The Greatest Scary Movie Soundtrack

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Annotazione

© «2024 UMG Recordings, Inc.»
℗ «2024 UMG Recordings, Inc. FP»

Countries excluded (Spotify + Deezer)

(As of 2024-10-08).

  • Central America: 🇧🇿 Belize (bz)
  • Caribbean: 🇦🇬 Antigua and Barbuda (ag) 🇧🇧 Barbados (bb) 🇧🇸 Bahamas (bs) 🇩🇲 Dominica (dm) 🇬🇩 Grenada (gd) 🇭🇹 Haiti (ht) 🇯🇲 Jamaica (jm) 🇰🇳 Saint Kitts and Nevis (kn) 🇱🇨 Saint Lucia (lc) 🇻🇨 Saint Vincent and Grenadines (vc) 🇦🇮 Anguilla (ai) 🇰🇾 Cayman Islands (ky) 🇲🇸 Montserrat (ms) 🇹🇨 Turks and Caicos Islands (tc) 🇻🇬 British Virgin Islands (vg)
  • South America: 🇬🇾 Guyana (gy) 🇸🇷 Suriname (sr) 🇫🇰 Falkland Islands (fk)
  • Western Europe: 🇱🇮 Liechtenstein (li) 🇲🇨 Monaco (mc)
  • Northern Europe: 🇸🇯 Svalbard and Jan Mayen (sj)
  • Southern Europe: 🇦🇩 Andorra (ad) 🇸🇲 San Marino (sm)
  • Eastern Europe: 🇧🇾 Belarus (by) 🇲🇩 Moldova (md)
  • Eastern Africa: 🇮🇴 British Indian Ocean Territory (io)
  • Western Asia: 🇦🇲 Armenia (am) 🇦🇿 Azerbaijan (az) 🇬🇪 Georgia (ge)
  • Central Asia: 🇰🇬 Kyrgyzstan (kg) 🇰🇿 Kazakhstan (kz) 🇺🇿 Uzbekistan (uz) 🇹🇯 Tajikistan (tj) 🇹🇲 Turkmenistan (tm)
  • Southern Asia: 🇧🇩 Bangladesh (bd) 🇧🇹 Bhutan (bt) 🇲🇻 Maldives (mv) 🇳🇵 Nepal (np) 🇵🇰 Pakistan (pk) 🇦🇫 Afghanistan (af)
  • Eastern Asia: 🇲🇳 Mongolia (mn) 🇲🇴 Macao (mo)
  • South-Eastern Asia: 🇧🇳 Brunei (bn) 🇱🇦 Laos (la) 🇹🇱 Timor-Leste (tl)
  • Oceania: 🇨🇨 Cocos (Keeling) Islands (cc) 🇨🇽 Christmas Island (cx) 🇳🇫 Norfolk Island (nf)
  • Polynesia: 🇹🇴 Tonga (to) 🇹🇻 Tuvalu (tv) 🇼🇸 Samoa (ws) 🇨🇰 Cook Islands (ck) 🇳🇺 Niue (nu) 🇵🇳 Pitcairn (pn) 🇹🇰 Tokelau (tk)
  • Melanesia: 🇫🇯 Fiji (fj) 🇵🇬 Papua New Guinea (pg) 🇸🇧 Solomon Islands (sb) 🇻🇺 Vanuatu (vu)
  • Micronesia: 🇫🇲 Federated States of Micronesia (fm) 🇰🇮 Kiribati (ki) 🇲🇭 Marshall Islands (mh) 🇳🇷 Nauru (nr) 🇵🇼 Palau (pw)
Annotazione modificata l'ultima volta il 2024-10-08 12:48 UTC.

Elenco tracce

1Supporto digitale
#TitoloArtistaValutazioneDurata
1Opening Sequence
Michael Bishop0:52
2Tubular Bells - From “The Exorcist”
orchestra:
Cincinnati Pops Orchestra
direttore d'orchestra:
Erich Kunzel (conductor)
registrazione di:
Tubular Bells
compositore:
Mike Oldfield
cita la musica di:
Missa pro defunctis: Sequentia “Dies irae” (plainchant)
parte di:
Tubular Bells, Part One
Erich Kunzel & Cincinnati Pops Orchestra2:41
3Murder - From “Psycho”
Erich Kunzel & Cincinnati Pops Orchestra1:21
4Main Titles From “Beetlejuice”
tecnico di registrazione:
Michael Bishop (Telarc engineer/producer) e Jack Renner (engineer for Telarc)
produttore:
Robert Woods (classical music producer, founder of TELARC)
editor:
Scott Burgess (producer, engineer, sound editor, bassoonist, and singer) e Rosalind Ilett (Telarc editor)
orchestra:
Cincinnati Pops Orchestra
direttore d'orchestra:
Erich Kunzel (conductor)
arrangiatore:
Crafton Beck e Mark McGurty
registrata presso:
Music Hall (Cincinnati) in Cincinnati, Ohio, Stati Uniti (dal 1993-11-01 al 1994-01-16)
registrazione cover di:
Main Theme (Beetlejuice)
compositore:
Danny Elfman (American singer and score composer)
parte di:
Beetlejuice
Erich Kunzel & Cincinnati Pops Orchestra2:06
5Opening - From “The Shining”
orchestra:
Cincinnati Pops Orchestra
direttore d'orchestra:
Erich Kunzel (conductor)
registrazione di:
The Shining (Theme)
compositore:
Wendy Carlos e Rachel Elkind
si basa su:
Missa pro defunctis: Sequentia “Dies irae” (plainchant)
si basa su:
Symphonie fantastique, op. 14: V. Songe d’une nuit du sabbat
Erich Kunzel & Cincinnati Pops Orchestra3:08
6Closing Title from “Alien”
Erich Kunzel & Cincinnati Pops Orchestra2:58
7Theme - From “The Addams Family”
orchestra:
Cincinnati Pops Orchestra
direttore d'orchestra:
Erich Kunzel (conductor)
registrazione di:
The Addams Family Theme (theme to the 1964 TV series)
paroliere e compositore:
Vic Mizzy (US television & movie composer)
editore:
EMI Music Publishing (do not use as a release label!)
parte di:
The Addams Family (1964 television soundtrack)
parte di:
The Addams Family (1991)
Erich Kunzel & Cincinnati Pops Orchestra2:19
8Herrmann: Prelude from Psycho - From “Psycho”
Erich Kunzel & Cincinnati Pops Orchestra1:34
9Theme - From “The Munsters”
orchestra:
Cincinnati Pops Orchestra
direttore d'orchestra:
Erich Kunzel (conductor)
registrazione di:
Theme (The Munsters)
compositore:
Jack Marshall (US jazz guitarist, composer, arranger & record producer)
Erich Kunzel & Cincinnati Pops Orchestra2:23
10Theme From “Jaws”
orchestra:
Cincinnati Pops Orchestra (dal 1987-05-10 al 1987-09-15)
direttore d'orchestra:
Erich Kunzel (conductor) (dal 1987-05-10 al 1987-09-15)
registrata presso:
Music Hall (Cincinnati) in Cincinnati, Ohio, Stati Uniti
registrazione cover di:
Main Theme (Jaws)
compositore:
John Williams (American score composer and conductor)
compresa in:
Trail Mix‐Up
parte di:
Jaws (1975 film score)
registrazione di:
Theme (Jaws)
compositore:
John Williams (American score composer and conductor)
Erich Kunzel & Cincinnati Pops Orchestra2:28
11Prelude From “War Of The Worlds”
Erich Kunzel & Cincinnati Pops Orchestra1:11
12This Is Halloween - From “Tim Burton’s The Nightmare Before Christmas”
orchestra:
Cincinnati Pops Orchestra
direttore d'orchestra:
Erich Kunzel (conductor)
registrazione di:
This Is Halloween (Tim Burton’s The Nightmare Before Christmas)
orchestratore:
Steve Bartek
paroliere e compositore:
Danny Elfman (American singer and score composer)
autore:
Jonas Asplind, Melissa Bonny, Niklas Müller (German metal drummer) e Adrian Thessenvitz
editore:
Buena Vista Music Company
orchestrazione di:
This Is Halloween (demo)
parte di:
The Nightmare Before Christmas
Erich Kunzel & Cincinnati Pops Orchestra3:15
13Theme From “The Godfather”
tecnico di registrazione:
Michael Bishop (Telarc engineer/producer) e Jack Renner (engineer for Telarc)
produttore:
Robert Woods (classical music producer, founder of TELARC)
fisarmonica :
Jeanne Dulaney (accordionist)
mandolino :
Timothy Berens e Paul Patterson (violin)
arrangiatore:
Mark McGurty
registrata presso:
Music Hall (Cincinnati) in Cincinnati, Ohio, Stati Uniti (nel 1992-12)
registrazione di:
Love Theme from The Godfather (nel 1992-12)
compositore:
Nino Rota (Italian composer)
versione di:
Buongiorno Fortunella
parte di:
The Godfather (1972 film soundtrack)
Erich Kunzel & Cincinnati Pops Orchestra3:46
14The Imperial March (From “Star Wars: The Empire Strikes Back”)
tecnico di registrazione:
Jack Renner (engineer for Telarc)
produttore:
Robert Woods (classical music producer, founder of TELARC)
orchestra:
Cincinnati Pops Orchestra (il 1983-11-21)
direttore d'orchestra:
Erich Kunzel (conductor) (il 1983-11-21)
diritti fonografici (℗) detenuti da:
TELARC International Corporation (nel 1984)
registrata presso:
Music Hall (Cincinnati) in Cincinnati, Ohio, Stati Uniti (il 1983-11-21)
registrazione di:
The Imperial March (Star Wars, Episode V: The Empire Strikes Back, Darth Vader’s Theme) (il 1983-11-21)
orchestratore:
Herbert W. Spencer (composer and orchestrator)
compositore:
John Williams (American score composer and conductor)
editore:
Fox Fanfare Music Inc.
parte di:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
Erich Kunzel & Cincinnati Pops Orchestra2:52
15Suite from “Batman Forever”: Gotham City Boogie (Arr. D. Snyder)
orchestra:
Cincinnati Pops Orchestra
direttore d'orchestra:
Erich Kunzel (conductor)
registrata presso:
Music Hall (Cincinnati) in Cincinnati, Ohio, Stati Uniti (dal 1996-06-02 al 1996-09-03)
Erich Kunzel & Cincinnati Pops Orchestra1:53
16Monster Mash
orchestra:
Cincinnati Pops Orchestra
direttore d'orchestra:
Erich Kunzel (conductor)
registrazione cover di:
Monster Mash
autore:
Lenny Capizzi e Bobby “Boris” Pickett (novelty musician, known for “Monster Mash”)
editore:
T.M. Music Australia Pty. Ltd. e TM Music Ltd.
Erich Kunzel & Cincinnati Pops Orchestra3:50
17Theme - From “Ghostbusters”
orchestra:
Cincinnati Pops Orchestra
direttore d'orchestra:
Erich Kunzel (conductor)
registrazione di:
Ghostbusters
paroliere e compositore:
Ray Parker Jr.
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Golden Torch Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated), IQ Music Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019), Golden Torch Music Corp. (nel 1984) e Raydiola Music (nel 1984)
parte di:
The 57th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1984 nominee)
si basa su:
I Want a New Drug
Erich Kunzel & Cincinnati Pops Orchestra3:24
18The Legend Lives / End Theme - From “Sleepy Hollow”
orchestra:
Cincinnati Pops Orchestra
direttore d'orchestra:
Erich Kunzel (conductor)
medley che comprende una registrazione di:
Sleepy Hollow: End Credits
compositore:
Danny Elfman (American singer and score composer)
parte di:
Sleepy Hollow (1999)
Erich Kunzel & Cincinnati Pops Orchestra4:36
19The Haunted Fun House
orchestra:
Cincinnati Pops Orchestra
direttore d'orchestra:
Erich Kunzel (conductor)
Erich Kunzel & Cincinnati Pops Orchestra3:08
20Themes - From “Beetlejuice”
tecnico di registrazione:
Michael Bishop (Telarc engineer/producer) e Jack Renner (engineer for Telarc)
produttore:
Robert Woods (classical music producer, founder of TELARC)
editor:
Scott Burgess (producer, engineer, sound editor, bassoonist, and singer) e Rosalind Ilett (Telarc editor)
orchestra:
Cincinnati Pops Orchestra
direttore d'orchestra:
Erich Kunzel (conductor)
arrangiatore:
Crafton Beck e Mark McGurty
registrata presso:
Music Hall (Cincinnati) in Cincinnati, Ohio, Stati Uniti (dal 1993-11-01 al 1994-01-16)
registrazione cover di:
Main Theme (Beetlejuice)
compositore:
Danny Elfman (American singer and score composer)
parte di:
Beetlejuice
Erich Kunzel & Cincinnati Pops Orchestra2:13
21They’ve Landed! / Martian Hop
orchestra:
Cincinnati Pops Orchestra
direttore d'orchestra:
Erich Kunzel (conductor)
Erich Kunzel & Cincinnati Pops Orchestra2:42
22Theme - From “Tales From The Crypt”
orchestra:
Cincinnati Pops Orchestra
direttore d'orchestra:
Erich Kunzel (conductor)
registrazione di:
Theme (Tales From the Crypt)
compositore:
Danny Elfman (American singer and score composer)
Erich Kunzel & Cincinnati Pops Orchestra1:31
23The Carousel - From “The Haunting”
orchestra:
Cincinnati Pops Orchestra
direttore d'orchestra:
Erich Kunzel (conductor)
registrazione di:
The Haunting: The Carousel
orchestratore:
Alexander Courage
compositore:
Jerry Goldsmith (American score composer)
Erich Kunzel & Cincinnati Pops Orchestra3:26
24Waxman: The Bride of Frankenstein
Erich Kunzel & Cincinnati Pops Orchestra5:12
25The Sand Volcano (From “The Mummy”)
tecnico di registrazione:
Michael Bishop (Telarc engineer/producer) (il 1999-06-07)
produttore:
Robert Woods (classical music producer, founder of TELARC) (il 1999-06-07)
orchestra:
Cincinnati Pops Orchestra (il 1999-06-07)
direttore d'orchestra:
Erich Kunzel (conductor) (il 1999-06-07)
registrata presso:
Music Hall (Cincinnati) in Cincinnati, Ohio, Stati Uniti (il 1999-06-07)
registrazione di:
The Sand Volcano (The Mummy)
compositore:
Jerry Goldsmith (American score composer)
Erich Kunzel & Cincinnati Pops Orchestra4:10
26Theme - From “Dark Shadows”
orchestra:
Cincinnati Pops Orchestra
direttore d'orchestra:
Erich Kunzel (conductor)
registrazione di:
Dark Shadows Theme
autore:
Robert Cobert (Television Music Composer)
Erich Kunzel & Cincinnati Pops Orchestra1:31
27Beware Of The Blob - From “The Blob”
orchestra:
Cincinnati Pops Orchestra
direttore d'orchestra:
Erich Kunzel (conductor)
registrazione cover di:
Beware of the Blob
autore:
Burt Bacharach e Mack David (American lyricist and songwriter)
Erich Kunzel & Cincinnati Pops Orchestra2:55
28Theme / Tomatoes On The Rampage - From “Attack Of The Killer Tomatoes”
orchestra:
Cincinnati Pops Orchestra
direttore d'orchestra:
Erich Kunzel (conductor)
registrazione di:
Attack of the Killer Tomatoes
autore:
John De Bello
Erich Kunzel & Cincinnati Pops Orchestra2:50
29Gounod: Funeral March of a Marionette (from Alfred Hitchcock Presents) - From “Alfred Hitchcock Presents”
orchestra:
Cincinnati Pops Orchestra
direttore d'orchestra:
Erich Kunzel (conductor)
registrazione di:
Marche funèbre d’une marionnette (for orchestra, 1879)
compositore:
Charles Gounod (French composer)
arrangiamento di:
Marche funèbre d’une marionnette (Funeral March of a Marionette, original, for piano solo, 1872)
Erich Kunzel & Cincinnati Pops Orchestra3:38
30Synthesizer Effects
Rosalind Ilett0:52
31Webber: Overture to The Phantom of the Opera
organo :
Robert Muckenfuss
orchestra:
Cincinnati Pops Orchestra
direttore d'orchestra:
Erich Kunzel (conductor)
Erich Kunzel & Cincinnati Pops Orchestra2:14
32Berlioz: Pandemonium from The Damnation of Faust - From “The Damnation Of Faust, Op. 24”Erich Kunzel & Cincinnati Pops Orchestra3:28
33Grieg: In the Hall of the Mountain King from Peer Gynt - From “Peer Gynt, Suite No. 1, Op. 46”
Erich Kunzel & Cincinnati Pops Orchestra2:33
34Constant: Theme from The Twilight Zone - From “The Twilight Zone”
registrazione di:
Main Theme (The Twilight Zone)
compositore:
Marius Constant (Romanian-born French composer and conductor)
editore:
Aspenfair Music Inc.
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Erich Kunzel & Cincinnati Pops Orchestra0:52
35Herrmann: Sleigh Ride from The Devil and Daniel Webster - From “The Devil And Daniel Webster”
Erich Kunzel & Cincinnati Pops Orchestra1:57
36Herrmann: The Mad House from Psycho - From “Psycho”
Erich Kunzel & Cincinnati Pops Orchestra2:02
37Addison: Overture to Sleuth
Erich Kunzel & Cincinnati Pops Orchestra2:54
38Goldsmith: The Light from Poltergeist - From “Poltergeist”
Erich Kunzel & Cincinnati Pops Orchestra2:44
39Mancini: Super Sleuth from Without a Clue - From “Without A Clue”
Erich Kunzel & Cincinnati Pops Orchestra2:08
40Thriller
orchestra:
Cincinnati Pops Orchestra
direttore d'orchestra:
Erich Kunzel (conductor)
registrazione cover di:
Thriller
paroliere e compositore:
Rod Temperton
editore:
Almo Music Corp. (USA, affiliated with ASCAP), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Rodsongs (publisher), Rondor Music (London) Ltd., Universal Music Publishing France (not for release label use!) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
si basa su:
Starlight
parte di:
MJ: The Musical
Erich Kunzel & Cincinnati Pops Orchestra4:00
41Suite from “Batman Forever”: Fledermausmarschmusik (Arr. D. Snyder)
orchestra:
Cincinnati Pops Orchestra
direttore d'orchestra:
Erich Kunzel (conductor)
registrata presso:
Music Hall (Cincinnati) in Cincinnati, Ohio, Stati Uniti (dal 1996-06-02 al 1996-09-03)
Erich Kunzel & Cincinnati Pops Orchestra0:47
42Eine kleine Nachtmusik, K. 525: I. Allegro (From “Amadeus” & “The Witches of Eastwick”)
orchestra:
Cincinnati Pops Orchestra (il 1990-03-12)
direttore d'orchestra:
Erich Kunzel (conductor) (il 1990-03-12)
registrata presso:
Music Hall (Cincinnati) in Cincinnati, Ohio, Stati Uniti (il 1990-03-12)
registrazione di:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: I. Allegro (Serenade No. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": I. Allegro) (il 1990-03-12)
compositore:
Wolfgang Amadeus Mozart (classical composer) (nel 1787)
parte di:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Erich Kunzel & Cincinnati Pops Orchestra4:26
43Suite from “Batman Forever”: Batterdämmerung (Arr. D. Snyder)
orchestra:
Cincinnati Pops Orchestra
direttore d'orchestra:
Erich Kunzel (conductor)
registrata presso:
Music Hall (Cincinnati) in Cincinnati, Ohio, Stati Uniti (dal 1996-06-02 al 1996-09-03)
Erich Kunzel & Cincinnati Pops Orchestra1:29
44End Title From “Ghost”
tecnico di registrazione:
Jack Renner (engineer for Telarc)
assistente tecnico:
Michael Bishop (Telarc engineer/producer) e Thomas Knab (editor)
produttore:
Robert Woods (classical music producer, founder of TELARC)
editor:
Erica Brenner (producer/editor), Rosalind Ilett (Telarc editor) e Thomas Knab (editor)
orchestra:
Cincinnati Pops Orchestra
direttore d'orchestra:
Erich Kunzel (conductor)
registrata presso:
Music Hall (Cincinnati) in Cincinnati, Ohio, Stati Uniti (dal 1990-12-15 al 1990-12-16)
Erich Kunzel & Cincinnati Pops Orchestra4:21
45Suite from “Batman Forever”: Main Title and Fanfare (Arr. D. Snyder)
orchestra:
Cincinnati Pops Orchestra
direttore d'orchestra:
Erich Kunzel (conductor)
registrata presso:
Music Hall (Cincinnati) in Cincinnati, Ohio, Stati Uniti (dal 1996-06-02 al 1996-09-03)
Erich Kunzel & Cincinnati Pops Orchestra1:43
46Also sprach Zarathustra, Op. 30, TrV 176: Introduction (From “2001: A Space Odyssey” and “2010: The Year We Make Contact”) [Altered Version]
tecnico di registrazione:
Jack Renner (engineer for Telarc) (il 1984-09-17)
produttore:
Robert Woods (classical music producer, founder of TELARC)
orchestra:
Cincinnati Pops Orchestra (il 1984-09-17)
direttore d'orchestra:
Erich Kunzel (conductor) (il 1984-09-17)
registrata presso:
Music Hall (Cincinnati) in Cincinnati, Ohio, Stati Uniti (il 1984-09-17)
registrazione di:
Also sprach Zarathustra, op. 30: I. Einleitung (Sonnenaufgang) (il 1984-09-17)
compositore:
Richard Strauss (German composer) (nel 1896)
editore:
Peters Edition Ltd.
parte di:
Also sprach Zarathustra, op. 30 (TrV 176)
Erich Kunzel & Cincinnati Pops Orchestra1:50
47Theme From “Batman” - Excerpt
Erich Kunzel & Cincinnati Pops Orchestra2:35
48Turandot, SC 91: Nessun dorma! (From “The Witches of Eastwick”)
voce di tenore:
Richard Leech (operatic tenor) (il 1990-03-12)
orchestra:
Cincinnati Pops Orchestra (il 1990-03-12)
direttore d'orchestra:
Erich Kunzel (conductor) (il 1990-03-12)
registrata presso:
Music Hall (Cincinnati) in Cincinnati, Ohio, Stati Uniti (il 1990-03-12)
registrazione di:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf) (il 1990-03-12)
compositore:
Giacomo Puccini (Italian composer) (dal 1921-03 al 1924-03)
librettista:
Giuseppe Adami e Renato Simoni
editore:
Casa Ricordi BMG S.p.A. e Ed. G. Ricordi & Cia. SpA (Italian publisher)
parte di:
Turandot: Atto III (Turandot: Act III)
Erich Kunzel & Cincinnati Pops Orchestra3:12
49Al Capone (From “The Untouchables”)
Erich Kunzel & Cincinnati Pops Orchestra2:49
50Berlioz: March to the Scaffold from Symphonie fantastique - From “Symphonie Fantastique, Op. 14”Erich Kunzel & Cincinnati Pops Orchestra5:04
51Through The Black Hole (Sound Effects)
Erich Kunzel & Cincinnati Pops Orchestra2:53
52Carol Ann’s Theme (From “Poltergeist”)
registrata presso:
Music Hall (Cincinnati) in Cincinnati, Ohio, Stati Uniti
registrazione di:
Carol Ann’s Theme (Poltergeist, main theme)
orchestratore:
Arthur Morton
compositore:
Jerry Goldsmith (American score composer)
parte di:
Poltergeist (1982 film score)
Erich Kunzel & Cincinnati Pops Orchestra3:56
53Main Title From “To Kill A Mockingbird”
orchestra:
Cincinnati Pops Orchestra
direttore d'orchestra:
Erich Kunzel (conductor)
registrazione di:
Main Title (To Kill a Mockingbird)
compositore:
Elmer Bernstein (American score composer)
parte di:
To Kill a Mockingbird
Erich Kunzel & Cincinnati Pops Orchestra3:05
54Cavatina (From “The Deer Hunter”)
tecnico di registrazione:
Jack Renner (engineer for Telarc)
assistente tecnico:
Michael Bishop (Telarc engineer/producer) e Thomas Knab (editor)
produttore:
Robert Woods (classical music producer, founder of TELARC)
editor:
Erica Brenner (producer/editor), Rosalind Ilett (Telarc editor) e Thomas Knab (editor)
chitarra :
Ángel Romero (guitarist/conductor)
orchestra:
Cincinnati Pops Orchestra
direttore d'orchestra:
Erich Kunzel (conductor)
arrangiatore:
Steven Bernstein (American Orchestrator)
registrata presso:
Music Hall (Cincinnati) in Cincinnati, Ohio, Stati Uniti (dal 1990-12-15 al 1990-12-16)
registrazione di:
Cavatina (theme from The Deer Hunter, for guitar)
compositore:
Stanley Myers
editore:
EMI Music Publishing (do not use as a release label!), Robbins Music Corp. e Robbins Music Corp. Ltd.
Erich Kunzel & Cincinnati Pops Orchestra3:30
55Unchained Melody (From “Ghost”)
tecnico di registrazione:
Jack Renner (engineer for Telarc)
assistente tecnico:
Michael Bishop (Telarc engineer/producer) e Thomas Knab (editor)
produttore:
Robert Woods (classical music producer, founder of TELARC)
editor:
Erica Brenner (producer/editor), Rosalind Ilett (Telarc editor) e Thomas Knab (editor)
orchestra:
Cincinnati Pops Orchestra
direttore d'orchestra:
Erich Kunzel (conductor)
arrangiatore:
Patrick Russ (composer, orchestrator, arranger)
registrata presso:
Music Hall (Cincinnati) in Cincinnati, Ohio, Stati Uniti (dal 1990-12-15 al 1990-12-16)
registrazione strumentale di:
Unchained Melody
editore:
Hy Zaret
paroliere:
Hy Zaret
compositore:
Alex North (US composer)
editore:
Frank Music Corp. (conclusa), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Communications Australia, MPL Musik Verlags GmbH (do not use as a release label! this is a music publisher), North Melody Publishing e Unchained Melody Publishing, LLC
sub-editore:
日音 Synch事業部 (NICHION, INC. Synch Division)
parte di:
The 28th Academy Award for Best Original Song (numero: 2)
Erich Kunzel & Cincinnati Pops Orchestra5:10
56Main Theme From “Schindler’s List”
tecnico:
Michael Bishop (Telarc engineer/producer), Kenneth Hamann (engineer) e John Windt (engineer for Telarc)
produttore:
Robert Woods (classical music producer, founder of TELARC)
tecnico di missaggio:
James Bonney (editor for Telarc)
editor:
James Bonney (editor for Telarc) e Rosalind Ilett (Telarc editor)
violino :
Alexander Kerr (violinist) (dal 1996-06-02 al 1997-05-21)
orchestra:
Cincinnati Pops Orchestra (dal 1996-06-02 al 1997-05-21)
direttore d'orchestra:
Erich Kunzel (conductor) (dal 1996-06-02 al 1997-05-21)
registrata presso:
Music Hall (Cincinnati) in Cincinnati, Ohio, Stati Uniti (dal 1996-06-02 al 1997-05-21)
registrazione di:
Main Theme (Schindler’s List) (dal 1996-06-02 al 1997-05-21)
compositore:
John Williams (American score composer and conductor) (nel 1993)
editore:
Chester Music Ltd., MCA Music Ltd. e Universal/MCA Music (music publisher; do not use as release label!)
parte di:
Schindler's List
parte di:
Three Pieces from Schindler’s List
Erich Kunzel & Cincinnati Pops Orchestra4:37
57Die Zauberflöte, K. 620, Act I: Rezitativ und Arie. O zittre nicht
tecnico:
Jack Renner (engineer for Telarc)
produttore:
James Mallinson (producer)
voce di soprano:
June Anderson (soprano) (dal 1991-07-13 al 1991-07-22)
orchestra:
Scottish Chamber Orchestra (dal 1991-07-13 al 1991-07-22)
direttore d'orchestra:
Charles Mackerras (Australian conductor) (dal 1991-07-13 al 1991-07-22)
registrata presso:
Usher Hall in Edinburgh, Scotland, Regno Unito (dal 1991-07-13 al 1991-07-22)
registrazione di:
Die Zauberflöte: Akt I. No. 4 Rezitativ und Arie „O zittre nicht, mein lieber Sohn” ... „Zum Leiden bin ich auserkoren” (Die Königin der Nacht) (dal 1991-07-13 al 1991-07-22)
compositore:
Wolfgang Amadeus Mozart (classical composer) (nel 1791)
librettista:
Emanuel Schikaneder
parte di:
Die Zauberflöte, K. 620: Akt I
June Anderson, Scottish Chamber Orchestra & Sir Charles Mackerras4:42
58End Title From “Twilight Zone: The Movie”
Erich Kunzel & Cincinnati Pops Orchestra4:58
59War (From “Pearl Harbor”)
tecnico di registrazione:
Michael Bishop (Telarc engineer/producer)
produttore:
Robert Woods (classical music producer, founder of TELARC)
orchestra:
Cincinnati Pops Orchestra
direttore d'orchestra:
Erich Kunzel (conductor)
arrangiatore:
Suzette Moriarty
registrata presso:
Music Hall (Cincinnati) in Cincinnati, Ohio, Stati Uniti
registrazione di:
War (Pearl Harbor)
compositore:
Hans Zimmer (German score composer)
parte di:
Pearl Harbor (2001 film soundtrack)
Erich Kunzel & Cincinnati Pops Orchestra4:59
60Gayane: Adagio (From “2001: A Space Odyssey”)
tecnico di registrazione:
Jack Renner (engineer for Telarc) (il 1984-09-17)
produttore:
Robert Woods (classical music producer, founder of TELARC)
orchestra:
Cincinnati Pops Orchestra (il 1984-09-17)
direttore d'orchestra:
Erich Kunzel (conductor) (il 1984-09-17)
registrata presso:
Music Hall (Cincinnati) in Cincinnati, Ohio, Stati Uniti (il 1984-09-17)
registrazione di:
First Suite from the ballet “Gayaneh” for orchestra, op. 53: VII. Gayaneh’s Adagio (il 1984-09-17)
compositore:
Aram Khachaturian (Aram Chačaturjan, Soviet-Armenian composer) (nel 1942)
parte di:
First Suite from the ballet “Gayaneh” for orchestra, op. 53
Erich Kunzel & Cincinnati Pops Orchestra5:00
61Main Theme From “Close Encounters Of The Third Kind”
orchestra:
Cincinnati Pops Orchestra (il 1983-11-21)
direttore d'orchestra:
Erich Kunzel (conductor) (il 1983-11-21)
diritti fonografici (℗) detenuti da:
TELARC International Corporation (nel 1984)
registrazione di:
Theme From “Close Encounters of the Third Kind” (Close Encounters of the Third Kind) (il 1983-11-21)
compositore:
John Williams (American score composer and conductor)
editore:
Gold Horizon Music Corp. (conclusa), EMI Gold Horizon Music Corp., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (dal 2021-07-01 a oggi)
parte di:
Close Encounters of the Third Kind (film soundtrack)
Erich Kunzel & Cincinnati Pops Orchestra6:00
62Saint‐Saens: Danse Macabre
Erich Kunzel & Cincinnati Pops Orchestra7:47
63Main Title And Entrance Of Kong (From “King Kong”)
orchestra:
Cincinnati Pops Orchestra
direttore d'orchestra:
Erich Kunzel (conductor)
Erich Kunzel & Cincinnati Pops Orchestra3:07