019‐05‐16) and Warner/Chappell Music Ltd. (1996–2019)
The J. Geils Band43:37
6Pretty in Pink
engineer:
Will Gosling and Phil Thornalley
producer:
Steve Lillywhite
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1981) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1981, in 1986)
recording of:
Pretty in Pink
writer:
John Ashton, Richard Butler (singer), Tim Butler (co‐founder of The Psychedelic Furs), Vincent Paul Davey, Duncan Kilburn and Roger Morris (UK guitarist for The Psychedelic Furs)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30) and EMI Songs Ltd.
The Psychedelic Furs4.654:00
7Tempted
recording of:
Tempted
lyricist:
Chris Difford
composer:
Glenn Tilbrook
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Illegal Songs Inc.
Squeeze3:33
8Body Talk
recording of:
Body Talk
writer:
Ashley Ingram, Leee John, Steve Jolley and Tony Swain (songwriter, producer)
publisher:
Associated Music International Ltd., Sony Music Publishing (UK) Ltd. (2003–2008, 2021–present), Sony/ATV Music Publishing LLC (1995–2020), Universal (plain logo “Universal” used by Universal Music and Universal Pictures) and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Imagination35:57
9Theme From "The Greatest American Hero" (Believe it Or Not)
vocals:
Joey Scarbury
phonographic copyright (℗) by:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1981)
recording of:
Believe It or Not (theme from “The Greatest American Hero”)
lyricist:
Stephen Geyer
composer:
Mike Post
publisher:
Darjen Music, EMI April Music Inc., EMI Blackwood Music Inc., Lokey Publishing and Stephen Cannell Music
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) and 日音 Synch事業部 (NICHION, INC. Synch Division)
Joey Scarbury43:14
10Harden my Heart
engineer:
Paul Grupp
producer:
John Boylan
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 32)
recording of:
Harden My Heart
lyricist and composer:
Marv Ross (guitarist, songwriter)
publisher:
Bonnie Bee Good Music (publisher) (in 1981), Geffen/Kaye Music (in 1981) and Narrow Dude Music (publisher) (in 1981)
Quarterflash43:52
11Tainted Love
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1981)
cover recording of:
Tainted Love
lyricist and composer:
Ed Cobb
publisher:
Burlington Music Co., Ltd. and Embassy Music Corporation
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Soft Cell2:57
12Cambodia
producer:
Ricky Wilde
lead vocals:
Kim Wilde
phonographic copyright (℗) by:
Cherry Pop (a division of Cherry Red Records Ltd.), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (, in 1981, in 2001), RAK, EMI France (in 1993) and EMI Records Limited (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2006)
recording of:
Cambodia
writer:
Marty Wilde and Ricky Wilde
publisher:
2P'sW Music, EMI Music (do not use as release label! this is a music publisher), Finchley Music Corp., Music & Media International, RAK Publishing Ltd., Rickim Music Ltd. and Warner/Chappell Music Scandinavia AB
Kim Wilde53:58
13New Toy
recording of:
New Toy
lyricist and composer:
Thomas Dolby
Lene Lovich3:19
14Japanese Boy
producer:
Neil Ross (UK based Music Engineer)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1981)
part of:
TV Cream: Real 100 Best Singles Ever (number: 26)
recording of:
Japanese Boy
lyricist and composer:
Bobby Heatlie (songwriter)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and EMI (EMI Records, or EMI Music only if there is no other imprint) (in 1981)
Aneka33:56
15All American Girls
recording of:
All American Girls
lyricist:
Joni Sledge, Anukampa Lisa Walden and Allee Willis
composer:
Narada Michael Walden
Sister Sledge2.754:45
16Let's Groove
producer:
Maurice White (Earth, Wind & Fire)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981)
recording of:
Let’s Groove
writer:
Wayne Vaughn and Maurice White (Earth, Wind & Fire)
publisher:
Campbell Connelly, EMI Songs, EMI Songs Australia Pty. Ltd. and EMI Songs Ltd.
Earth, Wind & Fire4.45:37
17Ai no Corrida
recording of:
Ai no corrida
writer:
Chaz Jankel (English musician and songwriter) and Kenny Young
publisher:
Lazy Lizard Music Inc.
Quincy Jones4:13
18Never Too Much
recording engineer and mixer:
Michael H. Brauer (engineer)
assistant engineer:
Lincoln Clapp (engineer), Gregg Mann (engineer), Andy Hoffman (engineer), Nicky Kalliongos (engineer) and Don Wershba (engineer)
engineer:
Carl Beatty (engineer)
executive producer:
Larkin Arnold
producer:
Luther Vandross
bass:
Marcus Miller (jazz musician)
congas:
Bashiri Johnson
drums (drum set):
Buddy Williams (drummer)
guitar:
Georg Wadenius (guitarist, bassist, keyboardist, singer, composer, producer)
horn [horns] and strings:
Paul Riser
keyboard [keyboards]:
Nat Adderley, Jr.
percussion:
Crusher Bennett
background vocals [female backup vocals]:
Tawatha Agee, Brenda White, Michelle Cobbs, Cissy Houston, Yvonne Lewis and Sybil Thomas
background vocals [male backup vocals] and lead vocals:
Luther Vandross
arranger:
Nat Adderley, Jr. and Paul Riser
vocals arranger:
Luther Vandross
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1981), CBS, Inc. (US broadcasting company; file no releases here!) (in 1981), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1981) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981)
recorded at:
Mediasound Studios in New York, New York, United States
music videos:
Never Too Much by Luther Vandross
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 468) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 466)
recording of:
Never Too Much
lyricist and composer:
Luther Vandross
publisher:
April Music Ltd., Barry Platnick, CBS Songs Ltd., EMI April Music Inc., EMI Songs Ltd., MCA Music Ltd., SBK Songs (publisher), SBK Songs Ltd. and Uncle Ronnie’s Music Company Inc.
Luther Vandross3.853:52
19(Out Here) On my Own
phonographic copyright (℗) by:
Warner Music Italia S.r.l. (not for release label use! Italian subsidiary of Warner Music International Inc.) (in 2013)
cover recording of:
Out Here on My Own
lyricist:
Lesley Gore
composer:
Michael Gore (composer)
part of:
The 53rd Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1980 nominee)
Nikka Costa3:34
2▶CD

Credits

Release group

Wikidata:Q3882590 [info]