Jazz Piano Masters

~ Release by Bud Powell (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
#TitleRatingLength
1So Sorry Please
recorded in:
New York, New York, United States (in 1950-02)
producer:
Norman Granz
double bass:
Curley Russell (in 1950-02)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (in 1950-02)
piano:
Bud Powell (in 1950-02)
recording of:
So Sorry Please (in 1950-02)
composer:
Bud Powell
3:16
2Get Happy
recorded in:
New York, New York, United States (in 1950-02)
producer:
Norman Granz
double bass:
Curley Russell (in 1950-02)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (in 1950-02)
piano:
Bud Powell (in 1950-02)
instrumental recording of:
Get Happy (in 1950-02)
lyricist:
Ted Koehler (in 1929)
composer:
Harold Arlen (in 1929)
publisher:
Chappell & Co., Inc. (USA), Francis, Day & Hunter Ltd., Redwood Music Ltd. (Carlin), Remick Music Corp., S.A. Music Co. and Warner Bros. Music (publisher; do NOT use as release label)
part of:
Summer Stock
part of:
The Nine‐Fifteen Revue (1930)
2:52
3Sometimes I'm Happy
recorded in:
New York, New York, United States (in 1950-02)
producer:
Norman Granz
double bass:
Curley Russell (in 1950-02)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (in 1950-02)
piano:
Bud Powell (in 1950-02)
instrumental recording of:
Sometimes I’m Happy (in 1950-02)
lyricist:
Vincent Youmans
composer:
Irving Caesar
publisher:
Harms, Inc.
part of:
Hit the Deck (1927 musical)
part of:
Hit the Deck (1955 movie)
3:38
4Sweet Georgia Brown
recorded in:
New York, New York, United States (in 1950-02)
producer:
Norman Granz
double bass:
Curley Russell (in 1950-02)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (in 1950-02)
piano:
Bud Powell (in 1950-02)
instrumental recording of:
Sweet Georgia Brown (in 1950-02)
lyricist:
Kenneth Casey (in 1925)
composer:
Ben Bernie (in 1925) and Maceo Pinkard (in 1925)
publisher:
Francis Day (publisher), Remick Music Corp. and Warner Bros. Music (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
2:50
5Yesterdays
2:48
6April in Paris
recorded in:
New York, New York, United States (in 1950-02)
producer:
Norman Granz
double bass:
Curley Russell (in 1950-02)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (in 1950-02)
piano:
Bud Powell (in 1950-02)
recording of:
April in Paris (in 1950-02)
lyricist:
Yip Harburg (in 1932)
composer:
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
part of:
The Real Book (compilation of jazz standards, volume I)
instrumental recording of:
April in Paris (in 1950-02)
lyricist:
Yip Harburg (in 1932)
composer:
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
part of:
The Real Book (compilation of jazz standards, volume I)
3:08
7Fine and Dandy (take 1)
recorded in:
New York, New York, United States (on 1950-01-26)
double bass:
Curley Russell (on 1950-01-26)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1950-01-26)
piano:
Bud Powell (on 1950-01-26)
tenor saxophone:
Sonny Stitt (on 1950-01-26)
instrumental recording of:
Fine and Dandy (on 1950-01-26)
lyricist:
Paul James (Lyricist, aka James Warburg)
composer:
Kay Swift
publisher:
Warner Bros., Inc. (Warner Bros. Music Division) and WC Music Corp.
2:43
8Fine and Dandy (take 2)
recorded in:
New York, New York, United States (on 1950-01-26)
double bass:
Curley Russell (on 1950-01-26)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1950-01-26)
piano:
Bud Powell (on 1950-01-26)
tenor saxophone:
Sonny Stitt (on 1950-01-26)
instrumental recording of:
Fine and Dandy (on 1950-01-26)
lyricist:
Paul James (Lyricist, aka James Warburg)
composer:
Kay Swift
publisher:
Warner Bros., Inc. (Warner Bros. Music Division) and WC Music Corp.
2:42
9Strike Up the Band
3:27
10I Want to Be Happy
3:12
11Taking a Chance on Love
2:35
12Tea for Two
piano:
Bud Powell
4:15
13Hallelujah
recorded in:
New York, New York, United States (on 1950-07-01)
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (on 1950-07-01)
drums (drum set):
Buddy Rich (on 1950-07-01)
piano:
Bud Powell (on 1950-07-01)
recording of:
Hallelujah! (on 1950-07-01)
lyricist:
Clifford Grey (in 1927) and Leo Robin (US composer, lyricist & songwriter) (in 1927)
composer:
Vincent Youmans (in 1927)
part of:
Hit the Deck (1955 movie)
3:01
14Parisian
recorded in:
New York, New York, United States (in 1951-02)
producer:
Norman Granz
piano:
Bud Powell (in 1951-02)
recording of:
Parisian Thoroughfare (in 1951-02)
composer:
Bud Powell
2:30
15Oblivion
recorded in:
New York, New York, United States (in 1951-02)
producer:
Norman Granz
piano:
Bud Powell (in 1951-02)
recording of:
Oblivion (in 1951-02)
composer:
Bud Powell
2:10
16Dusk in Sand
2:15
17Hallucinations
recorded in:
New York, New York, United States (in 1951-02)
solo piano:
Buddy Rich (in 1951-02)
recording of:
Hallucinations (in 1951-02)
composer:
Bud Powell
publisher:
Embassy Music Corporation
2:25
18The Fruit
recorded in:
New York, New York, United States (in 1951-02)
producer:
Norman Granz
piano:
Bud Powell (in 1951-02)
recording of:
The Fruit (in 1951-02)
composer:
Bud Powell
3:19
19A Nightingale in Berkeley Square
recorded in:
New York, New York, United States (in 1951-02)
producer:
Norman Granz
piano:
Bud Powell (in 1951-02)
recording of:
A Nightingale Sang in Berkeley Square (in 1951-02)
lyricist:
Eric Maschwitz (Holt Marvell)
composer:
Manning Sherwin (in 1939)
publisher:
Colgems-EMI Music Inc., Peter Maurice Music Co. Ltd. and Shapiro, Bernstein & Co., Inc.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
3:41
20Just One of Those Things
recorded in:
New York, New York, United States (in 1951-02)
producer:
Norman Granz
piano:
Bud Powell (in 1951-02)
instrumental recording of:
Just One of Those Things (in 1951-02)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
3:52
21The Last Time I Saw Paris
recorded in:
New York, New York, United States (in 1951-02)
producer:
Norman Granz
piano:
Bud Powell (in 1951-02)
recording of:
The Last Time I Saw Paris (in 1951-02)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Jerome Kern
part of:
The 14th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1941 winner)
3:16