It’s a Sixties Party

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▶CD
2▼CD
Nr.TitelKünstlerBewertungLänge
1Runaround Sue
recording of:
Runaround Sue
Texter:
Dion (US singer-songerwriter, blends doo-wop, pop rock & R&B)
Komponist(in):
Ernie Maresca
publisher:
Bronx Soul Music, Mijac Music, Shinko Music Entertainment Co., Ltd. und Universal Music Publishing Group Japan (work publisher – do NOT use as a release label)
sub-publisher:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division) und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Dion4?:??
2Oh, Pretty Woman
recording of:
Oh, Pretty Woman (Roy Orbison song)
Texter und Komponist(in):
Bill Dees (songwriter, singer, guitarist) und Roy Orbison
publisher:
Acuff-Rose Music Limited (UK), Barbara Orbison Music Company, Roy Orbison Music Company, Universal/MCA Music Ltd. (not for release label use!), Acuff-Rose Publications, Inc. (BMI) (am 1964-08-26) und Acuff-Rose (BMI) (in 1972)
Roy Orbison4?:??
3How Do You Do It?
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) und Columbia Pictures Industries, Inc. (in 1963)
recording of:
How Do You Do It (in 1963-03)
Texter und Komponist(in):
Mitch Murray
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), PolyGram Music Publishing, Songs of PolyGram International, Inc. und Universal/Dick James Music Ltd. (fka Dick James Music Ltd.)
Gerry & the Pacemakers3.5?:??
4If I Had a Hammer
cover recording of:
If I Had a Hammer
Verfasser(in):
Lee Hays (in 1949) und Pete Seeger (in 1949)
publisher:
M.P.A. (M.P.A.)
Trini Lopez4?:??
5Last Train to Clarksville
recording of:
Last Train to Clarksville
Verfasser(in):
Tommy Boyce (US songwriter of Boyce and Hart) und Bobby Hart
publisher:
Screen Gems–Columbia Music, Inc. und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
The Monkees4?:??
6Let’s Dance
Sologesang:
Chris Montez
recording of:
Let’s Dance
Texter und Komponist(in):
Jim Lee (“Let’s Dance” writer/producer)
publisher:
Chappell Morris Ltd., DeVorzon Music, Rondell Music und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Chris Montez3?:??
7Give Him a Great Big Kiss
recording of:
Give Him a Great Big Kiss
Texter und Komponist(in):
George “Shadow” Morton
The Shangri‐Las4?:??
8Telstar
Produzent(in):
Joe Meek
recording of:
Telstar (in 1962)
Komponist(in):
Joe Meek
publisher:
Ivy Music Ltd.
The Tornados3.35?:??
9Nut Rocker
recording of:
Nut Rocker
Komponist(in):
Kim Fowley
publisher:
Kim Fowley Music
basiert auf:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: a) Marche. Tempo di marcia viva
B. Bumble & the Stingers3?:??
10Cut Across Shorty
recording of:
Cut Across Shorty (am 1960-01-08)
Verfasser(in):
Wayne Walker und Marijohn Wilkin
publisher:
Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
Eddie Cochran3?:??
11Good Golly Miss Molly
cover recording of:
Good Golly Miss Molly
Verfasser(in):
Robert “Bumps” Blackwell und John Marascalco
publisher:
Cedos Music, Jondora Music, PeerMusic AB, Prestige Music ltd. und Robin Hood Music Co.
The Swinging Blue Jeans3?:??
12Dimples
cover recording of:
Dimples
Texter:
John Lee Hooker (US blues singer, songwriter & guitarist) (in 1956)
Komponist(in):
James Bracken
publisher:
Conrad Music (publisher; do NOT use as release label), Costoma Publishing Company und Tristan Music Ltd.
The Animals4?:??
13Stop! In the Name of Love
Produzent(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
Instrumente:
The Funk Brothers (von 1965-01-05 bis 1965-01-11)
Hintergrundgesang:
The Andantes (von 1965-01-05 bis 1965-01-11), Florence Ballard (von 1965-01-05 bis 1965-01-11) und Mary Wilson (von 1965-01-05 bis 1965-01-11)
Sologesang:
Diana Ross (von 1965-01-05 bis 1965-01-11)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1965)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (von 1965-01-05 bis 1965-01-11)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (Nummer: 13) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 254)
recording of:
Stop! In the Name of Love (von 1965-01-05 bis 1965-01-11)
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
Jobete Music (UK) Ltd., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
The Supremes4.15?:??
14In the Middle of Nowhere
recording of:
In the Middle of Nowhere
Komponist(in):
Buddy Kaye und Beatrice Verdi
Dusty Springfield3?:??
15Out of Time
cover recording of:
Out of Time
Verfasser(in):
Mick Jagger (The Rolling Stones) und Keith Richards (Rolling Stones guitarist)
publisher:
ABKCO Music, ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Cromwell Music, Cromwell Music Australia und EMI Music Publishing (do not use as a release label!)
Chris Farlowe3?:??
16Brown Eyed Girl
recording of:
Brown Eyed Girl
Texter und Komponist(in):
Van Morrison
publisher:
Artist Alliance, Gallo Music Publishers, PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Songs of PolyGram International, Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., Web IV Music Inc. (in 1967) und Polygram Publishing AB (in 1992)
Van Morrison4?:??
17Si Tu Dois Partir
Techniker(in):
John Wood (US sound engineer and producer)
Produzent(in):
Joe Boyd (US producer, founder of Hannibal Records), Fairport Convention (English folk rock band) und Simon Nicol (singer, multi-instrumentalist and producer from England)
Bass und Bassgitarre:
Ashley Hutchings
Fiddle:
Dave Swarbrick
Gitarre:
Simon Nicol (singer, multi-instrumentalist and producer from England) und Richard Thompson (UK folk rock singer/songwriter/guitarist)
Schlagzeug:
Martin Lamble
triangle:
Trevor Lucas
vocals:
Sandy Denny, Ashley Hutchings, Simon Nicol (singer, multi-instrumentalist and producer from England) und Richard Thompson (UK folk rock singer/songwriter/guitarist)
phonographisches Urheberrecht (℗) von:
Universal Island Records Ltd. (not for release label use! company known by this name from 1999-03-29 to 2014-06-25) (in 2003)
cover recording of:
Si tu dois partir
Texter und Komponist(in):
Bob Dylan (in 1965)
Übersetzer:
Fairport Convention (English folk rock band)
publisher:
Special Rider Music
übersetzte Version von:
If You Gotta Go, Go Now (or Else You Got to Stay All Night)
Fairport Convention3?:??
18March of the Mods
recording of:
March of the Mods
Verfasser(in):
Tony Carr
Joe Loss3?:??
19Gimme Some Lovin’
Produzent(in):
Chris Blackwell (Island Records) und Jimmy Miller (producer for Rolling Stones/Nirvana etc)
phonographisches Urheberrecht (℗) von:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1966)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 244)
recording of:
Gimme Some Lovin’
Verfasser(in):
Spencer Davis, Muff Winwood (bass player, songwriter, producer) und Steve Winwood
publisher:
Kobalt Music Publishing Ltd. (UK), Shinko Music Entertainment Co., Ltd., Songs of Kobalt Music Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal Music Publishing, Synch Division, Universal–Songs of PolyGram International, Inc., Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), Warner Chappell Music Ltd. (no slash; used 1988–1996), Yamaha Music EH(CM) und Island Music Ltd. (vom 1966 bis ????)
The Spencer Davis Group4.15?:??
20I Can’t Let Go
Produzent(in):
Ron Richards
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1966, in 2011)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1966-01-13, am 1966-01-18)
cover recording of:
I Can't Let Go (von 1966-01-13 bis 1966-01-18)
Verfasser(in):
Al Gorgoni (guitarist, composer, arranger, and producer) und Chip Taylor (US singer/songwriter)
publisher:
April Music AB (Swedish subsidiary of April Music), EMI Blackwood Music Inc., M. Carey Songs, Sony Songs Inc., Wallyworld Music und WB Music Corp. (1929–2019)
recording of:
I Can't Let Go
Verfasser(in):
Al Gorgoni (guitarist, composer, arranger, and producer) und Chip Taylor (US singer/songwriter)
publisher:
April Music AB (Swedish subsidiary of April Music), EMI Blackwood Music Inc., M. Carey Songs, Sony Songs Inc., Wallyworld Music und WB Music Corp. (1929–2019)
The Hollies2.5?:??
21The Letter
Produzent(in):
Dan Penn (songwriter, soul singer)
phonographisches Urheberrecht (℗) von:
Arista Records (not an imprint, use “Arista” for release labels) (in 1967), Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1967), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1967) und Atoll Music (in 1968)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 357) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 364)
recording of:
The Letter (in 1967)
Texter und Komponist(in):
Wayne Carson Thompson
publisher:
Bike Music, Budde Songs Inc., Chelsea Music Publishing, Chelsea Music Publishing Co., Ltd., Concord Bicycle Assets, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music (do not use as release label! this is a music publisher), Lovolar Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
The Box Tops4.15?:??
221‒2‒3
recording of:
1‐2‐3
Verfasser(in):
Leonard Borisoff, John Madara und David White (rock ’n’ roll pianist & songwriter, member of Danny & the Juniors)
zusätzliche(r) Verfasser(in):
Lamont Dozier, Brian Holland (Motown producer & songwriter) und Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., Mijac Double Diamond Music, Songs of Universal, Inc. (BMI), Stone Agate Music Division, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Welbeck Music Ltd.
Len Barry3?:??
23Heartbeat
Produzent(in):
Norman Petty
Bass:
George Atwood (von 1958-05-25 bis 1958-05-26)
Gitarre:
Tommy Allsup (von 1958-05-25 bis 1958-05-26) und Buddy Holly (1950s rock & roll singer‐songwriter) (von 1958-05-25 bis 1958-05-26)
Schlagzeug:
Jerry Allison (von 1958-05-25 bis 1958-05-26)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1958-05-25 bis 1958-05-26)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1958)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (von 1958-05-25 bis 1958-05-26)
recording of:
Heartbeat (von 1958-05-25 bis 1958-05-26)
Verfasser(in):
Bob Montgomery (USA) und Norman Petty
publisher:
Melody Lane Publications Inc. und Peermusic (UK) Limited
Buddy Holly4.65?:??

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