| # | Title | Artist | Rating | Length |
|---|
| 1 | B Minor Mass: Credo: Chorus. Credo in unum Deum | Johann Sebastian Bach | | 2:29 |
| 2 | B Minor Mass: Credo: Chorus. Patrem omnipotentem- recording engineer:
- John Crawford
- producer:
- Daniel Slick
- choir vocals:
- Robert Shaw Chorale (in 1960-06)
- orchestra:
- Robert Shaw Orchestra (in 1960-06)
- conductor:
- Robert Shaw (in 1960-06)
- recorded at:
- Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1960-06)
- recording of:
- h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (in 1960-06)
- composed in:
- Leipzig, Sachsen , Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 2:13 |
| 3 | B Minor Mass: Credo: Duet. Et in unum Dominum (sop I & contralto) | Johann Sebastian Bach | | 5:50 |
| 4 | B Minor Mass: Credo: Chorus. Et incarnatus est | Johann Sebastian Bach | | 4:01 |
| 5 | B Minor Mass: Credo: Chorus. Crucifixus- recording engineer:
- John Crawford
- producer:
- Daniel Slick
- choir vocals:
- Robert Shaw Chorale (in 1960-06)
- orchestra:
- Robert Shaw Orchestra (in 1960-06)
- conductor:
- Robert Shaw (in 1960-06)
- recorded at:
- Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1960-06)
- recording of:
- h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (in 1960-06)
- composed in:
- Leipzig, Sachsen , Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 5:42 |
| 6 | B Minor Mass: Credo: Chorus. Et resurrexit | Johann Sebastian Bach | | 4:25 |
| 7 | B Minor Mass: Credo: Aria. Et in Spiritum sanctum (bass) | Johann Sebastian Bach | | 6:17 |
| 8 | B Minor Mass: Credo: Chorus. Confiteor unum baptisma... | Johann Sebastian Bach | | 5:10 |
| 9 | B Minor Mass: Credo: ...et expecto resurrectionem mortuorum- recording engineer:
- John Crawford
- producer:
- Daniel Slick
- choir vocals:
- Robert Shaw Chorale (in 1960-06)
- orchestra:
- Robert Shaw Orchestra (in 1960-06)
- conductor:
- Robert Shaw (in 1960-06)
- recorded at:
- Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1960-06)
- recording of:
- h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (in 1960-06)
- composed in:
- Leipzig, Sachsen , Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 120.1 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen"
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 2:24 |
| 10 | B Minor Mass: Chorus. Sanctus, sanctus, sanctus | Johann Sebastian Bach | | 6:18 |
| 11 | B Minor Mass: Chorus. Osanna in excelsis- recording engineer:
- John Crawford
- producer:
- Daniel Slick
- choir vocals:
- Robert Shaw Chorale (in 1960-06)
- orchestra:
- Robert Shaw Orchestra (in 1960-06)
- conductor:
- Robert Shaw (in 1960-06)
- recorded at:
- Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1960-06)
- recording of:
- h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (in 1960-06)
- composed in:
- Leipzig, Sachsen , Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 3:08 |
| 12 | B Minor Mass: Aria. Benedictus (tenor)- recording engineer:
- John Crawford
- producer:
- Daniel Slick
- tenor vocals:
- Mallory Walker (in 1960-06)
- orchestra:
- Robert Shaw Orchestra (in 1960-06)
- conductor:
- Robert Shaw (in 1960-06)
- recorded at:
- Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1960-06)
- recording of:
- h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (in 1960-06)
- composed in:
- Leipzig, Sachsen , Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 5:39 |
| 13 | B Minor Mass: Chorus. Osanna in excelsis- recording engineer:
- John Crawford
- producer:
- Daniel Slick
- choir vocals:
- Robert Shaw Chorale (in 1960-06)
- orchestra:
- Robert Shaw Orchestra (in 1960-06)
- conductor:
- Robert Shaw (in 1960-06)
- recorded at:
- Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1960-06)
- recording of:
- h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (in 1960-06)
- composed in:
- Leipzig, Sachsen , Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 3:10 |
| 14 | B Minor Mass: Aria. Agnus Dei (contralto)- recording engineer:
- John Crawford
- producer:
- Daniel Slick
- alto vocals:
- Florence Kopleff (in 1960-06)
- orchestra:
- Robert Shaw Orchestra (in 1960-06)
- conductor:
- Robert Shaw (in 1960-06)
- recorded at:
- Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1960-06)
- recording of:
- h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (in 1960-06)
- composed in:
- Leipzig, Sachsen , Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 7:02 |
| 15 | B Minor Mass: Chorus. Dona nobis pacem- recording engineer:
- John Crawford
- producer:
- Daniel Slick
- choir vocals:
- Robert Shaw Chorale (in 1960-06)
- orchestra:
- Robert Shaw Orchestra (in 1960-06)
- conductor:
- Robert Shaw (in 1960-06)
- recorded at:
- Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1960-06)
- recording of:
- h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (in 1960-06)
- composed in:
- Leipzig, Sachsen , Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Dona nobis pacem
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 3:56 |
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