Rock’n’Roll Jukebox

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD: Rock ’n’ Roll Love Songs
2▶CD: Rock ’n’ Roll Teenage Dreams
3▶CD: Rock ’n’ Roll at the Movies #1
4▶CD: Rock ’n’ Roll at the Movies #2
5▼CD: Rock ’n’ Roll Icons #1
Nr.TitelKünstlerBewertungLänge
1School Days
Produzent(in):
Leonard & Phil Chess (legendary US production duo)
Gitarre:
Chuck Berry (am 1956-12-15) und Hubert Sumlin (Chicago blues guitarist and singer) (am 1956-12-15)
Klavier:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (am 1956-12-15)
Schlagzeug:
Fred Below (am 1956-12-15)
Sologesang:
Chuck Berry (am 1956-12-15)
vocals:
Chuck Berry
phonographisches Urheberrecht (℗) von:
N2K und Geffen Records (in 2003)
aufgenommen bei:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (am 1956-12-15)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 3)
recording of:
School Day (Ring! Ring! Goes the Bell) (am 1956-12-15)
Texter und Komponist(in):
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) und Nightlight Music Pty Ltd.
Chuck Berry4.252:43
2Maybellene
Produzent(in):
Leonard & Phil Chess (legendary US production duo)
Gitarre und Sologesang:
Chuck Berry (am 1955-05-21)
Klavier:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (am 1955-05-21)
Kontrabass:
Willie Dixon (am 1955-05-21)
Maracas / Rumba-Rasseln [possibly]:
Leonard Chess (am 1955-05-21) und Jerome Green (am 1955-05-21)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 2003)
aufgenommen bei:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (am 1955-05-21)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1955 (Nummer: 2), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 18), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 102)
recording of:
Maybellene (am 1955-05-21)
Texter und Komponist(in):
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) und Salee Music Company
Chuck Berry3.92:19
3Wee Wee Hours
Produzent(in):
Leonard & Phil Chess (legendary US production duo)
Gitarre und Sologesang:
Chuck Berry (am 1955-05-21)
Klavier:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (am 1955-05-21)
Kontrabass:
Willie Dixon (am 1955-05-21)
Schlagzeug:
Ebby Hardy (am 1955-05-21)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 2003)
aufgenommen bei:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (am 1955-05-21)
recording of:
Wee Wee Hours (am 1955-05-21)
Texter und Komponist(in):
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher)
Chuck Berry33:05
4Thirty Days (To Come Back Home)
Produzent(in):
Leonard & Phil Chess (legendary US production duo)
Bass:
Willie Dixon (in 1955-09)
Gitarre und Sologesang:
Chuck Berry (in 1955-09)
Klavier:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (in 1955-09)
Maracas / Rumba-Rasseln:
Jerome Green (in 1955-09)
Schlagzeug:
Ebby Hardy (in 1955-09)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 2003)
aufgenommen bei:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (in 1955-09)
recording of:
Thirty Days (in 1955-09)
Texter und Komponist(in):
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher) und Arc Music Corp. (U.S. rock & blues publisher)
Chuck Berry3.52:24
5Brown Eyed Handsome Man
Produzent(in):
Leonard & Phil Chess (legendary US production duo)
Gitarre und Sologesang:
Chuck Berry (am 1956-04-19)
Klavier:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (am 1956-04-19)
Kontrabass:
Willie Dixon (am 1956-04-19)
Schlagzeug:
Melvin Billups (am 1956-04-19)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 2003)
aufgenommen bei:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (am 1956-04-19)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 375)
recording of:
Brown Eyed Handsome Man (am 1956-04-19)
Texter und Komponist(in):
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corporation (U.S. rock & blues publisher) und Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Teil von:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
Chuck Berry32:17
6Bird Dog
recording of:
Bird Dog
Texter und Komponist(in):
Boudleaux Bryant
publisher:
Acuff-Rose Publications, Inc. (BMI) (am 1958-08-15) und House of Bryant Publications (publisher; do NOT use as release label) (in 1978)
The Everly Brothers2:16
7All I Have to Do Is Dream
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 141) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 323)
recording of:
All I Have to Do Is Dream (am 1958-03-06)
Texter und Komponist(in):
Boudleaux Bryant
publisher:
House of Bryant Publications (publisher; do NOT use as release label), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und Acuff-Rose Publications, Inc. (BMI) (am 1958-04-21)
The Everly Brothers42:20
8(’Til) I Kissed You
phonographisches Urheberrecht (℗) von:
Cadence (NYC-based label founded by Archie Bleyer) (in 1959)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1959 (Nummer: 28)
recording of:
(’Til) I Kissed You (am 1959-07-07)
Texter und Komponist(in):
Don Everly
The Everly Brothers2:23
9Devoted to You
recording of:
Devoted to You
Texter und Komponist(in):
Boudleaux Bryant
publisher:
Acuff-Rose (BMI)
The Everly Brothers2:25
10Bye Bye Love
recorded in:
Nashville, Tennessee, Vereinigte Staaten (am 1957-03-01)
Bass:
Floyd D. 'Lightnin'' Chance (am 1957-03-01)
E-Gitarre:
Chet Atkins (am 1957-03-01)
Gitarre:
Don Everly (am 1957-03-01), Phil Everly (am 1957-03-01) und Hank Garland (am 1957-03-01)
Klavier:
Floyd Cramer (am 1957-03-01)
Schlagzeug:
Murrey Harman (Session drummer and songwriter) (am 1957-03-01)
vocals:
Don Everly (am 1957-03-01) und Phil Everly (am 1957-03-01)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 25), Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 33) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 207)
recording of:
Bye Bye Love (am 1957-03-01)
Verfasser(in):
Boudleaux Bryant und Felice Bryant
publisher:
House of Bryant Publications (publisher; do NOT use as release label), Sony ATV Acuff Rose Ltd., Sony/ATV Music Publishing (UK) Ltd. und Sony/ATV Music Publishing LLC (1995–2020)
The Everly Brothers4.352:24
11Keep A‐Knockin’
recording of:
Keep a Knockin’ (Little Richard’s version)
Texter und Komponist(in):
Richard Wayne Penniman (in 1957-01)
publisher:
MCA Music Ltd.
Version von:
Keep a‐Knockin’ an You Can’t Get In
Little Richard2:18
12Slippin’ and Slidin’ (Peepin’ and Hidin’)
recording of:
Slippin’ and Slidin’
Verfasser(in):
Edwin Bocage, Albert Collins (composer of “Lucille” & “Slippin’ and Slidin’”), Richard Wayne Penniman und James Smith (composer of “Slippin’ and Slidin’”)
publisher:
Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing MGB Ltd. und Venice Music
Little Richard2:43
13Long Tall Sally
recording of:
Long Tall Sally
Verfasser(in):
Enotris Johnson (am 1955-11-29), Richard Wayne Penniman (am 1955-11-29) und Robert Alexander Blackwell (am 1955-11-29)
publisher:
ATV Music, Blackwood Music Inc. (1953-02-07–1987-12-30), Peermusic (UK) Ltd., Sony/ATV Songs LLC, Southern Music Publishing Company Limited, Unichappell Music und Venice Music
Little Richard2:09
14Ready Teddy
recording of:
Ready Teddy
Texter und Komponist(in):
Robert “Bumps” Blackwell und John Marascalco
publisher:
Aberbach Ltd. (publisher), ABG Elvis Songs, Elvis Presley Music, Elvis Presley Music Inc., Robin Hood Music Co., Songs of Kobalt Music Publishing, Sony/ATV Songs LLC und Venice Music, Inc.
Little Richard2:07
15Rip It Up
recording of:
Rip It Up
Verfasser(in):
Robert “Bumps” Blackwell und John Marascalco
publisher:
Peter Maurice Music Co. Ltd., Robin Hood Music Co., Sony/ATV Songs LLC und Venice Music
Little Richard2:23
16Blueberry Hill
Produzent(in):
Dave Bartholomew
phonographisches Urheberrecht (℗) von:
Everest Records (classical), Liberty (a division of UMG Recordings, Inc.) (in 1957) und EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1991)
aufgenommen bei:
Master Recorders in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Bearbeitung von:
Blueberry Hill (Imperial) von Fats Domino
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 17), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 81) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 147)
cover recording of:
Blueberry Hill (am 1956-06-27)
Texter:
Al Lewis (Tin Pan Alley era lyricist) und Larry Stock
Verfasser(in):
Al Lewis (Tin Pan Alley era lyricist), Vincent Rose (early-20th century violinist, pianist, composer & bandleader) und Larry Stock
Komponist(in):
Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Larry Stock Music Co., Redwood Music Ltd. (Carlin), Sovereign Music Company und Victoria Music Publishing Co. Ltd.
Teil von:
12 Monkeys Soundtrack
Fats Domino4.652:22
17It’s You I Love
Produzent(in):
Dave Bartholomew
phonographisches Urheberrecht (℗) von:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1991)
aufgenommen bei:
J&M/Cosimo Recording Studios (New Orleans, circa 1956-1968) in New Orleans, Louisiana, Vereinigte Staaten
Remix von:
It’s You I Love (undubbed) von Fats Domino
recording of:
It’s You I Love (am 1957-04-11)
Texter und Komponist(in):
Antoine Dominique Domino (Fats Domino) und Dave Bartholomew
Fats Domino42:06
18Rockin’ Chair
recording of:
Rockin' Chair (Fats Domino 1951 song) (in 1951-02)
Verfasser(in):
Antoine Dominique Domino (Fats Domino) und Al Young (US songwriter & arranger)
Fats Domino2:28
19When I See You
recording of:
When I See You
Texter und Komponist(in):
Antoine Dominique Domino (Fats Domino) und Dave Bartholomew
Fats Domino2:10
20My Blue Heaven
Produzent(in):
Dave Bartholomew
phonographisches Urheberrecht (℗) von:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1991)
aufgenommen bei:
J&M/Cosimo Recording Studios (New Orleans, circa 1945-1955) in New Orleans, Louisiana, Vereinigte Staaten
cover recording of:
My Blue Heaven (am 1955-12-23)
Texter:
George A. Whiting (popular songwriter) (in 1924)
Komponist(in):
Walter Donaldson (in 1924)
publisher:
Leo Feist, Inc.
komponiert bei:
New York Friars Club in New York, New York, Vereinigte Staaten (in 1924)
Fats Domino42:09
21Whole Lotta Shakin’ Going On
Produzent(in):
Jack Clement und Sam Phillips (founder of Sun Records) (in 1957)
Gitarre:
Roland Janes (am 1957-02-05)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1957-02-05)
Schlagzeug:
Jimmy Van Eaton (am 1957-02-05)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1957-02-05)
phonographisches Urheberrecht (℗) von:
Sun (US label founded in 1952) (in 1957), Sun Record Company (in 1957) und Charly Records (vom 2008 bis heute)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (am 1957-02-05)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 1) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 61)
cover recording of:
Whole Lotta Shakin’ Goin’ On (am 1957-02-05)
Verfasser(in):
Sunny David (US rockabilly pianist & songwriter) und Dave “Curly” Williams
publisher:
Cherio Music Publishers, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Marlyn Music Publishing Inc. (also displayed as “Marlyn Music Publishers Inc.” on releases), Marlyn Music Publishing Ltd., Ni'Mani Entertainment Co. (ASCAP-affiliated) und Whole Lotta Shakin' Music
recording of:
Whole Lotta Shakin’ Goin’ On
Verfasser(in):
Sunny David (US rockabilly pianist & songwriter) und Dave “Curly” Williams
publisher:
Cherio Music Publishers, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Marlyn Music Publishing Inc. (also displayed as “Marlyn Music Publishers Inc.” on releases), Marlyn Music Publishing Ltd., Ni'Mani Entertainment Co. (ASCAP-affiliated) und Whole Lotta Shakin' Music
Jerry Lee Lewis4.652:54
22It’ll Be Me
Produzent(in):
Jack Clement und Sam Phillips (founder of Sun Records)
Gitarre:
Roland Janes (in 1957-02)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (in 1957-02)
Schlagzeug:
Jimmy Van Eaton (in 1957-02)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (in 1957-02)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1958)
recording of:
It’ll Be Me (in 1957-02)
Texter, Verfasser(in) und Komponist(in):
Jack Clement
publisher:
Bob Webster Music und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Jerry Lee Lewis2:15
23Crazy Arms
Produzent(in):
Jack Clement und Sam Phillips (founder of Sun Records)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1956-11-14)
Schlagzeug:
Jimmy Van Eaton (am 1956-11-14)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1956-11-14)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1956)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (am 1956-11-14)
cover recording of:
Crazy Arms (am 1956-11-14)
Verfasser(in):
Ralph Mooney (in 1954) und Chuck Seals (in 1954)
publisher:
Champion Music Corp., Leeds Music, Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Sony/ATV Tree Publishing (in 1956) und MCA Music Svenska AB (in 1978)
Jerry Lee Lewis2:45
24Great Balls of Fire
recording of:
Great Balls of Fire
Verfasser(in):
Otis Blackwell (American pianist, singer and songwriter) und Jack Hammer (Earl Burroughs, co-wrote Great Balls of Fire)
publisher:
B.R.S. Music Corp., Carlin Music Corporation, Hill & Range Songs, Inc. (publisher) und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Jerry Lee Lewis1:52
25End of the Road
Produzent(in):
Jack Clement und Sam Phillips (founder of Sun Records)
Gitarre:
Roland Janes (am 1956-11-14)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1956-11-14)
Schlagzeug:
Jimmy Van Eaton (am 1956-11-14)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1956-11-14)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1956)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (am 1956-11-14)
recording of:
End of the Road (am 1956-11-14)
Texter und Komponist(in):
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (bis 1956-11-14)
Verfasser(in):
Traditional ([traditional], special purpose artist)
publisher:
Hill & Range Songs, Inc. (publisher) und Knox Music, Inc.
Jerry Lee Lewis1:49
6▶CD: Rock ’n’ Roll Icons #2
7▶CD: Rock ’n’ Roll Novelties
8▶CD: Rock ’n’ Roll Top Ten Hits
9▶CD: Rock ’n’ Roll Rhythm ’n’ Blues
10▶CD: Rock ’n’ Roll Vocal Groups
11▶CD: Rock ’n’ Roll Country Boys
12▶CD: Rock ’n’ Roll English Skiffle
13▶CD: Rock ’n’ Roll Good Times
14▶CD: Rock ’n’ Roll Boogie
15▶CD: Rock ’n’ Roll Doo Wop
16▶CD: Rock ’n’ Roll Roots

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