The Reprise Collection

~ Release by Frank Sinatra (see all versions of this release, 1 available)

Annotation

Music recorded from 1961-1975

Annotation last modified on 2012-09-08 11:06 UTC.

Tracklist

1▼CD
#TitleRatingLength
1Let’s Fall in Love
recorded in:
Los Angeles, California, United States (on 1960-12-19)
engineer:
Bill Putnam (on 1960-12-19)
bass:
Joe Comfort and Joe Mondragon
bass trombone:
George Roberts (american bass trombone)
cello:
Ray Kramer, Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
drums (drum set):
Irv Cottler
flute:
Bud Shank (on 1960-12-19)
guitar:
Al Viola
harp:
Kathryn Julye
percussion:
Larry Bunker and Emil Richards
piano:
Bill Miller (pianist) (on 1960-12-19)
saxophone and woodwind:
Buddy Collette, Chuck Gentry, Plas Johnson, Harry Klee and Joe Maini
trombone:
Dick Nash, Stu Williamson and Frank Rosolino (on 1960-12-19)
trumpet:
Conrad Gozzo, Ray Triscari, John Anderson (US jazz trumpeter) (on 1960-12-19) and Don Fagerquist (on 1960-12-19)
vibraphone:
Emil Richards (on 1960-12-19)
viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Alexander Neiman (violist) and Paul Robyn
violin:
Victor Arno, Herman Clebanoff, Elliott Fisher, James Getzoff (American concertmaster and violinist), Ben Gill, Erno Neufeld, Marshall Sosson, Joseph Stepansky and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-12-19)
conductor:
Johnny Mandel (American composer and arranger) (on 1960-12-19)
arranger:
Johnny Mandel (American composer and arranger)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1960-12-19)
cover recording of:
Let’s Fall in Love (on 1960-12-19)
lyricist:
Ted Koehler (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Francis, Day & Hunter Ltd.
32:13
2You’d Be So Easy to Love
recorded in:
Los Angeles, California, United States (on 1960-12-20)
engineer:
Bill Putnam (on 1960-12-20)
bass:
Joe Comfort and Joe Mondragon
bass trombone:
George Roberts (american bass trombone)
cello:
Ray Kramer, Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
drums (drum set):
Irv Cottler
flute:
Bud Shank (on 1960-12-20)
guitar:
Al Viola
harp:
Kathryn Julye
percussion:
Larry Bunker and Emil Richards
piano:
Bill Miller (pianist) (on 1960-12-20)
saxophone and woodwind:
Buddy Collette, Chuck Gentry, Plas Johnson, Harry Klee and Joe Maini
trombone:
Dick Nash, Stu Williamson and Frank Rosolino (on 1960-12-20)
trumpet:
Conrad Gozzo, Ray Triscari, John Anderson (US jazz trumpeter) (on 1960-12-20) and Don Fagerquist (on 1960-12-20)
vibraphone:
Emil Richards (on 1960-12-20)
viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Alexander Neiman (violist) and Paul Robyn
violin:
Victor Arno, Herman Clebanoff, Elliott Fisher, James Getzoff (American concertmaster and violinist), Ben Gill, Erno Neufeld, Marshall Sosson, Joseph Stepansky and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-12-20)
conductor:
Johnny Mandel (American composer and arranger) (on 1960-12-20)
arranger:
Johnny Mandel (American composer and arranger)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1960-12-20)
cover recording of:
Easy to Love (on 1960-12-20)
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Inc. (USA), Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Anything Goes
part of:
Born to Dance
2:25
3The Coffee Song
recorded in:
Los Angeles, California, United States (on 1960-12-20)
engineer:
Bill Putnam (on 1960-12-20)
bass:
Joe Comfort and Joe Mondragon
bass trombone:
George Roberts (american bass trombone)
cello:
Ray Kramer, Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
drums (drum set):
Irv Cottler
flute:
Bud Shank (on 1960-12-20)
guitar:
Al Viola
harp:
Kathryn Julye
percussion:
Larry Bunker and Emil Richards
piano:
Bill Miller (pianist) (on 1960-12-20)
saxophone and woodwind:
Buddy Collette, Chuck Gentry, Plas Johnson, Harry Klee and Joe Maini
trombone:
Dick Nash, Stu Williamson and Frank Rosolino (on 1960-12-20)
trumpet:
Conrad Gozzo, Ray Triscari, John Anderson (US jazz trumpeter) (on 1960-12-20) and Don Fagerquist (on 1960-12-20)
vibraphone:
Emil Richards (on 1960-12-20)
viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Alexander Neiman (violist) and Paul Robyn
violin:
Victor Arno, Herman Clebanoff, Elliott Fisher, James Getzoff (American concertmaster and violinist), Ben Gill, Erno Neufeld, Marshall Sosson, Joseph Stepansky and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-12-20)
conductor:
Johnny Mandel (American composer and arranger) (on 1960-12-20)
arranger:
Johnny Mandel (American composer and arranger)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1960-12-20)
cover recording of:
The Coffee Song (1946 song) (on 1960-12-20)
lyricist:
Bob Hilliard
composer:
Dick Miles (songwriter, composer)
publisher:
Cromwell Music, Inc.
42:52
4Zing! Went the Strings of My Heart
engineer:
Bill Putnam (on 1960-12-21)
flute:
Bud Shank (on 1960-12-21)
piano:
Bill Miller (pianist) (on 1960-12-21)
trombone:
Frank Rosolino (on 1960-12-21)
trumpet:
John Anderson (US jazz trumpeter) (on 1960-12-21) and Don Fagerquist (on 1960-12-21)
vibraphone:
Emil Richards (on 1960-12-21)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-12-21)
conductor:
Johnny Mandel (American composer and arranger) (on 1960-12-21)
arranger:
Johnny Mandel (American composer and arranger)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1960-12-21)
cover recording of:
Zing! Went the Strings of My Heart (on 1960-12-21)
lyricist and composer:
James F. Hanley
publisher:
Redwood Music Ltd. (Carlin), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
2:49
5The Last Dance
recorded in:
Los Angeles, California, United States (on 1960-12-21)
engineer:
Bill Putnam (on 1960-12-21)
flute:
Bud Shank (on 1960-12-21)
piano:
Bill Miller (pianist) (on 1960-12-21)
trombone:
Frank Rosolino (on 1960-12-21)
trumpet:
John Anderson (US jazz trumpeter) (on 1960-12-21) and Don Fagerquist (on 1960-12-21)
vibraphone:
Emil Richards (on 1960-12-21)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-12-21)
conductor:
Felix Slatkin (on 1960-12-21)
arranger:
Nelson Riddle
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1960-12-21)
recording of:
The Last Dance (on 1960-12-21)
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
Cahn Music Company, Maraville Music Corp. and WB Music Corp. (1929–2019)
2:48
6The Second Time Around
recorded in:
Los Angeles, California, United States (on 1960-12-21)
engineer:
Bill Putnam (on 1960-12-21)
flute:
Bud Shank (on 1960-12-21)
piano:
Bill Miller (pianist) (on 1960-12-21)
trombone:
Frank Rosolino (on 1960-12-21)
trumpet:
John Anderson (US jazz trumpeter) (on 1960-12-21) and Don Fagerquist (on 1960-12-21)
vibraphone:
Emil Richards (on 1960-12-21)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-12-21)
conductor:
Felix Slatkin (on 1960-12-21)
arranger:
Nelson Riddle
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1960-12-21)
cover recording of:
The Second Time Around (on 1960-12-21)
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
AF Encore Fund LLC, Applause and Encore Music, EMI Miller Catalog, Inc., Miller Music (publisher) and Twentieth Century Music Corp. (in 1960, in 1988)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label)
part of:
The 33rd Academy Award for Best Original Song (number: 2)
3:02
7Tina
recorded in:
Los Angeles, California, United States (on 1960-12-21)
engineer:
Bill Putnam (on 1960-12-21)
flute:
Bud Shank (on 1960-12-21)
piano:
Bill Miller (pianist) (on 1960-12-21)
trombone:
Frank Rosolino (on 1960-12-21)
trumpet:
John Anderson (US jazz trumpeter) (on 1960-12-21) and Don Fagerquist (on 1960-12-21)
vibraphone:
Emil Richards (on 1960-12-21)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-12-21)
conductor:
Felix Slatkin (on 1960-12-21)
arranger and vocals arranger:
Nelson Riddle
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1960-12-21)
recording of:
Tina (on 1960-12-21)
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
Maraville Music Corp.
2:58
8Without a Song
recorded in:
Los Angeles, California, United States (on 1961-05-02)
bass:
Joe Comfort
bass trombone:
Ken Shroyer (trombonist)
cello:
Justin Ditullio, Ray Kramer and Edgar Lustgarten
drums (drum set):
John Markham
French horn:
James Decker (French hornist)
guitar:
Al Viola
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
saxophone:
Plas Johnson, Joe Koch, Abe Most and Ted Nash (40s-80s US swing reedman, uncle of the other)
trombone:
Dick Noel (trombone), Pullman “Tommy” Pederson and Bobby Pring
trumpet:
Conte Candoli, Conrad Gozzo, Al Porcino and Jimmy Zito
viola:
Stanley Harris (US big band viola player), Alexander Neiman (violist) and Paul Robyn
violin:
Victor Arno, Arnold Belnick, Herman Clebanoff, James Getzoff (American concertmaster and violinist), Anatol Kaminsky (Violinist), Marvin Limonick, Leonard Malarsky, Erno Neufeld, Marshall Sosson, Arnold Sukonick (violinist) and Gerald Vinci (American violinist and strings conductor)
woodwind:
Plas Johnson and Abe Most
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1961-05-02)
conductor:
Sy Oliver (on 1961-05-02)
arranger:
Sy Oliver
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1961-05-02)
cover recording of:
Without a Song (on 1961-05-02)
lyricist:
Edward Eliscu and Billy Rose (lyricist and Broadway producer)
composer:
Vincent Youmans
publisher:
Anne-Rachel Music Corp., CBS Miller Catalog, Inc., Chappell & Co., EMI Miller Catalog, Inc., Johnny Mathis Music, Inc., LSQ Music Co., Miller Music Corp., The Songwriters Guild and WB Music Corp. (1929–2019)
part of:
Great Day!
3:39
9It Started All Over Again
recorded in:
Los Angeles, California, United States (on 1961-05-03)
bass:
Joe Comfort
bass trombone:
Ken Shroyer (trombonist)
cello:
Justin Ditullio, Ray Kramer and Edgar Lustgarten
drums (drum set):
John Markham
French horn:
George Price
guitar:
Al Viola
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
saxophone:
Plas Johnson, Joe Koch, Abe Most, Wilbur Schwartz and Billy Usselton
trombone:
Milt Bernhart, Dick Noel (trombone) and Bobby Pring
trumpet:
Conte Candoli, Ray Linn, Al Porcino and Jimmy Zito
viola:
Stanley Harris (US big band viola player), Alexander Neiman (violist) and Paul Robyn
violin:
Victor Arno, Arnold Belnick, Herman Clebanoff, James Getzoff (American concertmaster and violinist), Anatol Kaminsky (Violinist), Marvin Limonick, Leonard Malarsky, Erno Neufeld, Marshall Sosson, Arnold Sukonick (violinist) and Gerald Vinci (American violinist and strings conductor)
woodwind:
Plas Johnson and Abe Most
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (from 1961-03-20 until 1961-03-21)
conductor:
Sy Oliver (from 1961-03-20 until 1961-03-21)
arranger:
Sy Oliver
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1961-05-03)
recording of:
It Started All Over Again (on 1961-05-03)
lyricist:
Bill Carey (US songwriter)
composer:
Carl T. Fischer (Native American jazz pianist and composer)
publisher:
Embassy Music Corporation
2:34
10Love Walked In
recorded in:
Los Angeles, California, United States (on 1961-05-18)
bass:
Joe Comfort
bass trombone:
George Roberts (american bass trombone)
drums (drum set):
John Markham
guitar:
Al Viola
percussion:
Emil Richards
piano:
Bill Miller (pianist)
saxophone and woodwind:
Chuck Gentry, Justin Gordon (Justin S. Gordon; American jazz saxophonist and multi-wind instrumentalist (1917-1998)), Jules Jacob (US jazz woodwind player), Harry Klee and Ted Nash (40s-80s US swing reedman, uncle of the other)
trombone:
Milt Bernhart, Joe Howard (american trombone player) and Pullman “Tommy” Pederson
trumpet:
Frank Beach (trombone, trumpet), Conrad Gozzo, Vito N. Mangano and Shorty Sherock
tuba:
Phil Stephens (bass and tuba player)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1961-05-18)
conductor:
Billy May
arranger:
Billy May
cover recording of:
Love Walked In (on 1961-05-18)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1930)
publisher:
Chappell & Co Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Gershwin Publishing Corp (in 1938)
part of:
The Goldwyn Follies
2:22
11You’re Nobody ’til Somebody Loves You
recorded in:
Los Angeles, California, United States (on 1961-05-23)
bass:
Joe Comfort
bass trombone:
Ken Shroyer (trombonist)
cello:
Justin Ditullio, Ossip Giskin (cellist), Armand Kaproff and Margaret Aue-Van Wyck (Cellist)
drums (drum set):
Irv Cottler
guitar:
Al Viola
harp:
Verlye Mills
percussion:
Larry Bunker and Emil Richards
piano:
Bill Miller (pianist)
saxophone and woodwind:
Gene Cipriano, Buddy Collette, Chuck Gentry, Harry Klee and Ted Nash (40s-80s US swing reedman, uncle of the other)
trombone:
Joe Howard (american trombone player), Ed Kusby and Pullman “Tommy” Pederson
trumpet:
Frank Beach (trombone, trumpet), Conrad Gozzo, Vito N. Mangano and Shorty Sherock
tuba:
Phil Stephens (bass and tuba player)
viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Alexander Neiman (violist) and Paul Robyn
violin:
Victor Arno, Israel Baker (American violinist), Herman Clebanoff, Jacques Gasselin, James Getzoff (American concertmaster and violinist), Lou Klass, Marvin Limonick, Leonard Malarsky, Nathan Ross, Marshall Sosson, Arnold Sukonick (violinist) and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1961-05-23)
conductor:
Billy May
arranger:
Billy May
cover recording of:
You’re Nobody Till Somebody Loves You (on 1961-05-23)
writer:
James Cavanaugh, Russ Morgan (Big Band orchestra leader) and Larry Stock
publisher:
Capitol Records (imprint of Capitol Records, Inc.), Shapiro, Bernstein & Co., Inc. and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
part of:
The Real Book (compilation of jazz standards, volume I)
4:13
12Don’t Take Your Love From Me
recorded in:
Hollywood, Los Angeles, California, United States (on 1961-11-21)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1961-11-21)
arranger:
Don Costa (US pop music arranger & producer)
cover recording of:
Don’t Take Your Love From Me (on 1961-11-21)
lyricist, writer and composer:
Henry Nemo
publisher:
Indano Music Co.
4:06
13Come Rain or Come Shine
recorded in:
Hollywood, Los Angeles, California, United States (on 1961-11-22)
bass:
Ed Gilbert and Ralph Peña
bass clarinet:
Billy Usselton
bass trombone:
George Roberts (american bass trombone)
bassoon:
Jack Marsh
cello:
Justin Ditullio, Armand Kaproff, Ray Kramer and Eleanor Slatkin (US cellist, b. Aller)
clarinet:
Russ Cheever and Arthur Smith (Saxophonist)
drums (drum set):
John Markham
flute:
Justin Gordon (Justin S. Gordon; American jazz saxophonist and multi-wind instrumentalist (1917-1998)), Abe Most and Bud Shank
French horn:
John Cave (french horn), James Decker (French hornist), Vincent DeRosa and Richard Perissi
guitar:
Al Viola
harp:
Kathryn Julye
oboe:
Jules Jacob (US jazz woodwind player)
percussion:
Emil Richards
piano:
Bill Miller (pianist)
saxophone:
Russ Cheever, Justin Gordon (Justin S. Gordon; American jazz saxophonist and multi-wind instrumentalist (1917-1998)), Jack Marsh, Abe Most, Bud Shank and Arthur Smith (Saxophonist)
trombone:
Dick Nash, Dick Noel (trombone) and Frank Rosolino
trumpet:
Bobby Bryant, Don Fagerquist, Conrad Gozzo and Al Porcino
viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Allan Harshman (violist), Virginia Majewski (violist), Robert Ostrowsky and Paul Robyn
violin:
Victor Arno, Israel Baker (American violinist), Herman Clebanoff, Daniel Karpilowsky, Jacques Gasselin, James Getzoff (American concertmaster and violinist), Ben Gill, Anatol Kaminsky (Violinist), Amerigo Marino, Erno Neufeld, Nathan Ross, Paul Shure, Felix Slatkin, Joseph Stepansky and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1961-11-22)
assistant conductor:
Don Costa (US pop music arranger & producer)
arranger:
Don Costa (US pop music arranger & producer) and Nelson Riddle
cover recording of:
Come Rain or Come Shine (on 1961-11-22)
lyricist:
Johnny Mercer (in 1946)
composer:
Harold Arlen (in 1946)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), S.A. Music Co. and Warner/Chappell Music Scandinavia AB
4:07
14Night and Day
recorded in:
Hollywood, Los Angeles, California, United States (on 1961-11-22)
bass:
Ed Gilbert and Ralph Peña
bass clarinet:
Billy Usselton
bass trombone:
George Roberts (american bass trombone)
bassoon:
Jack Marsh
cello:
Justin Ditullio, Armand Kaproff, Ray Kramer and Eleanor Slatkin (US cellist, b. Aller)
clarinet:
Russ Cheever and Arthur Smith (Saxophonist)
drums (drum set):
John Markham
flute:
Justin Gordon (Justin S. Gordon; American jazz saxophonist and multi-wind instrumentalist (1917-1998)), Abe Most and Bud Shank
French horn:
John Cave (french horn), James Decker (French hornist), Vincent DeRosa and Richard Perissi
guitar:
Al Viola
harp:
Kathryn Julye
oboe:
Jules Jacob (US jazz woodwind player)
percussion:
Emil Richards
piano:
Bill Miller (pianist)
saxophone:
Russ Cheever, Justin Gordon (Justin S. Gordon; American jazz saxophonist and multi-wind instrumentalist (1917-1998)), Jack Marsh, Abe Most, Bud Shank and Arthur Smith (Saxophonist)
trombone:
Dick Nash, Dick Noel (trombone) and Frank Rosolino
trumpet:
Bobby Bryant, Don Fagerquist, Conrad Gozzo and Al Porcino
viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Allan Harshman (violist), Virginia Majewski (violist), Robert Ostrowsky and Paul Robyn
violin:
Victor Arno, Israel Baker (American violinist), Herman Clebanoff, Daniel Karpilowsky, Jacques Gasselin, James Getzoff (American concertmaster and violinist), Ben Gill, Anatol Kaminsky (Violinist), Amerigo Marino, Erno Neufeld, Nathan Ross, Paul Shure, Felix Slatkin, Joseph Stepansky and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1961-11-22)
assistant conductor:
Don Costa (US pop music arranger & producer)
arranger:
Don Costa (US pop music arranger & producer) and Nelson Riddle
cover recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (on 1961-11-22)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
33:39
15All Alone
recorded in:
Los Angeles, California, United States (on 1962-01-15)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1962-01-15)
conductor:
Gordon Jenkins (from 1962-01-15 until 1962-01-17)
arranger:
Gordon Jenkins
cover recording of:
All Alone (on 1962-01-15)
lyricist and composer:
Irving Berlin (in 1924)
publisher:
Irving Berlin Music Corp. and Williamson Music Company
12:45
16What’ll I Do?
recorded in:
Los Angeles, California, United States (on 1962-01-17)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1962-01-17)
conductor:
Gordon Jenkins (on 1962-01-17)
arranger:
Gordon Jenkins
cover recording of:
What’ll I Do? (on 1962-01-17)
lyricist and composer:
Irving Berlin (in 1923)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp., Wilhelm Hansen and Williamson Music Company
3:17
17I Get a Kick Out of You
recorded in:
Hollywood, Los Angeles, California, United States (on 1963-04-10)
bass:
Al McKibbon (double bassist)
bass trombone:
George Roberts (american bass trombone)
drums (drum set):
Earl Palmer
guitar:
Al Viola
instruments:
Conte Candoli
piano:
Bill Miller (pianist)
saxophone and woodwind:
Chuck Gentry, Plas Johnson, Harry Klee, Joe Maini and Ben Webster
trombone:
Lew McCreary, Dick Nash, Dick Noel (trombone) and Frank Rosolino
trumpet:
Pete Candoli, Don Fagerquist, Al Porcino and Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (, on 1963-04-10)
conductor:
Neal Hefti
arranger:
Neal Hefti
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1962)
cover recording of:
I Get a Kick Out of You (on 1962-04-10)
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell and Chappell (in 1974)
part of:
Anything Goes
43:15
18Don’cha Go ’way Mad
recorded in:
Hollywood, Los Angeles, California, United States (on 1962-04-11)
bass:
Al McKibbon (double bassist)
bass trombone:
George Roberts (american bass trombone)
drums (drum set):
Earl Palmer
guitar:
Al Viola
instruments:
Conte Candoli
piano:
Bill Miller (pianist)
saxophone and woodwind:
Chuck Gentry, Plas Johnson, Harry Klee, Joe Maini and Ben Webster
trombone:
Lew McCreary, Dick Nash, Dick Noel (trombone) and Frank Rosolino
trumpet:
Pete Candoli, Don Fagerquist, Al Porcino and Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (, on 1962-04-11)
conductor:
Neal Hefti
arranger:
Neal Hefti
cover recording of:
Don’cha Go ’Way Mad (on 1962-04-11)
lyricist:
Al Stillman
composer:
Illinois Jacquet and Jimmy Mundy
publisher:
Advanced Music corp. and Rytvoc, Inc. (ASCAP)
version of:
Black Velvet
3:13
19A Garden in the Rain
recorded in:
London (Greater London), England, United Kingdom (on 1962-06-12)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1962-06-12)
conductor:
Robert Farnon (composer, conductor, trumpet player) (on 1962-06-12)
arranger:
Robert Farnon (composer, conductor, trumpet player)
cover recording of:
A Garden in the Rain (on 1962-06-12)
lyricist:
James Dyrenforth (in 1928)
composer:
Carroll Gibbons (in 1928)
publisher:
Campbell Connelly & Co. Ltd. and Music Sales Corporation (American copyright holder in both popular and classical music)
3:25
20A Nightingale Sang in Berkeley Square
recorded in:
London (Greater London), England, United Kingdom (on 1962-06-13)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1962-06-13)
conductor:
Robert Farnon (composer, conductor, trumpet player) (on 1962-06-13)
arranger:
Robert Farnon (composer, conductor, trumpet player)
cover recording of:
A Nightingale Sang in Berkeley Square (on 1962-06-13)
lyricist:
Eric Maschwitz (Holt Marvell)
composer:
Manning Sherwin (in 1939)
publisher:
Colgems-EMI Music Inc., Peter Maurice Music Co. Ltd. and Shapiro, Bernstein & Co., Inc.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
3:53
21Please Be Kind
recorded in:
Los Angeles, California, United States (on 1962-10-02)
bass:
Buddy Catlett (on 1962-10-02)
drums (drum set):
Sonny Payne (on 1962-10-02)
guitar:
Freddie Green (on 1962-10-02)
piano:
Count Basie (pianist) (on 1962-10-02)
saxophone:
Eric Dixon (woodwind) (on 1962-10-02), Frank Foster (saxophonist) (on 1962-10-02), Charlie Fowlkes (baritone saxophonist) (on 1962-10-02), Marshall Royal (on 1962-10-02) and Frank Wess (on 1962-10-02)
trombone:
Henry Coker (jazz trombonist) (on 1962-10-02) and Benny Powell (jazz trombonist) (on 1962-10-02)
trumpet:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (on 1962-10-02), Sonny Cohn (on 1962-10-02), Thad Jones (American jazz trumpeter) (on 1962-10-02) and Al Porcino (on 1962-10-02)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1962-10-02)
orchestra:
Count Basie and His Orchestra (on 1962-10-02)
arranger:
Neal Hefti
cover recording of:
Please Be Kind (on 1962-10-02)
lyricist:
Sammy Cahn (in 1938)
composer:
Saul Chaplin (in 1938)
publisher:
Harms, Inc.
recording of:
Please Be Kind
lyricist:
Sammy Cahn (in 1938)
composer:
Saul Chaplin (in 1938)
publisher:
Harms, Inc.
2:41
2▶CD
3▶CD
4▶CD

Credits

Release

manufactured in:United States
copyrighted (©) by and phonographic copyright (℗) by:Reprise Records (in 1990)
Discogs:https://www.discogs.com/release/2263009 [info]
ASIN:US: B000002LMU [info]