Carmina Burana, Vol. 1

~ Release by New London Consort, Philip Pickett (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleRatingLength
1In Gedeonis area (CB 37)
baritone vocals [ensemble]:
Michael George (operatic bass) (in 1986-01) and Allan Parkes (baritone) (in 1986-01)
bass vocals [ensemble]:
Simon Grant (bass-baritone) (in 1986-01)
solo tenor vocals [tenor]:
Andrew King (operatic tenor) (in 1986-01)
soprano vocals [ensemble]:
Tessa Bonner (soprano) (in 1986-01), Catherine Bott (soprano) (in 1986-01) and Sally Dunkley (soprano) (in 1986-01)
conductor:
Philip Pickett (musician) (in 1986-01)
performer:
New London Consort (in 1986-01)
phonographic copyright (℗) by:
The Decca Record Company, London (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1987)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1986-01)
recording of:
In Gedeonis area (in 1986-01)
part of:
Carmina Veris et Amoris and Carmina Burana (number: 37)
part of:
Carmina Burana (original manuscript of poetry, ca. 1230)
4:27
2Homo, quo vigeas vide! (CB 22)
bass vocals [ensemble]:
Simon Grant (bass-baritone) (in 1986-01)
solo baritone vocals [baritone]:
Michael George (operatic bass) (in 1986-01)
tenor vocals [ensemble]:
Andrew King (operatic tenor) (in 1986-01)
conductor:
Philip Pickett (musician) (in 1986-01)
performer:
New London Consort (in 1986-01)
phonographic copyright (℗) by:
The Decca Record Company, London (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1987)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1986-01)
recording of:
Homo quo vigeas (in 1986-01)
part of:
Carmina Moralia et Divina and Carmina Burana (number: 22)
part of:
Carmina Burana (original manuscript of poetry, ca. 1230)
recording of:
Homo quo vigeas
part of:
Carmina Moralia et Divina and Carmina Burana (number: 22)
part of:
Carmina Burana (original manuscript of poetry, ca. 1230)
3:43
3Ecce torpet probitas (CB 3)
solo soprano vocals [soprano]:
Catherine Bott (soprano) (in 1986-01)
conductor:
Philip Pickett (musician) (in 1986-01)
performer:
New London Consort (in 1986-01)
phonographic copyright (℗) by:
The Decca Record Company, London (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1987)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1986-01)
recording of:
Ecce torpet probitas (in 1986-01)
composer:
[anonymous] (special purpose artist)
part of:
Carmina Burana (number: 3), Carmina Moralia and Cambridge University Library MS Ff.I.17(1)
part of:
Carmina Burana (original manuscript of poetry, ca. 1230)
7:15
4Nomen a solemnibus (CB 52)
baritone vocals [ensemble]:
Allan Parkes (baritone) (in 1986-01)
bass vocals [ensemble]:
Simon Grant (bass-baritone) (in 1986-01)
solo baritone vocals [baritone]:
Michael George (operatic bass) (in 1986-01)
tenor vocals [ensemble]:
Andrew King (operatic tenor) (in 1986-01)
conductor:
Philip Pickett (musician) (in 1986-01)
performer:
New London Consort (in 1986-01)
phonographic copyright (℗) by:
The Decca Record Company, London (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1987)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1986-01)
recording of:
Nomen a solemnibus (in 1986-01)
composer:
[anonymous] (special purpose artist)
part of:
Carmina Gulatorum et Potatorum, Carmina Moralia et Divina and Carmina Burana (number: 52)
part of:
Carmina Burana (original manuscript of poetry, ca. 1230)
4:35
5Planctus ante nescia (CB 14)
solo soprano vocals [soprano]:
Catherine Bott (soprano) (in 1986-01)
conductor:
Philip Pickett (musician) (in 1986-01)
performer:
New London Consort (in 1986-01)
phonographic copyright (℗) by:
The Decca Record Company, London (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1987)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1986-01)
recording of:
Planctus ante nescia (in 1986-01)
writer:
Godefroy de Breteuil (carmina burana. c.1130-c.1194, sub-prior to Abbey of Saint-Victor, Paris)
part of:
Carmina Burana (number: 14)
part of:
Carmina Burana (original manuscript of poetry, ca. 1230)
10:44
6Michi confer, venditor (CB 16)
solo baritone vocals [baritone]:
Michael George (operatic bass) (in 1986-01)
solo soprano vocals [soprano]:
Catherine Bott (soprano) (in 1986-01)
conductor:
Philip Pickett (musician) (in 1986-01)
performer:
New London Consort (in 1986-01)
phonographic copyright (℗) by:
The Decca Record Company, London (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1987)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1986-01)
recording of:
Michi confer venditor (in 1986-01)
composer:
[anonymous] (special purpose artist)
part of:
Carmina Veris et Amoris and Carmina Burana (number: 16*)
part of:
Carmina Burana (original manuscript of poetry, ca. 1230)
2:48
7Olim sudor Herculis (CB 63)
bass vocals [ensemble]:
Simon Grant (bass-baritone) (in 1986-01)
solo baritone vocals [baritone]:
Michael George (operatic bass) (in 1986-01)
soprano vocals [ensemble]:
Tessa Bonner (soprano) (in 1986-01), Catherine Bott (soprano) (in 1986-01) and Sally Dunkley (soprano) (in 1986-01)
conductor:
Philip Pickett (musician) (in 1986-01)
performer:
New London Consort (in 1986-01)
phonographic copyright (℗) by:
The Decca Record Company, London (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1987)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1986-01)
recording of:
Olim sudor Herculis (in 1986-01)
lyricist and composer:
[anonymous] (special purpose artist)
part of:
Carmina Veris et Amoris and Carmina Burana (number: 63)
part of:
Carmina Burana (original manuscript of poetry, ca. 1230)
9:35
8Procurans odium (CB 12)
baritone vocals [ensemble]:
Michael George (operatic bass) (in 1986-01)
bass vocals [ensemble]:
Simon Grant (bass-baritone) (in 1986-01)
tenor vocals [ensemble]:
Andrew King (operatic tenor) (in 1986-01)
conductor:
Philip Pickett (musician) (in 1986-01)
performer:
New London Consort (in 1986-01)
phonographic copyright (℗) by:
The Decca Record Company, London (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1987)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1986-01)
recording of:
Procurans odium (in 1986-01)
part of:
Carmina Amoris Infelicis, Carmina Burana (number: 12) and Carmina Moralia et Divina
part of:
Carmina Burana (original manuscript of poetry, ca. 1230)
1:54
9Dulce solum (CB 119)
solo baritone vocals [baritone]:
Michael George (operatic bass) (in 1986-01)
conductor:
Philip Pickett (musician) (in 1986-01)
performer:
New London Consort (in 1986-01)
phonographic copyright (℗) by:
The Decca Record Company, London (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1987)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1986-01)
recording of:
Dulce solum (in 1986-01)
composer:
[anonymous] (special purpose artist)
part of:
Carmina Burana (number: 119)
part of:
Carmina Burana (original manuscript of poetry, ca. 1230)
5:27
10Axe Phebus aureo (CB 71)
solo soprano vocals [soprano]:
Catherine Bott (soprano) (in 1986-01)
conductor:
Philip Pickett (musician) (in 1986-01)
performer:
New London Consort (in 1986-01)
phonographic copyright (℗) by:
The Decca Record Company, London (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1987)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1986-01)
recording of:
Axe Phebus aureo (in 1986-01)
composer:
[anonymous] (special purpose artist)
part of:
Carmina Amoris Infelicis and Carmina Burana (number: 71)
part of:
Carmina Burana (original manuscript of poetry, ca. 1230)
3:23
11Alte clamat Epicurus (CB 211)
solo baritone vocals [baritone]:
Michael George (operatic bass) (in 1986-01)
conductor:
Philip Pickett (musician) (in 1986-01)
performer:
New London Consort (in 1986-01)
phonographic copyright (℗) by:
The Decca Record Company, London (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1987)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1986-01)
recording of:
Alte clamat Epicurus (Carmina Burana) (in 1986-01)
part of:
Carmina Gulatorum et Potatorum and Carmina Burana (number: 211)
parody version of:
Nu alrest lebe ich mir werde (Palästinalied)
part of:
Carmina Burana (original manuscript of poetry, ca. 1230)
6:05
12Exiit diluculo (CB 90)
solo soprano vocals [soprano]:
Tessa Bonner (soprano) (in 1986-01) and Catherine Bott (soprano) (in 1986-01)
conductor:
Philip Pickett (musician) (in 1986-01)
performer:
New London Consort (in 1986-01)
phonographic copyright (℗) by:
The Decca Record Company, London (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1987)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1986-01)
recording of:
Exiit diluculo (in 1986-01)
composer:
[anonymous] (special purpose artist)
part of:
Carmina Veris et Amoris and Carmina Burana (number: 90)
part of:
Carmina Burana (original manuscript of poetry, ca. 1230)
1:55
13Hiemali tempore (CB 203)
baritone vocals [ensemble]:
Allan Parkes (baritone) (in 1986-01)
bass vocals [ensemble]:
Simon Grant (bass-baritone) (in 1986-01)
solo baritone vocals [baritone]:
Michael George (operatic bass) (in 1986-01)
tenor vocals [ensemble]:
Andrew King (operatic tenor) (in 1986-01)
conductor:
Philip Pickett (musician) (in 1986-01)
performer:
New London Consort (in 1986-01)
phonographic copyright (℗) by:
The Decca Record Company, London (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1987)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1986-01)
recording of:
Hiemali tempore (in 1986-01)
composer:
[anonymous] (special purpose artist)
part of:
Carmina Burana (number: 203)
part of:
Carmina Burana (original manuscript of poetry, ca. 1230)
3:47
14Tempus est iocundum (CB 179)
baritone vocals [ensemble]:
Allan Parkes (baritone) (in 1986-01)
bass vocals [ensemble]:
Simon Grant (bass-baritone) (in 1986-01)
solo baritone vocals [baritone]:
Michael George (operatic bass) (in 1986-01)
soprano vocals [ensemble]:
Tessa Bonner (soprano) (in 1986-01), Catherine Bott (soprano) (in 1986-01) and Sally Dunkley (soprano) (in 1986-01)
tenor vocals [ensemble]:
Andrew King (operatic tenor) (in 1986-01)
conductor:
Philip Pickett (musician) (in 1986-01)
performer:
New London Consort (in 1986-01)
phonographic copyright (℗) by:
The Decca Record Company, London (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1987)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1986-01)
recording of:
Tempus est iocundum (in 1986-01)
composer:
[anonymous] (special purpose artist)
part of:
Carmina Burana (number: 179)
part of:
Carmina Burana (original manuscript of poetry, ca. 1230)
3:14

Credits

Release

manufactured in:the EU (Europe)
art direction:Michael Walters (art director)
liner notes translator:Clare Russell (translator)
engineer:Simon Eadon (classical music engineer)
producer:Peter Wadland (producer)
copyrighted (©) by:Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 2007)
phonographic copyright (℗) by:Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1987)
ASIN:US: B000SNUI56 [info]
US: B00000134V [info]
discography entry:http://www.deccaclassics.com/us/cat/4759106 [info]
http://www.deutschegrammophon.com/gb/cat/4759106 [info]
Allmusic:https://www.allmusic.com/album/release/mr0002670066 [info]