Les Trésors du Jazz 1953

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26-1Cosmic Rays
alto saxophone:
Charlie Parker (aka “Bird”, jazz alto saxophonist) (in 1953-01)
Klavier:
Hank Jones (piano) (in 1953-01)
Kontrabass:
Teddy Kotick (in 1953-01)
Schlagzeug:
Max Roach (20th century US jazz drummer & composer) (in 1953-01)
recording of:
Cosmic Rays (in 1953-01)
Komponist(in):
Charlie Parker (aka “Bird”, jazz alto saxophonist)
Charlie Parker3:15
26-2Get Happy
instrumental recording of:
Get Happy (in 1953-01)
Texter:
Ted Koehler (in 1929)
Komponist(in):
Harold Arlen (in 1929)
publisher:
Chappell & Co., Inc. (USA), Francis, Day & Hunter Ltd., Redwood Music Ltd. (Carlin), Remick Music Corp., S.A. Music Co. und Warner Bros. Music (publisher; do NOT use as release label)
Teil von:
Summer Stock
Teil von:
The Nine‐Fifteen Revue (1930)
Gerry Mulligan5:48
26-3Bunny
Posaune:
Milt Bernhart (am 1953-01-12)
Trompete:
Shorty Rogers (trumpet) (am 1953-01-12)
Shorty Rogers3:25
26-4The Iron Hat
Tenorsaxophon:
Ben Webster (am 1953-01-22)
Ben Webster2:56
26-5Pennies From Heaven
Produzent(in):
Lee Gillette
alto saxophone:
Vinnie Dean (von 1953-01-28 bis 1953-01-30) und Lee Konitz (jazz saxophonist) (von 1953-01-28 bis 1953-01-30)
baritone saxophone:
Bob Gioga (von 1953-01-28 bis 1953-01-30)
Bass:
Don Bagley (von 1953-01-28 bis 1953-01-30)
Bassposaune:
George Roberts (american bass trombone) (von 1953-01-28 bis 1953-01-30)
Gitarre:
Sal Salvador (von 1953-01-28 bis 1953-01-30)
Klavier:
Stan Kenton (von 1953-01-28 bis 1953-01-30)
Posaune:
Bill Russo (von 1953-01-28 bis 1953-01-30), Bob Burgess (american trombonist) (von 1953-01-28 bis 1953-01-30), Keith Moon (jazz trombonist) (von 1953-01-28 bis 1953-01-30) und Frank Rosolino (von 1953-01-28 bis 1953-01-30)
Schlagzeug:
Stan Levey (von 1953-01-28 bis 1953-01-30)
Tenorsaxophon:
Bill Holman (von 1953-01-28 bis 1953-01-30) und Richie Kamuca (von 1953-01-28 bis 1953-01-30)
Trompete:
Conte Candoli (von 1953-01-28 bis 1953-01-30), Buddy Childers (American jazz trumpeter & composer) (von 1953-01-28 bis 1953-01-30), Don Dennis (von 1953-01-28 bis 1953-01-30), Maynard Ferguson (von 1953-01-28 bis 1953-01-30) und Ruben McFall (von 1953-01-28 bis 1953-01-30)
conductor:
Stan Kenton (von 1953-01-28 bis 1953-01-30)
arranger:
Lennie Niehaus (American saxophonist and score composer)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1953-01-28 bis 1953-01-30)
recording of:
Pennies From Heaven (von 1953-01-28 bis 1953-01-30)
Texter:
Johnny Burke (American lyricist, 1908–1964) (in 1936)
Komponist(in):
Arthur Johnston (American composer and songwriter) (in 1936)
publisher:
Anne-Rachel Music Corp., Campbell Connelly & Co., Campbell Connelly & Co. Ltd., Chappell Music (UK) und Joy Music Inc.
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1936 nominee)
Stan Kenton2:56
26-6Rocker
recording of:
Rocker (am 1953-01-29)
Komponist(in):
Gerry Mulligan
The Gerry Mulligan Tentette2:26
26-7A Ballad
recording of:
A Ballad (am 1953-01-29)
Komponist(in):
Gerry Mulligan
publisher:
Criterion Music Corp.
The Gerry Mulligan Tentette2:52
26-8Baa-Too-Kee
Schlagzeug:
Stan Levey (am 1953-01-30)
Stan Kenton2:40
26-9The Serpent’s Tooth
recording of:
The Serpent's Tooth, I (am 1953-01-30)
Komponist(in):
Miles Davis (jazz trumpeter, bandleader, songwriter)
Miles Davis6:59
26-10Round About Midnight
recording engineer:
Rudy van Gelder (am 1953-01-30)
Produzent(in):
Ira Gitler
Klavier:
Walter Bishop, Jr. (American jazz pianist) (am 1953-01-30)
Kontrabass:
Percy Heath (am 1953-01-30)
Schlagzeug:
Philly Joe Jones (US jazz drummer) (am 1953-01-30)
Tenorsaxophon:
"Charlie Chan" (aka “Bird”, jazz alto saxophonist) (am 1953-01-30) und Sonny Rollins (American saxophonist) (am 1953-01-30)
Trompete:
Miles Davis (jazz trumpeter, bandleader, songwriter) (am 1953-01-30)
phonographisches Urheberrecht (℗) von:
Prestige (American jazz label)
aufgenommen bei:
WOR Studios in New York, New York, Vereinigte Staaten (am 1953-01-30)
instrumental cover recording of:
’Round Midnight (am 1953-01-30)
Texter:
Bernie Hanighen
Komponist(in):
Thelonious Monk und Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
basiert auf:
I Need You So
Miles Davis7:03
26-11D.R. Blues
recorded in:
Paris, Île-de-France, Frankreich (in 1953)
E-Gitarre:
Django Reinhardt (French jazz guitarist and composer) (am 1953-01-30)
Klavier:
Maurice Vander (jazz musician and conductor, not the lyricist) (am 1953-01-30)
Kontrabass:
Pierre Michelot (am 1953-01-30)
Schlagzeug:
Pierre Lemarchand (French jazz drummer) (am 1953-01-30)
Interpret(in):
Django Reinhardt et son quintette (in 1953)
recording of:
D. R. Blues (am 1953-01-30)
Komponist(in):
Django Reinhardt (French jazz guitarist and composer)
Django Reinhardt3:07
26-12Oh! Lady Be Good
instrumental recording of:
Oh, Lady Be Good! (in 1953-01)
Texter:
Ira Gershwin (in 1924)
Komponist(in):
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., George Gershwin Music, Ira Gershwin Music und WB Music Corp. (1929–2019) (bis 2019-05-28)
Teil von:
American Splendor
Teil von:
Lady, Be Good (full musical)
Gerry Mulligan1:53
26-13It Could Happen to You
Techniker(in):
Doug Hawkins (sound engineer) (am 1951-05-01)
Klavier:
Bud Powell (am 1951-05-01)
instrumental recording of:
It Could Happen to You (am 1951-05-01)
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
Jimmy Van Heusen
publisher:
Chappell & Co., Sony/ATV Harmony und Sony/ATV Music Publishing LLC (1995–2020)
sub-publisher:
Gehrmans Musikförlag, Sony/ATV Harmony UK und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
live instrumental cover recording of:
It Could Happen to You (am 1953-02-07)
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
Jimmy Van Heusen
publisher:
Chappell & Co., Sony/ATV Harmony und Sony/ATV Music Publishing LLC (1995–2020)
sub-publisher:
Gehrmans Musikförlag, Sony/ATV Harmony UK und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Bud Powell3:23
26-14Tin Tin Deo
live recording of:
Tin Tin Deo (am 1953-02-09)
Komponist(in):
Walter “Gil” Fuller (jazz composer & arranger) und Chano Pozo
publisher:
Consolidated Music (a division of Music Sales Corp.), EMI Robbins Catalog Inc. (ASCAP) und Music Sales Corp. (American copyright holder in both popular and classical music)
Dizzy Gillespie4:07
26-15Embraceable You
live cover recording of:
Embraceable You (am 1953-02-09)
Texter:
Ira Gershwin (in 1928)
Komponist(in):
George Gershwin (composer) (in 1928)
publisher:
Ira Gershwin Music, New World Music (new age music), New World Music Corp., Warner Bros. Music Corp., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (von 2019-05-28 bis 2024-01-01)
Teil von:
Crazy for You (1992 musical)
Teil von:
Girl Crazy (1930 Musical)
Teil von:
When the Boys Meet the Girls (1965 film)
Dizzy Gillespie & Sarah Vaughan3:13
26-16Milenberg Joys
recording of:
Milenberg Joys (am 1953-02-14)
Verfasser(in):
Walter Melrose
Komponist(in):
Ferdinand Morton, Paul Mares und Leon Roppolo
Michel Attenoux1:29
26-17Cremer Stomp
Trompete:
Félix Lisiecki (in 1953-02)
Félix Lisiecki1:31
27-1I Want to Be Happy
Techniker(in):
Doug Hawkins (sound engineer) (am 1953-08-14)
Klavier:
Bud Powell (am 1953-08-14)
Kontrabass:
George Duvivier (am 1953-08-14)
Schlagzeug:
Art Taylor (am 1953-08-14)
recording of:
I Want to Be Happy (No, No, Nanette) (am 1953-02-14)
Texter:
Irving Caesar und Otto Harbach
Komponist(in):
Vincent Youmans
Teil von:
No, No, Nanette
instrumental recording of:
I Want to Be Happy (No, No, Nanette) (am 1953-08-14)
Texter:
Irving Caesar und Otto Harbach
Komponist(in):
Vincent Youmans
Teil von:
No, No, Nanette
Bud Powell3:23
27-2Brazil
instrumental recording of:
Brazil (English translation) (am 1953-02-18)
Verfasser(in):
Ary Barroso
Übersetzer:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1942)
übersetzte Version von:
Aquarela do Brasil
Teil von:
Brazil
Lars Gullin Quartet3:11
27-3Tasty Pudding
recording of:
Tasty Pudding (am 1953-02-19)
Komponist(in):
Al Cohn
Miles Davis3:20
27-4Motel
recording of:
Motel (am 1953-02-24)
Komponist(in):
Gerry Mulligan
Gerry Mulligan2:34
27-5Avalon
recording of:
Avalon (am 1953-02-27)
Verfasser(in):
B. G. DeSylva, Al Jolson und Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
publisher:
Chappell & Co., Inc. (USA), Stephen Ballentine Music, Warner Bros. Music (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und Jerome H. Remick & Co. (am 1920-09-04)
Erroll Garner4:11
27-6Caravan
recording of:
Caravan (am 1953-02-27)
Texter:
Irving Mills (in 1937)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1936) und Juan Tizol (in 1936)
publisher:
American Academy of Music, Inc., Duke Ellington Music, EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Mills Music, Inc., Sony/ATV Harmony und Lafleur Music Ltd. (vom 1995-12-12 bis heute)
Erroll Garner7:00
27-7Perdido
live recording of:
Perdido (original instrumental version) (am 1953-03-02)
Komponist(in):
Juan Tizol
Dave Brubeck7:46
27-8Nuages
recording of:
Nuages (instrumental) (am 1953-03-10)
Komponist(in):
Django Reinhardt (French jazz guitarist and composer)
publisher:
EMI Blackwood Music Inc. und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Django Reinhardt3:14
27-9Liza
recording of:
Liza (All the Clouds’ll Roll Away) (am 1953-03-23)
Texter:
Ira Gershwin und Gus Khan
Komponist(in):
George Gershwin (composer)
publisher:
New World Music Corp. (in 1929)
enthalten in:
An American in Paris (2015 Broadway musical)
Bernard Peiffer2:50
27-10Coop de Graas
Trompete:
Shorty Rogers (trumpet) (am 1953-03-26)
Shorty Rogers2:59
27-11The Tattooed Bride
recording of:
The Tattooed Bride (am 1953-03-30)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader)
Duke Ellington9:25
27-12Perdido
recording of:
Perdido (original instrumental version) (am 1953-03-30)
Komponist(in):
Juan Tizol
D. Ellington, O. Pettiford4:44
28-1Sweetheart of Sigmund Freud
Trompete:
Shorty Rogers (trumpet) (am 1953-04-02)
recording of:
Sweetheart of Sigmund Freud (am 1953-04-02)
Komponist(in):
Shorty Rogers (trumpet)
Shorty Rogers2:39
28-2Tiny’s Blues
Klavier:
Bud Powell (am 1953-04-05)
Bud Powell With Joe Timer6:08
28-3Deccaphonie
recording of:
Deccaphonie (am 1953-04-08)
Komponist(in):
Jean Reinhardt (French jazz guitarist and composer)
Django Reinhardt3:14
28-4Lucky Duck
Trompete:
Charlie Shavers (am 1953-04-13)
Charlie Shavers6:38
28-5Day Dream
recording of:
Day Dream (am 1953-04-14)
Texter:
John Latouche (in 1941)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941) und Billy Strayhorn (in 1941)
Charlie Mingus2:39
28-6Janet
recording of:
Janet (am 1953-04-14)
Verfasser(in):
Duke Ellington (US composer, pianist & jazz bandleader)
Duke Ellington2:10
28-7All Too Soon
recording of:
All Too Soon (am 1953-04-14)
Texter:
Carl Sigman (in 1940)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1940)
Duke Ellington3:04
28-8Speak Low
instrumental recording of:
Speak Low (One Touch of Venus) (am 1953-04-15)
Texter:
Ogden Nash
Komponist(in):
Kurt Weill (composer)
publisher:
Chappell & Co.
Teil von:
One Touch of Venus (1943 musical)
Laurindo Almeida2:29
28-9Ferdinando
Klarinette:
Buddy DeFranco (am 1953-04-15)
Klavier:
Kenny Drew (am 1953-04-15)
Kontrabass:
Milt Hinton (am 1953-04-15)
Schlagzeug:
Art Blakey (am 1953-04-15)
Buddy DeFranco5:04
28-10Ensley
Trompete:
Nelson Williams (jazz trumpeter) (am 1953-04-15)
Nelson Williams1:59
28-11Tempus Fugit
recording of:
Tempus Fugit (am 1953-04-20)
Komponist(in):
Bud Powell
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
Miles Davis3:49
28-12Enigma
recording of:
Enigma (am 1953-04-20)
Komponist(in):
J.J. Johnson (jazz/bop trombonist/session leader)
publisher:
TRO-Folkways Music Publishers, Inc.
Miles Davis3:22
28-13Love Me or Leave Me
recording of:
Love Me or Leave Me (am 1953-04-27)
Texter:
Gus Kahn
Komponist(in):
Walter Donaldson
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Co. (in 1928, in 1955) und Gilbert Keyes Music Company (in 1928, in 1955)
Gerry Mulligan2:41
28-14Swinghouse
Produzent(in):
Richard Bock (record producer)
baritone saxophone und baritone saxophone [baritone sax]:
Gerry Mulligan (am 1953-04-27)
Bass und Kontrabass [bass]:
Carson Smith (am 1953-04-27)
Schlagzeug und Schlagzeug [drums]:
Larry Bunker (am 1953-04-27)
Trompete:
Chet Baker (American jazz trumpeter and vocalist) (am 1953-04-27)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1953-04-27)
recording of:
Swing House (am 1953-04-27)
Komponist(in):
Gerry Mulligan
Gerry Mulligan2:53
28-15Up-N-Adam
Tenorsaxophon:
Lester Young (saxophonist) (in 1953-05)
Lester Young4:12
29-1The Man I Love
instrumental recording of:
The Man I Love (in 1953-05)
Texter:
Ira Gershwin (in 1924)
Komponist(in):
George Gershwin (composer) (in 1924)
publisher:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Lady, Be Good (full musical)
Teil von:
New York, New York (1977 musical film soundtrack)
recording of:
The Man I Love
Texter:
Ira Gershwin (in 1924)
Komponist(in):
George Gershwin (composer) (in 1924)
publisher:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Lady, Be Good (full musical)
Teil von:
New York, New York (1977 musical film soundtrack)
Oscar Peterson6:15
29-27 Come 11
recording of:
Seven Come Eleven (in 1953-05)
Komponist(in):
Charlie Christian und Benny Goodman (clarinetist and bandleader)
Oscar Peterson4:55
29-3Nice Work If You Can Get It
instrumental recording of:
Nice Work If You Can Get It (am 1953-05-11)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) und Gershwin Publishing Corp (in 1937)
Teil von:
A Damsel in Distress (1937 film score)
Teil von:
Crazy for You (1992 musical)
Teil von:
My One and Only (1983 Broadway musical)
André Previn2:44
29-4Men From Mars
Schlagzeug:
Art Mardigan (American jazz drummer) (am 1953-05-14)
Woody Herman3:02
29-5All the Things You Are
instrumental recording of:
All the Things You Are (from “Very Warm for May”) (am 1953-05-15)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1939)
Komponist(in):
Jerome Kern (in 1939)
publisher:
Polygram Int. Publishing (renamed Universal PolyGram International Publishing, Inc. circa 1998) (beendet), T.B. Harms Inc. (beendet) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Teil von:
Broadway Rhythm (film)
D. Gillespie & C. Parker7:48
29-6Salt Peanuts
recording of:
Salt Peanuts (am 1953-05-15)
Komponist(in):
Kenny Clarke und Dizzy Gillespie
publisher:
Universal Music Corp. (USA, affiliated with ASCAP)
adaptations:
Salt Peanuts (Pointer Sisters version, with lyrics)
D. Gillespie & C. Parker7:35
29-7When Lights Are Low
Klavier:
John Lewis (pianist, member of Modern Jazz Quartet) (am 1953-05-19)
Kontrabass:
Percy Heath (am 1953-05-19)
Schlagzeug:
Max Roach (20th century US jazz drummer & composer) (am 1953-05-19)
Trompete:
Miles Davis (jazz trumpeter, bandleader, songwriter) (am 1953-05-19)
instrumental cover recording of:
When Lights Are Low (am 1953-05-19)
Texter:
Spencer Williams (US jazz composer, pianist & singer)
Komponist(in):
Benny Carter
publisher:
Bee Cee Music Co. und Mills Music
Miles Davis3:25
29-8Five Brothers
recording of:
Five Brothers (am 1953-05-20)
Komponist(in):
Gerry Mulligan
Gerry Mulligan2:59
29-9Old Folks
recording of:
Old Folks (am 1953-05-25)
Texter:
Dedette Lee Hill (in 1938)
Komponist(in):
Willard Robison (in 1938)
publisher:
Warner Bros., Inc. (not for release label use!)
Charlie Parker With Dave Lambert3:34
29-10Cascades En Mi Bémol
Klavier:
Martial Solal (am 1953-05-31)
Orchester:
Tony Proteau et son orchestre (am 1953-05-31)
M. Solal & T. Proteau2:31
29-11You Go to My Head
recording of:
You Go to My Head (am 1953-06-07)
Texter:
Haven Gillespie (in 1938)
Komponist(in):
J. Fred Coots (in 1938)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Ltd., Haven Gillespie Music Publishing Co., Remick Music Corp., Toy Town Tunes, Inc., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label) und Warner Bros. Music Corp.
Raymond Fol3:09
29-12Hot and Cool Blues
Bobby Byrne's & Kai Winding's6:55
30-1Turnpike
Klavier:
John Lewis (pianist, member of Modern Jazz Quartet) (am 1953-06-22)
Kontrabass:
Percy Heath (am 1953-06-22)
Posaune:
J.J. Johnson (jazz/bop trombonist/session leader) (am 1953-06-22)
Saxophon:
Jimmy Heath (am 1953-06-22)
Schlagzeug:
Kenny Clarke (am 1953-06-22)
Trompete:
Clifford Brown (trumpet) (am 1953-06-22)
recording of:
Turnpike
Komponist(in):
J.J. Johnson (jazz/bop trombonist/session leader)
J.J. Johnson4:18
30-23D
baritone saxophone:
Bobby McNeely (am 1953-06-23)
Klavier:
Boyd Lee Dunlop (am 1953-06-23)
Kontrabass:
Ike Brown (US jazz/R&B bassist) (am 1953-06-23)
Orgel:
Dwight Davis (am 1953-06-23)
Schlagzeug:
Darnell "Blimp" Cole (am 1953-06-23)
Tenorsaxophon:
Big Jay McNeely (am 1953-06-23)
Big Jay McNeely2:41
30-3Delaunay’s Dilemna
recording of:
Delaunay's Dilemma (am 1953-06-25)
Komponist(in):
John Lewis (pianist, member of Modern Jazz Quartet)
Modern Jazz Quartet3:57
30-4Autumn in New York
recording of:
Autumn in New York (1934) (am 1953-06-25)
Texter und Komponist(in):
Vernon Duke
publisher:
Chappell & Co. und Warner Bros., Inc. (not for release label use!)
Modern Jazz Quartet3:38
30-5The Wild One
Trompete:
Shorty Rogers (trumpet) (am 1953-07-14)
Shorty Rogers3:17
30-6South Rampart Street Parade
recording of:
South Rampart Street Parade (original 1937 instrumental version) (am 1953-07-17)
Komponist(in):
Ray Bauduc (in 1937) und Bob Haggart (in 1937)
Kid Ory3:24
30-7Happy Little Sunbeam
recording of:
Happy Little Sunbeam (am 1953-07-19)
Komponist(in):
Russ Freeman (pianist)
Chet Baker2:43
30-8Chi Chi
recording of:
Chi Chi (am 1953-07-30)
Komponist(in):
Charlie Parker (aka “Bird”, jazz alto saxophonist)
Charlie Parker3:02
30-9Confirmation
recording of:
Confirmation (am 1953-07-30)
Komponist(in):
Charlie Parker (aka “Bird”, jazz alto saxophonist)
publisher:
Atlantic Music/BMI (BMI)
Charlie Parker2:58
30-10Crazy Rhythm
instrumental recording of:
Crazy Rhythm (am 1953-07-30)
Texter:
Irving Caesar
Komponist(in):
Roger Wolfe Kahn und Joseph Meyer (US songwriter)
Stan Getz5:50
30-11Apple Jam
Tenorsaxophon:
Stan Getz (am 1953-08-03) und Wardell Gray (am 1953-08-03)
Jazz at the Philharmonic11:52
30-12Reets and I
recording of:
Reets and I (am 1953-08-14)
Komponist(in):
Benny Harris
Bud Powell2:31
30-13Dedicated to Lee
baritone saxophone:
Lars Gullin (am 1953-08-25)
Lars Gullin2:39
30-14Easy Living
instrumental recording of:
Easy Living (am 1953-08-28)
Texter:
Leo Robin (US composer, lyricist & songwriter)
Verfasser(in):
Ralph Rainger (in 1937) und Leo Robin (US composer, lyricist & songwriter) (in 1937)
Komponist(in):
Ralph Rainger und Leo Robin (US composer, lyricist & songwriter)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1937, in 1964)
Clifford Brown3:40
30-15Jeepers Creepers
instrumental recording of:
Jeepers Creepers (in 1953-09)
Texter:
Johnny Mercer (in 1938)
Verfasser(in):
Richard A. Whiting (composer)
Komponist(in):
Harry Warren (US composer and lyricist) (in 1938)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) und Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Teil von:
The 11th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1938 nominee)
Dave Brubeck7:22
31-1Burt Covers Bud
Klavier:
Bud Powell (in 1953-09)
Bud Powell3:03
31-2You’d Be So Nice to Come Home To
instrumental recording of:
You’d Be So Nice to Come Home To (in 1953-09)
Texter und Komponist(in):
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Teil von:
The 16th Academy Award for Best Original Song (Nummer: 2)
Bud Powell2:36
31-3Montoona Clipper
Les Brown5:38
31-4The Nearness of You
instrumental recording of:
The Nearness of You (am 1953-09-02)
Texter:
Ned Washington (in 1938)
Komponist(in):
Hoagy Carmichael (in 1938)
publisher:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony, Sony/ATV Harmony UK und Sony/ATV Music Publishing LLC (1995–2020)
Lionel Hampton10:41
31-5Just You Just Me
instrumental recording of:
Just You, Just Me (am 1953-09-02)
Texter:
Raymond Klages (in 1929)
Komponist(in):
Jesse Greer (in 1929)
publisher:
EMI United Partnership Ltd., Robbins Music (publishing company owned by EMI Music Publishing Ltd.) und Robbins Music Corporation
Teil von:
New York, New York (1977 musical film soundtrack)
Jazz at the Philharmonic23:12
31-6Four Others
recording of:
Four Brothers (am 1953-09-11)
Komponist(in):
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer) (in 1947)
Woody Herman2:52
31-7A Night in Tunisia
recording of:
Night in Tunisia (instrumental) (am 1953-09-13)
Komponist(in):
Dizzy Gillespie und Frank Paparelli
publisher:
Universal‐MCA Music Publishing (US)
Miles Davis11:55
32-1Stockholm Sweetnin’
recording of:
Stockholm Sweetnin' (am 1953-09-15)
Komponist(in):
Quincy Jones
publisher:
Silhouette Music Corp.
Clifford Brown & Art Farmer5:28
32-2In Lighter Vein
Klavier:
Stan Kenton (am 1953-09-16)
Stan Kenton2:53
32-3Lover Man
instrumental recording of:
Lover Man (am 1953-09-16)
Texter:
Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942), Roger “Ram” Ramirez (Puerto Rican jazz pianist) (in 1942) und Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
Komponist(in):
Roger “Ram” Ramirez (Puerto Rican jazz pianist), Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942) und Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (beendet), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (beendet) und Universal Music Corp. (USA, affiliated with ASCAP)
Stan Kenton4:21
32-4I’ll Remember April
instrumental recording of:
I’ll Remember April (am 1953-09-17)
Texter:
Patricia Johnston und Don Raye
Komponist(in):
Gene de Paul
publisher:
Hub Music Co Inc, Leeds Music Co., MCA Music Ltd., Rytvoc, Inc. (ASCAP) und Universal Music Corp. (USA, affiliated with ASCAP)
Lee Konitz3:21
32-5Now’s the Time
recording of:
Now’s the Time (am 1953-09-18)
Komponist(in):
Charlie Parker (aka “Bird”, jazz alto saxophonist)
publisher:
Atlantic Music Corp. (BMI)
Trombone Rapport14:26
32-6Zoot
recording of:
Zoot (am 1953-09-18)
Komponist(in):
Bill Holman
publisher:
Sierra Music Publications und Benton Publications (vom 1972 bis heute)
Stan Kenton3:05
32-7Concerto to End All Concertos
recording of:
Concerto to End All Concertos (am 1953-09-18)
Komponist(in):
Stan Kenton
Stan Kenton5:58
32-8Now’s the Time
recording of:
Now’s the Time (am 1953-09-22)
Komponist(in):
Charlie Parker (aka “Bird”, jazz alto saxophonist)
publisher:
Atlantic Music Corp. (BMI)
Charlie Parker4:13
32-9Brown Skins
recording of:
Brown Skins (am 1953-09-23)
Komponist(in):
Gigi Gryce
publisher:
Twenty-Eighth Street Music
Clifford Brown, Gigi Gryce and his Orchestra6:05
32-10On the Sunny Side of the Street
instrumental recording of:
On the Sunny Side of the Street (am 1953-10-03)
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Ancar Enterprises Inc., Cotton Club Publishing, Shapiro, Bernstein & Co., Inc. und Vydia Music Publishing
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Lawrence Wright Music Co., Ltd., Memory Lane Music Ltd., Shapiro Bernstein & Co. Ltd. und シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
Teil von:
American Splendor
Sidney Bechet3:25
32-11The Stopper
sonstige Unterstützung:
Ira Gitler (Aufgabe: supervised by)
Bass:
Percy Heath (am 1953-10-07)
Klavier:
John Lewis (pianist, member of Modern Jazz Quartet) (am 1953-10-07)
Schlagzeug:
Kenny Clarke (am 1953-10-07)
Tenorsaxophon:
Sonny Rollins (American saxophonist) (am 1953-10-07)
Vibraphon:
Milt Jackson (am 1953-10-07)
recording of:
The Stopper (am 1953-10-07)
Komponist(in):
Sonny Rollins (American saxophonist)
Sonny Rollins With The M.J.Q.2:56
32-12In a Sentimental Mood
sonstige Unterstützung:
Ira Gitler (Aufgabe: supervised by)
Bass:
Percy Heath (am 1953-10-07)
Klavier:
John Lewis (pianist, member of Modern Jazz Quartet) (am 1953-10-07)
Schlagzeug:
Kenny Clarke (am 1953-10-07)
Tenorsaxophon:
Sonny Rollins (American saxophonist) (am 1953-10-07)
Vibraphon:
Milt Jackson (am 1953-10-07)
recording of:
In a Sentimental Mood (am 1953-10-07)
Texter:
Manny Kurtz und Irving Mills
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1935)
publisher:
American Academy of Music, Inc., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), J. R. Lafleur & Son Ltd., Lafleur Music Ltd., Mills Music und Sony/ATV Harmony
instrumental recording of:
In a Sentimental Mood (am 1953-10-07)
Texter:
Manny Kurtz und Irving Mills
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1935)
publisher:
American Academy of Music, Inc., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), J. R. Lafleur & Son Ltd., Lafleur Music Ltd., Mills Music und Sony/ATV Harmony
Sonny Rollins With The M.J.Q.3:18
33-1Tenderly
instrumental recording of:
Tenderly (am 1953-10-10)
Texter:
Jack Lawrence (US songwriter) (in 1946)
Komponist(in):
Walter Gross (American composer) (in 1946)
publisher:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music und Range Road Music
Jazz Studio One15:54
33-2Minority
recording of:
Minority (am 1953-10-21)
Komponist(in):
Gigi Gryce
publisher:
Jacogg Publications und Twenty-Eighth Street Music
Cal Tjader3:00
33-3Miss Bliss
Charlie Mingus3:05
33-4All the Things You Are
instrumental recording of:
All the Things You Are (from “Very Warm for May”) (am 1953-10-31)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1939)
Komponist(in):
Jerome Kern (in 1939)
publisher:
Polygram Int. Publishing (renamed Universal PolyGram International Publishing, Inc. circa 1998) (beendet), T.B. Harms Inc. (beendet) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Teil von:
Broadway Rhythm (film)
M J Q3:13
33-5La Ronde
recording of:
La Ronde (am 1953-10-31)
Verfasser(in):
John Lewis (pianist, member of Modern Jazz Quartet)
M J Q3:07
33-6Rose of the Rio Grande
recorded in:
New York, New York, Vereinigte Staaten (am 1952-12-22)
recording engineer:
Doug Hawkins (sound engineer)
Bass und Kontrabass:
Percy Heath (am 1952-12-22)
Klavier:
John Lewis (pianist, member of Modern Jazz Quartet) (am 1952-12-22)
Schlagzeug:
Kenny Clarke (am 1952-12-22)
Vibraphon:
Milt Jackson (am 1952-12-22)
phonographisches Urheberrecht (℗) von:
Fantasy, Inc. (not for release label use!)
instrumental recording of:
Rose of the Rio Grande (am 1952-12-22)
Texter:
Edgar Leslie
Komponist(in):
Ross Gorman und Harry Warren (US composer and lyricist)
instrumental recording of:
Rose of the Rio Grande (am 1953-10-31)
Texter:
Edgar Leslie
Komponist(in):
Ross Gorman und Harry Warren (US composer and lyricist)
recording of:
Rose of the Rio Grande
Texter:
Edgar Leslie
Komponist(in):
Ross Gorman und Harry Warren (US composer and lyricist)
M J Q3:12
33-7Au Tabou
Gitarre:
Jimmy Gourley (am 1953-11-02)
Klavier:
Henri Renaud (French 1940–60s jazz pianist) (am 1953-11-02)
Kontrabass:
Jean-Marie Ingrand (am 1953-11-02)
Schlagzeug:
Jean‐Louis Viale (French jazz drummer 1933-1984) (am 1953-11-02)
Tenorsaxophon:
Bobby Jaspar (Belgian 1940-60s tenor saxophonist) (am 1953-11-02)
Bobby Jaspar2:46
33-8Side Car
baritone saxophone:
Lars Gullin (am 1953-11-09)
Klarinette:
Arne Domnérus (am 1953-11-09)
Klavier:
Bengt Hallberg (am 1953-11-09)
Kontrabass:
Simon Brehm (am 1953-11-09)
Posaune:
Åke Persson (am 1953-11-09)
Bengt Hallberg3:05
33-9Let’s Call This
Klavier:
Thelonious Monk (am 1953-11-13)
Kontrabass:
Percy Heath (am 1953-11-13)
Schlagzeug:
Willie Jones (jazz drummer, not Willie Jones III) (am 1953-11-13)
Tenorsaxophon:
Sonny Rollins (American saxophonist) (am 1953-11-13)
Waldhorn:
Julius Watkins (am 1953-11-13)
aufgenommen bei:
WOR Studios in New York, New York, Vereinigte Staaten (am 1953-11-13)
recording of:
Let’s Call This (am 1953-11-13)
Komponist(in):
Thelonious Monk
Thelonious Monk5:04
33-10Friday the 13th
recording of:
Friday the 13th (am 1953-11-13)
Komponist(in):
Thelonious Monk
Thelonious Monk10:32
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