Simply the Best

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Annotazione

Packaged as two separate jewel cases in a cardboard slipcase. Barcode is only present on the slipcase, while catalog numbers are also present on each jewel case.

Matrix (CD1): 05911 WSMCD021-1 SP F 23522 112400
Mastering SID code (CD1): ifpi LD81
Mould SID code (CD1): ifpi 8Y12

Matrix (CD1): 05912 WSMCD021-2 SP F 23523 112400
Mastering SID code (CD1): ifpi LD81
Mould SID code (CD1): ifpi 8Y13

Back of the slipcase credits mastering to Dennis @ Heathmans Mastering. Back inlay of both jewel cases credits it to Dennis Cass @ Heathmans Mastering. Back of both booklets credits it to Dennis & Cass @ Heathmans Mastering.

Annotazione modificata l'ultima volta il 2022-07-26 17:53 UTC.

Elenco tracce

1▶CD
2▼CD
#TitoloArtistaValutazioneDurata
11999
tecnico di registrazione:
Peggy McCreary (dal 1982-07 al 1982-08)
produttore:
Prince Rogers Nelson (Prince, “The Artist Formerly Known as…”)
basso elettrico , batteria elettronica [Pearl SY-1 Syncussion] , battimani , campanaccio , chitarra elettrica , drum machine [Linn LM-1] , piatti , sintetizzatore [ARP Omni-2] , sintetizzatore [Oberheim OB-Xa] e tamburello :
Prince (“The Artist Formerly Known as…”) (dal 1982-07 al 1982-08)
voce di accompagnamento:
Jesse Johnson (original guitarist for The Time) (dal 1982-07 al 1982-08)
voce principale:
Lisa Coleman (US pianist/keyboardist & composer) (dal 1982-07 al 1982-08), Dez Dickerson (dal 1982-07 al 1982-08), Jill Jones (American singer, songwriter, and actress) (dal 1982-07 al 1982-08) e Prince (“The Artist Formerly Known as…”) (dal 1982-07 al 1982-08)
arrangiatore:
Prince Rogers Nelson (Prince, “The Artist Formerly Known as…”)
edit di:
1999 (album version) di Prince (“The Artist Formerly Known as…”)
video musicali:
1999 di Prince (“The Artist Formerly Known as…”)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 212) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 339)
registrazione di:
1999 (dal 1982-07 al 1982-08)
paroliere e compositore:
Prince (“The Artist Formerly Known as…”)
editore:
Controversy Music, Warner Chappell Music (publisher as Warner/Chappell Music) e フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2)
Prince43:32
2Stop
programmazione aggiuntiva:
Mike Higham (British score composer) (il 1998-06-09)
tecnico:
Jeremy Wheatley (UK mix engineer, aka Jim Bob)
produttore:
Absolute (UK house/garage/production/songwriting team)
assistente tecnico di missaggio:
Paul "P. Dub"
tecnico di missaggio:
Mark “Spike” Stent (producer, engineer)
chitarra :
Milton McDonald (il 1998-06-09)
ottoni :
Kick Horns (il 1998-06-09)
strumenti:
Absolute (UK house/garage/production/songwriting team) (il 1998-06-09)
voce:
Victoria Beckham (née Adams) (il 1998-06-09), Emma Bunton (il 1998-06-09), Melanie C (il 1998-06-09), Geri Halliwell (il 1998-06-09) e Mel B (Mel B) (il 1998-06-09)
registrata presso:
Parco Novi Sad in Modena, Modena, Emilia-Romagna, Italia (il 1998-06-09)
registrazione dal vivo di:
Stop (il 1998-06-09)
autore:
Andy Watkins (Absolute, Bristol Baseline Productions, Cortex), Melanie Brown (Mel B), Emma Bunton, Geri Halliwell, Melanie Chisholm, Paul Wilson (member of “Absolute”) e Victoria Beckham (née Adams)
Spice Girls3.853:25
3You Win Again
registrazione di:
You Win Again
paroliere e compositore:
Barry Gibb, Maurice Gibb e Robin Gibb
editore:
BMG Music, BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Crompton Songs e Gibb Brothers Music
Bee Gees3:14
4Change the World
tecnico:
Brad Gilderman
tecnico aggiunto:
Kyle Bess, Bill Kinsley e Thomas Russo
produttore:
Babyface (R&B musician Kenny Edmonds)
tecnico di missaggio:
Mick Guzauski
voce di accompagnamento ospite:
Babyface (R&B musician Kenny Edmonds)
diritti fonografici (℗) detenuti da:
Reprise Records (nel 1996)
registrazione cover di:
Change the World
autore:
Gordon Kennedy (US country/bluegrass songwriter/musician), Wayne Kirkpatrick (American songwriter, musician and producer) e Tommy Sims (r&b, ccm)
editore:
Magic Beans Music, Universal Music - Brentwood Benson Publishing (ASCAP), Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), Warner/Chappell (Warner/Chappell Music, Inc.) e シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.)
Eric Clapton3.253:55
5Baby Jane
tecnico:
George Tutko (engineer, producer)
co-produttore:
Jim Cregan (producer & member of Family) e George Tutko (engineer, producer)
produttore:
Tom Dowd e Rod Stewart
tecnico di missaggio:
Jim Cregan (producer & member of Family), Tom Dowd e George Tutko (engineer, producer)
registrazione di:
Baby Jane
paroliere:
Rod Stewart
compositore:
Jay Davis (guitarist)
editore:
Cardinal Music Ltd. e Carlin Music Corp.
Rod Stewart4:38
6From a Distance
produttore:
Arif Mardin e Bette Midler
voce principale:
Bette Midler (nel 1990)
arrangiatore:
Arif Mardin e Steve Skinner
arrangiatore voci:
Marc Shaiman (American score composer and lyricist)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corp. (not for release label use! copyrights holder, distributor within the US)
registrazione cover di:
From a Distance (nel 1990)
paroliere e compositore:
Julie Gold (nel 1985)
editore:
Grow Your Own Music, Wing and Wheel Music, ビクターミュージックアーツ 第四事業部, ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Bette Midler2.54:39
7It’s a Man’s Man’s World
registrata a:
New York, New York, Stati Uniti (il 1966-02-16)
tecnico:
Ron Lenhoff
produttore:
James Brown (The Godfather of Soul)
batteria :
Bernard “Pretty” Purdie (il 1966-02-16)
chitarra :
Billy Butler (jazz guitarist) (il 1966-02-16)
sassofono baritono :
Haywood Henry (US jazz saxophonist) (il 1966-02-16)
tromba :
Dud Bascomb (Sr., jazz trumpeter) (il 1966-02-16), Waymon Reed (il 1966-02-16) e Lammar Wright (il 1966-02-16)
voce principale:
James Brown (The Godfather of Soul) (il 1966-02-16)
registrata presso:
Talent Masters Studios in New York, New York, Stati Uniti (il 1966-02-16)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 123)
registrazione di:
It’s a Man’s Man’s Man’s World (il 1966-02-16)
autore:
James Brown (The Godfather of Soul) e Betty Jean Newsome
James Brown4.42:38
8Up Where We Belong
produttore:
Stewart Levine (record producer and saxophonist)
batteria :
Leon Ndugu Chancler
chitarra :
Louie Shelton
percussione :
Paulinho da Costa (Brazilian percussionist)
tastiera :
Robbie Buchanan (Canadian producer) e Bobby Lyle
voce principale:
Joe Cocker e Jennifer Warnes
diritti fonografici (℗) detenuti da:
Island Records, Inc. (US, Island holding) (nel 1982) e The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1982)
registrazione di:
Up Where We Belong (An Officer and a Gentleman)
paroliere:
Will Jennings
compositore:
Jack Nitzsche (American musician and score composer) e Buffy Sainte‐Marie
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Famous Chappell e Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
parte di:
The 55th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1982 winner)
Joe Cocker & Jennifer Warnes3.53:40
9Kingston Town
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1989)
registrazione cover di:
Kingston Town
paroliere e compositore:
Kenrick Patrick
UB404.53:39
10Signed, Sealed, Delivered I’m Yours
registrazione di:
Signed, Sealed, Delivered I’m Yours
autore:
Lee Garrett, Lula Mae Hardaway (songwriter), Syreeta (US singer‐songwriter active 1970s–80s) e Stevie Wonder
editore:
Black Bull Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc., Sawandi Music, Stone Agate Music e 大洋音楽 (Taiyō Music)
Stevie Wonder2:30
11Don’t Stop
assistente tecnico:
Chris Morris (LA engineer & producer (late ’70s))
tecnico:
Ken Caillat e Richard Dashut
produttore:
Ken Caillat, Richard Dashut e Fleetwood Mac
produttore aggiunto:
Ken Caillat e Richard Dashut
batteria e percussione :
Mick Fleetwood
chitarra :
Lindsey Buckingham (guitarist, singer, songwriter and producer)
chitarra basso :
John McVie
tastiera e sintetizzatore :
Christine McVie
voce:
Lindsey Buckingham (guitarist, singer, songwriter and producer), Christine McVie e Stevie Nicks
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1977), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1977) e Warner Bros. (holding: file NO releases) (nel 2004)
mixata presso:
Producer’s Workshop in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Don’t Stop
paroliere e compositore:
Christine McVie
editore:
BMG Music, BMG Music Publishing Ltd., Fleetwood Mac Music (publisher), Universal Music Publishing (use ONLY if no country‐specific information is available) e Gentoo Music, Inc. (nel 1977)
Fleetwood Mac4.23:09
12Shout
tecnico:
David Bascombe
produttore:
Chris Hughes (producer, aka “Merrick”)
tecnico di missaggio:
Steven Wilson (founder of Porcupine Tree)
batteria :
Manny Elias (nel 1984) e Chris Hughes (producer, aka “Merrick”) (nel 1984)
chitarra basso :
Curt Smith (nel 1984)
tastiera :
Ian Stanley (nel 1984)
voce di accompagnamento:
Sandy McLelland (nel 1984)
voce principale:
Roland Orzabal (UK musician, songwriter and producer) (nel 1984)
diritti fonografici (℗) detenuti da:
Phonogram Ltd. (not for release label use!) (nel 1984, nel 1985) e Mercury Records Ltd. (not for release label use!) (nel 1985, nel 2014)
video musicali:
Shout di Tears for Fears
registrazione di:
Shout (nel 1984)
autore:
Roland Orzabal (UK musician, songwriter and producer) e Ian Stanley
editore:
10 Music Ltd., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Roland Orzabal Ltd. e Virgin Music (Publishers) Ltd.
Tears for Fears4.46:15
13Relax
tecnico:
Stephen Lipson
produttore:
Trevor Horn
produttore aggiunto:
Stephen Lipson
batteria :
Peter Gill (UK drummer for Frankie Goes to Hollywood) (nel 1983)
chitarra :
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) (nel 1983)
chitarra basso :
Mark O’Toole (former bassist of Frankie Goes to Hollywood) (nel 1983)
percussione ospite :
Luís Jardim (nel 1983)
tastiera ospite :
Andrew Richards (Strawbs keyboard player/record producer) (nel 1983) e Anne Dudley (English score composer) (nel 1983)
voce principale:
Holly Johnson (nel 1983), Mark O’Toole (former bassist of Frankie Goes to Hollywood) (nel 1983) e Paul Rutherford (member of Frankie Goes to Hollywood) (nel 1983)
diritti fonografici (℗) detenuti da:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (nel 1983) e Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (nel 1984)
registrata presso:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Regno Unito (nel 1983)
versione karaoke di:
Epic Relax (Sandro Silva & Quintino vs. Frankie Goes to Hollywood) (extended version) di DJ Schmolli
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 10) e Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 44)
registrazione di:
Relax (nel 1983)
paroliere:
Holly Johnson
compositore:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson e Mark O’Toole (former bassist of Frankie Goes to Hollywood)
editore:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) e SPZ Music, Inc. (BMI affiliated)
Frankie Goes to Hollywood4.053:58
14Blue Monday
registrazione di:
Blue Monday
autore:
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) e Bernard Sumner
editore:
Fractured Music (publisher), Warner/Chappell Music Ltd. (1996–2019) e Zomba Music Publishing Ltd.
New Order4:03
15Kiss
produttore:
Art of Noise, Anne Dudley (English score composer) e J.J. Jeczalik
voce principale:
Tom Jones (Welsh pop singer) (nel 1988)
esecutore:
Art of Noise (nel 1988)
arrangiatore:
Art of Noise, Anne Dudley (English score composer) e J.J. Jeczalik
diritti fonografici (℗) detenuti da:
China Records (UK label founded by Derek Green) (nel 1988)
campionamenti:
Close (to the Edit) di Art of Noise, Dragnet di Art of Noise, Moments in Love di Art of Noise, Paranoimia (7″ mix) di The Art of Noise with Max Headroom (titular character from "Max Headroom") e Peter Gunn di The Art of Noise featuring Duane Eddy
video musicali:
Kiss di Art of Noise featuring Tom Jones (Welsh pop singer)
registrazione cover di:
Kiss (nel 1988)
paroliere e compositore:
Prince (“The Artist Formerly Known as…”)
editore:
Controversy Music
Art of Noise feat. Tom Jones33:31
16Missing
produttore:
John Coxon e Everything but the Girl
produttore aggiunto:
Todd Terry (US house DJ, producer and remixer)
editor:
Ben Watt
voce:
Tracey Thorn (of Everything but the Girl) e Ben Watt
remixer:
Todd Terry (US house DJ, producer and remixer)
diritti fonografici (℗) detenuti da:
Warner Music UK Ltd. (not for release label use!) (nel 1994, nel 1995)
edit di:
Missing (Todd Terry club mix) di Everything but the Girl
registrazione di:
Missing
paroliere:
Tracey Thorn (of Everything but the Girl)
compositore:
Tracey Thorn (of Everything but the Girl) e Ben Watt
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Sony Music Publishing (worldwide except Japan, ended 1995)
Everything but the Girl3.553:55
17Kiss From a Rose
assistente produttore:
Richard Lowe (UK producer/engineer)
produttore:
Trevor Horn
assistente tecnico di missaggio:
Tom Elmhirst (mixing engineer)
tecnico di missaggio:
Steve Fitzmaurice (Irish mixer, songwriter and producer)
voce principale:
Seal (English‐born singer and songwriter)
diritti fonografici (℗) detenuti da:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (nel 1994), Warner Music Argentina S.A. (nel 2009) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 2009)
è stato produttore per:
Horn Productions
registrata presso e mixata presso:
Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, Regno Unito
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 308)
registrazione di:
Kiss From a Rose
paroliere e compositore:
Seal (English‐born singer and songwriter) (nel 1987)
editore:
Beethoven Street Music, DTCM Blvd., Perfect Songs (UK publisher, affiliated with BMI) e SPZ Music Incorporated (BMI affiliated)
Seal3.854:48
18On the Beach
registrazione di:
On the Beach (Chris Rea)
paroliere e compositore:
Chris Rea
editore:
Magnet Music Ltd. (publisher)
Chris Rea4:59
19Love Is All Around
co-produttore:
Graeme Duffin
direttore d'orchestra:
Fiachra Trench
arrangiatore archi :
Fiachra Trench
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1994) e Phonogram Ltd. (London) (company name, NOT a label!) (nel 1994)
video musicali:
Love Is All Around di Wet Wet Wet
registrazione cover di:
Love Is All Around
paroliere e compositore:
Reg Presley
editore:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal–Songs of PolyGram International, Inc. e Universal/Dick James Music Ltd. (fka Dick James Music Ltd.)
Wet Wet Wet3.853:55
20Hello
produttore:
James Anthony Carmichael e Lionel Richie
esecutore:
Ocobamba
arrangiatore archi [string] e arrangiatore ottoni [horn] :
James Anthony Carmichael
arrangiatore:
James Anthony Carmichael e Lionel Richie
arrangiatore voci:
Lionel Richie
diritti fonografici (℗) detenuti da:
Motown Records (not for label use; use “Motown” instead) (nel 1983)
registrazione di:
Hello
paroliere e compositore:
Lionel Richie
autore aggiunto:
James Anthony Carmichael
editore:
Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Lionel Richie3.854:05

Accreditamenti

Pubblicazione

tecnico di mastering:Cass (mixing and mastering engineer, co-founder of Wired Masters)
Dennis (recording engineer)
design:Blade
società di diritti:BIEM (international rights organization representing member societies from 58 countries)
GEMA (German rights society; do not use this as a label or work publisher!)
distribuito da:The Entertainment Network (TEN)
copyright (©) detenuto da e diritti fonografici (℗) detenuti da:Universal Music TV (UK, a division of Universal Music Operations Limited) (nel 2000)
Warner Music UK Ltd. (not for release label use!) (nel 2000)
mastering effettuato presso:Heathman’s Mastering in Fulham, Hammersmith and Fulham, London (Greater London), England, Regno Unito