Through the Eyes of Love: The Complete Arista 7″ Singles

~ Veröffentlichung von Melissa Manchester (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1Midnight Blue
Produzent(in):
Vini Poncia
vocals:
Melissa Manchester
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1975)
recording of:
Midnight Blue
Texter:
Carole Bayer Sager
Komponist(in):
Melissa Manchester
publisher:
New York Times Music Corp. (publisher) (beendet), Rumanian Pickleworks Company (beendet), Alley Music Corp., BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management) und Trio Music Company
sub-publisher:
フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:25
2I Got Eyes
recording engineer:
Bob Schaper
Produzent(in):
Vini Poncia
Mix:
Bill Schnee
Akustikgitarre:
David Wolfert
Bassgitarre [bass]:
Cooker LoPresti
Celesta und Synthesizer [ARP synthesizer]:
James Newton Howard (American score composer)
Hybrid-Piano und Sologesang:
Melissa Manchester
Perkussion:
Morton K. Salt
Hintergrundgesang:
Brie, Kirk, Melissa und Vini
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1975)
mixed at:
Sound Labs in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
I Got Eyes
Texter und Komponist(in):
Melissa Manchester
publisher:
Rumanian Pickleworks Company (beendet) und BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management)
32:42
3Just Too Many People
Produzent(in):
Vini Poncia
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1975)
Bearbeitung von:
Just Too Many People von Melissa Manchester
recording of:
Just Too Many People
Verfasser(in):
Melissa Manchester und Vini Poncia
publisher:
BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management) und EMI Blackwood Music Inc.
3:29
4This Lady’s Not Home
recording engineer:
Bob Schaper
Produzent(in):
Vini Poncia
Mix:
Bill Schnee
Bassgitarre [bass]:
Cooker (Loper) LoPresti
Conga:
King Errisson (conguero)
E-Gitarre:
David Wolfert
Hybrid-Piano:
Melissa Manchester
Orgel:
James Newton Howard (American score composer)
Schlagzeug:
Kirk Bruner
Sopransaxophon:
Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
vocals:
Melissa Manchester
Saiteninstrumente arranger:
Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1975)
mixed at:
Sound Labs in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
This Lady’s Not Home
Texter:
Carole Bayer Sager
Komponist(in):
Melissa Manchester
publisher:
Alley Music Corp., Rumanian Pickleworks Company und Trio Music Company
34:28
5Just You and I
3:56
6My Sweet Thing
recording engineer und Mix:
Bob Schaper
Produzent(in):
Vini Poncia
E-Gitarre:
John Vastano
Synthesizer [ARP synthesizer]:
James Newton Howard (American score composer)
vocals:
Melissa Manchester
phonographisches Urheberrecht (℗) von:
Arista Records Ltd. (not for release label use!) (in 1976) und Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1976)
produced for:
Richard Perry Productions
mixed at:
Sound Labs, Inc. in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
My Sweet Thing
Verfasser(in):
Melissa Manchester und David Wolfert
publisher:
BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management)
43:24
7Better Days
Techniker(in):
Bob Schaper
Produzent(in):
Vini Poncia
vocals:
Melissa Manchester
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1976)
produced for:
Richard Perry Productions
Bearbeitung von:
Better Days von Melissa Manchester
recording of:
Better Days (Looks as Though We’re Doing Somethin’ Right)
Texter:
Carole Bayer Sager
Komponist(in):
Melissa Manchester
publisher:
Rumanian Pickleworks Company (beendet), BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management), New York Times Music Corp. (publisher) (in 1977) und Rumanian Pickleworks Music Co. (in 1977)
3:42
8Sing, Sing, Sing
recording engineer und Mix:
Bob Schaper
Produzent(in):
Vini Poncia
Pedal-Steel-Gitarre:
John Vastano
Synthesizer [ARP synthesizer]:
James Newton Howard (American score composer)
vocals:
Melissa Manchester
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1976)
produced for:
Richard Perry Productions
mixed at:
Sound Labs, Inc. in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Sing, Sing, Sing
Texter und Komponist(in):
Melissa Manchester
publisher:
Rumanian Pickleworks Company (beendet) und BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management)
44:24
9Rescue Me
recording engineer und Mix:
Bob Schaper
Produzent(in):
Vini Poncia
E-Gitarre:
John Vastano
Synthesizer [ARP synthesizer]:
James Newton Howard (American score composer)
Hintergrundgesang:
The Faragher Brothers
vocals:
Melissa Manchester
Blechblasinstrumente [horns] arranger:
Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1976)
produced for:
Richard Perry Productions
mixed at:
Sound Labs, Inc. in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
Rescue Me
Verfasser(in):
Raynard Miner und Carl Smith (US songwriter and producer active in Chicago)
publisher:
United Artists Music Co., Inc. (beendet), Chevis Music Publ. Corp. und Reservoir 416
43:06
10Happy Endings
Techniker(in):
Bob Schaper
Produzent(in):
Vini Poncia
vocals:
Melissa Manchester
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1976)
produced for:
Richard Perry Productions
Bearbeitung von:
Happy Endings von Melissa Manchester
recording of:
Happy Endings
Texter und Komponist(in):
Melissa Manchester
publisher:
Rumanian Pickleworks Company (beendet) und BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management)
3:26
11Monkey See, Monkey Do
assistierende(r) Techniker(in):
Linda Tyler (engineer)
Techniker(in):
Bob Schaper
Produzent(in):
Vini Poncia
Tenorsaxophon:
Stanley Schwartz
zusätzlich Blechblasinstrumente [horns]:
Andrew Mackintosh (British-born saxophonist), Rich Felts, Tom Saviano und Doug Wintz
vocals:
Melissa Manchester
Blechblasinstrumente [horns] arranger:
Tom Saviano
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1976)
aufgenommen bei und mixed at:
Sound Labs, Inc. in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
Monkey See - Monkey Do
Texter und Komponist(in):
Michael Franks
publisher:
Mississippi Mud Music Co. und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
大洋音楽 (Taiyō Music)
3:13
12So’s My Old Man
assistierende(r) Techniker(in):
Linda Tyler (engineer)
Techniker(in):
Bob Schaper
Produzent(in):
Vini Poncia
Vibraphon:
Gary Coleman (US percussionist)
zusätzlich Blechblasinstrumente [horns]:
Bill Petersen, Dick Hyde, Steve Madaio, Lew McCreary und Dick Nash
vocals:
Melissa Manchester
conductor:
Steven Cagan
Orchestrator(in):
Steven Cagan
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1976)
aufgenommen bei und mixed at:
Sound Labs, Inc. in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
So’s My Old Man
Texter und Komponist(in):
Melissa Manchester
publisher:
BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management)
4:21
13Be Somebody
assistierende(r) Techniker(in):
Linda Tyler (engineer)
Techniker(in):
Bob Schaper
Produzent(in):
Vini Poncia
Chimes [bell chimes]:
Kirk Bruner
E-Sitars:
David Wolfert
Hybrid-Piano:
James Newton Howard (American score composer)
Röhrenglocken [orchestra bells]:
Stanley Schwartz
Hintergrundgesang:
Brie Howard, Joe Bean, Steve Nelson (guitarist) und Vini Poncia
vocals:
Melissa Manchester
Saiteninstrumente arranger:
James Newton Howard (American score composer)
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1976)
aufgenommen bei und mixed at:
Sound Labs, Inc. in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Be Somebody
Verfasser(in):
Melissa Manchester, Vini Poncia und Johnny Vastano
publisher:
BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management) und EMI Blackwood Music Inc.
3:39
14Dirty Work
assistierende(r) Techniker(in):
Linda Tyler (engineer)
Techniker(in):
Bob Schaper
Produzent(in):
Vini Poncia
Hintergrundgesang:
Kirk Bruner und Lenny Castro
vocals:
Melissa Manchester
Saiteninstrumente arranger:
James Newton Howard (American score composer)
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1976)
aufgenommen bei und mixed at:
Sound Labs, Inc. in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
Dirty Work
Verfasser(in):
Walter Becker und Donald Fagen
publisher:
American Broadcasting Music, Inc., MCA Music Ltd., Red Giant Inc., Red Giant Music, Inc., United Artists Music, Universal Music Corp. (USA, affiliated with ASCAP), Universal/MCA Music Ltd. (not for release label use!) und Wingate Music Corp.
3:10
15I Wanna Be Where You Are
Techniker(in):
Bob Schaper
Produzent(in):
Vini Poncia
vocals:
Melissa Manchester
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1977)
produced for:
Mad Vincent Productions
Bearbeitung von:
I Wanna Be Where You Are von Melissa Manchester
cover recording of:
I Wanna Be Where You Are
Texter:
Leon Ware (US singer-songwriter, composer, pianist, keyboardist)
Komponist(in):
Arthur “T‐Boy” Ross
publisher:
Jobete Music Co., Inc.
sub-publisher:
EMI Music Publishing Japan, Fujipacific Division (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
3:29
16No One’s Ever Seen This Side of Me
assistierende(r) Techniker(in):
Tom Bush
Techniker(in):
Bob Schaper
Produzent(in):
Vini Poncia
Mix:
Galen Senogles
Bassgitarre [bass]:
Tony Levin (US rock bassist/Chapman stick player)
Gitarre:
Jeff Mironov und David Spinozza
Keyboard:
Don Grolnick
Perkussion:
Lenny Castro
Schlagzeug:
Steve Gadd (drummer)
Hintergrundgesang:
Claudia Cagan, The Faragher Brothers, Wendy Haas, Brie Howard, Gail Kantor und Vini Poncia
Sologesang:
Melissa Manchester
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1977)
produced for:
Mad Vincent Productions
aufgenommen bei:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, Vereinigte Staaten und Sound Labs, Inc. in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Producer’s Workshop in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
No One’s Ever Seen This Side of Me
Texter und Komponist(in):
Melissa Manchester
publisher:
Rumanian Pickleworks Company
43:15
17Don’t Cry Out Loud
Produzent(in):
Harry Maslin
vocals:
Melissa Manchester
arranger:
Barry Fasman
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1978)
recording of:
Don’t Cry Out Loud
Texter:
Carole Bayer Sager (in 1976)
Komponist(in):
Peter Allen (Australian singer‐songwriter) (in 1976)
publisher:
Begonia Melodies Inc., Chappell Music Co. Inc., Chappell Music Ltd., Irving Music (BMI), Rondor Music, Rondor Music (London) Ltd. und Woolnough Music
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
3:43
18We Had This Time
Techniker(in):
Milt Calise
Produzent(in):
Leon Ware (US singer-songwriter, composer, pianist, keyboardist)
Mix:
Phil Schier
vocals:
Melissa Manchester
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1978)
produced for:
Melissa Manchester Productions, Inc.
recording of:
We Had This Time
Verfasser(in):
Melissa Manchester und Larry Weiss (American singer-songwriter)
publisher:
BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management), Rams Head Music Co. und Rumanian Pickleworks Company
sub-publisher:
大洋音楽 (Taiyō Music)
54:39
19Theme From Ice Castles (Through the Eyes of Love)
3:39
20Such a Morning
Techniker(in):
Milt Calise
Produzent(in):
Leon Ware (US singer-songwriter, composer, pianist, keyboardist)
Mix:
Phil Schier
Bassgitarre:
Chuck Rainey (American bassist)
Gitarre:
Lee Ritenour
Hybrid-Piano:
Greg Phillinganes
Perkussion:
Lenny Castro
Schlagzeug und elektronisches Schlagzeug / E-Drums:
Art Rodriguez (drummer)
Synthesizer [Formula Sound String Equalizer]:
Michael Boddicker
Sologesang:
Melissa Manchester
arranger:
Tom Saviano
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1978)
produced for:
Melissa Manchester Productions, Inc.
aufgenommen bei:
A&M Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Such a Morning
Verfasser(in):
Steven Cagan und Melissa Manchester
publisher:
BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management), Emilanda Musique und Rumanian Pickleworks Company
42:49
21Pretty Girls
Produzent(in):
Steve Buckingham (producer)
vocals:
Melissa Manchester
Saiteninstrumente arranger:
Steve Dorff (composer) und Randy McCormick (session musician and songwriter)
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1979)
aufgenommen bei und mixed at:
Web IV Studios in Atlanta, Georgia, Vereinigte Staaten
cover recording of:
Pretty Girls
Texter und Komponist(in):
Lisa Dal Bello
publisher:
Nevebianca Music (USA, affiliated with ASCAP) und Nevebianca Productions (Canada) Inc.
3:53
22Fire in the Morning
Produzent(in):
Steve Buckingham (producer)
Hintergrundgesang:
Paul Davis (American singer)
vocals:
Melissa Manchester
zusätzlich Hintergrundgesang:
Melissa Manchester
Saiteninstrumente arranger:
Steve Dorff (composer)
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1979)
aufgenommen bei und mixed at:
Web IV Studios in Atlanta, Georgia, Vereinigte Staaten
recording of:
Fire in the Morning
Verfasser(in):
Steve Dorff (composer), Gary Harju und Larry Herbstritt
publisher:
Universal Music Careers und Universal Music–MGB Songs
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
3:50
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Nennungen

Veröffentlichung

art direction und design:John Sellards (graphic designer)
Fotografie:Getty Images
Michael Ochs Archives
liner notes:Joe Marchese (owner of TheSecondDisc.com and liner notes writer)
leitende(r) Produzent(in):Gordon Anderson (producer)
Produzent(in):Jeff James (producer)
Joe Marchese (owner of TheSecondDisc.com and liner notes writer)
remastering:Mike Piacentini
hergestellt von:Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP)
urheberrechtlich geschützt (©) von:Real Gone Music (US reissue label estd. 2011 by Gordon Anderson and Gabby Castellana. DO NOT CONFUSE WITH THE UK/EUROPE OUT-OF-COPYRIGHT LABEL.) (in 2017)
hergestellt für:Real Gone Music (US reissue label estd. 2011 by Gordon Anderson and Gabby Castellana. DO NOT CONFUSE WITH THE UK/EUROPE OUT-OF-COPYRIGHT LABEL.)
remastered at:Battery Studios (mastering/archival/digitization studio located at 321 W 44th Street, NYC) in Midtown Manhattan, New York, New York, Vereinigte Staaten
Discogs:https://www.discogs.com/release/10826457 [Info]
ASIN:US: B073RQSFDS [Info]