100 Hits Legends: Frank Sinatra

~ Veröffentlichung von Frank Sinatra (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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Nr.TitelBewertungLänge
1Night and Day
recording of:
Night and Day (Cole Porter; from “The Gay Divorce”)
Texter und Komponist(in):
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (bis 2019-05-28) und Harms, Inc. (am 1932-11-18)
Teil von:
Gay Divorce
23:59
2I Got Plenty O’Nuttin’
recording of:
I Got Plenty o’ Nuttin’ (Porgy and Bess, catch-all for jazz & pop arrangements)
Texter:
Ira Gershwin und DuBose Heyward
Komponist(in):
George Gershwin (composer)
publisher:
Dubose and Dorothy Heyward Memorial Fund Publishing, Frankie G. Songs, Nokawi Music und Gershwin Publishing Corp (in 1935)
basiert auf:
Porgy and Bess: Act II, Scene I. “Oh, I got plenty o’nuttin’”
3:10
3I Guess I’ll Have to Change My Plan
recording of:
I Guess I’ll Have to Change My Plan
Texter:
Howard Dietz (librettist)
Komponist(in):
Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd., Bienstock Publishing Company (ASCAP affiliated) und Warner Bros. Music (publisher; do NOT use as release label)
Teil von:
The Band Wagon (1953 film)
2:23
4Nice Work If You Can Get It
recording of:
Nice Work If You Can Get It
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) und Gershwin Publishing Corp (in 1937)
Teil von:
A Damsel in Distress (1937 film score)
Teil von:
Crazy for You (1992 musical)
Teil von:
My One and Only (1983 Broadway musical)
2:21
5I Couldn’t Sleep a Wink Last Night
recording of:
I Couldn’t Sleep a Wink Last Night
Texter:
Harold Adamson
Komponist(in):
Jimmy McHugh (songwriter)
Teil von:
The 17th Academy Award for Best Original Song (Nummer: 2)
Teil von:
Higher and Higher (1944 film)
3:25
6The End of a Love Affair
Produzent(in):
Voyle Gilmore
Bratsche / Viola:
Alvin Dinkin (am 1956-04-05)
Celesta und Klavier:
Bill Miller (pianist)
Cello:
Gerald Vinci (American violinist and strings conductor) und Eleanor Slatkin (US cellist, b. Aller) (am 1956-04-05)
Geige / Violine:
Paul Shure (am 1956-04-05) und Felix Slatkin (am 1956-04-05)
Gitarre:
Bob Bain (guitarist)
Harfe:
Kathryn Julye
Instrumente:
The Hollywood String Quartet (am 1956-04-05)
Kontrabass:
Sam Cheifetz (jazz bassist)
Oboe:
Champ Webb
Schlagzeug:
Alvin Stoller
Trompete:
Harry “Sweets” Edison
Waldhorn:
Vincent DeRosa
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1956-04-05)
conductor:
Nelson Riddle (am 1956-04-05)
arranger:
Nelson Riddle
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-04-05)
cover recording of:
The End of a Love Affair (am 1956-04-05)
Texter und Komponist(in):
Edward Redding
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group)
4:13
7From This Moment On
recording of:
From This Moment On (Kiss Me, Kate, 1953 film & 1999 Broadway revival casts only)
Texter und Komponist(in):
Cole Porter (composer) (in 1950)
Teil von:
Kiss Me, Kate (musical)
3:51
8If I Had You
recording of:
If I Had You (jazz standard)
Verfasser(in):
James Campbell (British songwriter and music publisher), Reginald Connelly und Ted Shapiro
publisher:
Campbell Connelly & Co. Ltd., Campbell Connelly Inc. (ASCAP affiliated), EMI Robbins Catalog Inc. (ASCAP) und Robbins Music Corp.
2:35
9Stars Fell on Alabama
Produzent(in):
Voyle Gilmore
alto saxophone:
Jack Dumont und Dominic Mumolo
baritone saxophone:
Robert Lawson
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Alvin Dinkin, Maxine Johnson und Lou Kievman (violist)
Cello:
James Arkatov (American cellist and photographer), Ennio Bolognini (Argentine-American cellist and composer) und Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Victor Arno, Alex Beller, Kurt Dieterle, Walter Edelstein, Henry Hill (Violin player), Alex Murray (violinist), Erno Neufeld, Lou Raderman, Nathan Ross und Eudice Shapiro (Violinist)
Gitarre:
Nick Bonney (guitarist)
Harfe:
Kathryn Julye
Klavier:
Bill Miller (pianist)
Kontrabass:
Joe Comfort
Posaune:
George Arus, Ed Kusby und Dick Noel (trombone)
Schlagzeug:
Alvin Stoller
Tenorsaxophon:
Don Raffell (reeds) und Buck Skalak
Trompete:
Conrad Gozzo, Mickey Mangano, Shorty Sherock und Harry “Sweets” Edison (am 1956-11-15)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1956-11-15)
Orchester:
The Nelson Riddle Orchestra (am 1956-11-15)
conductor:
Nelson Riddle
Orchestrator(in):
Nelson Riddle
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-11-15)
cover recording of:
Stars Fell on Alabama (am 1956-11-15)
Texter:
Mitchell Parish
Komponist(in):
Frank S. Perkins
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Mills Music Inc. (ASCAP-affiliated) und Mills Music
12:38
10You’d Be So Nice to Come Home To
recording of:
You’d Be So Nice to Come Home To
Texter und Komponist(in):
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Teil von:
The 16th Academy Award for Best Original Song (Nummer: 2)
2:03
11It’s Easy to Remember
3:34
12Baby, Won’t You Please Come Home?
Bratsche / Viola:
William Baffa, Ray Menhennick (Violist), Paul Robyn und Dave Sterkin
Cello:
Armand Kaproff und Ray Kramer
flute:
Dent Eckels, Clyde Hylton und Matty Matlock
Geige / Violine:
Leonard Atkins, Alex Beller, Emil Briano (Violinist), Howard Colf (cellist), Harold Dicterow, Walter Edelstein, David Frisina, Jacques Gasselin, Ben Gill, Sol Kindler, Samuel Levine (violinist), Joseph Livoti (violinist), Amerigo Marino, Achille Mierlot Jr. (violinist), Mischa Russell (violinist) und Marshall Sosson
Gitarre:
Allan Reuss
Harfe:
Kathryn Thompson (harpist)
Holzblasinstrumente:
Jack Chaney, Dent Eckels, Clyde Hylton, Matty Matlock und Wayne Songer (clarinetist and saxophonist)
Klavier:
Bill Miller (pianist)
Kontrabass:
Jack Ryan (jazz bassist)
Schlagzeug:
Nick Fatool
Waldhorn:
Vincent DeRosa, Arthur Frantz und Richard Perissi
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
conductor:
Gordon Jenkins
arranger:
Gordon Jenkins
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-04-29)
cover recording of:
Baby Won’t You Please Come Home
Verfasser(in):
Charles Warfield und Clarence Williams (US jazz pianist, composer, singer and bandleader)
publisher:
Redwood Music Ltd. (Carlin), Universal‐MCA Music Publishing (US) und Universal/MCA Music Ltd. (not for release label use!)
13:00
13I Won’t Dance
recording of:
I Won’t Dance (1935, lyrics by Dorothy Fields, from “Roberta”)
Texter:
Jimmy McHugh (songwriter) und Dorothy Fields (American librettist and lyricist) (in 1935)
Komponist(in):
Jerome Kern
publisher:
Chappell Music Ltd., Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Memory Lane Music Ltd., T.B. Harms Co. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
basiert auf:
I Won’t Dance (1934, lyrics by Hammerstein/Harbach, from “Three Sisters”)
3:24
14We’ll Be Together Again
Produzent(in):
Voyle Gilmore
alto saxophone:
Harry Klee (am 1956-01-16) und Wilbur Schwartz (am 1956-01-16)
baritone saxophone:
Morton Friedman (am 1956-01-16)
Bass:
Joe Comfort (am 1956-01-16)
Bassposaune:
George Roberts (american bass trombone) (am 1956-01-16)
Bratsche / Viola:
Alvin Dinkin (am 1956-01-16), Maxine Johnson (am 1956-01-16) und Milton Thomas (violist) (am 1956-01-16)
Cello:
Cy Bernard (am 1956-01-16), Ennio Bolognini (Argentine-American cellist and composer) (am 1956-01-16) und Eleanor Slatkin (US cellist, b. Aller) (am 1956-01-16)
Geige / Violine:
Victor Bay (am 1956-01-16), Alex Beller (am 1956-01-16), Harold Dicterow (am 1956-01-16), David Frisina (am 1956-01-16), Henry Hill (Violin player) (am 1956-01-16), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (am 1956-01-16), Mischa Russell (violinist) (am 1956-01-16), Paul Shure (am 1956-01-16), Felix Slatkin (am 1956-01-16) und Marshall Sosson (am 1956-01-16)
Gitarre:
George van Eps (am 1956-01-16)
Harfe:
Kathryn Julye (am 1956-01-16)
Klavier:
William (Bill) Miller (pianist) (am 1956-01-16)
Perkussion:
Frank Flynn (am 1956-01-16)
Posaune:
Milt Bernhart (am 1956-01-16), Jim Priddy (am 1956-01-16) und Juan Tizol (am 1956-01-16)
Schlagzeug:
Irv Cottler (am 1956-01-16)
Tenorsaxophon:
Justin Gordon (am 1956-01-16) und James Williamson (Saxophone player) (am 1956-01-16)
Trompete:
Harry “Sweets” Edison (am 1956-01-16), Conrad Gozzo (am 1956-01-16), Manny Klein (am 1956-01-16) und Mickey Mangano (am 1956-01-16)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1956-01-16)
Orchester:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (am 1956-01-16)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-01-16)
cover recording of:
We’ll Be Together Again (am 1956-01-16)
Texter:
Frankie Laine
Komponist(in):
Carl T. Fischer (Native American jazz pianist and composer)
publisher:
Cares Music, Cares Music Company, EDM Music, Fischer-Carey Music Co., Marmor Music, Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Peermusic (UK) Ltd., Sparta Florida Music Group Ltd., Terry Fischer Music Co., ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion) und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
14:24
15I Cover the Waterfront
recording of:
I Cover the Waterfront
Texter:
Edward Heyman
Komponist(in):
Johnny Green (composer and conductor, often credited as John Green) und Edward Heyman
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) und Warner/Chappell Music, Inc.
2:58
16Laura
recording of:
Laura (1945 song)
Texter:
Johnny Mercer (in 1945)
Komponist(in):
David Raksin (in 1944)
publisher:
EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., Robbins Music Corp., Twentieth Century Music Corp. und United Partnership Ltd.
Version von:
Laura (original 1944 film theme)
3:27
17South of the Border
2:50
18Rain (Falling From the Skies)
3:23
19I Got It Bad and That Ain’t Good
recording of:
I Got It Bad (and That Ain’t Good)
Texter:
Paul Francis Webster (in 1941)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Sony/ATV Harmony und Webster Music Co.
Teil von:
The Real Book (compilation of jazz standards, volume I)
3:21
20Autumn Leaves
baritone saxophone:
Matty Matlock
Bratsche / Viola:
William Baffa, Ray Menhennick (Violist), Paul Robyn und Dave Sterkin
Cello:
Cy Bernard und Armand Kaproff
flute:
Dent Eckels
Geige / Violine:
Victor Arno, Harry Bluestone, Kurt Dieterle, Walter Edelstein, Ben Gill, Joseph Quadri, Murray Kellner, Sol Kindler, Samuel Levine (violinist), Joseph Livoti (violinist), Dan Lube, Erno Neufeld, Nicholas Pisani, Mischa Russell (violinist), Felix Slatkin und Marshall Sosson
Gitarre:
Allan Reuss
Harfe:
Kathryn Julye
Holzblasinstrumente:
Wilbur Schwartz
Klarinette:
Wayne Songer (clarinetist and saxophonist)
Klavier:
Bill Miller (pianist)
Kontrabass:
Jack Ryan (jazz bassist)
Schlagzeug:
Nick Fatool
Waldhorn:
John Cave (french horn), Vincent DeRosa und Arthur Frantz
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1957-04-10)
conductor:
Gordon Jenkins (am 1957-04-10)
arranger:
Gordon Jenkins
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-04-10)
cover recording of:
Autumn Leaves (jazz standard, english lyrics) (am 1957-04-10)
Texter:
Jacques Prévert (in 1945)
Komponist(in):
Joseph Kosma (composer) (in 1945)
Übersetzer:
Johnny Mercer (in 1947)
publisher:
Ardmore Music Corp., Enoch & Cie., Morley Music Corp. und MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
übersetzte Version von:
Les Feuilles mortes (Autumn Leaves)
32:51
5▶CD

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Teil von:100 Hits Legends (Nummer: 4) (Reihenfolge: 4)