Dance Classics, Volume 2

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1CD
Nr.TitelKünstlerBewertungLänge
1Get Up (I Feel Like Being a) Sex Machine
E-Bass [bass]:
William 'Bootsy' Collins (US funk musician & songwriter) (am 1970-04-25)
Gitarre:
Phelps 'Catfish' Collins (am 1970-04-25)
Hybrid-Piano:
James Brown (The Godfather of Soul) (am 1970-04-25)
Orgel und Hintergrundgesang:
Bobby Byrd (founder of the Famous Flames, James Brown’s vocal group) (am 1970-04-25)
Schlagzeug:
John 'Jabo' Starks (am 1970-04-25)
Tenorsaxophon:
Robert McCollough (am 1970-04-25)
Trompete:
Clayton 'Chicken' Gunnels (am 1970-04-25) und Darryl 'Hasaan' Jamison (am 1970-04-25)
vocals:
James Brown (The Godfather of Soul) (am 1970-04-25)
aufgenommen bei:
Starday-King Studios in Nashville, Tennessee, Vereinigte Staaten (am 1970-04-25)
recording of:
Get Up (I Feel Like Being Like a) Sex Machine (am 1970-04-25)
Verfasser(in):
James Brown (The Godfather of Soul), Bobby Byrd (founder of the Famous Flames, James Brown’s vocal group) und Ron Lenhoff
publisher:
Dynatone Publishing Co. und Intersong Music Ltd.
James Brown45:06
2Do It Anyway You Wanna
Produzent(in):
Gamble-Huff
arranger:
Frank Brunson und Leon Huff (Philly soul producer, of Gamble & Huff)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1975)
aufgenommen bei:
Sigma Sound Studios in Philadelphia, Pennsylvania, Vereinigte Staaten (in 1974)
recording of:
Do It Any Way You Wanna (in 1974)
Texter und Komponist(in):
Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), MDW (publisher) (in 1988) und Mighty Three Music (in 1988)
People's Choice3:16
3Saturday Nite
recording of:
Saturday Nite
Verfasser(in):
Philip Bailey, Al McKay und Maurice White (Earth, Wind & Fire)
Earth, Wind & Fire4:04
4Best of My Love
Produzent(in):
Al McKay
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1977) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 334)
recording of:
Best of My Love
Verfasser(in):
Al McKay und Maurice White (Earth, Wind & Fire)
publisher:
EMI Songs Ltd.
The Emotions4.153:41
5Lost in Music
recording of:
Lost in Music
Verfasser(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Sister Sledge6:43
6The Second Time Around
recording of:
The Second Time Around
Verfasser(in):
William Shelby und Leon Sylvers
publisher:
Rondor Music (Ldn) Ltd., Rosy Music (ASCAP-affiliated) und Spectrum VII
Shalamar3:42
7Could It Be Magic
cover recording of:
Could It Be Magic
Texter:
Adrienne Anderson
Komponist(in):
Barry Manilow
zusätzliche(r) Komponist(in):
Fryderyk Chopin (Frédéric Chopin, composer)
publisher:
Angeldust Music (beendet), Kamikazee Music (beendet), EMI Longitude Music und Universal Music Careers
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
basiert auf:
Prélude no. 20 in C minor, op. 28: Largo
Version von:
Could It Be Magic (original Featherbed single version)
Donna Summer3:06
8Let the Music Play
recording of:
Let the Music Play
Texter und Komponist(in):
Barry White
Barry White6:09
9You to Me Are Everything
recording of:
You to Me Are Everything
Verfasser(in):
Michael Denne und Ken Gold
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und Screen Gems–EMI Music Ltd.
The Real Thing6:05
10Lovely Day
Produzent(in):
Clarence McDonald und Bill Withers
Bassgitarre:
Jerry Knight (in 1977)
Gitarre:
Ray Parker (in 1977)
Keyboard:
Clarence McDonald (in 1977)
Perkussion:
Ralph MacDonald (in 1977)
Schlagzeug und shakers:
Russell Kunkel (session drummer) (in 1977)
Sologesang:
Bill Withers (in 1977)
arranger:
Clarence McDonald
concertmaster:
Charles Veal (violinist, conductor and arranger) (in 1977)
phonographisches Urheberrecht (℗) von:
CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (in 1977), CBS, Inc. (US broadcasting company; file no releases here!) (in 1977) und Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1977)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 402)
recording of:
Lovely Day (in 1977)
Verfasser(in):
Skip Scarborough und Bill Withers
publisher:
Chappell Music Ltd., Chelsea Music Publishing Co., Ltd., Golden Withers Music, Plaid Flowers Music, Sweet Cookie Music, Unichappell Music, Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Bill Withers4.54:09
11Back Stabbers
recording engineer:
Joe Tarsia (engineer) (in 1972)
Produzent(in):
Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
Interpret(in):
MFSB (Mother Father Sister Brother) (in 1972)
arranger:
Thom Bell (keyboards, songwriter, producer)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972)
aufgenommen bei:
Sigma Sound Studios in Philadelphia, Pennsylvania, Vereinigte Staaten (in 1972)
recording of:
Back Stabbers (in 1972)
Verfasser(in):
Leon Huff (Philly soul producer, of Gamble & Huff), Gene McFadden und John Whitehead
publisher:
Mijac Music, Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The O’Jays4.73:07
12Voulez-Vous Coucher Avec Moi? (Lady Marmelade)
Produzent(in):
Allen R. Toussaint
arranger:
Allen R. Toussaint
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1974) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1974)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 411) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 479)
cover recording of:
Lady Marmalade (Voulez-vous coucher avec moi, ce soir ?) (in 1974)
Verfasser(in):
Bob Crewe und Kenny Nolan
publisher:
Ardmore and Beechwood Ltd., EMI (EMI Records, or EMI Music only if there is no other imprint), EMI April Music Inc., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Songs Australia Pty. Ltd., Jobete Music Co., Inc., Kenny Nolan Publishing, Pathe Publications (F.E.) Ltd., Stone Diamond Music Corporation und TannyBoy Music
LaBelle3.33:57
13Jive Talking
Produzent(in):
Arif Mardin
Bass:
Maurice Gibb (in 1975-01)
E-Gitarre:
Alan Kendall (in 1975-01)
Gitarre [rhythm guitar] und Sologesang:
Barry Gibb (in 1975-01)
Keyboard, Klavier und Synthesizer:
Blue Weaver (in 1975-01)
Perkussion und Schlagzeug:
Dennis Bryon (Welsh drummer, author) (in 1975-01)
Hintergrundgesang und sonstiger Gesang [harmony vocals]:
Barry Gibb (in 1975-01), Maurice Gibb (in 1975-01) und Robin Gibb (in 1975-01)
remixer:
Karl Richardson
Holzblasinstrumente arranger, Horn arranger und Saiteninstrumente arranger:
Arif Mardin
concertmaster:
Gene Orloff
phonographisches Urheberrecht (℗) von:
Barry Gibb (in 1975), Maurice Gibb (in 1975) und Robin Gibb (in 1975)
phonographisches Urheberrecht (℗) von:
PolyGram International Ltd. (in 1975), PolyGram International Music B.V. (not for release label use!) (in 1975), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1975), Robert Stigwood Organisation Ltd. (in 1975) und RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (in 1975)
recording of:
Jive Talkin’ (in 1975-01)
Verfasser(in):
Barry Gibb, Maurice Gibb und Robin Gibb
publisher:
Abigail Music, BMG Music, BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs, Flam Music Ltd., Gibb Brothers Music, Songs of Universal, Inc. (BMI) und Universal Music Careers
Bee Gees3.453:43
14Let's Clean Up the Ghetto
recording of:
Let’s Clean Up the Ghetto
Verfasser(in):
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Philadelphia International All Stars8:39

Nennungen

Veröffentlichung

Discogs:https://www.discogs.com/release/391235 [Info]

Veröffentlichungsgruppe

Teil von:Dance Classics (Arcade Netherlands) (Nummer: 2) (Reihenfolge: 3)
Discogs:https://www.discogs.com/master/273089 [Info]