Ariadne auf Naxos

~ Release by Richard Strauss; Gewandhausorchester Leipzig, Kurt Masur (see all versions of this release, 2 available)

Tracklist

1CD
2CD
#TitleArtistRatingLength
1Ariadne auf Naxos: Oper. "Die Dame gibt mir trübem Sinn" / "Wie sie sich schwingen"
recording engineer:
Hans-Jürgen Seiferth (in 1988-01) and Willem van Leeuwen (recording engineer) (in 1988-01)
assistant producer:
Martha de Francisco (classical producer and engineer) (in 1988-01)
executive producer:
Bernd Runge (in 1988-01)
editor:
Thomas Albrecht (editor) (in 1988-01) and Albert Kos (engineer/editor) (in 1988-01)
piano and additional conductor:
Helmut Oertel (organist) (in 1988-01)
baritone vocals [Harlekin]:
Olaf Bär (baritone) (in 1988-01)
bass vocals [Truffaldin]:
Gerd Wolf (german operatic bass) (in 1988-01)
soprano vocals [Zerbinetta]:
Edita Gruberova (soprano) (in 1988-01)
tenor vocals [Brighella]:
Andreas Conrad (German tenor) (in 1988-01)
tenor vocals [Tanzmeister・Scaramuccio]:
Martin Finke (german tenor) (in 1988-01)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra)
conductor:
Kurt Masur (conductor)
balance engineer:
Claus Strüben (german sound engineer) (in 1988-01)
concertmaster:
Karl Suske (violinist) (in 1988-01)
engineered at:
Neues Gewandhaus, Leipzig in Leipzig, Sachsen (Saxony), Germany (in 1988-01)
recording of:
Ariadne auf Naxos, op. 60: Oper. [6] „Die Dame gibt mit trübem Sinn” (Brighella, Scaramuccio, Harlekin, Truffaldin, Zerbinetta)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Ariadne auf Naxos, op. 60: Oper
Richard Strauss5:06
2Ariadne auf Naxos: Oper. "Großmächtige Prinzessin"
recording engineer:
Hans-Jürgen Seiferth (in 1988-01) and Willem van Leeuwen (recording engineer) (in 1988-01)
assistant producer:
Martha de Francisco (classical producer and engineer) (in 1988-01)
executive producer:
Bernd Runge (in 1988-01)
editor:
Thomas Albrecht (editor) (in 1988-01) and Albert Kos (engineer/editor) (in 1988-01)
piano and additional conductor:
Helmut Oertel (organist) (in 1988-01)
soprano vocals [Zerbinetta]:
Edita Gruberova (soprano) (in 1988-01)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra)
conductor:
Kurt Masur (conductor)
balance engineer:
Claus Strüben (german sound engineer) (in 1988-01)
concertmaster:
Karl Suske (violinist) (in 1988-01)
engineered at:
Neues Gewandhaus, Leipzig in Leipzig, Sachsen (Saxony), Germany (in 1988-01)
recording of:
Ariadne auf Naxos, op. 60: Oper. [7] „Großmächtige Prinzessin” … „Noch glaub ich dem einen” (Zerbinetta)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Ariadne auf Naxos, op. 60: Oper
Richard Strauss11:37
3Ariadne auf Naxos: Oper. "Hübsch gepredigt! Aber tauben Ohren!" / "Eine Störrische zu trösten"
recording engineer:
Hans-Jürgen Seiferth (in 1988-01) and Willem van Leeuwen (recording engineer) (in 1988-01)
assistant producer:
Martha de Francisco (classical producer and engineer) (in 1988-01)
executive producer:
Bernd Runge (in 1988-01)
editor:
Thomas Albrecht (editor) (in 1988-01) and Albert Kos (engineer/editor) (in 1988-01)
piano and additional conductor:
Helmut Oertel (organist) (in 1988-01)
baritone vocals [Harlekin]:
Olaf Bär (baritone) (in 1988-01)
bass vocals [Truffaldin]:
Gerd Wolf (german operatic bass) (in 1988-01)
soprano vocals [Zerbinetta]:
Edita Gruberova (soprano) (in 1988-01)
tenor vocals [Brighella]:
Andreas Conrad (German tenor) (in 1988-01)
tenor vocals [Tanzmeister・Scaramuccio]:
Martin Finke (german tenor) (in 1988-01)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra)
conductor:
Kurt Masur (conductor)
balance engineer:
Claus Strüben (german sound engineer) (in 1988-01)
concertmaster:
Karl Suske (violinist) (in 1988-01)
engineered at:
Neues Gewandhaus, Leipzig in Leipzig, Sachsen (Saxony), Germany (in 1988-01)
recording of:
Ariadne auf Naxos, op. 60: Oper. [8] „Hübsch gepredigt! Aber tauben Ohren!” (Harlekin, Zerbinetta, Brighella, Scaramuccio, Truffaldin)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Ariadne auf Naxos, op. 60: Oper
Richard Strauss8:01
4Ariadne auf Naxos: Oper. "Ein schönes Wunder!"
recording engineer:
Hans-Jürgen Seiferth (in 1988-01) and Willem van Leeuwen (recording engineer) (in 1988-01)
assistant producer:
Martha de Francisco (classical producer and engineer) (in 1988-01)
executive producer:
Bernd Runge (in 1988-01)
editor:
Thomas Albrecht (editor) (in 1988-01) and Albert Kos (engineer/editor) (in 1988-01)
piano and additional conductor:
Helmut Oertel (organist) (in 1988-01)
alto vocals [Dryade]:
Marianne Rørholm (mezzo-soprano) (in 1988-01)
soprano vocals [Echo]:
Julie Kaufmann (soprano) (in 1988-01)
soprano vocals [Najade]:
Eva Lind (soprano) (in 1988-01)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra)
conductor:
Kurt Masur (conductor)
balance engineer:
Claus Strüben (german sound engineer) (in 1988-01)
concertmaster:
Karl Suske (violinist) (in 1988-01)
engineered at:
Neues Gewandhaus, Leipzig in Leipzig, Sachsen (Saxony), Germany (in 1988-01)
recording of:
Ariadne auf Naxos, op. 60: Oper. [9] „Ein schönes Wunder!” (Dryade, Najade, Echo)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Ariadne auf Naxos, op. 60: Oper
Richard Strauss3:53
5Ariadne auf Naxos: Oper. "Circe, kannst du mich hören?"
recording engineer:
Hans-Jürgen Seiferth (in 1988-01) and Willem van Leeuwen (recording engineer) (in 1988-01)
assistant producer:
Martha de Francisco (classical producer and engineer) (in 1988-01)
executive producer:
Bernd Runge (in 1988-01)
editor:
Thomas Albrecht (editor) (in 1988-01) and Albert Kos (engineer/editor) (in 1988-01)
piano and additional conductor:
Helmut Oertel (organist) (in 1988-01)
alto vocals [Dryade]:
Marianne Rørholm (mezzo-soprano) (in 1988-01)
soprano vocals [Echo]:
Julie Kaufmann (soprano) (in 1988-01)
soprano vocals [Najade]:
Eva Lind (soprano) (in 1988-01)
soprano vocals [Primadonna / Ariadne]:
Jessye Norman (soprano) (in 1988-01)
tenor vocals [Tenor / Bacchus]:
Paul Frey (Canadian tenor) (in 1988-01)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra)
conductor:
Kurt Masur (conductor)
balance engineer:
Claus Strüben (german sound engineer) (in 1988-01)
concertmaster:
Karl Suske (violinist) (in 1988-01)
engineered at:
Neues Gewandhaus, Leipzig in Leipzig, Sachsen (Saxony), Germany (in 1988-01)
recording of:
Ariadne auf Naxos, op. 60: Oper. [10] „Circe, Circe, kannst du mich hören?” (Bacchus, Ariadne, Najade, Echo, Dryade)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Ariadne auf Naxos, op. 60: Oper
Richard Strauss6:10
6Ariadne auf Naxos: Oper. "Ich grüße dich, du Bote aller Boten!" / "Du schönes Wesen! Bist du die Göttin dieser Insel?"
recording engineer:
Hans-Jürgen Seiferth (in 1988-01) and Willem van Leeuwen (recording engineer) (in 1988-01)
assistant producer:
Martha de Francisco (classical producer and engineer) (in 1988-01)
executive producer:
Bernd Runge (in 1988-01)
editor:
Thomas Albrecht (editor) (in 1988-01) and Albert Kos (engineer/editor) (in 1988-01)
piano and additional conductor:
Helmut Oertel (organist) (in 1988-01)
soprano vocals [Primadonna / Ariadne]:
Jessye Norman (soprano) (in 1988-01)
tenor vocals [Tenor / Bacchus]:
Paul Frey (Canadian tenor) (in 1988-01)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra)
conductor:
Kurt Masur (conductor)
balance engineer:
Claus Strüben (german sound engineer) (in 1988-01)
concertmaster:
Karl Suske (violinist) (in 1988-01)
engineered at:
Neues Gewandhaus, Leipzig in Leipzig, Sachsen (Saxony), Germany (in 1988-01)
recording of:
Ariadne auf Naxos, op. 60: Oper. [11] „Theseus! Nein, nein” … „Du schönes Wesen!” … „Wie? Kennst du mich denn?” (Bacchus, Ariadne)
composer:
Richard Strauss (German composer)
part of:
Ariadne auf Naxos, op. 60: Oper
recording of:
Ariadne auf Naxos, op. 60: Oper. [12] „Bin ich ein Gott, schuf mich ein Gott” … „Das waren Zauberworte” (Bacchus, Ariadne)
composer:
Richard Strauss (German composer)
part of:
Ariadne auf Naxos, op. 60: Oper
Richard Strauss12:26
7Ariadne auf Naxos: Oper. "Gibt es kein Hinüber?"
recording engineer:
Hans-Jürgen Seiferth (in 1988-01) and Willem van Leeuwen (recording engineer) (in 1988-01)
assistant producer:
Martha de Francisco (classical producer and engineer) (in 1988-01)
executive producer:
Bernd Runge (in 1988-01)
editor:
Thomas Albrecht (editor) (in 1988-01) and Albert Kos (engineer/editor) (in 1988-01)
piano and additional conductor:
Helmut Oertel (organist) (in 1988-01)
alto vocals [Dryade]:
Marianne Rørholm (mezzo-soprano) (in 1988-01)
soprano vocals [Echo]:
Julie Kaufmann (soprano) (in 1988-01)
soprano vocals [Najade]:
Eva Lind (soprano) (in 1988-01)
soprano vocals [Primadonna / Ariadne]:
Jessye Norman (soprano) (in 1988-01)
soprano vocals [Zerbinetta]:
Edita Gruberova (soprano) (in 1988-01)
tenor vocals [Tenor / Bacchus]:
Paul Frey (Canadian tenor) (in 1988-01)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra)
conductor:
Kurt Masur (conductor)
balance engineer:
Claus Strüben (german sound engineer) (in 1988-01)
concertmaster:
Karl Suske (violinist) (in 1988-01)
engineered at:
Neues Gewandhaus, Leipzig in Leipzig, Sachsen (Saxony), Germany (in 1988-01)
recording of:
Ariadne auf Naxos, op. 60: Oper. [13] „Gibt es kein Hinüber?” (Ariadne, Bacchus, Najade, Echo, Dryade, Zerbinetta)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Ariadne auf Naxos, op. 60: Oper
Richard Strauss7:36