Cantatas

~ Release by Johann Sebastian Bach; Karl Richter, Münchener Bach‐Orchester (see all versions of this release, 1 available)

Tracklist

1▶CD: Advent un Weihnachten
2▶CD: Advent un Weihnachten
3▶CD: Advent un Weihnachten
4▶CD: Advent un Weihnachten
5▶CD: Ostern
6▶CD: Ostern
7▼CD: Ostern
#TitleArtistRatingLength
1Kantate, BWV 4 "Christ lag in Todesbanden": I. Sinfonia
executive producer:
Wolfgang Werner
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
bassoon:
Karl Kolbinger (bassoonist) (in 1968-07)
cello:
Fritz Kiskalt (cellist) (in 1968-07)
double bass:
Herbert Duft (double bass player) (in 1968-07)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1968-07) and Elmar Schloter (organist) (in 1968-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1968-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1968-07)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1969)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1968-07)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: I. Sinfonia (in 1968-07)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach1:38
2Kantate, BWV 4 "Christ lag in Todesbanden": II. Coro Versus I "Christ Lag in Todes Banden"
executive producer:
Wolfgang Werner
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
bassoon:
Karl Kolbinger (bassoonist) (in 1968-07)
cello:
Fritz Kiskalt (cellist) (in 1968-07)
double bass:
Herbert Duft (double bass player) (in 1968-07)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1968-07) and Elmar Schloter (organist) (in 1968-07)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1968-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1968-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1968-07)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1969)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1968-07)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: II. Chor Versus I „Christ lag in Todes Banden“ (in 1968-07)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach4:23
3Kantate, BWV 4 "Christ lag in Todesbanden": III. Duetto (Soprano, Alto) Versus II "Den Tod niemand zwingen kunnt"
executive producer:
Wolfgang Werner
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
bassoon:
Karl Kolbinger (bassoonist) (in 1968-07)
cello:
Fritz Kiskalt (cellist) (in 1968-07)
double bass:
Herbert Duft (double bass player) (in 1968-07)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1968-07) and Elmar Schloter (organist) (in 1968-07)
alto vocals, choir vocals and soprano vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1968-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1968-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1968-07)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1969)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1968-07)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: III. Duett (Sopran, Alt) Versus II „Den Tod niemand zwingen kunnt“ (in 1968-07)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach4:00
4Kantate, BWV 4 "Christ lag in Todesbanden": IV. Aria (Tenore) Versus III "Jesus Christus, Gottes Sohn"
executive producer:
Wolfgang Werner
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
bassoon:
Karl Kolbinger (bassoonist) (in 1968-07)
cello:
Fritz Kiskalt (cellist) (in 1968-07)
double bass:
Herbert Duft (double bass player) (in 1968-07)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1968-07) and Elmar Schloter (organist) (in 1968-07)
choir vocals and tenor vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1968-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1968-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1968-07)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1969)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1968-07)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: IV. Arie (Tenor) Versus III „Jesus Christus, Gottes Sohn“ (in 1968-07)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach1:56
5Kantate, BWV 4 "Christ lag in Todesbanden": V. Coro Versus IV "Es war ein wunderlicher Krieg"
executive producer:
Wolfgang Werner
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
bassoon:
Karl Kolbinger (bassoonist) (in 1968-07)
cello:
Fritz Kiskalt (cellist) (in 1968-07)
double bass:
Herbert Duft (double bass player) (in 1968-07)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1968-07) and Elmar Schloter (organist) (in 1968-07)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1968-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1968-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1968-07)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1969)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1968-07)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: V. Chor Versus IV „Es war ein wunderlicher Krieg“ (in 1968-07)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach2:13
6Kantate, BWV 4 "Christ lag in Todesbanden": VI. Aria (Basso) Versus V "Hier ist das rechte Osterlamm"
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
bassoon:
Karl Kolbinger (bassoonist) (in 1968-07)
cello:
Fritz Kiskalt (cellist) (in 1968-07)
double bass:
Herbert Duft (double bass player) (in 1968-07)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1968-07) and Elmar Schloter (organist) (in 1968-07)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1968-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1968-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1968-07)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1969)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1968-07)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: VI. Arie (Bass) Versus V „Hier ist das rechte Osterlamm“ (in 1968-07)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach4:36
7Kantate, BWV 4 "Christ lag in Todesbanden": VII. Duetto (Soprano, Tenore) Versus VI "So feiern wir das hohe Fest"
executive producer:
Wolfgang Werner
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
bassoon:
Karl Kolbinger (bassoonist) (in 1968-07)
cello:
Fritz Kiskalt (cellist) (in 1968-07)
double bass:
Herbert Duft (double bass player) (in 1968-07)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1968-07) and Elmar Schloter (organist) (in 1968-07)
choir vocals, soprano vocals and tenor vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1968-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1968-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1968-07)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1969)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1968-07)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: VII. Duett (Sopran, Tenor) Versus VI „So feiern wir das hohe Fest“ (in 1968-07)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach2:02
8Kantate, BWV 4 "Christ lag in Todesbanden": VIII. Choral Versus VII "Wir essen und leben wohl"
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
bassoon:
Karl Kolbinger (bassoonist) (in 1968-07)
cello:
Fritz Kiskalt (cellist) (in 1968-07)
double bass:
Herbert Duft (double bass player) (in 1968-07)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1968-07) and Elmar Schloter (organist) (in 1968-07)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1968-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1968-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1968-07)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1969)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1968-07)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: VIII. Choral Versus VII „Wir essen und leben wohl“ (in 1968-07)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Breitkopf 389 Choralgesänge (number: 41)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach1:28
9Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": I. Coro "Bleib bei uns, denn es will Abend werden"
recording engineer:
Klaus Scheibe (editor/engineer) and Hans‐Peter Schweigmann (engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
bassoon:
Karl Kolbinger (bassoonist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01)
cello:
Fritz Kiskalt (cellist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01)
cor anglais:
Edgar Shann (oboist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01)
double bass:
Herbert Duft (double bass player) (from 1973-05 until 1973-06, in 1973-10, in 1974-01)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01) and Elmar Schloter (organist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1973-05 until 1973-06, in 1973-10, in 1974-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1973-05 until 1973-06, in 1973-10, in 1974-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1973-05 until 1973-06)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1975)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1973-05 until 1973-06, in 1973-10, in 1974-01)
recording of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": I. Coro "Bleib bei uns, denn es will Abend werden" (from 1973-05 until 1973-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden"
Johann Sebastian Bach6:12
10Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": II. Aria (Alto) "Hochgelobter Gottessohn, Laß es dir nicht sein entgegen"
recording engineer:
Klaus Scheibe (editor/engineer) and Hans‐Peter Schweigmann (engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
bassoon:
Karl Kolbinger (bassoonist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01)
cello:
Fritz Kiskalt (cellist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01)
cor anglais:
Edgar Shann (oboist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01)
double bass:
Herbert Duft (double bass player) (from 1973-05 until 1973-06, in 1973-10, in 1974-01)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01) and Elmar Schloter (organist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01)
alto vocals:
Anna Reynolds (alto) (from 1973-05 until 1973-06, in 1973-10, in 1974-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1973-05 until 1973-06, in 1973-10, in 1974-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1973-05 until 1973-06)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1975)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1973-05 until 1973-06, in 1973-10, in 1974-01)
recording of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": II. Aria (Alto) "Hochgelobter Gottessohn, Laß es dir nicht sein entgegen" (from 1973-05 until 1973-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden"
Johann Sebastian Bach4:06
11Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": III. Choral (Soprano) "Ach bleib bei uns, Herr Jesu Christ"
recording engineer:
Klaus Scheibe (editor/engineer) and Hans‐Peter Schweigmann (engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
bassoon:
Karl Kolbinger (bassoonist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01)
cello:
Fritz Kiskalt (cellist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01)
cor anglais:
Edgar Shann (oboist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01)
double bass:
Herbert Duft (double bass player) (from 1973-05 until 1973-06, in 1973-10, in 1974-01)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01) and Elmar Schloter (organist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01)
soprano vocals:
Edith Mathis (soprano) (from 1973-05 until 1973-06, in 1973-10, in 1974-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1973-05 until 1973-06, in 1973-10, in 1974-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1973-05 until 1973-06)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1975)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1973-05 until 1973-06, in 1973-10, in 1974-01)
recording of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": III. Choral (Soprano) "Ach bleib bei uns, Herr Jesu Christ" (from 1973-05 until 1973-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Nikolaus Herman (in 1572) and Nikolaus Selnecker (in 1572)
part of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden"
Johann Sebastian Bach4:15
12Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": IV. Recitativo (Basso) "Es hat die Dunkelheit"
recording engineer:
Klaus Scheibe (editor/engineer) and Hans‐Peter Schweigmann (engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
bassoon:
Karl Kolbinger (bassoonist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01)
cello:
Fritz Kiskalt (cellist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01)
cor anglais:
Edgar Shann (oboist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01)
double bass:
Herbert Duft (double bass player) (from 1973-05 until 1973-06, in 1973-10, in 1974-01)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01) and Elmar Schloter (organist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1973-05 until 1973-06, in 1973-10, in 1974-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1973-05 until 1973-06, in 1973-10, in 1974-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1973-05 until 1973-06)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1975)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1973-05 until 1973-06, in 1973-10, in 1974-01)
recording of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": IV. Recitativo (Basso) "Es hat die Dunkelheit" (from 1973-05 until 1973-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden"
Johann Sebastian Bach0:56
13Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": V. Aria (Tenore) "Jesu, lass uns auf dich sehen"
recording engineer:
Klaus Scheibe (editor/engineer) and Hans‐Peter Schweigmann (engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
bassoon:
Karl Kolbinger (bassoonist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01)
cello:
Fritz Kiskalt (cellist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01)
cor anglais:
Edgar Shann (oboist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01)
double bass:
Herbert Duft (double bass player) (from 1973-05 until 1973-06, in 1973-10, in 1974-01)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01) and Elmar Schloter (organist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1973-05 until 1973-06, in 1973-10, in 1974-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1973-05 until 1973-06, in 1973-10, in 1974-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1973-05 until 1973-06)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1975)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1973-05 until 1973-06, in 1973-10, in 1974-01)
recording of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": V. Aria (Tenore) "Jesu, lass uns auf dich sehen" (from 1973-05 until 1973-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden"
Johann Sebastian Bach4:20
14Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": VI. Choral "Beweis dein Macht, Herr Jesu Christ"
recording engineer:
Klaus Scheibe (editor/engineer) and Hans‐Peter Schweigmann (engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
bassoon:
Karl Kolbinger (bassoonist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01)
cello:
Fritz Kiskalt (cellist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01)
cor anglais:
Edgar Shann (oboist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01)
double bass:
Herbert Duft (double bass player) (from 1973-05 until 1973-06, in 1973-10, in 1974-01)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01) and Elmar Schloter (organist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1973-05 until 1973-06, in 1973-10, in 1974-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1973-05 until 1973-06, in 1973-10, in 1974-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1973-05 until 1973-06)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1975)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1973-05 until 1973-06, in 1973-10, in 1974-01)
recording of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": VI. Choral "Beweis dein Macht, Herr Jesu Christ" (from 1973-05 until 1973-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Martin Luther (German theologian of the Reformation) (in 1542)
part of:
Breitkopf 389 Choralgesänge (number: 79)
part of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden"
Johann Sebastian Bach0:47
15Kantate, BWV 158 "Der Friede sei mit dir": I. Recitativo (Basso) "Der Friede sei mit dit"
recording engineer:
Harald Baudis (sound engineer)
producer:
Hansjoachim Reiser (engineer/producer)
bassoon:
Karl Kolbinger (bassoonist) (in 1969-07)
cello:
Fritz Kiskalt (cellist) (in 1969-07)
double bass:
Herbert Duft (double bass player) (in 1969-07)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1969-07) and Elmar Schloter (organist) (in 1969-07)
violin:
Otto Büchner (violinist) (in 1969-07)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1969-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1969-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-07)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1975)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1969-07)
recording of:
Kantate, BWV 158 "Der Friede sei mit dir": I. Recitativo (Bass) "Der Friede sei mit dir" (in 1969-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 158 "Der Friede sei mit dir"
Johann Sebastian Bach2:13
16Kantate, BWV 158 "Der Friede sei mit dir": II. Aria e Choral (Basso) "Welt, ade, ich bin dein mude"
recording engineer:
Harald Baudis (sound engineer)
producer:
Hansjoachim Reiser (engineer/producer)
bassoon:
Karl Kolbinger (bassoonist) (in 1969-07)
cello:
Fritz Kiskalt (cellist) (in 1969-07)
double bass:
Herbert Duft (double bass player) (in 1969-07)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1969-07) and Elmar Schloter (organist) (in 1969-07)
violin:
Otto Büchner (violinist) (in 1969-07)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1969-07)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1969-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1969-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-07)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1975)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1969-07)
recording of:
Kantate, BWV 158 "Der Friede sei mit dir": II. Aria (Bass) con Choral (Sop) "Welt, ade, ich bin dein müde" (in 1969-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
Johann Georg Albinus (in 1649)
part of:
Kantate, BWV 158 "Der Friede sei mit dir"
Johann Sebastian Bach5:58
17Kantate, BWV 158 "Der Friede sei mit dir": III. Recitativo (Basso) "Nun Herre, regiere meinen Sinn"
recording engineer:
Harald Baudis (sound engineer)
producer:
Hansjoachim Reiser (engineer/producer)
bassoon:
Karl Kolbinger (bassoonist) (in 1969-07)
cello:
Fritz Kiskalt (cellist) (in 1969-07)
double bass:
Herbert Duft (double bass player) (in 1969-07)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1969-07) and Elmar Schloter (organist) (in 1969-07)
violin:
Otto Büchner (violinist) (in 1969-07)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1969-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1969-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-07)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1975)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1969-07)
recording of:
Kantate, BWV 158 "Der Friede sei mit dir": III. Recitativo ed Arioso (Bass) "Nun, Herr, regiere meinen Sinn" (in 1969-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 158 "Der Friede sei mit dir"
Johann Sebastian Bach2:06
18Kantate, BWV 158 "Der Friede sei mit dir": IV. Choral "Hier ist das rechte Osterlamm"
recording engineer:
Harald Baudis (sound engineer)
producer:
Hansjoachim Reiser (engineer/producer)
bassoon:
Karl Kolbinger (bassoonist) (in 1969-07)
cello:
Fritz Kiskalt (cellist) (in 1969-07)
double bass:
Herbert Duft (double bass player) (in 1969-07)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1969-07) and Elmar Schloter (organist) (in 1969-07)
violin:
Otto Büchner (violinist) (in 1969-07)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1969-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1969-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-07)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1975)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1969-07)
recording of:
Kantate, BWV 158 "Der Friede sei mit dir": IV. Chorale "Hier ist das rechte Osterlamm" (in 1969-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 158 "Der Friede sei mit dir"
Johann Sebastian Bach1:34
19Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ": I. Coro "Halt im Gedächtnis Jesum Christ"
recording engineer:
Hans‐Peter Schweigmann (engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
bassoon:
Karl Kolbinger (bassoonist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
cello:
Fritz Kiskalt (cellist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
double bass:
Herbert Duft (double bass player) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
oboe:
Manfred Clement (oboist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03) and Elmar Schloter (organist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
trumpet:
Pierre Thibaud (French trumpeter) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1973-05 until 1973-06, in 1973-10, in 1974-01)
vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1974-03)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1975)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
recording of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ": I. Coro "Halt im Gedächtnis Jesum Christ" (from 1973-05 until 1973-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ"
Johann Sebastian Bach2:58
20Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ": II. Aria (Tenore) "Mein Jesus ist erstanden"
recording engineer:
Hans‐Peter Schweigmann (engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
bassoon:
Karl Kolbinger (bassoonist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
cello:
Fritz Kiskalt (cellist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
double bass:
Herbert Duft (double bass player) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
oboe:
Manfred Clement (oboist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03) and Elmar Schloter (organist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
trumpet:
Pierre Thibaud (French trumpeter) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1975)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
recording of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ": II. Aria (Tenor) "Mein Jesus ist erstanden" (from 1973-05 until 1973-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ"
Johann Sebastian Bach2:42
21Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ": III. Recitativo (Alto) "Mein Jesu, heißest du des Todes Gift"
recording engineer:
Hans‐Peter Schweigmann (engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
bassoon:
Karl Kolbinger (bassoonist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
cello:
Fritz Kiskalt (cellist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
double bass:
Herbert Duft (double bass player) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
oboe:
Manfred Clement (oboist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03) and Elmar Schloter (organist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
trumpet:
Pierre Thibaud (French trumpeter) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
alto vocals:
Anna Reynolds (alto) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1975)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
recording of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ": III. Recitativo (Alt) "Mein Jesu, heißest du des Todes Gift" (from 1973-05 until 1973-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ"
Johann Sebastian Bach0:46
22Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ": IV. Chorale "Erschienen ist der herrlich Tag"
recording engineer:
Hans‐Peter Schweigmann (engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
bassoon:
Karl Kolbinger (bassoonist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
cello:
Fritz Kiskalt (cellist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
double bass:
Herbert Duft (double bass player) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
oboe:
Manfred Clement (oboist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03) and Elmar Schloter (organist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
trumpet:
Pierre Thibaud (French trumpeter) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1975)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
recording of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ": IV. Choral "Erschienen ist der herrlich Tag" (from 1973-05 until 1973-06)
lyricist:
Nikolaus Herman
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 83)
part of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ"
Johann Sebastian Bach0:43
23Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ": V. Recitativo (Alto) "Doch scheint fast, daß mich der Feinde Rest"
recording engineer:
Hans‐Peter Schweigmann (engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
bassoon:
Karl Kolbinger (bassoonist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
cello:
Fritz Kiskalt (cellist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
double bass:
Herbert Duft (double bass player) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
oboe:
Manfred Clement (oboist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03) and Elmar Schloter (organist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
trumpet:
Pierre Thibaud (French trumpeter) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
alto vocals:
Anna Reynolds (alto) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1975)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
recording of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ": V. Recitativo (Alt) "Doch scheinet fast" (from 1973-05 until 1973-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ"
Johann Sebastian Bach1:13
24Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ": VI. Aria (Basso) "Friede sei mit euch"
recording engineer:
Hans‐Peter Schweigmann (engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
bassoon:
Karl Kolbinger (bassoonist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
cello:
Fritz Kiskalt (cellist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
double bass:
Herbert Duft (double bass player) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
oboe:
Manfred Clement (oboist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03) and Elmar Schloter (organist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
trumpet:
Pierre Thibaud (French trumpeter) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1975)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
recording of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ": VI. Aria (Bass, Coro) "Friede sei mit euch!" (from 1973-05 until 1973-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ"
Johann Sebastian Bach5:12
25Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ": VII. Chorale "Du Friedefürst, Herr Jesu Christ"
recording engineer:
Hans‐Peter Schweigmann (engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
bassoon:
Karl Kolbinger (bassoonist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
cello:
Fritz Kiskalt (cellist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
double bass:
Herbert Duft (double bass player) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
oboe:
Manfred Clement (oboist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03) and Elmar Schloter (organist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
trumpet:
Pierre Thibaud (French trumpeter) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1975)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
recording of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ": VII. Choral "Du Friedefürst, Herr Jesu Christ" (from 1973-05 until 1973-06)
lyricist:
Jakob Ebert (German hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 68)
part of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ"
Johann Sebastian Bach1:02
8▶CD: Ostern
9▶CD: Ostern
10▶CD: Himmelfahrt - Pfingsten - Trinitatis
11▶CD: Himmelfahrt - Pfingsten - Trinitatis
12▶CD: Himmelfahrt - Pfingsten - Trinitatis
13▶CD: Himmelfahrt - Pfingsten - Trinitatis
14▶CD: Himmelfahrt - Pfingsten - Trinitatis
15▶CD: Himmelfahrt - Pfingsten - Trinitatis
16▶CD: Sonntage nach Trinitatis I
17▶CD: Sonntage nach Trinitatis I
18▶CD: Sonntage nach Trinitatis I
19▶CD: Sonntage nach Trinitatis I
20▶CD: Sonntage nach Trinitatis I
21▶CD: Sonntage nach Trinitatis I
22▶CD: Sonntage nach Trinitatis II
23▶CD: Sonntage nach Trinitatis II
24▶CD: Sonntage nach Trinitatis II
25▶CD: Sonntage nach Trinitatis II
26▶CD: Sonntage nach Trinitatis II