Anthology

~ Veröffentlichung von Bill Monroe (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Anmerkung

Copyright: © 1994 UMG Recordings, Inc.
This Compilation ℗ 1994 UMG Recordings, Inc.

Anmerkung zuletzt geändert am 2025-11-19 16:37 UTC.

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1New Mule Skinner Blues
Banjo:
Rudy Lyle (am 1950-02-03)
Fiddle:
Vassar Clements (am 1950-02-03)
Gitarre:
Jimmy Martin (US bluegrass musician) (am 1950-02-03)
Kontrabass:
Joel Price (am 1950-02-03)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1950-02-03)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1950-02-03)
recording of:
New Mule Skinner Blues (revised lyrics, first recorded by Bill Monroe ca. 1950) (am 1950-02-03)
Texter:
George Vaughn
Komponist(in):
Jimmie Rodgers (country music pioneer, died in 1933)
publisher:
APRS (American Performing Rights Society, Inc.(BMI))
Version von:
Blue Yodel No. 8 (Mule Skinner Blues)
Bill Monroe and the Bluegrass Boys2:29
2My Little Georgia Rose
Banjo:
Rudy Lyle (am 1950-02-03)
Fiddle:
Vassar Clements (am 1950-02-03)
Gitarre:
Jimmy Martin (US bluegrass musician) (am 1950-02-03)
Kontrabass:
Joel Price (am 1950-02-03)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1950-02-03)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1950-02-03)
recording of:
My Little Georgia Rose (am 1950-02-03)
Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
Bill Monroe and the Bluegrass Boys3:05
3Uncle Pen
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Rudy Lyle (am 1950-10-15)
Fiddle:
Merle "Red" Taylor (country/bluegrass fiddler, songwriter, and singer) (am 1950-10-15)
Gitarre und Sologesang:
Jimmy Martin (US bluegrass musician) (am 1950-10-15)
Kontrabass und Baritongesang:
Joel Price (am 1950-10-15)
Mandoline und Sologesang und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1950-10-15)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1950-10-15)
recording of:
Uncle Pen (am 1950-10-15)
Texter und Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
publisher:
Carlin Music Corporation, Unichappell Music, Unichappell Music, Inc. und Hill and Range Songs, Inc. (publisher) (in 1975)
Bill Monroe2:44
4Raw Hide
Banjo:
Rudy Lyle (am 1951-01-20)
Fiddle:
Merle "Red" Taylor (country/bluegrass fiddler, songwriter, and singer) (am 1951-01-20)
Gitarre:
Jimmy Martin (US bluegrass musician) (am 1951-01-20)
Kontrabass:
Joel Price (am 1951-01-20)
Mandoline:
Bill Monroe (“The Father of Bluegrass”) (am 1951-01-20)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1951-01-20)
recording of:
Rawhide (mandolin instrumental) (am 1951-01-20)
Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
Bill Monroe2:35
5Kentucky Waltz
Produzent(in):
Paul Cohen (Nashville country producer)
E-Gitarre:
Grady Martin (country/rockabilly guitarist) (am 1951-03-17)
Fiddle:
Tommy Jackson (bluegrass fiddler) (am 1951-03-17)
Gitarre:
Jimmy Selph (am 1951-03-17)
Kontrabass:
Ernie Newton (contrabassist) (am 1951-03-17)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1951-03-17)
Orgel:
Owen Bradley (am 1951-03-17)
Schlagzeug:
Ferris Coursey (am 1951-03-17)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1951-03-17)
recording of:
Kentucky Waltz (am 1951-03-17)
Texter und Komponist(in):
Bill Monroe (“The Father of Bluegrass”) (in 1945)
Bill Monroe and the Bluegrass Boys3:16
6When the Cactus Is in Bloom
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Rudy Lyle (am 1951-03-29)
Fiddle:
Hal Smith (bluegrass fiddler) (am 1951-03-29)
Gitarre:
Jimmy Martin (US bluegrass musician) (am 1951-03-29)
Kontrabass:
Joel Price (am 1951-03-29)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1951-03-29)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1951-03-29)
recording of:
When the Cactus Is in Bloom (am 1951-03-29)
Verfasser(in):
Jimmie Rodgers (country music pioneer, died in 1933)
publisher:
Peer International Corporation (BMI)
Bill Monroe2:03
7Get Down on Your Knees and Pray
Produzent(in):
Paul Cohen (Nashville country producer)
Gitarre und Sologesang:
Carter Stanley (am 1951-07-06)
Kontrabass:
Howard Watts (bluegrass bassist, aka Cedric Rainwater) (am 1951-07-06)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1951-07-06)
Baritongesang:
Rudy Lyle (am 1951-07-06)
Bass-Gesang:
Gordon Terry (Bluegrass/Country artist, guitarist and fiddle player.) (am 1951-07-06)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1951-07-06)
recording of:
Get Down on Your Knees and Pray (am 1951-07-06)
Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
Bill Monroe and the Bluegrass Boys3:00
8In the Pines
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Sonny Osborne (am 1952-07-18)
Fiddle:
Charlie Cline (am 1952-07-18)
Gitarre und Sologesang:
Jimmy Martin (US bluegrass musician) (am 1952-07-18)
Kontrabass:
Ernie Newton (contrabassist) (am 1952-07-18)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1952-07-18)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1952-07-18)
recording of:
In the Pines (Black Girl) (am 1952-07-18)
Texter und Komponist(in):
[traditional] (special purpose artist)
Teil von:
Roud Folk Song Index (Nummer: 3421)
Bill Monroe3:10
9Footprints in the Snow
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Sonny Osborne (am 1952-07-18)
Fiddle:
Charlie Cline (am 1952-07-18)
Gitarre:
Jimmy Martin (US bluegrass musician) (am 1952-07-18)
Kontrabass:
Ernie Newton (contrabassist) (am 1952-07-18)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1952-07-18)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1952-07-18)
recording of:
Footprints in the Snow (am 1952-07-18)
Komponist(in):
Rupert Jones (“The Father of Bluegrass”)
basiert auf:
I Traced Her Little Footmarks in the Snow
Bill Monroe2:40
10Walking in Jerusalem
Produzent(in):
Paul Cohen (Nashville country producer)
Gitarre:
Jimmy Martin (US bluegrass musician) (am 1952-07-18)
Kontrabass:
Ernie Newton (contrabassist) (am 1952-07-18)
Baritongesang:
Charlie Cline (am 1952-07-18)
Bass-Gesang:
Boudleaux Bryant (am 1952-07-18)
Sologesang:
Jimmy Martin (US bluegrass musician) (am 1952-07-18) und Bill Monroe (“The Father of Bluegrass”) (am 1952-07-18)
Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1952-07-18)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1952-07-18)
recording of:
Walking in Jerusalem Just Like John (am 1952-07-18)
Texter und Komponist(in):
[traditional] (special purpose artist)
vorher zugeschrieben zu:
Bill Monroe (“The Father of Bluegrass”)
Bill Monroe and the Bluegrass Boys1:59
11Get Up John
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Rudy Lyle (am 1953-11-28)
Fiddle:
Charlie Cline (am 1953-11-28)
Gitarre:
Jimmy Martin (US bluegrass musician) (am 1953-11-28)
Kontrabass:
Ernie Newton (contrabassist) (am 1953-11-28)
Mandoline:
Bill Monroe (“The Father of Bluegrass”) (am 1953-11-28)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1953-11-28)
recording of:
Get Up John (am 1953-11-28)
Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
publisher:
Unichappell Music, Inc.
Bill Monroe and the Bluegrass Boys2:10
12On and On
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Rudy Lyle (am 1954-01-07)
Fiddle und Baritongesang:
Charlie Cline (am 1954-01-07)
Gitarre und Sologesang:
Jimmy Martin (US bluegrass musician) (am 1954-01-07)
Kontrabass:
Ernie Newton (contrabassist) (am 1954-01-07)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1954-01-07)
recording of:
On and On (am 1954-01-07)
Texter und Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
Bill Monroe and the Bluegrass Boys2:46
13I'm Working on a Building
Produzent(in):
Paul Cohen (Nashville country producer)
Gitarre und Sologesang:
Jimmy Martin (US bluegrass musician) (am 1954-01-14)
Kontrabass:
Ernie Newton (contrabassist) (am 1954-01-14, am 1954-01-25)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1954-01-14, am 1954-01-25)
Baritongesang:
Charlie Cline (am 1954-01-14, am 1954-01-25)
Bass-Gesang:
Milton Estes (am 1954-01-14, am 1954-01-25)
recording of:
I’m Working on the Building (Carter version, verses begin "If I was...") (am 1954-01-14)
Texter und Komponist(in):
A.P. Carter
publisher:
APRS (American Performing Rights Society, Inc.(BMI))
Version von:
Working on the Building
Bill Monroe and the Bluegrass Boys2:42
14Blue Moon of Kentucky
Fiddle:
Charlie Cline (am 1954-09-04), Merle "Red" Taylor (country/bluegrass fiddler, songwriter, and singer) (am 1954-09-04) und Gordon Terry (Bluegrass/Country artist, guitarist and fiddle player.) (am 1954-09-04)
Gitarre:
Edd Mayfield (am 1954-09-04)
Kontrabass:
Ernie Newton (contrabassist) (am 1954-09-04)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1954-09-04)
aufgenommen bei:
Bradley Studios (Hillsboro Village location, circa 1952-1954) in Nashville, Tennessee, Vereinigte Staaten (am 1954-09-04)
recording of:
Blue Moon of Kentucky (am 1954-09-04)
Texter und Komponist(in):
Bill Monroe (“The Father of Bluegrass”) (in 1946)
publisher:
APRS (American Performing Rights Society, Inc.(BMI)), Peer International Corporation (BMI), Southern Music Publishing ((ASCAP) tradename Peermusic), Southern Music Publishing Company Limited und ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Bill Monroe and the Bluegrass Boys2:06
15Roanoke
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Hubert Davis (US bluegrass banjoist) (am 1954-12-31)
Fiddle:
Charlie Cline (am 1954-12-31) und Bobby Hicks (American bluegrass fiddler) (am 1954-12-31)
Gitarre:
Jackie Phelps (am 1954-12-31)
Kontrabass:
Ernie Newton (contrabassist) (am 1954-12-31)
Mandoline:
Bill Monroe (“The Father of Bluegrass”) (am 1954-12-31)
recording of:
Roanoke (am 1954-12-31)
Verfasser(in):
Bill Monroe (“The Father of Bluegrass”)
Bill Monroe2:37
16Goodbye Old Pal
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Don Stover (am 1957-05-15)
Fiddle:
Dale Potter (am 1957-05-15), Joe Stuart (US bluegrass musician) (am 1957-05-15) und Gordon Terry (Bluegrass/Country artist, guitarist and fiddle player.) (am 1957-05-15)
Gitarre:
Leslie Sandy (am 1957-05-15)
Kontrabass:
Bessie Lee Mauldin (am 1957-05-15)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1957-05-15)
aufgenommen bei:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, Vereinigte Staaten (am 1957-05-15)
recording of:
Goodbye Old Pal (am 1957-05-15)
Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
publisher:
APRS (American Performing Rights Society, Inc.(BMI)) und Bill Monroe Music
Bill Monroe2:03
17Molly & Tenbrooks
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Don Stover (am 1957-05-15)
Fiddle:
Dale Potter (am 1957-05-15), Joe Stuart (US bluegrass musician) (am 1957-05-15) und Gordon Terry (Bluegrass/Country artist, guitarist and fiddle player.) (am 1957-05-15)
Gitarre:
Leslie Sandy (am 1957-05-15)
Kontrabass:
Bessie Lee Mauldin (am 1957-05-15)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1957-05-15)
aufgenommen bei:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, Vereinigte Staaten (am 1957-05-15)
recording of:
Molly and Tenbrooks (am 1957-05-15)
Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
publisher:
Bill Monroe Music
basiert auf:
Molly and Tenbrooks
Bill Monroe2:20
18I'm Sitting on Top of the World
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Don Stover (am 1957-05-14)
Fiddle:
Tommy Jackson (bluegrass fiddler) (am 1957-05-14), Dale Potter (am 1957-05-14) und Gordon Terry (Bluegrass/Country artist, guitarist and fiddle player.) (am 1957-05-14)
Gitarre:
Joe Stuart (US bluegrass musician) (am 1957-05-14)
Kontrabass:
Bessie Lee Mauldin (am 1957-05-14)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1957-05-14)
aufgenommen bei:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, Vereinigte Staaten (am 1957-05-14)
cover recording of:
Sitting on Top of the World (“Now she’s gone, I don’t worry…”)
Verfasser(in):
Lonnie Carter und Walter Vinson (performance name for Walter Vinson)
publisher:
Chappell Music Ltd., E. H. Morris & Co., Inc. (a division of MPL Communications Inc.) und Mayfair Music Corp.
Bill Monroe2:18
19I Saw the Light
Produzent(in):
Owen Bradley
Gitarre und Sologesang:
Edd Mayfield (am 1958-02-25)
Kontrabass:
Bessie Lee Mauldin (am 1958-02-25)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1958-02-25)
Baritongesang:
Kenny Baker (US fiddler) (am 1958-02-25)
Bass-Gesang:
Gordon Terry (Bluegrass/Country artist, guitarist and fiddle player.) (am 1958-02-25)
aufgenommen bei:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, Vereinigte Staaten (am 1958-02-25)
recording of:
I Saw the Light (am 1958-02-25)
Texter und Komponist(in):
Lewis E. Jones (hymnist) und Hank Williams (country music legend)
publisher:
Acuff-Rose Music Ltd. (UK) (vom 1948 bis heute), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) (vom 1948 bis heute) und Acuff-Rose Publications, Inc. (BMI) (am 1948-11-16)
Bill Monroe and the Bluegrass Boys2:29
20Scotland
Produzent(in):
Harold Bradley
Banjo:
Joe Drumright (am 1958-04-08)
Fiddle:
Kenny Baker (US fiddler) (am 1958-04-08) und Bobby Hicks (American bluegrass fiddler) (am 1958-04-08)
Gitarre:
Edd Mayfield (am 1958-04-08)
Kontrabass:
Bessie Lee Mauldin (am 1958-04-08)
Mandoline:
Bill Monroe (“The Father of Bluegrass”) (am 1958-04-08)
aufgenommen bei:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, Vereinigte Staaten (am 1958-04-08)
recording of:
Scotland (am 1958-04-08)
Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
publisher:
Unichappell, BMI (publisher)
Bill Monroe1:53
21Panhandle Country
Produzent(in):
Harold Bradley
Banjo:
Joe Drumright (am 1958-04-08)
Fiddle:
Kenny Baker (US fiddler) (am 1958-04-08) und Bobby Hicks (American bluegrass fiddler) (am 1958-04-08)
Gitarre:
Edd Mayfield (am 1958-04-08)
Kontrabass:
Bessie Lee Mauldin (am 1958-04-08)
Mandoline:
Bill Monroe (“The Father of Bluegrass”) (am 1958-04-08)
aufgenommen bei:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, Vereinigte Staaten (am 1958-04-08)
recording of:
Panhandle Country (am 1958-04-08)
Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
Bill Monroe2:04
22Gotta Travel On
Produzent(in):
Owen Bradley
Banjo:
Robert Lee Pennington (am 1958-12-01)
Fiddle:
Bobby Hicks (American bluegrass fiddler) (am 1958-12-01)
Gitarre:
Jack Cooke (bluegrass musician, bass, guitar & voaclist) (am 1958-12-01)
Kontrabass:
Bessie Lee Mauldin (am 1958-12-01)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1958-12-01)
aufgenommen bei:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, Vereinigte Staaten (am 1958-12-01)
recording of:
Gotta Travel On (am 1958-12-01)
Verfasser(in):
Paul Clayton, Dave Lazer, Larry Ehrlich und Pete Seeger
zusätzliche(r) Verfasser(in):
Ronnie Gilbert (US folk singer), Lee Hays und Fred Hellerman
publisher:
Anthem Music and Media Fund LLC, EMHA, Figs D Music, Inc., Freddy Bienstock Music Co., Reel Muzik Werks LLC, Sanga Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), The Bicycle Music Company (part of Concord Bicycle Music since 2015/04/01, overseeing publishing and rights management) und Wintrup Musikverlag
Bill Monroe and the Bluegrass Boys2:33
23Big Mon
Produzent(in):
Owen Bradley
Banjo:
Robert Lee Pennington (am 1958-12-01)
Fiddle:
Bobby Hicks (American bluegrass fiddler) (am 1958-12-01)
Gitarre:
Jack Cooke (bluegrass musician, bass, guitar & voaclist) (am 1958-12-01)
Kontrabass:
Bessie Lee Mauldin (am 1958-12-01)
Mandoline:
Bill Monroe (“The Father of Bluegrass”) (am 1958-12-01)
aufgenommen bei:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, Vereinigte Staaten (am 1958-12-01)
recording of:
Big Mon (am 1958-12-01)
Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
Bill Monroe2:15
24Linda Lou
Produzent(in):
Owen Bradley
Banjo:
Curtis McPeake (am 1960-11-30)
Fiddle:
Dale Potter (am 1960-11-30)
Gitarre:
Carl Butler (am 1960-11-30)
Kontrabass:
Bessie Lee Mauldin (am 1960-11-30)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1960-11-30)
aufgenommen bei:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, Vereinigte Staaten (am 1960-11-30)
recording of:
Linda Lou (am 1960-11-30)
Texter und Komponist(in):
Carl Butler
Bill Monroe2:09
25Lonesome Road Blues
Produzent(in):
Owen Bradley
Banjo:
Curtis McPeake (am 1960-12-01)
Fiddle:
Dale Potter (am 1960-12-01)
Gitarre:
Carl Butler (am 1960-12-01)
Kontrabass:
Bessie Lee Mauldin (am 1960-12-01)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1960-12-01)
aufgenommen bei:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, Vereinigte Staaten (am 1960-12-01)
recording of:
Lonesome Road Blues (am 1960-12-01)
Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
publisher:
Songs of Universal, Inc. (BMI)
basiert auf:
Chilly Winds (a.k.a. Lonesome Road Blues - catch-all work)
Version von:
Der Mann mit dem Block (The Man Comes Around)
Bill Monroe2:29
2▶Digitales Medium