20th Century - Soul, R&B & Funk

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1Ain’t Nobody
basso :
Bobby Watson (bassist)
batteria :
John “JR” Robinson (session drummer)
chitarra :
Tony Maiden
flauto :
Gary Herbig, Ernie Watts (Ernest James Watts, jazz and blues saxophonist) e Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
percussione :
Paulinho da Costa (Brazilian percussionist)
sassofono contralto :
Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
sassofono tenore :
Gary Herbig e Ernie Watts (Ernest James Watts, jazz and blues saxophonist)
sintetizzatore aggiunto:
James Newton Howard (American score composer)
tastiera :
Kevin Murphy (American keyboardist, Rufus & The American Breed) e David “Hawk” Wolinski
tromba :
Jerry Hey
voce:
Chaka Khan e Tony Maiden
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 88) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 403)
registrazione di:
Ain’t Nobody
paroliere e compositore:
David Wolinski
editore:
Overdue Music
Chaka Khan3.74:41
2My Lovin’ (You’re Never Gonna Get It)
tecnico di registrazione:
Steve Counter
assistente tecnico:
John Jackson (engineer)
tecnico aggiunto:
Neil King (sound engineer) e Michael Semanick
produttore:
Denzil Foster (songwriter, musician, producer) e Thomas McElroy (songwriter, musician, producer)
tecnico di missaggio:
Ken Kessie
arrangiatore:
Denzil Foster (songwriter, musician, producer) e Thomas McElroy (songwriter, musician, producer)
diritti fonografici (℗) detenuti da:
Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (nel 2022)
registrata presso:
Fantasy Studios (Berkeley) in Berkeley, California, Stati Uniti
mixata presso:
Can Am Studios in Tarzana, Los Angeles, California, Stati Uniti
campionamenti:
The Payback di James Brown (The Godfather of Soul)
parte di:
RuPaul’s Drag Race Lip Sync Performances (season 2) (numero: 2) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 471)
registrazione di:
My Lovin’ (You’re Never Gonna Get It)
autore:
Denzil Foster (songwriter, musician, producer) e Thomas McElroy (songwriter, musician, producer)
editore:
EMI Blackwood Music Inc., Two Tuff Enuff Publishing e Irving Music (BMI) (dal 1992 a oggi)
En Vogue4.64:42
3Give Me the Night - Edit
produttore:
Quincy Jones
basso :
Abraham Laboriel
batteria :
John “JR” Robinson (session drummer)
chitarra :
George Benson (jazz guitarist/singer) e Lee Ritenour
flauto e sassofono :
Kim Hutchcroft e Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
percussione :
Paulinho da Costa (Brazilian percussionist)
pianoforte elettrico :
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
sintetizzatore :
Michael Boddicker
sintetizzatore basso [synthesizer bass] :
Richard Tee
tromba :
Jerry Hey
voce di accompagnamento:
Patti Austin, Tom Bahler, Jim Gilstrap, Diva Gray e Jocelyn Allen
voce principale:
George Benson (jazz guitarist/singer)
arrangiatore archi e arrangiatore corno :
Jerry Hey
arrangiatore:
Quincy Jones e Rod Temperton
arrangiatore voci:
Rod Temperton
edit di:
Give Me the Night di George Benson (jazz guitarist/singer)
registrazione di:
Give Me the Night
paroliere e compositore:
Rod Temperton
editore:
Rodsongs (publisher), Rondor Music (Australia) Pty Ltd, Rondor Music (London) Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
George Benson4.63:40
4Good Times - 7” Edit;2018 Remaster
basso :
Bernard Edwards (American bassist and record producer) (nel 1979)
batteria :
Tony Thompson (drummer, best known for his work in CHIC) (nel 1979)
chitarra :
Nile Rodgers (nel 1979)
pianoforte :
Rob Sabino (nel 1979)
pianoforte elettrico :
Raymond Jones (nel 1979)
voce principale:
Alfa Anderson (nel 1979) e Luci Martin (nel 1979)
esecutore:
Chic (US disco group) (nel 1979)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1979)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 68) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 224)
registrazione di:
Good Times (nel 1979)
autore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
editore:
Bernard’s Other Music, Sony Songs e Tommy Jymi Inc.
CHIC53:46
5The Boy Is Mine - Radio Edit
produttore:
Dallas Austin, Brandy (US R&B singer) e Rodney Jerkins
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1998) e WEA International, Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1998)
è stato produttore per:
Brand Nu, Inc., Darkchild Entertainment, Inc. e Darp, Inc.
edit di:
The Boy Is Mine (album version) di Brandy (US R&B singer) & Monica (US R&B singer)
registrazione di:
The Boy Is Mine
autore:
Brandy Norwood (US R&B singer), LaShawn Daniels (US contemporary R&B songwriter), Fred Jerkins, Rodney Jerkins e Japhe Tejeda
editore:
Bran-Bran Music, EMI April Music Inc., EMI Blackwood Music Inc., Ensign Music Publishing, Famous Music Publishing, Fred Jerkins Publishing, Henchi Music e Sony/ATV Melody
Brandy & Monica44:00
6Dance Floor - Single Version
registrazione di:
Dance Floor
autore:
Larry Troutman e Roger Troutman (funk musician in Zapp)
Zapp3:56
7Return of the Mack - C&J Radio Edit
produttore:
Phil Chill e Mark Morrison (r&b vocalist)
produttore aggiunto:
Cutfather & Joe
remixer:
Cutfather & Joe
registrazione di:
Return of the Mack
paroliere e compositore:
Mark Morrison (r&b vocalist)
Mark Morrison3.53:32
8He’s the Greatest Dancer
registrazione di:
He’s the Greatest Dancer
autore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
editore:
Bernard’s Other Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Songs LLC, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Sister Sledge4.153:35
9I Keep Forgettin (Every Time You’re Near)
produttore:
Ted Templeman e Lenny Waronker
batteria :
Jeff Porcaro
chitarra :
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
chitarra basso :
Louis Johnson (bass, member of Brothers Johnson)
clavinet :
Greg Phillinganes
piano Rhodes , sintetizzatore e voce principale:
Michael McDonald (R&B & soul singer)
voce di accompagnamento:
Maureen McDonald (backing vocalist, sister of Michael McDonald)
diritti fonografici (℗) detenuti da:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) (nel 1982), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1982) e Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (nel 1982)
registrazione di:
I Keep Forgettin’ (Every Time You’re Near)
autore:
Jerry Leiber, Michael McDonald (R&B & soul singer), Ed Sanford e Mike Stoller
editore:
Bienstock Publishing Company (ASCAP affiliated), Jerry Leiber Music, Mike Stoller Music (ASCAP) e Yellow Dog Music Inc
versione di:
I Keep Forgettin’
Michael McDonald43:42
10Don’t Walk Away
registrazione di:
Don't Walk Away
autore:
Vassal Benford e Ronald Spearman
editore:
EMI Virgin Music Ltd. (do not use this as a release label!) e MCA Music Ltd.
Jade44:44
11I Can’t Wait
produttore:
John Smith (Nu Shooz) e Rick Waritz (producer)
diritti fonografici (℗) detenuti da:
Injection (Netherlands) (nel 1986)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 60)
registrazione di:
I Can’t Wait
paroliere e compositore:
John Smith (Nu Shooz)
editore:
Poolside Music
Nu Shooz43:39
12Young Hearts Run Free
produttore:
Dave Crawford (US soul songwriter, keyboard player, singer & producer)
arrangiatore:
Sylvester Rivers (Soul / funk keyboardist, songwriter, arranger, and producer)
registrata presso:
Sound City Studios in Van Nuys, California, Stati Uniti
registrazione di:
Young Hearts Run Free
paroliere e compositore:
Dave Crawford (US soul songwriter, keyboard player, singer & producer)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Da Ann Music (ASCAP-affiliated), Ghati Music Inc. e IQ Music Ltd.
Candi Staton3:53
13Jump to the Beat
registrazione di:
Jump to the Beat
autore:
Anukampa Lisa Walden e Narada Michael Walden
editore:
Walden Music, Inc.
Stacy Lattisaw3:22
14Keep the Fire Burning
Gwen McCrae5:45
15I Shoulda Loved Ya
Narada Michael Walden6:37
16Watching You
Slave4:42
17I Wanna Sex You Up
tecnico:
Angela Piva e Warren Woods
produttore:
Elliot Straite
tecnico di missaggio:
Elliot Straite e Howie Tee
campionamenti:
La-Di-Da-Di di Doug E. Fresh & M.C. Ricky D (earlier name of hip hop MC Slick Rick) e Tonight Is the Night di Betty Wright (American soul and R&B singer)
registrazione di:
I Wanna Sex You Up
autore:
Bryan Abrams, Bessie Regina Norris (American soul and R&B singer), Mark Calderon, Willie Clarke, Elliot Straite, Kevin Thornton e Sam Watters
editore:
Boybig Publishing, Color Me Blessed Music, EMI Full Keel Music, EMI Longitude Music, EMI Songs Ltd., Hifrost Publishing e Hip City Music Inc.
Color Me Badd4.64:00
18Set Me Free
video musicali:
Set Me Free di Jaki Graham
registrazione di:
Set Me Free
paroliere e compositore:
Derek Bramble
Jaki Graham33:36
19Thinking of You
registrazione di:
Thinking of You
autore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Music Publishing (UK) Ltd., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) e Warner/Chappell North America
Sister Sledge54:29
20Is It Love You’re After
registrazione cover di:
Is It Love You’re After
paroliere, autore e compositore:
Miles Gregory
editore:
Sony/ATV Ballad, Warner Chappell North America e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Rose Royce5:06
21Disco Inferno - Single Edit
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 54)
registrazione di:
Disco Inferno
autore:
Leroy Green (disco/soul songwriter) e Ron Kersey
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), peermusic (“Peermusic—the global independent”), Reservoir 416, Reservoir Media Management, Inc. e Six Strings Music
The Trammps4.353:12
22That’s the Way (I Like It)
produttore:
Harry Wayne Casey e Richard Finch
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
registrazione di:
That’s the Way (I Like It)
autore:
Harry Wayne Casey e Richard Finch
editore:
EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Australia Pty Ltd (not for release label use!) e Mushroom Music (Mushroom label’s publishing company)
KC and the Sunshine Band4.355:08
23Dance Across the Floor - Edit
Jimmy “Bo” Horne2:49
24Move on Up
edit di:
Move On Up di Curtis Mayfield
registrazione di:
Move On Up
paroliere e compositore:
Curtis Mayfield
editore:
Camad Music Company (conclusa), Curtom Publishing Co Inc (conclusa), EMI Tunes Ltd, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Curtis Mayfield42:46
25The Glamorous Life, Pt. 1
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1984)
registrazione di:
The Glamorous Life
paroliere e compositore:
Prince (“The Artist Formerly Known as…”)
editore:
Girlsongs (publisher)
Sheila E.53:44
26The Way You Love Me
tecnico di registrazione e tecnico di missaggio:
Jon Gass
assistente tecnico:
Toni Greene (engineer)
produttore:
L.A. & Babyface (US R&B songwriting/production duo)
produttore esecutivo:
Benny Medina e Leonard Richardson (US hip-hop producer)
batteria [drums] e percussione :
L.A.
tastiera [keyboards] :
Babyface (R&B musician Kenny Edmonds)
timbales :
Daryl Simmons
voce di accompagnamento:
Babyface (R&B musician Kenny Edmonds), Shaun Earl, Kim Eurisa, Daryl Simmons e Karyn White
mixata per:
Ratstyle Productions
è stato produttore per:
La'Face, Inc. (production company)
registrata presso e mixata presso:
Elumba Recording Studio in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
The Way You Love Me
autore:
Babyface (R&B musician Kenny Edmonds), L.A. Reid e Daryl Simmons
editore:
Chappell Music Ltd., Green Skirt Music (publisher), Hip Trip (publisher) e Kear Music (publisher)
Karyn White34:55
27Freak Like Me - Radio Edit
tecnico di registrazione e tecnico di missaggio:
Jamie Staub
produttore:
Mass Order
basso e sintetizzatore [gangsta lead] :
Mark Valentine
chitarra :
Kevin Veney
drum machine e tastiera :
Loren Hill
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1994) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1994)
è stato produttore per:
Double Lady Productions
registrata presso e mixata presso:
Green Street Recording in SoHo, New York, New York, Stati Uniti
edit di:
Freak Like Me di Adina Howard
versioni a cappella:
Freak Like Me (a cappella) di Adina Howard
versioni strumentali:
Freak Like Me (instrumental) di Adina Howard
registrazione di:
Freak Like Me (Adina Howard)
paroliere:
Eugene Hanes, Loren Hill e Marc Valentine
compositore:
George Clinton (US funk musician), Bootsy Collins (US funk musician & songwriter) e Gary “Mudbone” Cooper
editore:
Notting Dale Songs, Inc., Rubber Band Music e Universal Music Corp. (USA, affiliated with ASCAP)
si basa su:
I’d Rather Be With You
Adina Howard43:56
28Casanova
registrazione di:
Casanova
paroliere e compositore:
Reggie Calloway
editore:
Calloco Music e Hip Trip Music (publisher)
LeVert36:11
29Intimate Connection - Single Version
registrazione di:
Intimate Connection
paroliere e compositore:
Woody Cunningham e Norman Durham
Kleeer4:02
30Could It Be I’m Falling in Love
tecnico di registrazione:
Joe Tarsia (engineer)
produttore:
Thom Bell (keyboards, songwriter, producer)
basso :
Ron Baker (record producer, bassist, arranger and songwriter) (nel 1973)
batteria :
Earl Young (nel 1973)
percussione [vibraphone, marimba] :
Vince Montana (nel 1973)
pianoforte :
Thom Bell (keyboards, songwriter, producer) (nel 1973)
voce di accompagnamento:
Yvette Benson (nel 1973), Carla Benton (nel 1973) e Barbara Ingram (nel 1973)
voce di baritono:
Henry Fambrough (A member of the R&B quintet The Spinners) (nel 1973)
voce di basso:
Pervis Jackson (The bass singer for The Spinners) (nel 1973)
voce di tenore:
Billy Henderson (founding member of The Spinners) (nel 1973), Bobbie Smith (US R&B lead singer for The Spinners) (nel 1973) e Philippé Wynne (A lead vocalist of The Spinners) (nel 1973)
direttore d'orchestra:
Thom Bell (keyboards, songwriter, producer) (nel 1973)
remixer:
Joe Tarsia (engineer)
arrangiatore:
Thom Bell (keyboards, songwriter, producer)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
registrata presso:
Sigma Sound Studios in Philadelphia, Pennsylvania, Stati Uniti (nel 1973)
mixata presso:
Sigma Sound Studios in Philadelphia, Pennsylvania, Stati Uniti
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 221)
registrazione di:
Could It Be I’m Falling in Love (nel 1973)
autore:
Melvin Steals e Mervin Steals
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Spinners4.54:12
31Love Has Come Around
registrata a:
Atlanta, Georgia, Stati Uniti (nel 1981)
tromba :
Donald Byrd (American jazz trumpeter) (nel 1981)
registrazione di:
Love Has Come Around
paroliere e compositore:
William Duckett
Donald Byrd7:53
32Rock Your Baby
voce:
George McCrae
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1974)
registrazione di:
Rock Your Baby
autore:
Harry Wayne Casey, Richard Finch e KC (Harry Wayne Casey of the Sunshine Band)
editore:
EMI Longitude Music e Peer Music (UK) Ltd.
George McCrae3.253:20
33Feel So Real
registrazione di:
Feel So Real
autore:
India Arrington e Steve Arrington
Steve Arrington5:06
34Turn Your Love Around
produttore:
Jay Graydon
batteria :
Jeff Porcaro
chitarra :
Jay Graydon
flauto e sassofono :
Gary Herbig
piano Rhodes [Fender Rhodes] e pianoforte :
Jai Winding (pianist, composer, vocal)
piatti [Cymbals (payette)] :
Mike Baird (drummer)
sintetizzatore :
David Foster (Canadian music producer, arranger and composer) e Jay Graydon
sintetizzatore basso :
David Paich
tromba :
Chuck Findley (trumpet, trombone, horn player) e Jerry Hey
trombone :
Bill Reichenbach, Jr. (jazz trombonist)
voce:
George Benson (jazz guitarist/singer)
voce di accompagnamento:
Bill Champlin, Vennette Gloud e Carmen Twillie
arrangiatore corno :
Jerry Hey
arrangiatore:
Jay Graydon
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1981)
registrazione di:
Turn Your Love Around
autore:
Bill Champlin, Jay Graydon e Steve Lukather (guitarist, vocalist, composer, producer and arranger)
editore:
Garden Rake Music, Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Rehtakul Veets Music, Universal Music–MGB Songs, ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e 大洋音楽 (Taiyō Music)
George Benson3:50
35Sooner or Later
Larry Graham3:28
36Wear It Out
produttore:
Verdine White e Robert Wright (disco/funk producer)
registrazione di:
Wear It Out
autore:
Charles Fearing, Rochelle Runnells e Robert Wright (disco/funk producer)
Stargard45:14
37Twisted
Keith Sweat4:21
38Joy
Teddy Pendergrass4:31
39You Might Need Somebody
tecnico di registrazione e tecnico di missaggio:
Al Schmitt
produttore:
Tommy LiPuma
basso :
Abraham Laboriel
batteria :
Jeff Porcaro
chitarra :
Steve Lukather (guitarist, vocalist, composer, producer and arranger) e Dean Parks (American session guitarist)
corno :
Chuck Findley (trumpet, trombone, horn player), Gary Herbig, Jim Horn (saxophonist, hornist, flutist and oboist), Bill Reichenbach, Jr. (jazz trombonist) e Larry Williams (trumpet, flugelhorn, French horn)
percussione :
Lenny Castro
tastiera :
Leon Pendarvis
voce di accompagnamento:
Marti McCall (session vocalist), Petsye Powell, Alphanette Silas e Phyllis St. James
arrangiatore archi :
Nick de Caro
arrangiatore corno :
Bill Reichenbach, Jr. (jazz trombonist)
registrazione cover di:
You Might Need Somebody
compositore:
Nan O’Byrne (American songwriter and composer) e Tom Snow (US keyboardist/songwriter)
Randy Crawford4:17
40Please Don’t Go
produttore:
Harry Wayne Casey e Richard Finch
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1979)
registrazione di:
Please Don’t Go
autore:
Harry Wayne Casey e Richard Finch
editore:
EMI Music Publishing (do not use as a release label!), EMI Songs e EMI Songs Ltd.
KC and the Sunshine Band43:50