Jump, Jive an’ Wail: The Essential Louis Prima

~ Release by Louis Prima (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Medley: Angelina / Zooma Zooma (live)
producer:
Voyle Gilmore (on 1957-07-26)
bass:
Tony Liuzza (on 1957-07-26)
drums (drum set):
Bobby Morris (on 1957-07-26)
piano:
Willie McCumber Jr. (on 1957-07-26)
tenor saxophone:
Sam Butera (on 1957-07-26)
trombone:
Jimmy 'Little Red' Blount (on 1957-07-26)
trumpet:
Louis Prima (on 1957-07-26)
vocals:
Louis Prima (on 1957-07-26)
orchestra:
The Witnesses (on 1957-07-26)
recorded at:
Harrah’s Lake Tahoe in Stateline, Nevada, United States (on 1957-07-26)
live medley including a recording of:
Angelina (on 1957-07-26)
writer:
Allan Roberts (songwriter) and Doris Fisher
live medley including a recording of:
Zooma Zooma (on 1957-07-26)
writer:
Pablo Citarella and Louis Prima
Louis Prima4:22
2Jump, Jive an’ Wail
producer:
Voyle Gilmore
bass:
Amado Rodrigues (on 1956-04-19)
drums (drum set):
Bobby Morris (on 1956-04-19)
guitar:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (on 1956-04-19)
piano:
Willie McCumber Jr. (on 1956-04-19)
tenor saxophone:
Sam Butera (on 1956-04-19)
trombone:
Jimmy 'Little Red' Blount (on 1956-04-19)
trumpet and lead vocals:
Louis Prima (on 1956-04-19)
orchestra:
The Witnesses (on 1956-04-19)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1956-04-19)
recording of:
Jump, Jive an’ Wail (on 1956-04-19)
lyricist:
Louis Prima
composer:
Louis Prima (in 1956)
Louis Prima53:29
3That Old Black Magic
producer:
Voyle Gilmore
bass:
Tony Liuzza (on 1958-08-25)
drums (drum set):
Paul Ferrara (on 1958-08-25)
guitar:
Bobby Roberts (1950-60s guitarist, The Witnesses) (on 1958-08-25)
piano:
Willie McCumber Jr. (on 1958-08-25)
tenor saxophone:
Sam Butera (on 1958-08-25)
trombone:
Lou Sino (on 1958-08-25)
trumpet:
Louis Prima (on 1958-08-25)
vocals:
Louis Prima (on 1958-08-25) and Keely Smith (on 1958-08-25)
orchestra:
The Witnesses (on 1958-08-25)
recorded at:
Sahara Theater in Winchester, Nevada, United States (on 1958-08-25)
live cover recording of:
That Old Black Magic (on 1958-08-25)
lyricist:
Johnny Mercer (in 1942)
composer:
Harold Arlen (in 1942)
publisher:
Famous Chappell and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
part of:
The 16th Academy Award for Best Original Song (number: 2)
Louis Prima feat. Keely Smith42:57
4Oh Marie
producer:
Voyle Gilmore
tenor saxophone:
Sam Butera (on 1956-04-19)
trumpet and lead vocals:
Louis Prima (on 1956-04-19)
orchestra:
The Witnesses (on 1956-04-19)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1956-04-19)
recording of:
Oh Marie (on 1956-04-19)
lyricist and composer:
Eduardo Di Capua
arranger:
Louis Prima
Louis Prima42:25
5The Lip
producer:
Voyle Gilmore
tenor saxophone:
Sam Butera (on 1956-04-19)
trumpet:
Louis Prima (on 1956-04-19)
lead vocals:
Louis Prima (on 1956-04-19) and Keely Smith (on 1956-04-19)
orchestra:
The Witnesses (on 1956-04-19)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1956-04-19)
recording of:
The Lip (on 1956-04-19)
writer:
Ted Klages and Vic Knight
Louis Prima feat. Keely Smith2:19
6Burbon Street Blues
Louis Prima2:15
7I’ve Got You Under My Skin
producer:
Voyle Gilmore (on 1959-01-02)
tenor saxophone:
Sam Butera (on 1959-01-02)
trumpet:
Louis Prima (on 1959-01-02)
vocals:
Louis Prima (on 1959-01-02) and Keely Smith (on 1959-01-02)
orchestra:
The Witnesses (on 1959-01-02)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1959-01-02)
cover recording of:
I’ve Got You Under My Skin (on 1959-01-02)
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 9th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1936 nominee)
part of:
Born to Dance
Louis Prima feat. Keely Smith2:40
8Pennies From Heaven
producer:
Voyle Gilmore
bass:
Amado Rodrigues (on 1957-01-31)
drums (drum set):
Bobby Morris (on 1957-01-31)
guitar:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (on 1957-01-31)
piano:
Willie McCumber Jr. (on 1957-01-31)
tenor saxophone:
Sam Butera (on 1957-01-31)
trombone:
Jimmy 'Little Red' Blount (on 1957-01-31)
trumpet:
Louis Prima (on 1957-01-31)
vocals:
Louis Prima (on 1957-01-31)
orchestra:
The Witnesses (on 1957-01-31)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1957-01-31)
cover recording of:
Pennies From Heaven (on 1957-01-31)
lyricist:
Johnny Burke (American lyricist, 1908–1964) (in 1936)
composer:
Arthur Johnston (American composer and songwriter) (in 1936)
publisher:
Anne-Rachel Music Corp., Campbell Connelly & Co., Campbell Connelly & Co. Ltd., Chappell Music (UK) and Joy Music Inc.
part of:
The 9th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1936 nominee)
Louis Prima52:22
9Hey Boy! Hey Girl!
producer:
Voyle Gilmore
bass:
Tony Liuzza (on 1958-10-06)
drums (drum set):
Paul Ferrara (on 1958-10-06)
guitar:
Bobby Roberts (1950-60s guitarist, The Witnesses) (on 1958-10-06)
piano:
Robert J. Carter (occasional pianist with Sam Butera & the Witnesses) (on 1958-10-06)
tenor saxophone:
Sam Butera (on 1958-10-06)
trombone:
Lou Sino (on 1958-10-06)
trumpet:
Louis Prima (on 1958-10-06)
vocals:
Louis Prima (on 1958-10-06) and Keely Smith (on 1958-10-06)
orchestra:
The Witnesses (on 1958-10-06)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1958-10-06)
cover recording of:
Hey, Boy! Hey, Girl! (on 1958-10-06)
writer:
Oscar McLollie and Jimmy Thomas
publisher:
Recordo Music Pub.
Louis Prima feat. Keely Smith2:43
10Luigi
recorded in:
New York, New York, United States (on 1953-02-18)
producer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
vocals:
Louis Prima (on 1953-02-18)
recording of:
Luigi (on 1953-02-18)
writer:
Antonio ('50s songwriter), Alexander Araco and Lew Dileo
Louis Prima2:46
11(Up A) Lazy River
producer:
Voyle Gilmore
bass:
Tony Liuzza (on 1958-10-06)
drums (drum set):
Paul Ferrara (on 1958-10-06)
guitar:
Bobby Roberts (1950-60s guitarist, The Witnesses) (on 1958-10-06)
piano:
Robert J. Carter (occasional pianist with Sam Butera & the Witnesses) (on 1958-10-06)
tenor saxophone:
Sam Butera (on 1958-10-06)
trombone:
Lou Sino (on 1958-10-06)
trumpet:
Louis Prima (on 1958-10-06)
vocals:
Louis Prima (on 1958-10-06)
orchestra:
The Witnesses (on 1958-10-06)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1958-10-06)
cover recording of:
Lazy River (on 1958-10-06)
lyricist:
Hoagy Carmichael
composer:
Sidney Arodin and Hoagy Carmichael
Louis Prima3:29
12When You’re Smiling / The Sheik of Araby
producer:
Voyle Gilmore
tenor saxophone:
Sam Butera (on 1957-01-17)
trumpet:
Louis Prima (on 1957-01-17)
vocals:
Louis Prima (on 1957-01-17)
orchestra:
The Witnesses (on 1957-01-17)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1957-01-17)
medley including a cover recording of:
The Sheik of Araby (on 1957-01-17)
lyricist:
Harry B. Smith (in 1921) and Francis Wheeler (in 1921)
composer:
Ted Snyder (in 1921)
publisher:
Jerry Vogel Music, Mills Music, Inc., Redwood Music and Salabert
medley including a cover recording of:
When You’re Smiling (the Whole World Smiles With You) (on 1957-01-17)
lyricist:
Mark Fisher (early 20th century songwriter) and Joe Goodwin
composer:
Larry Shay
publisher:
Mills Music, Inc.
Louis Prima4:01
13I’ve Got the World on a String
producer:
Voyle Gilmore
bass:
Amado Rodrigues (on 1957-01-31)
drums (drum set):
Bobby Morris (on 1957-01-31)
guitar:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (on 1957-01-31)
piano:
Willie McCumber Jr. (on 1957-01-31)
tenor saxophone:
Sam Butera (on 1957-01-31)
trombone:
Jimmy 'Little Red' Blount (on 1957-01-31)
trumpet:
Louis Prima (on 1957-01-31)
vocals:
Louis Prima (on 1957-01-31)
orchestra:
The Witnesses (on 1957-01-31)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1957-01-31)
cover recording of:
I’ve Got the World on a String (on 1957-01-31)
lyricist:
Ted Koehler (in 1932)
composer:
Harold Arlen (in 1932)
publisher:
BMG Gold Songs, EMI Mills Music Inc. (ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Mills Music, Inc., Redwood Music Ltd. (Carlin) and S.A. Music Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
Louis Prima2:28
14Sing, Sing, Sing
producer:
Voyle Gilmore
bass:
Tony Liuzza (on 1958-08-25)
drums (drum set):
Paul Ferrara (on 1958-08-25)
guitar:
Bobby Roberts (1950-60s guitarist, The Witnesses) (on 1958-08-25)
piano:
Willie McCumber Jr. (on 1958-08-25)
tenor saxophone:
Sam Butera (on 1958-08-25)
trombone:
Lou Sino (on 1958-08-25)
trumpet:
Louis Prima (on 1958-08-25)
vocals:
Louis Prima (on 1958-08-25)
orchestra:
The Witnesses (on 1958-08-25)
recorded at:
Sahara Theater in Winchester, Nevada, United States (on 1958-08-25)
live recording of:
Sing, Sing, Sing (With a Swing) (on 1958-08-25)
lyricist and composer:
Louis Prima
publisher:
Robbins Music (publishing company owned by EMI Music Publishing Ltd.) (ended) and EMI Robbins Catalog Inc. (ASCAP)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31) and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present)
Louis Prima4:11
15Just a Gigolo / I Ain’t Got Nobody
producer:
Voyle Gilmore
bass:
Amado Rodrigues (on 1956-04-19)
drums (drum set):
Bobby Morris (on 1956-04-19)
guitar:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (on 1956-04-19)
piano:
Willie McCumber Jr. (on 1956-04-19)
tenor saxophone:
Sam Butera (on 1956-04-19)
trombone:
Jimmy 'Little Red' Blount (on 1956-04-19) and Lou Sineaux (on 1956-04-19)
trumpet:
Louis Prima (on 1956-04-19)
vocals:
Louis Prima (on 1956-04-19)
orchestra:
The Witnesses (on 1956-04-19)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1956-04-19)
recording of:
Just a Gigolo / I Ain’t Got Nobody (Louis Prima medley) (on 1956-04-19)
lyricist:
Julius Brammer and Roger Graham
composer:
Leonello Casucci and Spencer Williams (US jazz composer, pianist & singer)
arranger:
Louis Prima (in 1956)
translator:
Irving Caesar
publisher:
Campbell Connelly & Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Eschig Max. Soc., Warner/Chappell North America and Wiener Bohème Verlag GmbH
medley of:
Just a Gigolo (English version)
medley of:
I Ain’t Got Nobody
Louis Prima44:45
16Felicia No Capecia
Louis Prima3:03
175 Months, 2 Weeks, 2 Days
producer:
Voyle Gilmore
bass:
Amato Rodriguez (on 1956-09-13)
drums (drum set):
Bobby Morris (on 1956-09-13)
guitar:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (on 1956-09-13)
instruments:
Willie McCumber Jr. (on 1956-09-13)
tenor saxophone:
Sam Butera (on 1956-09-13)
trombone:
Jimmy 'Little Red' Blount (on 1956-09-13)
trumpet:
Louis Prima (on 1956-09-13)
vocals:
Louis Prima (on 1956-09-13)
orchestra:
The Witnesses (on 1956-09-13)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1956-09-13)
recording of:
5 Months, 2 Weeks, 2 Days (on 1956-09-13)
writer:
Don Donaldson and Debbie Morris (songwriter)
Louis Prima52:11
18St. Louis Blues
producer:
Voyle Gilmore
bass:
Rolando 'Rolly Dee' DiIorio (on 1962-02-23)
drums (drum set):
Jimmy Vincent (on 1962-02-23)
guitar:
Allan Reuss (on 1962-02-23) and Allan Seltzer (on 1962-02-23)
instruments:
Sam Butera & the Witnesses (on 1962-02-23)
piano:
John Nagy (on 1962-02-23)
tenor saxophone:
Sam Butera (on 1962-02-23)
trumpet:
Louis Prima (on 1962-02-23) and Morgan Thomas (on 1962-02-23)
vocals:
Louis Prima
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1962-02-23)
cover recording of:
St. Louis Blues (on 1962-02-23)
lyricist and composer:
William Christopher Handy (in 1913)
publisher:
Handy Bros. Music Co., Inc.
sub-publisher:
Reuter & Reuter Förlags AB
Louis Prima2:57
19When the Saints Go Marching In
Louis Prima2:41
20Big Daddy
Louis Prima feat. Gia Maione2:46
21Just One of Those Things
producer:
Voyle Gilmore
bass:
Rolando 'Rolly Dee' DiIorio (on 1962-02-23)
drums (drum set):
Jimmy Vincent (on 1962-02-23)
guitar:
Allan Seltzer (on 1962-02-23)
instruments:
Sam Butera & the Witnesses (on 1962-02-23)
piano:
John Nagy (on 1962-02-23)
tenor saxophone:
Sam Butera (on 1962-02-23)
trombone:
Lou Sino (on 1962-02-23)
trumpet:
Louis Prima (on 1962-02-23) and Morgan Thomas (on 1962-02-23)
vocals:
Louis Prima (on 1962-02-23)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1962-02-23)
cover recording of:
Just One of Those Things (on 1962-02-23)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
Louis Prima2:39
22Buona sera
producer:
Voyle Gilmore
double bass:
Amato Rodrigues (on 1956-04-19)
guitar:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (on 1956-04-19)
piano:
Willie McCumber (on 1956-04-19)
tenor saxophone:
Sam Butera (on 1956-04-19)
trombone:
James Blount, Jr. (on 1956-04-19)
trumpet:
Louis Prima (on 1956-04-19)
vocals:
Louis Prima (on 1956-04-19)
orchestra:
The Witnesses (on 1956-04-19)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1956)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1956-04-19)
recording of:
Buona sera (on 1956-04-19)
lyricist:
Carl Sigman
composer:
Peter de Rose (tin pan alley era songwriter, pianist and performer on radio)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
translated version of:
Buona sera signorina (italian version for Fred Buscaglione)
Louis Prima43:00
23I Wan’na Be Like You (The Monkey Song)
mixer:
Bruce Botnick
lead vocals:
Louis Prima
vocals:
Phil Harris (US singer, songwriter, jazz musician, actor and comedian) and Louis Prima
phonographic copyright (℗) by:
Walt Disney Productions (in 1967)
mixed at:
Digital Magnetics in Hollywood, Los Angeles, California, United States
recording of:
I Wan’na Be Like You (The Monkey Song)
lyricist and composer:
Richard M. Sherman and Robert B. Sherman (American songwriter)
publisher:
Campbell Connelly & Co. Ltd. and Wonderland Music Company, Inc. (a division of Disney Music Publishing) (in 1966)
adaptations:
Être un homme comme vous
part of:
The Jungle Book (1967 Disney film soundtrack)
Louis Prima feat. Phil Harris4.554:04
24Hello Dolly!
Louis Prima2:37
25Cabaret
Louis Prima2:39
26Civilization (Bongo, Bongo, Bongo)
recording of:
Civilization (Angel in the Wings)
lyricist:
Bob Hilliard (in 1947)
composer:
Carl Sigman (in 1947)
Louis Prima3:17