Abondance: Nouveautés, automne 1998

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

1Digital Media
#TitleArtistRatingLength
1Der Rose Pilgerfahrt, op. 112: Was klingen denn die Hörner - Im Hause des Müllers
choir vocals:
Chorus Musicus Köln (German / Cologne chamber choir)
mezzo-soprano vocals:
Claudia Schubert (mezzo-soprano)
orchestra:
Das Neue Orchester
conductor:
Christoph Spering (conductor and organist)
recording of:
Der Rose Pilgerfahrt, op. 112, Pt. 2: Im Hause des Müllers
composer:
Robert Schumann (German classical composer) (in 1851)
part of:
Der Rose Pilgerfahrt, op. 112
recording of:
Der Rose Pilgerfahrt, op. 112, Pt. 2: Was klingen denn die Hörner
composer:
Robert Schumann (German classical composer) (in 1851)
part of:
Der Rose Pilgerfahrt, op. 112
Robert Schumann4:14
2Ottavo libro de' madrigali: Combattimento di Tancredi e Clorinda, SV 153
instruments:
Concerto Italiano
conductor:
Rinaldo Alessandrini (baroque keyboardist and conductor)
partial recording of:
Il combattimento di Tancredi e Clorinda, SV 153
lyricist:
Torquato Tasso
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Stattkus-Verzeichnis (number: SV 153)
is based on:
La Gerusalemme liberata
part of:
Ottavo Libro de’ Madrigali: Canti Guerrieri
Claudio Monteverdi7:18
3Hortus deliciarum: Leto leta concio
choir vocals:
Discantus (6 to 9 voices ensemble)
conductor:
Brigitte Lesne (mezzo-soprano & harpist)
recording of:
Leto leta concio (Florence MS)
composer:
[anonymous] (special purpose artist)
Hildegard von Bingen1:05
4Die Kunst Der Fuge, BWV 1080: I. Contrapunctus 1, 4 Voice Fugue on Principal Subject & IX. Contrapunctus 9, a 4 alla duodecima
recorder:
Flanders Recorder Quartet (Belgian recorder quartet)
recording of:
Die Kunst der Fuge, BWV 1080: I. Contrapunctus 1
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/1)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
recording of:
Die Kunst der Fuge, BWV 1080: IX. Contrapunctus 9 a 4 alla Duodecima
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/9)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach5:13
5Dixit Dominus
instruments:
Cappella de' Turchini (Italian early music ensemble)
conductor:
Antonio Florio
recording of:
Dixit Dominus
composer:
Francesco Provenzale (Italian Baroque composer, 1632-1704)
Francesco Provenzale4:49
6Mit Ganczem Willen - Ho, ho, ho!
performer:
Alla Francesca (French medieval / early music ensemble)
recording of:
Mit ganzem Willen
composer:
Conrad Paumann (German composer, organist & lutenist, c. 1410-1473)
arranger:
Guillaume Dufay (French 15th century composer)
Conrad Paumann5:51
7Sinfonia no. 1 in D major, pp. 20Carlo Tessarini9:22
8Stabat Mater, P. 77: X. Fac ut portem Christi mortem & XI. Inflammatus et accensusGiovanni Battista Pergolesi6:31
9Cantigas de Santa Maria: No. 323, Ontre Todalas Vertudes
instruments:
Micrologus (Italian medieval / Renaissance music group)
recording of:
Cantiga de Santa María no. 323 "Ontre todalas vertudes"
composer:
Alfonso X el Sabio (Spanish/Castillian medieval monarch & composer)
part of:
Cantigas de Santa María
Alfonso de Sabio3:28
10All the Angels Exult (Russian Christmas, Feast of the Nativity)[anonymous]2:18
11Stabat Mater: XIII. Juxta crucem tecum stare
instruments:
Concerto Italiano
contralto vocals:
Sara Mingardo (contralto)
conductor:
Rinaldo Alessandrini (baroque keyboardist and conductor)
recording of:
Stabat Mater: Juxta crucem
composer:
Alessandro Scarlatti (composer)
part of:
Stabat Mater
Alessandro Scarlatti1:56
12Trio Pathétique in D minor: I. Allegro moderato
bassoon:
Alberto Grazzi (classical bassoonist)
clarinet:
Colin Lawson (clarinettist)
piano:
Olga Tverskaya (Russian pianist)
recording of:
Trio pathétique in D minor: I. Allegro moderato
composer:
Михаил Иванович Глинка (Mikhail Glinka, Russian composer)
part of:
Trio pathétique in D minor
Mikhail Glinka5:15
136 Romances, op. 57, TH 105: No. 3, Do Not Ask. Adagio molto sostenuto
piano:
Evgeny Talisman
contralto vocals:
Lina Mkrtchyan (contralto vocalist)
recording of:
Не спрашивай, op. 57 no. 3 (Do Not Ask, op. 57 no. 3)
lyricist:
Johann Wolfgang von Goethe (in 1795)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1884-09 until 1884-11)
translator:
Александр Струговщиков (in 1845)
part of:
Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 277)
part of:
6 Romances, op. 57
Pyotr Ilyich Tchaikovsky2:51
14Der Rose Pilgerfahrt, op. 112: Es'War Der Rose Erster Schmerz - Wie Blätter Am Baum
choir vocals:
Chorus Musicus Köln (German / Cologne chamber choir)
soprano vocals:
Simone Kermes (soprano)
tenor vocals:
Jochen Kupfer (operatic bass)
orchestra:
Das Neue Orchester
conductor:
Christoph Spering (conductor and organist)
recording of:
Der Rose Pilgerfahrt, op. 112, Pt. 1: Es war der Rose erster Schmerz
composer:
Robert Schumann (German classical composer) (in 1851)
part of:
Der Rose Pilgerfahrt, op. 112
recording of:
Der Rose Pilgerfahrt, op. 112, Pt. 1: Wie Blätter am Baum
composer:
Robert Schumann (German classical composer) (in 1851)
part of:
Der Rose Pilgerfahrt, op. 112
Robert Schumann6:46