Zarah från topp till tå 1930-1936

~ Release by Zarah Leander (see all versions of this release, 1 available)

Tracklist

1▶12" Vinyl
2▼12" Vinyl
#TitleRatingLength
1Hela livet är en glad operett
recorded in:
Stockholm, Stockholms län (Stockholm county), Sweden (on 1932-08-12)
lead vocals:
Zarah Leander
vocals:
Zarah Leander (on 1932-08-12)
orchestra:
Jules Sylvain orkestra
conductor:
Jules Sylvain (on 1932-08-12)
recording of:
Hela livet är en glad operett (on 1932-08-12)
lyricist:
Åke Söderblom
composer:
Jules Sylvain
2:47
2April, April
vocals:
Zarah Leander (on 1932-03-13)
orchestra:
Jules Sylvain orkestra
conductor:
Jules Sylvain (on 1932-03-13)
recording of:
April, April (on 1932-03-13)
lyricist:
Karl Gerhard
composer:
Jules Sylvain
3:07
3Ännu en vår
recorded in:
Stockholm, Stockholms län (Stockholm county), Sweden (on 1932-08-12)
vocals:
Zarah Leander (on 1932-08-12)
orchestra:
Jules Sylvain orkestra
conductor:
Jules Sylvain (on 1932-08-12)
recording of:
Ännu en vår (on 1932-08-12)
lyricist:
Karl Gerhard
composer:
Jules Sylvain
2:47
4Vem kysser du nu
recorded in:
Stockholm, Stockholms län (Stockholm county), Sweden (on 1933-10-05)
vocals:
Zarah Leander (on 1933-10-05)
orchestra:
Gustav Egerstams Orkester
recording of:
Vem kysser du nu (on 1933-10-05)
lyricist:
Åke Söderblom
composer:
Anna von Oelreich
3:08
5Cocktail
vocals:
Zarah Leander (on 1932-03-13)
orchestra:
Jules Sylvain orkestra
conductor:
Jules Sylvain (on 1932-03-13)
recording of:
Cocktail (on 1932-03-13)
lyricist:
Karl-Ewert
composer:
Emil Segnitz
3:00
6Det bor en orm i varje paradis
recorded in:
Stockholm, Stockholms län (Stockholm county), Sweden (on 1931-11-19)
vocals:
Zarah Leander (on 1931-11-19)
orchestra:
Jules Sylvain orkestra
conductor:
Jules Sylvain (on 1931-11-19)
recording of:
Det bor en orm i varje paradis (on 1931-11-19)
lyricist:
Folkelin
composer:
Torbern Cassel and Jules Sylvain
3:09
7Ögon som ljuga och le
vocals:
Zarah Leander (in 1931-10)
orchestra:
Karl Wehles orkester
conductor:
Karl Wehle (in 1931-10)
recording of:
Ögon som ljuga och le (in 1931-10)
lyricist:
S. S. Wilson (= Anita Wollter/Halldén)
composer:
Henri Verdun (french composer)
3:12
8Det fattas en man
recorded in:
Stockholm, Stockholms län (Stockholm county), Sweden (on 1932-03-13)
vocals:
Zarah Leander (on 1932-03-13)
conductor:
Jules Sylvain (on 1932-03-13)
recording of:
Det fattas en man (on 1932-03-13)
lyricist:
Fritz Gustaf
composer:
Willy Bramsen
3:15
9Du ä’ så väldigt lik en ja’ känner
recorded in:
Stockholm, Stockholms län (Stockholm county), Sweden (on 1936-08-07)
vocals:
Zarah Leander
orchestra:
Odeon Orchester (on 1936-08-07)
recording of:
Du ä' så väldigt lik en ja' känner (I'm putting all my eggs in one basket) (on 1936-08-07)
lyricist:
Roni (swedish songwriter Ronald Artur Ernst Sjögren)
composer:
Irving Berlin
translated version of:
I’m Putting All My Eggs in One Basket (from “Follow the Fleet”)
3:01
10Ninon de Lenclos
recorded in:
Stockholm, Stockholms län (Stockholm county), Sweden (on 1933-11-20)
vocals:
Zarah Leander (on 1933-11-20)
recording of:
Ninon de Lenclos (on 1933-11-20)
lyricist:
Alfred Grünwald
composer:
Oscar Straus
translator:
Otto Berco
translated version of:
Eine Frau, die weiss, was sie will: Couplet der Ninon de Lenclos
3:05
11Jag är en kvinna som vet vad hon vill
recording of:
Jag är en kvinna som vet vad hon vill (Ich bin eine Frau, die weiß, was sie will)
lyricist:
Alfred Grünwald
composer:
Oscar Straus
translator:
Otto Berco
translated version of:
Eine Frau, die weiß, was sie will: „Ich bin eine Frau, die weiß, was sie will”
3:12
12Säg en lögn, men säg den som en gentleman
vocals:
Zarah Leander (on 1933-08-15)
orchestra:
Odeon Orchester (on 1933-08-15)
conductor:
Gustaf Egerstam (on 1933-08-15)
recording of:
Säg en lögn, men säg den som en gentleman (on 1933-08-15)
lyricist:
Fritz Gustaf
composer:
Fred Winter
3:12
13Skandalkrönikan
recorded in:
Stockholm, Stockholms län (Stockholm county), Sweden (on 1933-11-30)
vocals:
Zarah Leander (on 1933-11-30)
orchestra:
Hülphers fenixorkester (on 1933-11-30)
recording of:
Skandalkrönikan (on 1933-11-30)
lyricist:
Otto Berco
composer:
Oscar Straus
translated version of:
Warum soll eine Frau kein Verhältnis haben
3:05
14För mig var det allt
recorded in:
Stockholm, Stockholms län (Stockholm county), Sweden (on 1933-11-30)
vocals:
Zarah Leander (on 1933-11-30)
recording of:
För mig var det allt (You Call It Madness) (on 1933-11-30)
writer:
Russ Columbo (American singer, songwriter, violinist and actor), Con Conrad (songwriter and producer), Gladys DuBois and Paul Gregory (Songwriter)
translator:
Karl Gerhard
translated version of:
You Call It Madness (But I Call It Love)
3:19
15Det är kärlekens charme
recorded in:
Stockholm, Stockholms län (Stockholm county), Sweden (on 1936-08-07)
vocals:
Zarah Leander
orchestra:
Odeon Orchester (on 1936-08-07)
recording of:
Det är kärlekens charme (The Glory of Love) (on 1936-08-07)
lyricist:
S. S. Wilson (= Anita Wollter/Halldén)
composer:
Billy Hill (US songwriter)
translated version of:
The Glory of Love
3:08
16Viljasången
recorded in:
Stockholm, Stockholms län (Stockholm county), Sweden (on 1931-09-10)
vocals:
Zarah Leander mit Chor (on 1931-09-10)
orchestra:
Jules Sylvain orkestra
conductor:
Jules Sylvain (on 1931-09-10)
recording of:
Viljasången (Vilja‐Lied) (ur operetta "Glada änkan" (Die lustige Witwe)) (on 1931-09-10)
composer:
Franz Lehár (composer)
translator:
Karl Gerhard
translated version of:
Die lustige Witwe: Akt II. N°7. Introduktion, Tanz und Vilja-Lied: “Ich bitte, hier jetzt zu verweilen” … “Nun laßt uns aber wie daheim” … “Es lebt’ eine Vilja” (Hanna, Chor)
2:54