Copland Conducts Copland: The Complete Columbia Album Collection

~ Veröffentlichung von Aaron Copland (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD: Copland: Clarinet Concerto & Piano Quartet & Piano Variations & Nocturne & Vitebsk & Ukelele Serenade
2▶CD: Copland: Old American Songs & Twelve Poems of Emily Dickinson
3▶CD: Copland Conducts Appalachian Spring & The Tender Land: Suite
4▶CD: Copland Conducts Copland: Concerto for Clarinet, Strings and Harp & Old American Songs
5▶CD: Bernstein Conducts Copland
6▶CD: Copland: The Tender Land (Opera in Three Acts)
7▶CD: Copland Conducts Music for a Great City & Statements for Orchestra
8▼CD: Copland: Twelve Poems of Emily Dickinson & Three Choruses
Nr.TitelBewertungLänge
112 Poems of Emily Dickinson (arco 66) No. 1, "Nature, the gentlest mother" to David Diamond
Produzent(in):
Richard Killough (producer)
Klavier:
Aaron Copland (composer) (am 1964-11-16)
Soprangesang:
Adele Addison (American soprano) (am 1964-11-16)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten (am 1964-11-16)
recording of:
Twelve Poems of Emily Dickinson: I. Nature, the gentlest mother (am 1964-11-16)
Texter:
Emily Dickinson (US poet)
Komponist(in):
Aaron Copland (composer) (in 1950)
gewidmet:
David Diamond (American composer)
Teil von:
Twelve Poems of Emily Dickinson
3:50
212 Poems of Emily Dickinson (arco 66) No. 2, "There came a wind like a bugle" to Elliott Carter
Produzent(in):
Richard Killough (producer)
Klavier:
Aaron Copland (composer) (am 1964-11-16)
Soprangesang:
Adele Addison (American soprano) (am 1964-11-16)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten (am 1964-11-16)
recording of:
Twelve Poems of Emily Dickinson: II. There came a wind like a bugle (am 1964-11-16)
Texter:
Emily Dickinson (US poet)
Komponist(in):
Aaron Copland (composer) (in 1950)
gewidmet:
Elliott Carter (American composer)
Teil von:
Twelve Poems of Emily Dickinson
1:33
312 Poems of Emily Dickinson (arco 66) No. 3, "Why do they shut me out of Heaven" to Ingolf Dahl
Produzent(in):
Richard Killough (producer)
Klavier:
Aaron Copland (composer) (am 1964-11-16)
Soprangesang:
Adele Addison (American soprano) (am 1964-11-16)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten (am 1964-11-16)
recording of:
Twelve Poems of Emily Dickinson: III. Why do they shut me out of Heaven? (am 1964-11-16)
Texter:
Emily Dickinson (US poet)
Komponist(in):
Aaron Copland (composer)
gewidmet:
Ingolf Dahl (German-American composer)
Teil von:
Twelve Poems of Emily Dickinson
1:48
412 Poems of Emily Dickinson (arco 66) No. 4, "The world feels dusty" to Alexei Haieff
Produzent(in):
Richard Killough (producer)
Klavier:
Aaron Copland (composer) (am 1964-11-16)
Soprangesang:
Adele Addison (American soprano) (am 1964-11-16)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten (am 1964-11-16)
recording of:
Twelve Poems of Emily Dickinson: IV. The world feels dusty (am 1964-11-16)
Texter:
Emily Dickinson (US poet)
Komponist(in):
Aaron Copland (composer) (in 1950)
gewidmet:
Alexei Haieff (American composer)
Teil von:
Twelve Poems of Emily Dickinson
1:54
512 Poems of Emily Dickinson (arco 66) No. 5, "Heart, we will forget him" to Marcelle de Manziarly
Produzent(in):
Richard Killough (producer)
Klavier:
Aaron Copland (composer) (am 1964-11-16)
Soprangesang:
Adele Addison (American soprano) (am 1964-11-16)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten (am 1964-11-16)
recording of:
Twelve Poems of Emily Dickinson: V. Heart, we will forget him! (am 1964-11-16)
Texter:
Emily Dickinson (US poet)
Komponist(in):
Aaron Copland (composer) (in 1950)
gewidmet:
Marcelle de Manziarly
Teil von:
Twelve Poems of Emily Dickinson
2:14
612 Poems of Emily Dickinson (arco 66) No. 6, "Dear March, come in" to Juan Orrego-Salas
Produzent(in):
Richard Killough (producer)
Klavier:
Aaron Copland (composer) (am 1964-11-16)
Soprangesang:
Adele Addison (American soprano) (am 1964-11-16)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten (am 1964-11-16)
recording of:
Twelve Poems of Emily Dickinson: VI. Dear March, come in! (am 1964-11-16)
Texter:
Emily Dickinson (US poet)
Komponist(in):
Aaron Copland (composer) (in 1950)
gewidmet:
Juan Orrego-Salas (Chilean composer)
Teil von:
Twelve Poems of Emily Dickinson
2:14
712 Poems of Emily Dickinson (arco 66) No. 7, "Sleep is supposed to be" to Irving Fine
Produzent(in):
Richard Killough (producer)
Klavier:
Aaron Copland (composer) (am 1964-11-16)
Soprangesang:
Adele Addison (American soprano) (am 1964-11-16)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten (am 1964-11-16)
recording of:
Twelve Poems of Emily Dickinson: VII. Sleep is supposed to be (am 1964-11-16)
Texter:
Emily Dickinson (US poet)
Komponist(in):
Aaron Copland (composer) (in 1950)
gewidmet:
Irving Fine (American composer)
Teil von:
Twelve Poems of Emily Dickinson
2:51
812 Poems of Emily Dickinson (arco 66) No. 8, "When they come back" to Harold Shapero
Produzent(in):
Richard Killough (producer)
Klavier:
Aaron Copland (composer) (am 1964-11-16)
Soprangesang:
Adele Addison (American soprano) (am 1964-11-16)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten (am 1964-11-16)
recording of:
Twelve Poems of Emily Dickinson: VIII. When they come back (am 1964-11-16)
Texter:
Emily Dickinson (US poet)
Komponist(in):
Aaron Copland (composer)
gewidmet:
Harold Shapero (American composer)
Teil von:
Twelve Poems of Emily Dickinson
1:52
912 Poems of Emily Dickinson (arco 66) No. 9, "I felt a funeral in my brain" to Camargo Guarnieri
Produzent(in):
Richard Killough (producer)
Klavier:
Aaron Copland (composer) (am 1964-11-16)
Soprangesang:
Adele Addison (American soprano) (am 1964-11-16)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten (am 1964-11-16)
recording of:
Twelve Poems of Emily Dickinson: IX. I felt a funeral in my brain (am 1964-11-16)
Texter:
Emily Dickinson (US poet)
Komponist(in):
Aaron Copland (composer)
gewidmet:
M. Camargo Guarnieri (Brazilian composer)
Teil von:
Twelve Poems of Emily Dickinson
2:03
1012 Poems of Emily Dickinson (arco 66) No. 10, "I've heard an organ talk sometimes" to Alberto Ginastera
Produzent(in):
Richard Killough (producer)
Klavier:
Aaron Copland (composer) (am 1964-11-16)
Soprangesang:
Adele Addison (American soprano) (am 1964-11-16)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten (am 1964-11-16)
recording of:
Twelve Poems of Emily Dickinson: X. I've heard an organ talk sometimes (am 1964-11-16)
Texter:
Emily Dickinson (US poet)
Komponist(in):
Aaron Copland (composer)
gewidmet:
Alberto Ginastera (Argentinean composer)
Teil von:
Twelve Poems of Emily Dickinson
1:58
1112 Poems of Emily Dickinson (arco 66) No. 11, "Going to Heaven" to Lukas Foss
Produzent(in):
Richard Killough (producer)
Klavier:
Aaron Copland (composer) (am 1964-11-16)
Soprangesang:
Adele Addison (American soprano) (am 1964-11-16)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten (am 1964-11-16)
recording of:
Twelve Poems of Emily Dickinson: XI. Going to heaven! (am 1964-11-16)
Texter:
Emily Dickinson (US poet)
Komponist(in):
Aaron Copland (composer) (in 1950)
gewidmet:
Lukas Foss (German-American composer, pianist and conductor)
Teil von:
Twelve Poems of Emily Dickinson
2:42
1212 Poems of Emily Dickinson (arco 66) No. 12, "The Chariot" to Arthur Berger
Produzent(in):
Richard Killough (producer)
Klavier:
Aaron Copland (composer) (am 1964-11-16)
Soprangesang:
Adele Addison (American soprano) (am 1964-11-16)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten (am 1964-11-16)
recording of:
Twelve Poems of Emily Dickinson: XII. The Chariot (am 1964-11-16)
Texter:
Emily Dickinson (US poet)
Komponist(in):
Aaron Copland (composer) (in 1950)
gewidmet:
Arthur Berger (American composer)
Teil von:
Twelve Poems of Emily Dickinson
3:06
13Las Agachadas "The Shake-Down Song" (arco 48)
Produzent(in):
Richard Killough (producer)
Chorgesang:
New England Conservatory Chorus (am 1965-03-29)
conductor:
Aaron Copland (composer) (am 1965-03-29)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten (am 1965-03-29)
recording of:
Las Agachadas (am 1965-03-29)
Premiere in:
New York, New York, Vereinigte Staaten (am 1942-05-25)
Komponist(in):
Aaron Copland (composer) (in 1942)
gewidmet:
Kurt Schindler
was commissioned by:
Hugh Ross (choral director) und Schola Cantorum (New York, fka the MacDowell Chorus, renamed in 1912)
uraufgeführt von:
Hugh Ross (choral director) (am 1942-05-25) und Schola Cantorum (New York, fka the MacDowell Chorus, renamed in 1912) (am 1942-05-25)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
3:09
14In the Beginning (arco 59)
Produzent(in):
Richard Killough (producer)
Chorgesang:
New England Conservatory Chorus (am 1965-03-29)
Mezzosoprangesang:
Mildred Miller (classical mezzo-soprano) (am 1965-03-29)
conductor:
Aaron Copland (composer) (am 1965-03-29)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten (am 1965-03-29)
recording of:
In the Beginning (am 1965-03-29)
Komponist(in):
Aaron Copland (composer) (in 1947)
uraufgeführt von:
Harvard University Collegiate Chorale (am 1947-05-02), Robert Shaw (conductor) (am 1947-05-02) und Nell Tangeman (mezzo-soprano) (am 1947-05-02)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
Premiere bei:
Memorial Hall (Harvard University) in Cambridge, Massachusetts, Vereinigte Staaten (am 1947-05-02)
16:36
15Lark (arco 35)
Produzent(in):
Richard Killough (producer)
Baritongesang:
Robert Hale (US bass-baritone) (am 1965-03-29)
Chorgesang:
New England Conservatory Chorus (am 1965-03-29)
conductor:
Aaron Copland (composer) (am 1965-03-29)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten (am 1965-03-29)
recording of:
Lark (am 1965-03-29)
Premiere in:
New York, New York, Vereinigte Staaten (am 1943-04-13)
Komponist(in):
Aaron Copland (composer) (in 1938)
uraufgeführt von:
Robert Shaw (conductor) (am 1943-04-13)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
4:55
9▶CD: Copland: Piano Quartet & Sextet & Vitebsk
10▶CD: Copland Conducts Copland: Short Symphony & Dance Symphony
11▶CD: Copland Conducts Copland: Our Town & An Outdoor Overture & Quiet City & Two Pieces for String Quartet
12▶CD: Copland Conducts Copland: Billy the Kid - Ballet Suite & 4 Dance Episodes from Rodeo
13▶CD: Copland Conducts Copland: Appalachian Spring & Fanfare for the Common Man
14▶CD: Copland Conducts Copland: Symphonic Ode & Preamble for a Solemn Orchestra & Orchestral Variations
15▶CD: Copland Conducts Copland: Appalachian Spring
16▶CD: Copland Conducts Copland: Violin Sonata & Duo & Nonet
17▶CD: Copland Conducts Copland: El Salón México & 3 Latin American Sketches & Dance Panels
18▶CD: Copland Conducts Copland: The Red Pony & Music for Movies & Letter from Home
19▶CD: Copland Conducts Copland: Symphony No. 3
20▶CD: Bernstein Conducts Copland: Inscape & Connotations for Orchestra

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Veröffentlichungsgruppe

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