The Famous Hits of World War Two

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD
2▼CD
Nr.TitelKünstlerBewertungLänge
1I’ll Be Seeing You
alto saxophone:
Johnny Mintz (am 1940-02-26), Les Robinson (am 1940-02-26) und Fred Stulce (am 1940-02-26)
Gitarre:
Benny Heller (am 1940-02-26)
Klarinette:
Johnny Mintz (am 1940-02-26)
Klavier:
Bob Kitsis (am 1940-02-26)
Kontrabass:
Gene Traxler (am 1940-02-26)
Posaune:
Tommy Dorsey (swing trombone player & band leader) (am 1940-02-26), Lowell Martin (jazz trombonist) (am 1940-02-26) und Ward Silloway (US jazz trombonist) (am 1940-02-26)
Schlagzeug:
Buddy Rich (am 1940-02-26)
Tenorsaxophon:
Paul Mason (jazz saxophonist) (am 1940-02-26) und Irving “Babe” Russin (am 1940-02-26)
Trompete:
Jimmy Blake (jazz trumpeter) (am 1940-02-26), Ray Linn (am 1940-02-26) und Zeke Zarchy (am 1940-02-26)
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1940-02-26)
conductor:
Tommy Dorsey (swing trombone player & band leader)
aufgenommen bei:
RCA Studio 2 in New York, New York, Vereinigte Staaten (am 1940-02-26)
recording of:
I’ll Be Seeing You (am 1940-02-26)
Texter:
Irving Kahal (in 1938)
Komponist(in):
Sammy Fain (in 1938)
publisher:
Fain Music (ASCAP), New Irving Kahal Music und Williamson Music Company
sub-publisher:
フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31), フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Tommy Dorsey and His Orchestra3:03
2Take the "A" Train
recording of:
Take the “A” Train (version with lyrics by Sherrill)
Texter:
Joya Sherrill (in 1944)
Komponist(in):
Billy Strayhorn (in 1939)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
Version von:
Take the “A” Train (original instrumental version)
Duke Ellington & His Orchestra2:58
3I Can’t Begin to Tell You
recording of:
I Can’t Begin to Tell You
Texter:
Mack Gordon
Komponist(in):
James V. Monaco
publisher:
WC Music Corp.
Teil von:
The 19th Academy Award for Best Original Song (Nummer: 2)
Swing and Sway With Sammy Kaye3:00
4I’m Making Believe
vocals:
Ella Fitzgerald (American jazz singer) (am 1944-08-30)
recording of:
I’m Making Believe (am 1944-08-30)
Texter:
Mack Gordon
Komponist(in):
James V. Monaco
Teil von:
The 17th Academy Award for Best Original Song (Nummer: 2)
The Ink Spots with Ella Fitzgerald3:16
5It Might as Well Be Spring
cover recording of:
It Might as Well Be Spring (State Fair)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1945)
Komponist(in):
Richard Rodgers (composer) (in 1945)
publisher:
Chappell Music Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Williamson Music Company, Williamson Music, Inc. und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
The 18th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1945 winner)
Teil von:
State Fair (1945 film soundtrack)
Teil von:
State Fair (1962 film soundtrack)
Teil von:
State Fair
Margaret Whiting with Paul Weston3:14
6Sleepy Lagoon
recording of:
By the Sleepy Lagoon (BBC Desert Island Discs theme)
Texter:
Jack Lawrence (US songwriter) (in 1940)
Komponist(in):
Eric Coates (composer) (in 1930)
Harry James2:55
7Intermezzo
Wayne King & His Orchestra3:33
8Long Ago (And Far Away)
cover recording of:
Long Ago (and Far Away)
Texter:
Ira Gershwin
Komponist(in):
Jerome Kern
publisher:
Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) und T.B. Harms Co. (in 1944)
Teil von:
The 17th Academy Award for Best Original Song (Nummer: 2)
enthalten in:
Cover Girl (1944)
Jo Stafford2:56
9My Devotion
Sologesang:
Vaughn Monroe
recording of:
My Devotion
Verfasser(in):
Roc Hillman (songwriter, arranger) und John Napton
Vaughn Monroe & His Orchestra3:08
10Always
recording of:
Always
Texter und Komponist(in):
Irving Berlin (in 1925)
publisher:
Francis, Day & Hunter Ltd., Irving Berlin Inc. und Irving Berlin Music
Gordon Jenkins3:02
11Moonlight Becomes You
recording of:
Moonlight Becomes You
Texter:
Johnny Burke (American lyricist, 1908–1964) (in 1942)
Komponist(in):
Jimmy Van Heusen (in 1942)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Glenn Miller and His Orchestra3:18
12Auf Wiederseh’n Sweetheart
recording of:
Auf Wiederseh’n Sweetheart
Texter und Komponist(in):
Eberhard Storch (songwriter and lyricist)
Übersetzer:
Geoffrey Parsons (lyricist) und John Turner (lyricist)
publisher:
Corso Editions
Arrangement von:
Auf Wiederseh’n
Vera Lynn2:40
13I Left My Heart at the Stage Door Canteen
recording of:
I Left My Heart at the Stage Door Canteen
Texter und Komponist(in):
Irving Berlin
Swing and Sway With Sammy Kaye3:17
14Star Dust
Bass:
Sid Weiss (am 1940-11-11)
Gitarre:
Clark Yocum (am 1940-11-11)
Klavier:
Joe Bushkin (am 1940-11-11)
Posaune:
George Arus (am 1940-11-11), Tommy Dorsey (swing trombone player & band leader) (am 1940-11-11), Les Jenkins (am 1940-11-11) und Lowell Martin (jazz trombonist) (am 1940-11-11)
Saxophon:
Heinie Beau (am 1940-11-11), Don Lodice (am 1940-11-11), Paul Mason (jazz saxophonist) (am 1940-11-11), Johnny Mince (am 1940-11-11) und Fred Stulce (am 1940-11-11)
Schlagzeug:
Buddy Rich (am 1940-11-11)
Trompete:
Ziggy Elman (am 1940-11-11), Ray Linn (am 1940-11-11) und Chuck Peterson (trumpet) (am 1940-11-11)
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1940-11-11)
vocals:
Connie Haines (in 1940), The Pied Pipers (American vocal group, active 1930s-50s) (in 1940) und Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (in 1940, am 1940-11-11)
conductor:
Tommy Dorsey (swing trombone player & band leader)
Interpret(in):
The Pied Pipers (American vocal group, active 1930s-50s) und Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
arranger:
Sy Oliver
aufgenommen bei:
RCA Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1940-11-11)
cover recording of:
Stardust (the jazz standard) (am 1940-11-11)
Texter:
Mitchell Parish (in 1929)
Komponist(in):
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (beendet), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. und Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Teil von:
American Splendor
Tommy Dorsey and His Orchestra13:12
15On the Atchison, Topeka and Santa Fe
recording of:
On the Atchison, Topeka and the Santa Fe (The Harvey Girls, 1946 film)
Texter:
Johnny Mercer
Komponist(in):
Harry Warren (US composer and lyricist)
Teil von:
The 19th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1946 winner)
Teil von:
The Harvey Girls (1946 film)
Johnny Mercer3:06
16You Belong to My Heart
recording of:
You Belong to My Heart (The Three Caballeros)
Texter:
Ray Gilbert
Komponist(in):
Agustín Lara
publisher:
APRS (American Performing Rights Society, Inc.(BMI)) und Peer International Corporation (BMI)
übersetzte Version von:
Solamente una vez
Charlie Spivak and His Orchestra3:19
17Let's Take the Long Way Home
recording of:
Let’s Take the Long Way Home (am 1945-01-24)
Texter:
Johnny Mercer
Komponist(in):
Harold Arlen
Cab Calloway2:39
18Have I Stayed Away Too Long?
recording of:
Have I Stayed Away Too Long
Texter und Komponist(in):
Frank Loesser
publisher:
Frank Music Corp.
Perry Como2:50
19I’ll Walk Alone
recording of:
I’ll Walk Alone (from “Follow the Boys”) (in 1944-03)
Texter:
Sammy Cahn
Komponist(in):
Jule Styne
Teil von:
The 17th Academy Award for Best Original Song (Nummer: 2)
Dinah Shore2:43
20Dearly Beloved
recording of:
Dearly Beloved (from “You Were Never Lovelier”)
Texter:
Johnny Mercer
Komponist(in):
Jerome Kern
Teil von:
The 15th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1942 nominee)
Glenn Miller and His Orchestra2:52
21The Hut-Sut Song (A Swedish Serenade)
recording of:
The Hut-Sut Song (1941 song)
Verfasser(in):
Leo Killion (songwriter), Ted McMichael (songwriter, actor) und Jack Owens (singer/songwriter "The Cruising Crooner")
Freddy Martin and His Orchestra2:53
22I’ll Get By (As long as I Have You)
recording of:
I’ll Get by (as Long as I Have You)
Texter:
Roy Turk
Komponist(in):
Fred Ahlert
Harry James and His Orchestra2:46
23White Christmas
recording of:
White Christmas
Texter und Komponist(in):
Irving Berlin (von 1938 bis 1940)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Berlin Music Corp., Williamson Music Company und Irving Berlin Music Company (vom 1940 bis heute)
sub-publisher:
EMI Allans Music Australia Pty Ltd, Irving Berlin Music Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
The 15th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1942 winner)
Gordon Jenkins3:03

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