Classic FM: Babies

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD: Music for Sleeping
#TitleArtistRatingLength
1Wiegenlied (Lullaby), Op. 49 No. 4
harp:
Marisa Robles (Spanish harpist)
recording of:
5 Lieder, op. 49: Nr. 4. Wiegenlied (catch‐all for arrangements)
composer:
Johannes Brahms (German composer)
arrangement of:
5 Lieder, op. 49: Nr. 4. Wiegenlied “Guten Abend, gute Nacht” (original for voice and piano)
Johannes Brahms2:31
2Cantata No.156 – Sinfonia
producer:
Anna Barry (classical producer)
cello:
Julian Lloyd Webber (cellist) (in 1992-02)
piano:
John Lenehan (classical pianist) (in 1992-02)
arranger:
Julian Lloyd Webber (cellist)
recorded at:
Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom (in 1992-02)
recording of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe": I. Sinfonia ("Arioso", catch-all for arrangements) (in 1992-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
arrangement of:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
Johann Sebastian Bach2:51
3Gymnopedie No.1
sound engineer:
Simon Eadon (classical music engineer) (in 1983-05)
producer:
Michael Haas (classical music producer)
piano:
Pascal Rogé (pianist) (in 1983-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1984)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1983-05)
edit of:
3 Gymnopédies by Pascal Rogé (pianist)
recording of:
Première Gymnopédie : Lent et douloureux (Gymnopédie no. 1) (in 1983-05)
composer:
Erik Satie (French composer) (from 1888-02 until 1888-04)
part of:
Classic 100: Piano (2004) (number: 4)
part of:
Gymnopédies
Erik Satie3:08
4Cavalleria rusticana: Intermezzo
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1965-09 until 1965-10)
conductor:
Herbert von Karajan (conductor) (from 1965-09 until 1965-10)
chorus master:
Roberto Benaglio (conductor)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1965-09-29 until 1965-10-05)
recording of:
Cavalleria rusticana: Intermezzo (from 1965-09 until 1965-10)
composer:
Pietro Mascagni (composer & conductor) (in 1888)
publisher:
Ascherberg Hopwood & Crew
part of:
Cavalleria rusticana
part of:
Cavalleria rusticana (German lyrics)
Pietro Mascagni3:28
5The Carnival of the Animals: The Swan
cello:
Christopher van Kampen (British cellist) (in 1980-03)
piano:
Cristina Ortiz (Brazilian pianist) (in 1980-03) and Pascal Rogé (pianist) (in 1980-03)
orchestra:
London Sinfonietta (in 1980-03)
conductor:
Charles Dutoit (conductor) (in 1980-03)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1980-03)
recording of:
Le Carnaval des animaux : XIII. Le Cygne (The Carnival of the Animals: XIII. The Swan, two pianos and cello) (in 1980-03)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
arranger:
Pege Aladár
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns2:46
6Piano Concerto No. 20 in D minor, K. 466: II. Romanze
piano:
Mitsuko Uchida (pianist) (in 1985-10)
orchestra:
English Chamber Orchestra (in 1985-10)
conductor:
Jeffrey Tate (conductor) (in 1985-10)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1985-10)
recording of:
Concerto for Piano no. 20 in D minor, K. 466: II. Romanze (in 1985-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1785)
part of:
Concerto for Piano no. 20 in D minor, K. 466
Wolfgang Amadeus Mozart10:12
7Lisa Lan
vocals:
Katherine Jenkins (mezzo-soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Nicholas Dodd (conductor)
[unknown]4:03
8Henry V Suite: Touch Her Soft Lips & Part
orchestra:
Bournemouth Symphony Orchestra
conductor:
Andrew Litton (conductor)
recording of:
Suite from Henry V: IV. Touch her soft lips and part (for orchestra, Mathieson)
orchestrator:
Muir Mathieson (in 1963)
composer:
William Walton (British composer and conductor) (from 1943 until 1944)
part of:
Henry V Suite (for orchestra, Mathieson)
Sir William Walton2:11
9Rinaldo: Lascia ch’io pianga
soprano vocals:
Elin Manahan Thomas (soprano)
orchestra:
The Sixteen Orchestra (UK choir)
conductor:
Harry Christophers (conductor)
phonographic copyright (℗) by:
Universal Classics & Jazz (UK – "a division of Universal Music Operations Ltd." use only for copyrights, licensing and/or distribution) (in 2007)
recording of:
Rinaldo, HWV 7a: Atto II, Scene IV, no. 22. Aria “Lascia ch’io pianga mia cruda sorte” (Almirena)
composer:
George Frideric Handel (German‐British baroque composer) (in 1711)
librettist:
Giacomo Rossi
part of:
Rinaldo, HWV 7a: Atto II
Georg Friedrich Händel5:15
10Romance No. 2 in F major, Op. 50
producer:
Sieuwert Verster
editor:
Eva Blankespoor, Dick van Schuppen and Sieuwert Verster
violin:
Thomas Zehetmair (violinist and conductor) (in 1997-11)
orchestra:
Orchestra of the 18th Century (Orchestra of the Eighteenth Century) (in 1997-11)
conductor:
Frans Brüggen (recorder player, baroque flautist, conductor) (in 1997-11)
balance engineer:
Henk Jansen and Dick van Schuppen
recorded at:
Muziekcentrum Enschede in Enschede, Overijssel, Netherlands, Kingdom of the Netherlands (in 1997-11) and Muziekcentrum Vredenburg (old venue, closed 2008) in Utrecht, Utrecht, Netherlands, Kingdom of the Netherlands (in 1997-11)
live recording of:
Romance for Violin and Orchestra no. 2 in F major, op. 50 (Romance for Violin and Orchestra no. 2 in F major, op. 50: Adagio cantabile) (in 1997-11)
composer:
Ludwig van Beethoven (German composer) (in 1798)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 50)
recording of:
Romance for Violin and Orchestra no. 2 in F major, op. 50 (Romance for Violin and Orchestra no. 2 in F major, op. 50: Adagio cantabile) (in 1997-11)
composer:
Ludwig van Beethoven (German composer) (in 1798)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 50)
Ludwig van Beethoven7:34
11Cantique de Jean Racine, Op. 11
producer:
Christopher Hazell
organ:
James Vivian (organist) (from 1996-07-01 until 1996-07-05)
choir vocals:
Choir of King’s College, Cambridge (from 1996-07-01 until 1996-07-05)
conductor:
Stephen Cleobury (organist, conductor) (from 1996-07-01 until 1996-07-05)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1996-07-01 until 1996-07-05)
recording of:
Cantique de Jean Racine, op. 11 (for choir and piano or organ) (from 1996-07-01 until 1996-07-05)
lyricist:
Jean Racine (French dramatist)
composer:
Gabriel Fauré (French composer) (in 1865)
dedicated to:
César Franck (Belgian‐born French composer)
part of:
Works of Gabriel Fauré by opus number (number: op. 11)
Gabriel Fauré5:34
12Nocturne in E‐flat major, Op. 9 No. 2
piano:
Jean‐Yves Thibaudet (pianist) (from 1999-02-21 until 1999-02-24)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1999-02-21 until 1999-02-24)
recording of:
Nocturne no. 2 in E‐flat major, op. 9 no. 2: Andante (from 1999-02-21 until 1999-02-24)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1830 until 1832)
part of:
Classic 100: Piano (2025) (number: 3), Classic 100: Piano (2004) (number: 18) and Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 109)
part of:
Nocturnes, op. 9 (original for piano)
Frédéric Chopin3:51
13Variations on the St Anthony Chorale – Theme
orchestra:
The Cleveland Orchestra
conductor:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist)
edit of:
Variations on a Theme by Haydn, op. 56a by The Cleveland Orchestra, Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist)
recording of:
Variations on a Theme by Joseph Haydn, op. 56a: Thema. Chorale St. Antoni. Andante
composer:
Johannes Brahms (German composer) (in 1873)
is based on:
Divertimento in B-flat major, Hob. II:46: II. Chorale St. Antoni
orchestration of:
Variations on a Theme by Joseph Haydn, op. 56b: Chorale St. Antoni. Andante
part of:
Variations on a Theme by Joseph Haydn, op. 56a (orchestral version)
Johannes Brahms1:54
14Pie Jesu
John Brunning4:36
15Concerto in D minor for 2 violins – 2nd mvt
producer:
Mark Buecker (engineer of classical recordings)
violin:
Volkhard Steude (from 2000-08 until 2005-08) and Akiko Suwanai (violinist) (in 2005-08)
orchestra:
Chamber Orchestra of Europe (in 2005-08)
balance engineer:
Philip Siney (sound engineer) (in 2005-08)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 2005-08)
recording of:
Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto (in 2005-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1730 until 1731)
part of:
Concerto for 2 Violins in D minor, BWV 1043
Johann Sebastian Bach6:34
16Stargazer
Patrick Thomas Hawes3:11
2▶CD: Music for Playtime

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ASIN:UK: B000T6JJIE [info]