Come Swing With Me

~ Release by Beverly Kenney (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleRatingLength
1Give Me the Simple Life
recorded in:
New York, New York, United States (in 1956-05)
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (in 1956-05)
baritone saxophone:
Danny Bank (reeds) (in 1956-05) and George Berg (in 1956-05)
bass:
Milt Hinton (in 1956-05)
bongos:
Ted Sommer (in 1956-05)
clarinet:
Al Epstein (in 1956-05)
drums (drum set):
Don Lamond (in 1956-05)
French horn:
Julius Watkins (in 1956-05)
guitar:
Billy Bauer (US cool jazz guitarist) (in 1956-05) and Barry Galbraith (in 1956-05)
harp:
Janet Putnam (harpist) (in 1956-05)
piano:
Moe Wechsler (in 1956-05)
trombone:
Urbie Green (in 1956-05)
trumpet:
Nick Travis (in 1956-05)
vocals:
Beverly Kenney (in 1956-05)
orchestra:
Ralph Burns' Orchestra (in 1956-05)
cover recording of:
Give Me the Simple Life (in 1956-05)
lyricist:
Harry Ruby
writer:
Rube Bloom (American songwriter, pianist and vocalist) and Harry Ruby
composer:
Rube Bloom (American songwriter, pianist and vocalist)
publisher:
WC Music Corp.
2:23
2I Guess I’ll Hang My Tears Out to Dry
recorded in:
New York, New York, United States (in 1956-05)
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (in 1956-05)
baritone saxophone:
Danny Bank (reeds) (in 1956-05) and George Berg (in 1956-05)
bass:
Milt Hinton (in 1956-05)
bongos:
Ted Sommer (in 1956-05)
clarinet:
Al Epstein (in 1956-05)
drums (drum set):
Don Lamond (in 1956-05)
French horn:
Julius Watkins (in 1956-05)
guitar:
Billy Bauer (US cool jazz guitarist) (in 1956-05) and Barry Galbraith (in 1956-05)
harp:
Janet Putnam (harpist) (in 1956-05)
piano:
Moe Wechsler (in 1956-05)
trombone:
Urbie Green (in 1956-05)
trumpet:
Nick Travis (in 1956-05)
vocals:
Beverly Kenney (in 1956-05)
orchestra:
Ralph Burns' Orchestra (in 1956-05)
cover recording of:
Guess I’ll Hang My Tears Out to Dry (in 1956-05)
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
Chappell & Co., Inc. (USA) and Chappell Music (UK)
3:02
3The Trolley Song
recorded in:
New York, New York, United States (in 1956-05)
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (in 1956-05)
baritone saxophone:
Danny Bank (reeds) (in 1956-05) and George Berg (in 1956-05)
bass:
Milt Hinton (in 1956-05)
bongos:
Ted Sommer (in 1956-05)
clarinet:
Al Epstein (in 1956-05)
drums (drum set):
Don Lamond (in 1956-05)
French horn:
Julius Watkins (in 1956-05)
guitar:
Billy Bauer (US cool jazz guitarist) (in 1956-05) and Barry Galbraith (in 1956-05)
harp:
Janet Putnam (harpist) (in 1956-05)
piano:
Moe Wechsler (in 1956-05)
trombone:
Urbie Green (in 1956-05)
trumpet:
Nick Travis (in 1956-05)
vocals:
Beverly Kenney (in 1956-05)
orchestra:
Ralph Burns' Orchestra (in 1956-05)
cover recording of:
The Trolley Song (“‘Clang, Clang, Clang,’ Went the Trolley…”) (in 1956-05)
lyricist:
Ralph Blane
composer:
Hugh Martin
publisher:
EMI Feist Catalog Inc., EMI United Partnership Ltd. and United Partnership Ltd.
part of:
The 17th Academy Award for Best Original Song (number: 2)
part of:
Meet Me in St. Louis (1944 musical film soundtrack)
1:56
4Violets for My Furs
recorded in:
New York, New York, United States (in 1956-05)
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (in 1956-05)
baritone saxophone:
Danny Bank (reeds) (in 1956-05) and George Berg (in 1956-05)
bass:
Milt Hinton (in 1956-05)
bongos:
Ted Sommer (in 1956-05)
clarinet:
Al Epstein (in 1956-05)
drums (drum set):
Don Lamond (in 1956-05)
French horn:
Julius Watkins (in 1956-05)
guitar:
Billy Bauer (US cool jazz guitarist) (in 1956-05) and Barry Galbraith (in 1956-05)
harp:
Janet Putnam (harpist) (in 1956-05)
piano:
Moe Wechsler (in 1956-05)
trombone:
Urbie Green (in 1956-05)
trumpet:
Nick Travis (in 1956-05)
vocals:
Beverly Kenney (in 1956-05)
orchestra:
Ralph Burns' Orchestra (in 1956-05)
cover recording of:
Violets for Your Furs (in 1956-05)
lyricist:
Tom Adair
composer:
Matt Dennis (American singer, pianist, band leader)
publisher:
Dorsey Bros Music Ltd. (Angel Eyes - Dennis/Brent), Dorsey Brothers Music and Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
2:56
5This Can’t Be Love
recorded in:
New York, New York, United States (in 1956-05)
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (in 1956-05)
baritone saxophone:
Danny Bank (reeds) (in 1956-05) and George Berg (in 1956-05)
bass:
Milt Hinton (in 1956-05)
bongos:
Ted Sommer (in 1956-05)
clarinet:
Al Epstein (in 1956-05)
drums (drum set):
Don Lamond (in 1956-05)
French horn:
Julius Watkins (in 1956-05)
guitar:
Billy Bauer (US cool jazz guitarist) (in 1956-05) and Barry Galbraith (in 1956-05)
harp:
Janet Putnam (harpist) (in 1956-05)
piano:
Moe Wechsler (in 1956-05)
trombone:
Urbie Green (in 1956-05)
trumpet:
Nick Travis (in 1956-05)
vocals:
Beverly Kenney (in 1956-05)
orchestra:
Ralph Burns' Orchestra (in 1956-05)
cover recording of:
This Can’t Be Love (in 1956-05)
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
Chappell & Co. and Warner/Chappell (Warner/Chappell Music, Inc.)
1:51
6Scarlet Ribbons
recorded in:
New York, New York, United States (in 1956-05)
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (in 1956-05)
baritone saxophone:
Danny Bank (reeds) (in 1956-05) and George Berg (in 1956-05)
bass:
Milt Hinton (in 1956-05)
bongos:
Ted Sommer (in 1956-05)
clarinet:
Al Epstein (in 1956-05)
drums (drum set):
Don Lamond (in 1956-05)
French horn:
Julius Watkins (in 1956-05)
guitar:
Billy Bauer (US cool jazz guitarist) (in 1956-05) and Barry Galbraith (in 1956-05)
harp:
Janet Putnam (harpist) (in 1956-05)
piano:
Moe Wechsler (in 1956-05)
trombone:
Urbie Green (in 1956-05)
trumpet:
Nick Travis (in 1956-05)
vocals:
Beverly Kenney (in 1956-05)
orchestra:
Ralph Burns' Orchestra (in 1956-05)
cover recording of:
Scarlet Ribbons (for Her Hair) (in 1956-05)
lyricist:
Jack O. Segal (US songwriter) (in 1949)
composer:
Evelyn Danzig (in 1949)
publisher:
EMI Mills Music Inc. (ASCAP-affiliated), Helton Music and Mills Music Limited
1:59
7If I Were a Bell
recorded in:
New York, New York, United States (in 1956-05)
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (in 1956-05)
baritone saxophone:
Danny Bank (reeds) (in 1956-05) and George Berg (in 1956-05)
bass:
Milt Hinton (in 1956-05)
bongos:
Ted Sommer (in 1956-05)
clarinet:
Al Epstein (in 1956-05)
drums (drum set):
Don Lamond (in 1956-05)
French horn:
Julius Watkins (in 1956-05)
guitar:
Billy Bauer (US cool jazz guitarist) (in 1956-05) and Barry Galbraith (in 1956-05)
harp:
Janet Putnam (harpist) (in 1956-05)
piano:
Moe Wechsler (in 1956-05)
trombone:
Urbie Green (in 1956-05)
trumpet:
Nick Travis (in 1956-05)
vocals:
Beverly Kenney (in 1956-05)
orchestra:
Ralph Burns' Orchestra (in 1956-05)
cover recording of:
If I Were a Bell (Guys and Dolls) (in 1956-05)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp., Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
part of:
Guys and Dolls (Broadway musical)
part of:
Guys and Dolls (1955 musical film)
2:12
8Why Try to Change Me Now
recorded in:
New York, New York, United States (in 1956-05)
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (in 1956-05)
baritone saxophone:
Danny Bank (reeds) (in 1956-05) and George Berg (in 1956-05)
bass:
Milt Hinton (in 1956-05)
bongos:
Ted Sommer (in 1956-05)
clarinet:
Al Epstein (in 1956-05)
drums (drum set):
Don Lamond (in 1956-05)
French horn:
Julius Watkins (in 1956-05)
guitar:
Billy Bauer (US cool jazz guitarist) (in 1956-05) and Barry Galbraith (in 1956-05)
harp:
Janet Putnam (harpist) (in 1956-05)
piano:
Moe Wechsler (in 1956-05)
trombone:
Urbie Green (in 1956-05)
trumpet:
Nick Travis (in 1956-05)
vocals:
Beverly Kenney (in 1956-05)
orchestra:
Ralph Burns' Orchestra (in 1956-05)
cover recording of:
Why Try to Change Me Now (in 1956-05)
lyricist:
Joseph McCarthy, Jr. (Joseph Allen McCarthy, 1922–1975)
composer:
Cy Coleman
publisher:
Notable Music Co., Inc.
3:37
9Swinging on a Star
recorded in:
New York, New York, United States (in 1956-05)
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (in 1956-05)
baritone saxophone:
Danny Bank (reeds) (in 1956-05) and George Berg (in 1956-05)
bass:
Milt Hinton (in 1956-05)
bongos:
Ted Sommer (in 1956-05)
clarinet:
Al Epstein (in 1956-05)
drums (drum set):
Don Lamond (in 1956-05)
French horn:
Julius Watkins (in 1956-05)
guitar:
Billy Bauer (US cool jazz guitarist) (in 1956-05) and Barry Galbraith (in 1956-05)
harp:
Janet Putnam (harpist) (in 1956-05)
piano:
Moe Wechsler (in 1956-05)
trombone:
Urbie Green (in 1956-05)
trumpet:
Nick Travis (in 1956-05)
vocals:
Beverly Kenney (in 1956-05)
orchestra:
Ralph Burns' Orchestra (in 1956-05)
cover recording of:
Swinging on a Star (in 1956-05)
lyricist:
Johnny Burke (American lyricist, 1908–1964) (in 1944)
composer:
Jimmy Van Heusen (in 1944)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Burke & Van Heusen, Inc. and Music Sales Corporation (American copyright holder in both popular and classical music)
part of:
The 17th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1944 winner)
3:05
10You Go to My Head
recorded in:
New York, New York, United States (in 1956-05)
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (in 1956-05)
baritone saxophone:
Danny Bank (reeds) (in 1956-05) and George Berg (in 1956-05)
bass:
Milt Hinton (in 1956-05)
bongos:
Ted Sommer (in 1956-05)
clarinet:
Al Epstein (in 1956-05)
drums (drum set):
Don Lamond (in 1956-05)
French horn:
Julius Watkins (in 1956-05)
guitar:
Billy Bauer (US cool jazz guitarist) (in 1956-05) and Barry Galbraith (in 1956-05)
harp:
Janet Putnam (harpist) (in 1956-05)
piano:
Moe Wechsler (in 1956-05)
trombone:
Urbie Green (in 1956-05)
trumpet:
Nick Travis (in 1956-05)
vocals:
Beverly Kenney (in 1956-05)
orchestra:
Ralph Burns' Orchestra (in 1956-05)
cover recording of:
You Go to My Head (in 1956-05)
lyricist:
Haven Gillespie (in 1938)
composer:
J. Fred Coots (in 1938)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Ltd., Haven Gillespie Music Publishing Co., Remick Music Corp., Toy Town Tunes, Inc., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label) and Warner Bros. Music Corp.
2:41
11It Ain’t Necessarily So
recorded in:
New York, New York, United States (in 1956-05)
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (in 1956-05)
baritone saxophone:
Danny Bank (reeds) (in 1956-05) and George Berg (in 1956-05)
bass:
Milt Hinton (in 1956-05)
bongos:
Ted Sommer (in 1956-05)
clarinet:
Al Epstein (in 1956-05)
drums (drum set):
Don Lamond (in 1956-05)
French horn:
Julius Watkins (in 1956-05)
guitar:
Billy Bauer (US cool jazz guitarist) (in 1956-05) and Barry Galbraith (in 1956-05)
harp:
Janet Putnam (harpist) (in 1956-05)
piano:
Moe Wechsler (in 1956-05)
trombone:
Urbie Green (in 1956-05)
trumpet:
Nick Travis (in 1956-05)
vocals:
Beverly Kenney (in 1956-05)
orchestra:
Ralph Burns' Orchestra (in 1956-05)
cover recording of:
It Ain’t Necessarily So (jazz standard originally from Porgy and Bess; catch-all for unspecified pop and jazz arrangements) (in 1956-05)
lyricist:
Ira Gershwin, Dorothy Heyward (playwright) and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell Music (ASCAP), Gershwin Publishing Corp, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Australia Pty. Ltd. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
was commissioned by:
Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene II. “It ain’t necessarily so” (Sportin’ Life)
recording of:
It Ain’t Necessarily So (jazz standard originally from Porgy and Bess; catch-all for unspecified pop and jazz arrangements)
lyricist:
Ira Gershwin, Dorothy Heyward (playwright) and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell Music (ASCAP), Gershwin Publishing Corp, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Australia Pty. Ltd. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
was commissioned by:
Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene II. “It ain’t necessarily so” (Sportin’ Life)
1:35
12You Make Me Feel So Young
recorded in:
New York, New York, United States (in 1956-05)
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (in 1956-05)
baritone saxophone:
Danny Bank (reeds) (in 1956-05) and George Berg (in 1956-05)
bass:
Milt Hinton (in 1956-05)
bongos:
Ted Sommer (in 1956-05)
clarinet:
Al Epstein (in 1956-05)
drums (drum set):
Don Lamond (in 1956-05)
French horn:
Julius Watkins (in 1956-05)
guitar:
Billy Bauer (US cool jazz guitarist) (in 1956-05) and Barry Galbraith (in 1956-05)
harp:
Janet Putnam (harpist) (in 1956-05)
piano:
Moe Wechsler (in 1956-05)
trombone:
Urbie Green (in 1956-05)
trumpet:
Nick Travis (in 1956-05)
vocals:
Beverly Kenney (in 1956-05)
orchestra:
Ralph Burns' Orchestra (in 1956-05)
cover recording of:
You Make Me Feel So Young (in 1956-05)
lyricist:
Mack Gordon
composer:
Josef Myrow
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
version of:
E bi eit barn med deg
2:11