Live In New York

~ Release by Nektar (see all versions of this release, 5 available)

Annotation

"Remember the Future (Part One)" is listed as a single track on the cover but on the medium it is actually split in two parts. According to user @jerry1970 there was a power cut during the performance of that song. The band continued where they left off after power was restored. On some releases, the power cut is cut out and the two sections are joined but here the song is represented in two parts as performed.

Annotation last modified on 2020-03-15 09:10 UTC.

Tracklist

1▶SACD
2▼SACD
#TitleRatingLength
1A Day in the Life of a Preacher
engineer:
Dale Ashby
mixer:
Paschal Byrne and Mark Powell (reissue producer, recordings label manager, music journalist and freelance catalogue consultant)
bass guitar and mellotron:
Derek “Mo” Moore (on 1974-09-11)
drums (drum set) and percussion:
Ron Howden (on 1974-09-11)
effects:
Mick Brockett (on 1974-09-11)
guitar:
Roye Albrighton (on 1974-09-11)
keyboard:
Allan “Taff” Freeman (on 1974-09-11)
vocals:
Roye Albrighton (on 1974-09-11), Allan “Taff” Freeman (on 1974-09-11) and Derek “Mo” Moore (on 1974-09-11)
recorded at:
Nektar Live In New York 1974 (1974-09-28)
recorded at:
Brooklyn Academy of Music in Brooklyn, New York, New York, United States (on 1974-09-11)
live recording of:
A Day in the Life of a Preacher (on 1974-09-11)
writer:
Nektar (English progressive rock band)
15:42
2Desolation Valley
engineer:
Dale Ashby
mixer:
Paschal Byrne and Mark Powell (reissue producer, recordings label manager, music journalist and freelance catalogue consultant)
bass guitar and mellotron:
Derek “Mo” Moore (on 1974-09-11)
drums (drum set) and percussion:
Ron Howden (on 1974-09-11)
effects:
Mick Brockett (on 1974-09-11)
guitar:
Roye Albrighton (on 1974-09-11)
keyboard:
Allan “Taff” Freeman (on 1974-09-11)
vocals:
Roye Albrighton (on 1974-09-11), Allan “Taff” Freeman (on 1974-09-11) and Derek “Mo” Moore (on 1974-09-11)
recorded at:
Nektar Live In New York 1974 (1974-09-28)
recorded at:
Brooklyn Academy of Music in Brooklyn, New York, New York, United States (on 1974-09-11)
live recording of:
Desolation Valley (on 1974-09-11)
writer:
Nektar (English progressive rock band)
9:57
3Remember the Future Part Two
engineer:
Dale Ashby
mixer:
Paschal Byrne and Mark Powell (reissue producer, recordings label manager, music journalist and freelance catalogue consultant)
bass guitar and mellotron:
Derek “Mo” Moore (on 1974-09-11)
drums (drum set) and percussion:
Ron Howden (on 1974-09-11)
effects:
Mick Brockett (on 1974-09-11)
guitar:
Roye Albrighton (on 1974-09-11)
keyboard:
Allan “Taff” Freeman (on 1974-09-11)
vocals:
Roye Albrighton (on 1974-09-11), Allan “Taff” Freeman (on 1974-09-11) and Derek “Mo” Moore (on 1974-09-11)
recorded at:
Nektar Live In New York 1974 (1974-09-28)
recorded at:
Brooklyn Academy of Music in Brooklyn, New York, New York, United States (on 1974-09-11)
live recording of:
Remember the Future, Part 2 (on 1974-09-11)
writer:
Nektar (English progressive rock band)
8:15
4I Can See You
engineer:
Dale Ashby
mixer:
Paschal Byrne and Mark Powell (reissue producer, recordings label manager, music journalist and freelance catalogue consultant)
bass guitar and mellotron:
Derek “Mo” Moore (on 1974-09-11)
drums (drum set) and percussion:
Ron Howden (on 1974-09-11)
effects:
Mick Brockett (on 1974-09-11)
guitar:
Roye Albrighton (on 1974-09-11)
keyboard:
Allan “Taff” Freeman (on 1974-09-11)
vocals:
Roye Albrighton (on 1974-09-11), Allan “Taff” Freeman (on 1974-09-11) and Derek “Mo” Moore (on 1974-09-11)
recorded at:
Nektar Live In New York 1974 (1974-09-28)
recorded at:
Brooklyn Academy of Music in Brooklyn, New York, New York, United States (on 1974-09-11)
live recording of:
I Can See You (on 1974-09-11)
writer:
Nektar (English progressive rock band)
7:44
5King of Twilight
engineer:
Dale Ashby
mixer:
Paschal Byrne and Mark Powell (reissue producer, recordings label manager, music journalist and freelance catalogue consultant)
bass guitar and mellotron:
Derek “Mo” Moore (on 1974-09-11)
drums (drum set) and percussion:
Ron Howden (on 1974-09-11)
effects:
Mick Brockett (on 1974-09-11)
guitar:
Roye Albrighton (on 1974-09-11)
keyboard:
Allan “Taff” Freeman (on 1974-09-11)
vocals:
Roye Albrighton (on 1974-09-11), Allan “Taff” Freeman (on 1974-09-11) and Derek “Mo” Moore (on 1974-09-11)
recorded at:
Nektar Live In New York 1974 (1974-09-28)
recorded at:
Brooklyn Academy of Music in Brooklyn, New York, New York, United States (on 1974-09-11)
live recording of:
Crying in the Dark (on 1974-09-11)
writer:
Nektar (English progressive rock band)
live recording of:
King of Twilight (on 1974-09-11)
writer:
Nektar (English progressive rock band)
10:01
6Woman Trouble
engineer:
Dale Ashby
mixer:
Paschal Byrne and Mark Powell (reissue producer, recordings label manager, music journalist and freelance catalogue consultant)
bass guitar and mellotron:
Derek “Mo” Moore (on 1974-09-11)
drums (drum set) and percussion:
Ron Howden (on 1974-09-11)
effects:
Mick Brockett (on 1974-09-11)
guitar:
Roye Albrighton (on 1974-09-11)
keyboard:
Allan “Taff” Freeman (on 1974-09-11)
vocals:
Roye Albrighton (on 1974-09-11), Allan “Taff” Freeman (on 1974-09-11) and Derek “Mo” Moore (on 1974-09-11)
recorded at:
Nektar Live In New York 1974 (1974-09-28)
recorded at:
Brooklyn Academy of Music in Brooklyn, New York, New York, United States (on 1974-09-11)
live recording of:
Woman Trouble (on 1974-09-11)
writer:
Nektar (English progressive rock band)
4:08
7Medley: Johnny B. Goode / Sweet Little Rock and Roller / Blue Suede Shoes / Whole Lotta Shakin’ Goin’ On
engineer:
Dale Ashby
mixer:
Paschal Byrne and Mark Powell (reissue producer, recordings label manager, music journalist and freelance catalogue consultant)
bass guitar and mellotron:
Derek “Mo” Moore (on 1974-09-11)
drums (drum set) and percussion:
Ron Howden (on 1974-09-11)
effects:
Mick Brockett (on 1974-09-11)
guitar:
Roye Albrighton (on 1974-09-11)
keyboard:
Allan “Taff” Freeman (on 1974-09-11)
vocals:
Roye Albrighton (on 1974-09-11), Allan “Taff” Freeman (on 1974-09-11) and Derek “Mo” Moore (on 1974-09-11)
recorded at:
Nektar Live In New York 1974 (1974-09-28)
recorded at:
Brooklyn Academy of Music in Brooklyn, New York, New York, United States (on 1974-09-11)
live cover recording of:
Medley: Johnny B. Goode / Sweet Little Rock & Roller / Blue Suede Shoes / Whole Lotta Shakin’ Goin’ On (Live In New York 1974-09-28) (on 1974-09-11)
medley of:
Johnny B. Goode
medley of:
Sweet Little Rock and Roller
medley of:
Blue Suede Shoes
medley of:
Whole Lotta Shakin’ Goin’ On
6:53
8Fidgety Queen
engineer:
Dale Ashby
mixer:
Paschal Byrne and Mark Powell (reissue producer, recordings label manager, music journalist and freelance catalogue consultant)
bass guitar and mellotron:
Derek “Mo” Moore (on 1974-09-11)
drums (drum set) and percussion:
Ron Howden (on 1974-09-11)
effects:
Mick Brockett (on 1974-09-11)
guitar:
Roye Albrighton (on 1974-09-11)
keyboard:
Allan “Taff” Freeman (on 1974-09-11)
vocals:
Roye Albrighton (on 1974-09-11), Allan “Taff” Freeman (on 1974-09-11) and Derek “Mo” Moore (on 1974-09-11)
recorded at:
Nektar Live In New York 1974 (1974-09-28)
recorded at:
Brooklyn Academy of Music in Brooklyn, New York, New York, United States (on 1974-09-11)
live recording of:
Fidgety Queen (on 1974-09-11)
writer:
Nektar (English progressive rock band)
5:51
9A Day in the Life of a Preacher (5.1 mix)
engineer:
Dale Ashby
mixer:
Paschal Byrne and Mark Powell (reissue producer, recordings label manager, music journalist and freelance catalogue consultant)
bass guitar and mellotron:
Derek “Mo” Moore (on 1974-09-11)
drums (drum set) and percussion:
Ron Howden (on 1974-09-11)
effects:
Mick Brockett (on 1974-09-11)
guitar:
Roye Albrighton (on 1974-09-11)
keyboard:
Allan “Taff” Freeman (on 1974-09-11)
vocals:
Roye Albrighton (on 1974-09-11), Allan “Taff” Freeman (on 1974-09-11) and Derek “Mo” Moore (on 1974-09-11)
recorded at:
Nektar Live In New York 1974 (1974-09-28)
recorded at:
Brooklyn Academy of Music in Brooklyn, New York, New York, United States (on 1974-09-11)
live recording of:
A Day in the Life of a Preacher (on 1974-09-11)
writer:
Nektar (English progressive rock band)
15:42
10Desolation Valley (5.1 mix)
engineer:
Dale Ashby
mixer:
Paschal Byrne and Mark Powell (reissue producer, recordings label manager, music journalist and freelance catalogue consultant)
bass guitar and mellotron:
Derek “Mo” Moore (on 1974-09-11)
drums (drum set) and percussion:
Ron Howden (on 1974-09-11)
effects:
Mick Brockett (on 1974-09-11)
guitar:
Roye Albrighton (on 1974-09-11)
keyboard:
Allan “Taff” Freeman (on 1974-09-11)
vocals:
Roye Albrighton (on 1974-09-11), Allan “Taff” Freeman (on 1974-09-11) and Derek “Mo” Moore (on 1974-09-11)
recorded at:
Nektar Live In New York 1974 (1974-09-28)
recorded at:
Brooklyn Academy of Music in Brooklyn, New York, New York, United States (on 1974-09-11)
live recording of:
Desolation Valley (on 1974-09-11)
writer:
Nektar (English progressive rock band)
9:57
11Remember the Future (Part Two) (5.1 mix)
engineer:
Dale Ashby
mixer:
Paschal Byrne and Mark Powell (reissue producer, recordings label manager, music journalist and freelance catalogue consultant)
bass guitar and mellotron:
Derek “Mo” Moore (on 1974-09-11)
drums (drum set) and percussion:
Ron Howden (on 1974-09-11)
effects:
Mick Brockett (on 1974-09-11)
guitar:
Roye Albrighton (on 1974-09-11)
keyboard:
Allan “Taff” Freeman (on 1974-09-11)
vocals:
Roye Albrighton (on 1974-09-11), Allan “Taff” Freeman (on 1974-09-11) and Derek “Mo” Moore (on 1974-09-11)
recorded at:
Nektar Live In New York 1974 (1974-09-28)
recorded at:
Brooklyn Academy of Music in Brooklyn, New York, New York, United States (on 1974-09-11)
live recording of:
Remember the Future, Part 2 (on 1974-09-11)
writer:
Nektar (English progressive rock band)
8:15
12I Can See You (5.1 mix)
engineer:
Dale Ashby
mixer:
Paschal Byrne and Mark Powell (reissue producer, recordings label manager, music journalist and freelance catalogue consultant)
bass guitar and mellotron:
Derek “Mo” Moore (on 1974-09-11)
drums (drum set) and percussion:
Ron Howden (on 1974-09-11)
effects:
Mick Brockett (on 1974-09-11)
guitar:
Roye Albrighton (on 1974-09-11)
keyboard:
Allan “Taff” Freeman (on 1974-09-11)
vocals:
Roye Albrighton (on 1974-09-11), Allan “Taff” Freeman (on 1974-09-11) and Derek “Mo” Moore (on 1974-09-11)
recorded at:
Nektar Live In New York 1974 (1974-09-28)
recorded at:
Brooklyn Academy of Music in Brooklyn, New York, New York, United States (on 1974-09-11)
live recording of:
I Can See You (on 1974-09-11)
writer:
Nektar (English progressive rock band)
7:44
13King of Twilight (5.1 mix)
engineer:
Dale Ashby
mixer:
Paschal Byrne and Mark Powell (reissue producer, recordings label manager, music journalist and freelance catalogue consultant)
bass guitar and mellotron:
Derek “Mo” Moore (on 1974-09-11)
drums (drum set) and percussion:
Ron Howden (on 1974-09-11)
effects:
Mick Brockett (on 1974-09-11)
guitar:
Roye Albrighton (on 1974-09-11)
keyboard:
Allan “Taff” Freeman (on 1974-09-11)
vocals:
Roye Albrighton (on 1974-09-11), Allan “Taff” Freeman (on 1974-09-11) and Derek “Mo” Moore (on 1974-09-11)
recorded at:
Nektar Live In New York 1974 (1974-09-28)
recorded at:
Brooklyn Academy of Music in Brooklyn, New York, New York, United States (on 1974-09-11)
live recording of:
Crying in the Dark (on 1974-09-11)
writer:
Nektar (English progressive rock band)
live recording of:
King of Twilight (on 1974-09-11)
writer:
Nektar (English progressive rock band)
10:01
14Woman Trouble (5.1 mix)
engineer:
Dale Ashby
mixer:
Paschal Byrne and Mark Powell (reissue producer, recordings label manager, music journalist and freelance catalogue consultant)
bass guitar and mellotron:
Derek “Mo” Moore (on 1974-09-11)
drums (drum set) and percussion:
Ron Howden (on 1974-09-11)
effects:
Mick Brockett (on 1974-09-11)
guitar:
Roye Albrighton (on 1974-09-11)
keyboard:
Allan “Taff” Freeman (on 1974-09-11)
vocals:
Roye Albrighton (on 1974-09-11), Allan “Taff” Freeman (on 1974-09-11) and Derek “Mo” Moore (on 1974-09-11)
recorded at:
Nektar Live In New York 1974 (1974-09-28)
recorded at:
Brooklyn Academy of Music in Brooklyn, New York, New York, United States (on 1974-09-11)
live recording of:
Woman Trouble (on 1974-09-11)
writer:
Nektar (English progressive rock band)
4:08
15Medley: Johnny B. Goode / Sweet Little Rock and Roller / Blue Suede Shoes / Whole Lotta Shakin’ Goin’ On (5.1 mix)
engineer:
Dale Ashby
mixer:
Paschal Byrne and Mark Powell (reissue producer, recordings label manager, music journalist and freelance catalogue consultant)
bass guitar and mellotron:
Derek “Mo” Moore (on 1974-09-11)
drums (drum set) and percussion:
Ron Howden (on 1974-09-11)
effects:
Mick Brockett (on 1974-09-11)
guitar:
Roye Albrighton (on 1974-09-11)
keyboard:
Allan “Taff” Freeman (on 1974-09-11)
vocals:
Roye Albrighton (on 1974-09-11), Allan “Taff” Freeman (on 1974-09-11) and Derek “Mo” Moore (on 1974-09-11)
recorded at:
Nektar Live In New York 1974 (1974-09-28)
recorded at:
Brooklyn Academy of Music in Brooklyn, New York, New York, United States (on 1974-09-11)
live cover recording of:
Medley: Johnny B. Goode / Sweet Little Rock & Roller / Blue Suede Shoes / Whole Lotta Shakin’ Goin’ On (Live In New York 1974-09-28) (on 1974-09-11)
medley of:
Johnny B. Goode
medley of:
Sweet Little Rock and Roller
medley of:
Blue Suede Shoes
medley of:
Whole Lotta Shakin’ Goin’ On
6:53
16Fidgety Queen (5.1 mix)
engineer:
Dale Ashby
mixer:
Paschal Byrne and Mark Powell (reissue producer, recordings label manager, music journalist and freelance catalogue consultant)
bass guitar and mellotron:
Derek “Mo” Moore (on 1974-09-11)
drums (drum set) and percussion:
Ron Howden (on 1974-09-11)
effects:
Mick Brockett (on 1974-09-11)
guitar:
Roye Albrighton (on 1974-09-11)
keyboard:
Allan “Taff” Freeman (on 1974-09-11)
vocals:
Roye Albrighton (on 1974-09-11), Allan “Taff” Freeman (on 1974-09-11) and Derek “Mo” Moore (on 1974-09-11)
recorded at:
Nektar Live In New York 1974 (1974-09-28)
recorded at:
Brooklyn Academy of Music in Brooklyn, New York, New York, United States (on 1974-09-11)
live recording of:
Fidgety Queen (on 1974-09-11)
writer:
Nektar (English progressive rock band)
5:51