Ultra‐Lounge: Wild, Cool & Swingin’: The Artist Collection, Volume 1

~ Release by Louis Prima & Keely Smith (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
#TitleRatingLength
1Ive Got You Under My Skin
producer:
Voyle Gilmore (on 1959-01-02)
tenor saxophone:
Sam Butera (on 1959-01-02)
trumpet:
Louis Prima (on 1959-01-02)
vocals:
Louis Prima (on 1959-01-02) and Keely Smith (on 1959-01-02)
orchestra:
The Witnesses (on 1959-01-02)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1959-01-02)
cover recording of:
I’ve Got You Under My Skin (on 1959-01-02)
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 9th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1936 nominee)
part of:
Born to Dance
2:38
2Jump Jive and Wail
producer:
Voyle Gilmore
bass:
Amado Rodrigues (on 1956-04-19)
drums (drum set):
Bobby Morris (on 1956-04-19)
guitar:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (on 1956-04-19)
piano:
Willie McCumber Jr. (on 1956-04-19)
tenor saxophone:
Sam Butera (on 1956-04-19)
trombone:
Jimmy 'Little Red' Blount (on 1956-04-19)
trumpet and lead vocals:
Louis Prima (on 1956-04-19)
orchestra:
The Witnesses (on 1956-04-19)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1956-04-19)
recording of:
Jump, Jive an’ Wail (on 1956-04-19)
lyricist:
Louis Prima
composer:
Louis Prima (in 1956)
53:31
3Angelina / Zooma Zooma
producer:
Voyle Gilmore (on 1957-07-26)
bass:
Tony Liuzza (on 1957-07-26)
drums (drum set):
Bobby Morris (on 1957-07-26)
piano:
Willie McCumber Jr. (on 1957-07-26)
tenor saxophone:
Sam Butera (on 1957-07-26)
trombone:
Jimmy 'Little Red' Blount (on 1957-07-26)
trumpet:
Louis Prima (on 1957-07-26)
vocals:
Louis Prima (on 1957-07-26)
orchestra:
The Witnesses (on 1957-07-26)
recorded at:
Harrah’s Lake Tahoe in Stateline, Nevada, United States (on 1957-07-26)
live medley including a recording of:
Angelina (on 1957-07-26)
writer:
Allan Roberts (songwriter) and Doris Fisher
live medley including a recording of:
Zooma Zooma (on 1957-07-26)
writer:
Pablo Citarella and Louis Prima
4:19
4Moonglow
3:08
5I’ve Got the World on a String
producer:
Voyle Gilmore
bass:
Amado Rodrigues (on 1957-01-31)
drums (drum set):
Bobby Morris (on 1957-01-31)
guitar:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (on 1957-01-31)
piano:
Willie McCumber Jr. (on 1957-01-31)
tenor saxophone:
Sam Butera (on 1957-01-31)
trombone:
Jimmy 'Little Red' Blount (on 1957-01-31)
trumpet:
Louis Prima (on 1957-01-31)
vocals:
Louis Prima (on 1957-01-31)
orchestra:
The Witnesses (on 1957-01-31)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1957-01-31)
cover recording of:
I’ve Got the World on a String (on 1957-01-31)
lyricist:
Ted Koehler (in 1932)
composer:
Harold Arlen (in 1932)
publisher:
BMG Gold Songs, EMI Mills Music Inc. (ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Mills Music, Inc., Redwood Music Ltd. (Carlin) and S.A. Music Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
2:28
6Love of My Live (O Sole Mio)
3:45
7John Ping Pong
2:36
8The Pump Song
1:50
9Banana Split for My Baby
producer:
Voyle Gilmore
tenor saxophone:
Sam Butera (on 1956-09-13)
trumpet:
Louis Prima (on 1956-09-13)
vocals:
Louis Prima (on 1956-09-13)
orchestra:
The Witnesses (on 1956-09-13)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1956-09-13)
recording of:
Banana Split for My Baby (on 1956-09-13)
writer:
Stan Irwin and Louis Prima
42:31
10Too Marvelous for Words
1:54
11Don’t Take Your Love From Me
instruments:
Sam Butera & the Witnesses (on 1959-01-02)
vocals:
Keely Smith (on 1959-01-02)
cover recording of:
Don’t Take Your Love From Me (on 1959-01-02)
lyricist, writer and composer:
Henry Nemo
publisher:
Indano Music Co.
3:05
12Buona Sera
producer:
Voyle Gilmore
double bass:
Amato Rodrigues (on 1956-04-19)
guitar:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (on 1956-04-19)
piano:
Willie McCumber (on 1956-04-19)
tenor saxophone:
Sam Butera (on 1956-04-19)
trombone:
James Blount, Jr. (on 1956-04-19)
trumpet:
Louis Prima (on 1956-04-19)
vocals:
Louis Prima (on 1956-04-19)
orchestra:
The Witnesses (on 1956-04-19)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1956)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1956-04-19)
recording of:
Buona sera (on 1956-04-19)
lyricist:
Carl Sigman
composer:
Peter de Rose (tin pan alley era songwriter, pianist and performer on radio)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
translated version of:
Buona sera signorina (italian version for Fred Buscaglione)
42:59
13Don’t Worry ’bout Me / I’m in the Mood for Love
bass:
Tony Liuzza (on 1957-07-26)
drums (drum set):
Bobby Morris (on 1957-07-26)
instruments:
Sam Butera & the Witnesses (on 1957-07-26)
piano:
Willie McCumber Jr. (on 1957-07-26)
saxophone:
Sam Butera (on 1957-07-26)
trombone:
James Blount (on 1957-07-26)
trumpet:
Louis Prima (on 1957-07-26)
vocals:
Louis Prima (on 1957-07-26) and Keely Smith (on 1957-07-26)
live medley including a cover recording of:
Don’t Worry ’Bout Me (on 1957-07-26)
lyricist:
Ted Koehler (in 1939)
writer:
Rube Bloom (American songwriter, pianist and vocalist) and Ted Koehler
composer:
Rube Bloom (American songwriter, pianist and vocalist) (in 1939)
publisher:
Cinephonic Music Co., Ltd. and Redwood Music Ltd. (Carlin)
live medley including a cover recording of:
I’m in the Mood for Love (on 1957-07-26)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Margenia Music, MCI Music Publishing Ltd., EMI Robbins Catalog Inc. (ASCAP) (in 1935, in 1963) and EMI Music Publishing Ltd. (PRS‐affiliated) (in 2016)
4:21
14There’ll Be No Next Time
producer:
Voyle Gilmore (on 1957-01-17)
tenor saxophone:
Sam Butera (on 1957-01-17)
trumpet:
Louis Prima (on 1957-01-17)
vocals:
Sam Butera (on 1957-01-17) and Louis Prima (on 1957-01-17)
orchestra:
The Witnesses (on 1957-01-17)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1957-01-17)
recording of:
Next Time (on 1957-01-17)
composer:
Richard Berry (US singer/songwriter, composed “Louie Louie”) and Joe Josea
3:15
15Shadrack
2:45
16Basin Street Blues / When It’s Sleepy Time Down South
producer:
Voyle Gilmore
tenor saxophone:
Sam Butera (on 1956-04-19)
trumpet and lead vocals:
Louis Prima (on 1956-04-19)
orchestra:
The Witnesses (on 1956-04-19)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1956-04-19)
medley including a recording of:
Basin Street Blues (on 1956-04-19)
lyricist and composer:
Spencer Williams (US jazz composer, pianist & singer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
medley including a recording of:
When It’s Sleepy Time Down South (on 1956-04-19)
lyricist:
Leon René and Otis René
composer:
Clarence Muse
publisher:
Leon Rene Publication, Mills Music, Inc., Otis Rene Publication and Sherwin Music (publisher)
4:14
17You’re Just in Love
producer:
Voyle Gilmore
bass:
Rolando 'Rolly Dee' DiIorio (on 1962-02-23)
drums (drum set):
Jimmy Vincent (on 1962-02-23)
guitar:
Allan Seltzer (on 1962-02-23)
instruments:
Sam Butera & the Witnesses (on 1962-02-23)
piano:
John Nagy (on 1962-02-23)
tenor saxophone:
Sam Butera (on 1962-02-23)
trombone:
Lou Sino (on 1962-02-23)
trumpet:
Louis Prima (on 1962-02-23) and Morgan Thomas (on 1962-02-23)
vocals:
Louis Prima (on 1962-02-23)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1962-02-23)
cover recording of:
You’re Just in Love (Call Me Madam) (on 1962-02-23)
lyricist and composer:
Irving Berlin (in 1950)
publisher:
Irving Berlin Music Corp.
part of:
Call Me Madam
2:28
18The Birth of the Blues
cover recording of:
Birth of the Blues
lyricist:
Lew Brown and Buddy DeSylva
composer:
Ray Henderson
2:49
19Them There Eyes / Honeysuckle Rose
4:47
20Sing, Sing, Sing (With a Swing)
producer:
Voyle Gilmore
bass:
Tony Liuzza (on 1958-08-25)
drums (drum set):
Paul Ferrara (on 1958-08-25)
guitar:
Bobby Roberts (1950-60s guitarist, The Witnesses) (on 1958-08-25)
piano:
Willie McCumber Jr. (on 1958-08-25)
tenor saxophone:
Sam Butera (on 1958-08-25)
trombone:
Lou Sino (on 1958-08-25)
trumpet:
Louis Prima (on 1958-08-25)
vocals:
Louis Prima (on 1958-08-25)
orchestra:
The Witnesses (on 1958-08-25)
recorded at:
Sahara Theater in Winchester, Nevada, United States (on 1958-08-25)
live recording of:
Sing, Sing, Sing (With a Swing) (on 1958-08-25)
lyricist and composer:
Louis Prima
publisher:
Robbins Music (publishing company owned by EMI Music Publishing Ltd.) (ended) and EMI Robbins Catalog Inc. (ASCAP)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31) and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present)
4:09
21(Nothing’s Too Good) for My Baby
recording of:
(Nothing’s Too Good) For My Baby
composer:
Ted Eddy, Mack Kay and Frederick Patrick
2:15
22Just a Gigolo / I Ain’t Got Nobody
producer:
Voyle Gilmore
bass:
Amado Rodrigues (on 1956-04-19)
drums (drum set):
Bobby Morris (on 1956-04-19)
guitar:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (on 1956-04-19)
piano:
Willie McCumber Jr. (on 1956-04-19)
tenor saxophone:
Sam Butera (on 1956-04-19)
trombone:
Jimmy 'Little Red' Blount (on 1956-04-19) and Lou Sineaux (on 1956-04-19)
trumpet:
Louis Prima (on 1956-04-19)
vocals:
Louis Prima (on 1956-04-19)
orchestra:
The Witnesses (on 1956-04-19)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1956-04-19)
recording of:
Just a Gigolo / I Ain’t Got Nobody (Louis Prima medley) (on 1956-04-19)
lyricist:
Julius Brammer and Roger Graham
composer:
Leonello Casucci and Spencer Williams (US jazz composer, pianist & singer)
arranger:
Louis Prima (in 1956)
translator:
Irving Caesar
publisher:
Campbell Connelly & Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Eschig Max. Soc., Warner/Chappell North America and Wiener Bohème Verlag GmbH
medley of:
Just a Gigolo (English version)
medley of:
I Ain’t Got Nobody
44:43